A Movie A Day #172: Sensation (1994, directed by Brian Grant)

Posted on June 29, 2017 by Jedadiah Leland

Doctor Ian Burton (Eric Roberts) is a college professor who believes that objects retain impressions of the past. To prove his theory (and hopefully, not lose tenure), Burton recruits one of his students, Lila Reed (Kari Wuhrer), who has shown that she may have psychic abilities. Lila holds objects and she sees the past. At first, she is intrigued but then she realizes that she keeps seeing the same woman in her visions. The woman was a former student of Burton’s. She was murdered and the good Doctor Burton is the number one suspect. Can Lila use her power to solve the crime and clear Burton’s name? Or is Burton guilty and using her for something more sinister than just testing a thesis?

Sensation is one of the many softcore neo-noirs that used to regularly appear, “after hours,” on HBO and Cinemax in the 1990s. Sensation has a tagline (“An experience in terror”) that it never lives up to but it is still watchable because of the combination of the sexiness of Kari Wuhrer and the strangeness of Eric Roberts. The tawdry mystery will not fool anyone and Wuhrer’s visions were all done better in The Dead Zone but Sensation deserves some credit for at least trying to be a little more creative than the average 1990s straight-to-video release.

Keep an eye out for Ron Pearlman, as the lead detective on the case. He does not get to do much but he’s still Ron Pearlman!

A Movie A Day #122: The Lost Capone (1990, directed by John Gray)

Posted on May 9, 2017 by Jedadiah Leland

Chicago. 1915. Up-and-coming gangster Al Capone (Eric Roberts) berates his younger brother, Jimmy (Adrian Pasdar), for not being aggressive enough in a street fight. Not wanting to follow his brothers into a life of organized crime, Jimmy runs away from home and eventually finds himself in Harmony, Nebraska. Claiming to be a World War I vet named Richard Hart, Jimmy impresses everyone with both his marksmanship and his incorruptible nature. Soon, the new Richard Hart has been named town marshal. While Al Capone is taking over the Chicago rackets, Richard is keeping the town safe with his Native American deputy, Joseph Littlecloud (Jimmie F. Skaggs), and starting a family with the local school teacher, Kathleen (Ally Sheedy). When illegal liquor from Chicago starts to show up on a nearby Indian reservation, Richard Hart comes into conflict with the Chicago Outfit and his secret is finally revealed.

There is a sliver of truth to this made-for-TV movie. Al Capone really did have a brother named James, who ended up changing his name to Richard Hart and working as a prohibition agent in Nebraska. Otherwise, the movie changes so many facts that it is hard to know where to begin. In real life, Al and James Capone grew up in New York. James, who was actually several years older than Al, ran away from home not to escape Al’s bullying but because he wanted to join the circus. (Al was only 9 when James ran away.) James changed his name to Richard Hart not to keep people from realizing that he was related to Al but because he admired silent screen cowboy William S. Hart. Though James did work in law enforcement, he never came into conflict with Al Capone’s organization and, in fact, regularly visited Chicago.

The Lost Capone is a forgettable mix of western and gangster clichés, featuring a notably stiff performance from Adrian Pasdar in the lead role. It does feature two of the strangest performances that I have ever seen. Eric Roberts, complete with a phony scar, playing Al Capone is just as weird as it sounds, while Ally Sheedy plays a wholesome and always smiling teacher but delivers her lines in the same halting tone of voice that she used as the “basket case” in The Breakfast Club.

There is probably a good movie that could be made about the life of James Capone/Richard Hart but The Lost Capone is not it.

A Movie A Day #92: Love, Cheat, & Steal (1993, directed by William Curran)

Posted on April 9, 2017 by Jedadiah Leland

Paul Harrington (John Lithgow) is a wealthy banking consultant who has just married a sexy, younger woman, Lauren (Madchen Amick). Paul thinks that Lauren is perfect but then her brother, Donald (Eric Roberts), shows up. What Paul does not know is that Donald is not actually Lauren’s brother. Instead, Donald is Reno, Lauren’s first husband who she never actually divorced. Reno has just escaped from prison where he was serving time for a crime for which he believes Lauren framed him. While Paul tries to save his father’s failing bank, Reno starts to plan a bank robbery and Lauren tries to balance her old life with Reno with her new life with Paul.

Mild neo noirs like Love, Cheat, & Steal were a dime a dozen in the 1990s. Love, Cheat, & Steal was made for Showtime and, throughout the 1990s, it used to tempt kids like me with its promise of “Brief Nudity” and “Adult Situations.” The only thing that makes it memorable is the presence of Madchen Amick, who was always the most beautiful of all of the Twin Peaks starlets, even if she often was overshadowed by Sherilyn Fenn and Lara Flynn Boyle. Madchen Amick has the right combination of girl next door innocence and enigmatic sultriness to make her perfect for movies like Love, Cheat, & Steal. Other than the presence of Madchen Amick, Love, Cheat, & Steal is best remembered for being your only chance to see Eric Roberts do a Jack Nicholson imitation.

