Scenes That I Love: “Help me!” from The Fly


The Fly (1958, D: Kurt Neumann)

One of the great things about the original, 1958 version of The Fly is that, even though it starred Vincent Price, Price didn’t play the Fly.  Instead, for once, Price was allowed to be the voice of reason, the guy who said, “Maybe don’t mess around with the laws of time and space.”

Today’s scene that I love is from the ending of the original Fly.  Supposedly, Price had a hard time filming this scene because whenever he heard the recording of David Hedison crying out, “Help me!,” he would start laughing.  Still, if you know what spiders actually do to the flies that they capture, you can’t help but sympathize with our misdirected scientist in the web.  Destroying him with a rock was probably the most merciful thing that anyone could do.

October True Crime: Mob Town (dir by Danny A. Abeckaser)


In 1957, the Commission — the governing board that regulated organized crime in America — seemed like it was on the very of collapsing.  Bugsy Siegel was dead.  Lucky Luciano had been exiled to Sicily.  Meyer Lansky was more concerned with running his casinos in Cuba than with keeping track of who was angry with who in America.  The ruthless Vito Genovese was moving in on everyone’s business and was suspected of being behind the assassination of Albert Anastasia and the shooting of Frank Costello.

Genovese, looking to solidify his control and perhaps bring some peace to the warring factions, called for a summit in upstate New York, at the estate of Joseph Barbara.  Bosses from across the country gathered in Apalachin, New York.  It started out as a nice weekend, with stories being told and fish being grilled.  But then, suddenly, the cops showed up and 50 of the country’s most powerful mobsters made a run for it.  Many of them ducked into the woods, where they were subsequently rounded up by the cops.

In the end, several mobsters were arrested and convicted of various crimes.  All of those convictions were overturned on appeal.  However, the arrests revealed to America that the Mafia wasn’t just an urban legend.  Up until the bust at Apalachin, FBI director J. Edgar Hoover insisted that there was no such thing as the Mafia.  After the bust, Hoover not only acknowledged that the Mafia existed but he also started a special division of the FBI to deal with it.

(Not that it did much good, of course.  Being exposed still didn’t stop the Mafia from fixing the vote in Illinois during the 1960 presidential election.)

The 2019 film Mob Town details the events leading up to the Apalachin Conference.  Robert Davi is properly intimidating as the ruthless Vito Genovese.  The film’s director, Danny A. Abeckaser, plays Joseph Barbara while Jami-Lyn Sigler plays Barbara’s wife, tasked with putting together a dinner for a growing list of guests.  Josephine Barbara goes from being happy about her husband working his way up the ranks of the mob to growing increasingly frustrated as the number of expected bosses rises from 30 to 50 and I have to say that I could very much relate to Josephine.  Finally, David Arquette plays Edgar Croswell, the New York state trooper who figured out that something big was happening at the Barbara place.  Croswell spends most of the film trying to get people to take him seriously.  At the end of the film, he gets a congratulatory call from President Eisenhower.  I’m enough of a history nerd that I appreciate any film that ends with a congratulatory call from President Eisenhower.

Mob Land was obviously made for a low-budget and it doesn’t always move as quickly as one might like.  When Croswell isn’t trying to expose the mob, he’s pursuing a romance with Natalie (Jennifer Esposito) and Arquette’s permanently dazed expression doesn’t always make him the most convincing state trooper.  It’s an uneven movie that traffics in almost every mob cliche but I can’t be too critical of it.  Robert Davi was a more convincing Genovese than Robert De Niro was in Alto Knights.  I appreciated the scenes of the Barbaras trying to get their place ready for the meeting.  That was mob action to which I could relate.

Horror Song of the Day: Profondo Rosso by Goblin


Today’s horror song of the day comes from Dario Argento’s Deep Red!

Deep Red features the first collaboration between Argento and Goblin and the score remains a classic and one that I listen to every October.

Here’s Goblin performing Profondo Rosso on Italian television in 1975.

4 Shots From 4 Horror Films: The 1970s Part One


This October, I’m going to be doing something a little bit different with my contribution to 4 Shots From 4 Films.  I’m going to be taking a little chronological tour of the history of horror cinema, moving from decade to decade.

Today, we start the savage 70s!

4 Shots From 4 Horror Films

The Shiver of the Vampires (1970, dir by Jean Rollin)

The Shiver of the Vampires (1970, dir by Jean Rollin)

The Abominable Dr. Phibes (1971, dir by Robert Fuest)

The Abominable Dr. Phibes (1971, dir by Robert Fuest)

The Last House On The Left (1972, dir by Wes Craven)

The Last House On The Left (1972, dir by Wes Craven)

The Exorcist (1973, dir by William Friedkin)

The Exorcist (1973, dir by William Friedkin)

Horror On The Lens: The Brain Eaters (dir by Bruno VeSota)


For today’s horror on the lens, we have 1958’s The Brain Eaters!

