Song of the Day: GWAR – The One That Will Not Be Named


In the past, I have always taken the opportunity on Halloween to feature some song or compilation respectful towards the pagan roots of the holiday. Halloween is, after all, a celebration of all those things traditionally taboo in a society which derives its moral perspective from Christianity.

Not this year. In honor of the late, great Dave Brockie, who passed away earlier this year, I offer you the grand finale of the most epic B-side horror-comedy album in the history of heavy metal. On Beyond Hell, GWAR are forced to retreat underground when their fortress in Antarctica is nuked and overrun by a global military task force (“War is All We Know”). They happen to stumble their way into Hell, and decide to spend their time in exile overthrowing Satan and claiming his armies to reconquer Earth. “The One That Will Not Be Named” is their final confrontation with Satan:

We’ve crossed creviced chasms vast,
And endless plains of unshaven ass.
Our time in Hell draws to the last!
We call upon the Master of the Pit:
“Have you got a toilet? I must take a shit!”
“Open your gates, Lord of Hate,”
“Or your front porch is gonna get it!”

“Very well, I’ll use my sword.”
“It’s very good as smashing doors.”
“We call you out!”
“Overrated Overlord!”

The root of all evil and hatred and shame,
So many victims, so many names,
But they are all the same.
“Ereshkigal!”
“Charun!”
“Helel ben-Shachar!”
“Lucifer! Satan! We know who you are!”

He is the one who will not be named
He is the one who will not be blamed

The realm of the sun we have left far behind,
And damned in the darkness we’ve groped with the blind.
Cannot remember time.
“We summon the Lord of Hell”
“So come forth now! I have your smell!”
“Cologne?! Cheap shit, and lots of it!”

He is the one who will not be named
He is the one who will not be blamed
He is the one that is turning the screws
The Lord of the Underworld. Let’s give the Devil his due!

(Lucifer): Welcome, GWAR, to my domain.
It’s nice to be called on by so many names.
What’s this I hear about you kicking my ass?

(In the live show, this is where Oderus fights a guy in an eight or nine foot tall Satan costume and chops his head off, drenching the audience in fake blood.)

He is the one who will not be named
He is the one who will not be blamed
He is the one that is turning the screws
The Lord of the Underworld. Let’s give the Devil his due!

We crossed chasms vast…
and endless ass…
Our time in Hell draws to the last.
The Legions of Hell lay broken and shorn.
The brothers of GWAR have slain through the storm.
The gate, it is riven. The Master is slain.
The fortress of GWAR is now ripe to reclaim.

We wasted Hell in the name of GWAR!
Though we really don’t know where we are…..

Happy Halloween everyone!

Horror Song of the Day: Ave Satani (by Jerry Goldsmith)


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One cannot think of horror and not bring up Richard Donner’s The Omen. A film made during the turbulent late 1970’s when the world was literally on the brink of ripping itself apart. The Omen was a film that told the tale of the birth of the Anti-Christ which would herald the coming of the Apocalypse. Outside of William Friedkin’s The Exorcist there wasn’t a film during this era which put the fear of God’s Judgment on the faithful than The Omen.

It helped that it’s own film score was determined to hammer the point of it’s blasphemous subject matter by taking one of the most holy rituals in Roman Catholicism and inverting it to praise Satan instead of the Virgin Mary. Jerry Goldsmith took the rite of consecration and came up with what one could call the rite of desecration for a purported Black Mass.

One must say that “Ave Satani” was all the creation of Jerry Goldsmith and a fellow choir-master in London. This was a work of art created to accompany a film that some would label art as well, but for some whose own faith has superseded all thoughts of art appreciation “Ave Satani” was very real and was a real danger to one’s eternal soul.

I will say that it’s an effective use of the Gregorian chant and more than just a tad hair-raising.

