I have to admit that watching and reviewing all of those Planet of the Apes films got me into a revolutionary state of mind. Taking that into consideration, here is today’s song of the day — The Revolution Will Not Be Televised by the late Gil Scott Heron.
Category Archives: Music
Song of the Day: Into the West (by Howard Shore feat. Annie Lennox)
This latest “Song of the Day” marks the final and third entry in the weekend-long theme of picking song and music from The Lord of the Rings Trilogy. What better choice to cap of this themed weekend than picking the final song to close out Peter Jackson’s fantasy epic: “Into the West”.
It’s this song as composed and arranged by the trilogy’s master composer, Howard Shore, featuring the vocal talents of singer Annie Lennox. Her work on this song was at times quite gentle and subdued with some strong vocals once the chorus arrives and repeats a second time. Some have complained that someone with more classical training would’ve been better suited to tackle this song, but I rather enjoyed Lennox’s powerful rendition of the chorus in the song.
“Into the West” is a song that’s both one of hope and a bittersweet lament as it speaks of the leaving of the Elf race on their Grey Ships to sail into the west towards Valinor. Some of the lyrics in the song even comes from sections of the final chapter of The Return of the King novel.
When this song played at the end of The Return of the King it surely brought more than just a few people to tears as it helped marked the end of three years of fantasy filmmaking which became a cultural phenomenon from 2001 through 2003 as the world became enraptured by Peter Jackson’s fantasy trilogy. What better song to end this weekend theme than the very song which ended the trilogy of which this weekend was all about.
Into the West
Lay down
Your sweet and weary head
Night is falling
You have come to journey’s end
Sleep now
And dream of the ones who came before
They are calling
From across a distant shore
Why do you weep?
What are these tears upon your face?
Soon you will see
All of your fears will pass away
Safe in my arms
You’re only sleeping
What can you see
On the horizon?
Why do the white gulls call?
Across the sea
A pale moon rises
The ships have come to carry you home
And all will turn
To silver-glass
A light on the water
All souls pass
Hope fades
Until the world of night
Through shadows’ falling
Out of memory and time
Don’t say
We have come now to the end
White shores are calling
You and I will meet again
And you’ll be here in my arms
Just sleeping
What can you see
On the horizon?
Why do the white gulls call?
Across the sea
A pale moon rises
The ships have come to carry you home
And all will turn
To silver-glass
A light on the water
Grey ships pass
Into the West
Song of the Day: Theoden Rides Forth (by Howard Shore)
For my chosen song from Howard Shore’s orchestral film score for Peter Jackson’s The Lord of the Rings: The Two Towers I picked the tune which starts off my favorite scene in from that film. This will be the latest song for “Song of the Day”.
“Theoden Rides Forth” begins with the scene of Theoden, Aragorn, Legolas and what remains of the Rohan cavalry riding out for one last time out of the Keep at Helm’s Deep into the thick of the Uruk-Hai forces. The song takes the “Rohan theme” first heard in the early part of the film, but with a heroic flair that transitions to full brass blaring the theme to great effect. The song then segues into a brief appearance of the “Fellowship theme” as Gandalf, Eomer and the Rohirrim appear to save their king and companions. From there the song brings in the “Shadowfax theme” with child soprano Ben Del Maestro providing the solo chorus as the charge comes down the steep incline and into the ranks of Uruk-Hai waiting below. But the song doesn’t end there as it moves into the follow-up scene using the “Nature theme” to show Treebeard and the Ents make their final march to war against Isengard.
This track from the score finishes off the two parallel story lines of Helm’s Deep and Isengard. The transitions in the song from one story line to the other were flawless. The fact that Shore was able to incorporate and combine so many different themes not just from this film but from the previous one shows an artist who is definitely a master of his craft. There’s no denying why “Theoden Rides Forth” became the best tune from the The Two Towers film score and why so many fans of the film and the score wholeheartedly agree.
Song of the Day: The Breaking of the Fellowship (by Howard Shore)
With my favorite scene from The Fellowship of the Ring chosen and posted it’s now time to pick my favorite piece of music from that film’s orchestral soundtrack. This was a soundtrack that I consider just one-third of a massive 12-hour symphony. The song I’ve chosen is actually a re-edited version of this film’s “Complete Recordings” release: “The Breaking of the Fellowship”.
Howard Shore’s work as composer for Peter Jackson’s monumental and epic (if there was ever a subject deserving of that overused word it would be Jackson’s fantasy trilogy) has been hailed by critics and fans alike as one of the best, if not the best, film score of the new millennium. Shore doesn’t go for the typical overly bombastic score that’s become the go-to style for epic films of any stripe. His work on this first third of the total Lord of the Rings score even manages to outdo John Williams’ own compositions for the other major fantasy series to come out the same year in Harry Potter and The Sorcerer Stone.