In this noir-influenced tale of science fiction horror, a con-shaped ship crashes near a small town.  Soon, the residents of the town are vanishing, just to return as mind-controlled zombies!  This one clocks in at 61 minutes and it’s an enjoyable little B-movie.  Like many films from the 50s, the main message seems to be that you should never totally trust anyone.  They could be a communist.  They could be an alien.  They could be a Brain Eater!

Keep an eye out for Leonard Nimoy in an early role.  Or actually, it might be better to keep an ear open.  Nimoy isn’t easy to spot but you’ll recognize his voice towards the end of the film.

 

Zombie Patrol, Short Film Review by Case Wright


Can AI be used to make an entertaining horror short?
We have a parking garage security guard searching the property because he hears a noise. He finds his coworker slain. A zombie starts rewiring the fuse box and turns off the lights in the garage. The zombie is smart
He encounters the zombie and starts shooting and shooting, killing more and more zombies to heavy metal and that is the whole film.
I enjoyed it. So, AI can make a fun horror short and actors will become a thing of the past.
If you have 2.6 minutes to spare, check it out.

Live Tweet Alert: Join #ScarySocial for In Fear!


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 9 pm et, Deanna Dawn will be hosting #ScarySocial!  The movie?  In Fear!  

If you want to join us this Saturday, just hop onto twitter, start the movie at 9 pm et, and use the #ScarySocial hashtag!  It’s a friendly group and welcoming of newcomers so don’t be shy.

The film is available on Tubi!

Music Video of the Day: The Wild and the Young by Quiet Riot (1986, directed by Jeff Stein)


The music video for Quiet Riot’s The Wild and The Young takes place in a future that’s controlled by the military and the Parents Resource Music Center (PRMC), the Tipper Gore-led organization that campaigned for albums and CDs to come with warning labels.  There were actually Senate hearings on obscene lyrics in 1985, with everyone from Dee Snider to Frank Zappa coming together to make the elected officials look stupid.

Director Jeff Stein has directed several TV shows, along with doing videos for The Who, Weezer, Tom Petty and the Heartbreakers, George Clinton, Cinderella, Warrant, and Wilson Phillips.

Late Night Retro Television Review: Freddy’s Nightmares 1.12 “Deadline”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Freddy’s Nightmares, a horror anthology show which ran in syndication from 1988 to 1990. The entire series can be found on Tubi!

This week …. oh, who knows?

Episode 1.12 “Deadline”

(Dir by Michael Lange, originally aired on January 29th, 1989)

This week’s first story is about Peter (Aaron Harnick), whose father owns the local Springwood paper and who is given a job for the summer.  He’s assigned to write the obits so that he can hang out around the newspaper office and learn from the veteran writers.  Peter would rather be in Europe.  That’s especially true when he starts to visualize the obits that he’s writing and somehow comes to realize that he’ll die unless he meets his deadline.

This story was the epitome of a good premise that was sloppily executed.  Peter hates writing obits but if he doesn’t write the obits, he’ll die in the same way as the person that he’s writing about.  He has visions.  He has dreams.  Unfortunately, both his boss and his girlfriend tell him to stop working  on his current obit and to get some rest.  But if Peter stop writing, he’ll die!  Uhmm …. how long does it take to type up an obituary?  I mean, doesn’t he just have to type up whatever dead person’s loved ones sent to the paper?

There’s a clever moment where Peter deletes an old article about Freddy Krueger from the newspaper’s computer system.  The episode implies that maybe Peter’s visions are in some way Freddy’s revenge but, as was so often the case with this show, it doesn’t really do much to explore the idea.

The first story ends with Peter dead.  The episode’s second story deals with Emily (Page Hannah), a friend of Peter’s girlfriend.  Emily has been dating an older college student (Timothy Brantley) and she continually has dreams where her friends  — including Peter’s girlfriend — get mad at her for not spending more time with her.  In her dreams, her friends all die in a car accident.  At the end of the story, it turns out that Emily was just daydreaming.  Seriously, that’s the entire story.

What a terrible episode.  I usually try to be positive about even the lesser episodes but I have to admit that I’m kind of ticked off that I wasted 50 minutes watching this week’s episode of Freddy’s Nightmares.  It felt as the show’s writers didn’t even try this week.  Instead, they just came up with some weird scenes and then dismissed them by shrugging and saying, “Hey, it was all a dream.  Nothing means anything!”

This episode was just lazy.