Ave Satani

Sanguis bibimus
Corpus edibus
Sanguis bibimus
Corpus edibus
Sanguis bibimus
Corpus edibus
Rolle corpus Satani, ave
Sanguis bibimus
Corpus edibus
Rolle corpus Satani, ave

Ave, ave, versus Christus
Ave, ave, versus Christus
Ave, ave, versus Christus

Ave Satani
Sanguis bibimus
Corpus edibus
Rolle corpus Satani,
Satani, Satani

Ave, ave, Satani

Horror Song of the Day: It Was Always You, Helen from Candyman (by Phillip Glass)


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Latest Horror Song of the Day comes courtesy of one Phillip Glass who was tasked with composing the film score for the film adaptation of Clive Barker’s short story “The Forbidden”. The film would become Candyman.

“It Was Always You, Helen” becomes the film’s overarching theme throughout the film. Unlike other horror themes before it, the one created by Glass for Candyman highlighted the Southern Gothic backstory of the title character and the origins of the Candyman legend. It’s been called a minimalist score, yet it’s selling the film score short, especially this theme. While Glass has become famous for his work within the minimalist music movement he actually created a very symphonic score, albeit one which focused on subtlety over bombastic.

While listened on it’s own doesn’t evoke any sort of shivers up one’s arms and back, this theme will bring about such feeling of supernatural dread when paired with the film. It’s a shame that Phillip Glass doesn’t do more horror film scores because this theme and the score for the film shows that he has a knack for it.

Horror Song of the Day: Theme from The Fog (by John Carpenter)


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It’s that time of year again for the gang here at Through the Shattered Lens. October has become a sort of official month for the site with much of the posts and articles being related in some manner to all things horror (or close enough to it).

To start off 2014’s Horror Month here at Through the Shattered Lens I’ve chosen a wonderful and creepy piece of horror film music courtesy of the Master himself, John Carpenter.

It’s a great piece of atmospheric music that more than adds to the encroaching horror that is the film’s title. John Carpenter has done most of the soundtracks to his films and his use of electronic keyboards and synthesizers have become such a unique signature in all his films. The last couple years have seen a sort of revival for Carpenter’s type of electronic/synthesizer compositions. One recent film which made great use of this particular style was Jim Mickle’s Cold In July.

The theme to The Fog remains a favorite of horror fans and its influence on filmmakers today is a nice testament to well-earned classic status.

Song of the Day: The Power of Love (by Huey Lewis and the News)


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I had no choice in the matter. The moment Lisa Marie posted her review of Back to the Future as part of her “Back to School” review series I had no choice but to post the latest “Song of the Day” in honor of her latest review.

The latest featured song is none other than the best-selling single from the Back to the Future soundtrack (one I owned and treasured growing up to the point I wore out that vinyl) by the S.F.-based rock band Huey Lewis and the News. The song is “The Power of Love” and I must admit that I pretty much know this song by heart and can belt it out pretty well. Give me enough alcohol and I’m more than likely request it as the next karaoke song and I’ll grab that mic stand and channel my inner Huey Lewis.

This song may not be metal, but it definitely was a sound of the 80’s and I’d be hard pressed to find anyone who lived during the 1980’s and not have heard this song.

The Power of Love

The power of love is a curious thing
make a one man weep, make another man sing
Change a hawk to a little white dove
more than a feeling, that’s the power of love

Tougher than diamonds, rich like cream
Stronger and harder than a bad girl’s dream
make a bad one good make a wrong one right
power of love that keeps you home at night

Chorus 1 :
You don’t need money, don’t take fame
Don’t need no credit card to ride this train
It’s strong and it’s sudden and it’s cruel sometimes
but it might just save your life
That’s the power of love
That’s the power of love

First time you feel it, it might make you sad
Next time you feel it it might make you mad
But you’ll be glad baby when you’ve found
that’s the power makes the world go’round

Chorus 2 :
And it don’t take money, don’t take fame
don’t need no credit card to ride this train
It’s strong and it’s sudden it can be cruel sometimes
but it might just save your life