Where Williams’ had begun to partially cannibalize his own past film scores for his recent ones, Shore was able to look at what Jackson was creating and decided to base the entire score for The Fellowship of the Ring on three motifs which were airy, subtle with the loud and expressive brass section only appearing in one of these three. “The Breaking of the Fellowship” ends the film on a mixture of triumph and sadness as the track’s title describes. Shore takes the peaceful “hobbit theme” from the beginning of the film and combines it with the more rousing “Fellowship theme” then topped with as bonus with sections from the “Rivendell theme”. These three themes combine to highlight not just the breaking of the fellowship in the end of the film, but some sense of loss of innocence of the hobbits in the group as heard by a more somber and pensive rendition of the “hobbit theme”.
Of all the musical cues in The Fellowship of the Ring it’s the one which makes up “The Breaking of the Fellowship” that fully expresses the overall thematic and narrative themes of the film. It’s a song that tells the audience that the peaceful nature of the hobbits have now been tempered by their complete understanding of the exact nature of their fellowship’s quest. It also underscores how even in triumph the fellowship will encounter heartbreak and tragedy. These two themes will continue to be explore in the next two films and their respective score, but it’s in this first one that it truly shines.
AMV of the Day: Devil’s Game
The latest “AMV of the Day” is another one which is based on the mahou shoujo series, Puella Magi Madoka Magica. It’s become one of my favorite anime series of late and with each repeat viewing just increases my love for it. This latest anime music video takes that “magical girl” anime series and combines it with a symphonic rock song to create an AMV titled, “Devil’s Game”.
“Devil’s Game” is not just my latest pick for “AMV of the Day” but also the latest from AMV creator-extraordinaire Chiikaboom whose anime music video creations have always become instant favorites of mine. This latest really highlights the darkness that permeates throughout the anime series. For a mahou shoujo series, Puella Magi Madoka Magica get pretty dark and the subgenre as a whole uses themes of darkness to balance out the cute magical girl art design.
Within Temptation’s “A Demon’s Fate” is quite an appropriate song to use for this video. The series is all about Magi (magically-enhanced teen girls) fighting evil Witches to save the innocent people and the world. The series also includes Kyubey whose extremely cute appearance hides a secret that the song’s lyrics and title really meshes well with.
Chiikaboom’s editing of the video was not as extensive as some past ones which really comes and goes in rapid-fire fashion. For this video the editing and scene transitions matches very well with the bass drum sections in the song that it’s not noticeable at first glance, but really shows after repeat viewings. And it’s well-made AMV’s like this using scenes from this series that really should help sell Puella Magi Madoka Magica to the uninitiated whose experience with anime is from Adult Swim showings on Cartoon Network.
“Devil’s Game” is the best Puella Magi Madoka Magica AMV I’ve seen, so far, hand’s down.
Anime: Puella Magi Madoka Magica
Song: “A Demon’s Fate” by Within Temptation
Creator: Chiikaboom
Songs of the Day: Game of Thrones Main Theme and Finale
A Sunday night has arrived and that means the latest episode of HBO’s instant medieval fantasy hit series, Game of Thrones, adapted from the George R.R. Martin novel of the same name. This show has pretty much ruled my Sunday nights and for the past ten weeks I and a couple other writers for the site have done recaps and reviews of each episode. As great as the show has been the soundtrack to the show has been equally grand and epic in sound. Tonight’s season finale finally unleashes the finale music and, paired with the now recognizable “Main Title” music for the show, becomes the latest song to make “Song of the Day”.
I can’t pick the “Finale” by Ramin Djawadi without also including the “Main Title” music which the former is born from. Ramin Djawadi has taken the initial song, with its blending of medieval chamber sound with some Mediterrean stylings, and adds in an ominous and martial quality for the finale. It helps punctuate the season finale and how it ties up the loose ends of the premiere season’s prologue storylines and lays the foundation for what looks to be second season with the world of Game of Thrones fully at war with dangers not just from north of The Wall, but now a resurgent old royal line across the Narrow Sea.
The “Finale” doesn’t actually return to the “Main Title” motif until a third of the way through but certain notes and chords from that initial theme could be heard throughout until the finale reaches it’s final 30 seconds and the “Main Title” motif returns in a crescendo of brass, percussion and strings before finishing suddenly. It’s a testament to Ramin Djawadi that the score never dominates the show unless it’s in the intro title sequence and the end credits when the music won’t overcome the performances on the screen. Other composer might look at the opportunity to flex their musical muscle and just go full bore from beginning to end, but not this score.
It’s a good thing I bought the Game of Thrones soundtrack off of iTunes. It’s definitely joined the Conan the Barbarian and Lord of The Rings orchestral score as some of my favorites.