They say that all in love is fair
yeah, but you don’t care
But you know what to do
when it gets hold of you
and with a little help from above
you feel the power of love
you feel the power of love
Can you feel it ?
Hmmm

Chorus 3 :
It don’t take money and it don’t take fame
don’t need no credit card to ride this train
Tougher than diamonds and stronger than steel
you won’t feel nothin’ till you feel
you feel the power, just FEEL the power of love
That’s the power, that’s the power of love
You feel the power of love
you feel the power of love
feel the power of love

Song of the Day: A Bridge Too Far Overture (by John Addison)


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John Addison’s film score for Sir Richard Attenborough’s military epic, A Bridge Too Far, has become as recognizable and as iconic as the film itself. One particular piece of music from the film that anyone who has watched in full and/or passing this great film is today’s “Song of the Day”.

The title track is “A Bridge Too Far Overture” and it’s ever present melody becomes the leitmotif for the entire film. It starts off quite celebratory in the beginning then gradually becomes melancholy and defeating as it helps set the tone and gives a sense of the tragedy to come from a very victorious beginning.

As someone who has enjoyed and studied films which depict important military events in history this song remains as one of my favorite and I can catch myself humming or whistling the tune whenever I hear it play as the film plays on the TV.

Song of the Day: Come And Get Your Love (by Redbone)


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My review of one of my favorite films of 2014 has been late in arriving, but it shall arrive soon. Soon, I says!

Until then here’s one of Lisa’s favorite songs from Guardians of the Galaxy. It plays pretty much early on in the film and, according to her, was the moment she fell in love with the film.

Alien lizard mic!

Come And Get Your Love

Hey (hey) What’s the matter with your head? yeah…
Hey (hey) What’s the matter with your mind and your sign?
And-a ooh-ohh
Hey (hey) Nothin’s a matter with your head, baby, find it
Come on and find it
Hell, with it, baby, ’cause you’re fine and you’re mine
And you look so divine

Come and get your love
Come and get your love
Come and get your love
Come and get your love

Hey (hey) What’s the matter with your feel right?
Don’t you feel right, baby?
Hey, oh, yeah, get it from the main line, alright
I said-a find it, find it, darling, love it
If you like it, yeah-eh
Hey (hey) It’s your business if you want some
Take some, get it together, baby

Come and get your love
Come and get your love
Come and get your love
Come and get your love

Come and get your love, come and get your love
Come and get your love, now
Come and get your love, come and get your love
Come and get your love, now
Come and get your love, come and get your love
Come and get your love, now
Come and get your love, come and get your love
Come and get your love, now

Come and get your love
Come and get your love
Come and get your love
Come and get your love

Hey (hey) What’s the matter with your feel right?
Don’t you feel right, baby?
Hey, oh, yeah, get it from the main vine, alright

La,la,la,la,la,la, (come and get your love)
La,la,la,la,la,la, (come and get your love)
La,la,la,la,la,la, (come and get your love)
La,la,la,la,la,la, (come and get your love)
La,la.la,la,la,la,la,la,la (come and get your love)
La,la.la,la,la,la,la,la,la (come and get your love)
La,la.la,la,la,la, (come and get

Song of the Day: I Want You Back (by The Jackson 5)


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One of the great classic R&B songs also happens to be today’s late “Song of the Day.”

The song “I Want You Back” by The Jackson 5 is not just a great song but also reminds us that, through all the scandal and absurdity which that became Michael Jackson’s adulthood, he was a great singer and performer and none more so than when he was fronting his band of brothers.

I also picked this song for another reason that seems so out of left field (which it is), but also fit in so perfectly to end two hours of an enjoyable time at the cinemas. James Gunn had personally picked the classic 70’s songs that would be part of mixtape for Guardians of the Galaxy. One such song is The Jackson 5’s “I Want You Back” and it’s use and timely appearance in the film also marks one of it’s most adoring sequences.

I know for a fact that site co-founder Lisa Marie Bowman will love not just this song but the scene it gets attached too.