AMV of the Day: Mahou Shoujo Requiem
I think my love for the anime mahou shoujo series, Puella Magi Madoka Magica, may extend past this summer and til the end of the year. I’ve begun to watch the other new series to premiere in the last 12 months over in Japan, but this particular one has stuck itself in my head in a good way. It’s why whenever I find a great AMV done using the series I end up loving it. So, the last “AMV of the Day” is another Puella Mago Madoka Magica production.
This one is appropriately titled, “Mahou Shoujo Requiem”, and is paired with the ethereal and hypnotic song “Cosmic Love” by the group Florence + The Machine. Even the title of the song is quite appropriate as it highlights the cosmic aspect of the anime series the video is using.
The video’s creator is one “tehninjarox” and this creator also made the previous “AMV of the Day” entry (“A Prelude to Dreams”). The editing work in this latest AMV was exceptionally well done with scene transitions coming in fast and clear with each percussive beat of the song. I also like the fact that following the cosmic theme of the song there’s many images of Kyubey in the video. Can’t have a cosmic and requiem-themed AMV of this series and not Kyubey show up.
So, far this AMV of the Puella Magi Madoka Magica series one of the best one I’ve seen though not the best. The next one I plan to post in the future is the best one but not by much.
Anime: “Puella Magi Madoka Magica”
Song: “Cosmic Love” by Florence + The Machine
Creator: tehninjarox
Song of the Day: Jade Empire Main Theme (by Jack Wall)
Today marks the end of E3 for 2011 and I have chosen one of the best intro music for any game ever created. The previous two songs chosen were from Bethesda role-playing games and while I stick to the same game genre I’ve moved onto who I consider the best RPG developers currently working today. The latest “Song of the Day” is by music composer Jack Wall and is the “Main Theme” to that oft-overlooked, but a classic rpg nonetheless, Jade Empire.
The “Jade Empire Main Theme” just hints at the epic that would become the Jade Empire story. Jack Wall does a great job of not just sticking to the usual classical European orchestral sound. He brings in traditional Asian musical instruments from throughout Chinese history. He even brings in some Japanese taiko drums to give this theme just a touch of that martial sound. This main theme really highlights the Asian themes and influences BioWare used to create the fictional realm that Jade Empire takes place. The way the music plays out it wouldn’t be too farfetched to hear it scoring an Ang Lee or Zhang Yimou wuxia epic.
Jade Empire is one of those games, despite having not as big a following as some of the bigger and more popular rpg franchises, whose fans are very vocal about their love not just for the game but for the soundtrack which I consider one of the best soundtracks ever composer for a video game.
Song of the Day: Reign of the Septims (by Jeremy Soule)
The next E3 2011 Edition of the “Song of the Day” is the intro and main theme to the follow-up game to The Elder Scrolls III: Morrowind. This song is called “Reign of the Septims” and it sets the epicness of what was, and is, The Elder Scrolls IV: Oblivion.
“Reign of the Septims” actually sounds similar in certain areas to the Morrowind intro of “Nerevar Rising”. Where this intro differs is how it’s less about hope (a term and emotion that Lisa Marie mentioned she felt listening to the previous song) but about rising up to take one’s destiny and become the leader the game’s storyline requires of the player. There’s a certain martial aspect to the song which could be heard in the brass section and strings working in concert right in the beginning and throughout most of the song until they begin to fade to give “Reign of the Septims” a simpler and more mellow ending.
I really can’t imagine any future games in this series having its soundtrack being composed by anyone other than Jeremy Soule. It’s a good thing that he will be on hand for the next game, Skyrim, and from what I’ve heard of the initial theme to that game it’s a nice progression from the intro for both Morrowind and Oblivion.
Song of the Day: Nerevar Rising (by Jeremy Soule)
Even though Monday had several E3 Press Conferences by the industry giants like Microsoft, Sony, EA and Activision, in reality E3 didn’t really begin until today. So, starting today I’ll post one song a day of some of my favorite intro music from some of my favorite video games through the years. The first song will close off today’s E3 coverage and comes from the game which got me hooked on The Elder Scrolls rpg franchise.
The latest “Song of the Day” is from the third game in the TES series called Morrowind. The song is the main theme for the song and it’s title is “Nerevar Rising”. This track, like all of the music in the Morrowind soundtrack, was composed and arranged by Jeremy Soule who has become one of the top composers of music for the video game industry. I just love how this song begins with the deep drum beats which then fades into the background as woodwinds and strings come in gently. By the one-third mark of the song even more strings arrive in the form of violins. It’s when the song hits the halfway mark when percussion comes back to the forefront to join woodwinds and strings to combine and create an epic sound worthy of a fantasy epic adventure about to begin.
I still listen to this intro whenever the urge hits me and it still raises the hairs on my arms and shivers up my spine at just how epic it sounds. As an added bonus the song makes a reappearance in the end of the game once the player has achieved his goal and finished the game. It’s pretty much the same music but with some added sections.
Through the Shattered Lens