I Want You Back

Let me tell you now

When I had you to myself
I didn’t want you around
Those pretty faces always made you
Stand out in a crowd

But someone picked you from the bunch
One glance was all it took
Now it’s much too late for me
To take a second look

Oh baby, give me one more chance
(To show you that I love you)
Won’t you please let me
Back in your heart

Oh darling, I was blind to let you go
(Let you go, baby)
But now since I see you in his arms
(I want you back)

Yes I do now (I want you back)
Ooh, ooh baby (I want you back)
Yeah, yeah, yeah, yeah (I want you back)
Na na na na

Trying to live without your love
Is one long sleepless night
Let me show you, girl
That I know wrong from right

Every street you walk on
I leave tear stains on the ground
Following the girl
I didn’t even want around
Let me tell you now

Oh baby, all I need is one more chance
(To show you that I love you)
Won’t you please let me
Back in your heart

Oh darlin’, I was blind to let you go
(Let you go baby)
But now since I see you in his arms, uh huh

A buh buh buh buh
A buh buh buh buh
All I want
A buh buh buh buh
All I need
A buh buh buh buh
All I want
A buh buh buh buh
All I need

Oh, just one more chance
To show you that I love you
Baby (baby), baby (baby), baby (baby)

(I want you back)
Forget what happened then
And let me live again

Oh baby, I was blind to let you go
But now since I see you in his arms
(I want you back)
Spare me of this cause
Gimme back what I lost

Oh baby, I need one more chance, ha
I tell ya that I love you
Baby, ow, baby, baby
I want you back
I want you back

Song of the Day: Spirit in the Sky (performed by Norman Greenbaum)


To be honest,  there is really only one reason why Spirit In The Sky is today’s song of the day and that’s that it happens to be so very stuck in my head!  I’ve seen the trailer for Guardians of the Galaxy a few dozen times and I now not only hear Spirit in the Sky when I close my eyes but I also end up picturing a surly raccoon walking down a hallway with a tree-like creature that repeatedly says, “I am Groot.”

And that’s not a bad thing at all!

Believe it or not, before I sat down to write this post, I actually did some research on the origin of the song.  And, of course, by research I mean that I looked the song up on Wikipedia and read the first half of the article.  Spirit in the Sky was written, recorded, and first released in 1969.  Norman Greenbaum mostly wrote it as a challenge to himself, to see if he, despite knowing nothing about gospel music, could write a gospel song.  As for the song’s distinctive “beep beep” fills, they were the result of a last minute improvisation by guitarist Russell Dashiell.  The end result, of course, was the world’s first psychedelic gospel song.

Finally, before Greenbaum recorded Spirit in The Sky, he apparently had a hit song called The Eggplant That Ate Chicago.

And who knows?  Maybe that song will be featured in the trailer for the sequel to Guardians of the Galaxy!

But for now, here is Norman Greenbaum’s Spirit in the Sky

Song of the Day: Cosmo Black (by Dynatron)


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Yesterday, Lisa Marie reviewed one of the film’s that I’ve been waiting to see in the theaters when I first saw the trailer for it a couple months ago. Lisa’s review of Cold In July has more than whetted my appetite to see this film. I mean it’s the latest from Jim Mickle who is starting to become one of my favorite genre filmmakers in the last ten years. It’s a film based on the novel of the same name by Joe R. Lansdale which is just a reason on top of the others reasons to go see this film.

While I haven’t seen the film yet I already have fallen in love with it’s soundtrack. One of the songs in the Cold In July soundtrack actually makes it into the trailer and it’s “Cosmo Black” by Dynatron. It’s a tune that evokes memories of 1980’s John Carpenter soundtracks with it’s heavy reliance on synthesizers and electronic keyboard. Any soundtrack that can make one reminisce about those classic 80’s Carpenter film scores must be doing something right.

So, until I get a chance to see the film for myself I might as well get a headstart and enjoy listening to the score to Cold In July.