One final note: Irish actor Dan O’Herlihy has a small role. Though he is best known for playing Conal Cochran in Halloween 3, he also co-starred with Amick during the second season of Twin Peaks.

Back to School Part II #53: Stalked By My Doctor: The Return (dir by Doug Campbell)

Posted on September 19, 2016 by Lisa Marie Bowman

For the past three weeks, Lisa Marie has been in the process of reviewing 56 back to school films! She’s promised the rest of the TSL staff that this project will finally wrap up by the end of today, so that she can devote her time to helping to prepare the site for its annual October horrorthon! Will she make it or will she fail, lose her administrator privileges, and end up writing listicles for Buzzfeed? Keep reading the site to find out!)

Oh Hell yeah!

Eric Roberts is back as Dr. Beck and, once again, he’s obsessed with a teenage girl! Believe it or not, this is a good thing because this obsession leads to Dr. Beck spending a lot of time sitting in a car that’s parked in front of Amy’s (Claire Backwelder) high school. By doing so, Dr. Beck justifies my decision to include the 2016 Lifetime film Stalked By My Doctor: The Return in my series of Back to School reviews.

Thank you, Dr. Beck!

As you may remember from last year’s Stalked By My Doctor, Dr. Beck is a neurotic doctor who has an unfortunate tendency to get obsessed with his patients. At the end of the first movie, the good doctor narrowly escaped the police and was last seen flashing a somewhat nervous smile.

At the start of The Return, we find Dr. Beck now living in Mexico. He’s done a pretty good job of avoiding arrest and has a successful career going as a beach bum but he has yet to find true love. However, it seems like that might change when, one day, he spots a teenage girl drowning in the ocean. Dr. Beck not only saves Amy from drowning but he also literally brings her back to life. Seriously, my wonderful readers, be sure to learn CPR.

(Then again, I’m not sure that I’ve ever learned CPR. I guess I should. We can’t always depend on a crazy fugitive doctor to be around.)

Both Amy and her overprotective mom, Linda (Hilary Greer), are thankful and now, Dr. Beck is now obsessed all over again. In fact, he’s so obsessed that he even risks capture by returning to the United States. Under the pretense of merely wanting to check up on his patient, Beck starts to stalk Amy. Taking a lesson from Nabokov’s Lolita, Beck starts to go out with the neurotic Linda. By marrying Linda, Dr. Beck hopes that he can get to Amy.

All together now: Ewwwwwww! Bad doctor!

Amy and her boyfriend (Mark Grossman) eventually grow suspicious of Dr. Beck. They even recruit Amy’s Uncle Roger (Christopher Crabb) to investigate the good doctor. However, Linda refuses to hear a word against him. That’s not surprising, considering that she’s just agreed to marry him…

Stalked By My Doctor: The Return is a deliberately over-the-top melodrama, one that has more in common with the snarky satire of A Deadly Adoption than the previous Stalked By My Doctor. Sprinkled throughout the film are several scenes in which Dr. Beck has conversations with the voices in his head and, as you can probably guess, Eric Roberts plays the Hell out of these scenes. In fact, Roberts is a force of nature in this film, keeping a straight face while ripping through his overwrought dialogue and only stopping occasionally to wink at the camera, almost as if Dr. Beck realizes that he’s just a character in a Lifetime movie. Roberts is obviously having a blast in the role and his demented joy is somewhat infectious. After imagining that he’s killed a dining companion, a blood-covered Roberts says, “Check please,” and his delivery of that one-liner is absolutely brilliant.

Stalked By My Doctor: The Return is a blast of over the top, Eric Roberts-inspired lunacy.

Film Review: The Wrong Roommate (dir by David DeCoteau)

Posted on February 21, 2016 by Lisa Marie Bowman

It’s always interesting to me when my favorite exploitation and grindhouse filmmakers end up making a movie for Lifetime. It happens a lot more that you might expect and it’s always undeniably fun to see how they adapt their own sensibilities to the requirements of the network. For instance, last year, Fred Olen Ray gave Lifetime both River Raft Nightmare and The Christmas Gift.

And then, in January of this year, David DeCoteau gave us The Wrong Roommate. As far as Lifetime films are concerned, The Wrong Roommate is pure perfection. It gives the viewer everything that she could possibly want from a Lifetime film. There’s melodrama. There’s romance. There’s an untrustworthy ex-fiance. There’s a mysterious artist who is both hot and dangerous and who has got like the most incredible abs. There’s a big fancy house and lots of pretty clothes and there’s even a sex-positive best friend who is eager to help her BFF rebuild her life. I enjoyed The Wrong Roommate when I first watched it and I enjoyed it when I rewatched it earlier today. But as I watched The Wrong Roommate, I wondered how members of the typical Lifetime viewing audience would have reacted to seeing some of DeCoteau’s other 122 films, like Sorority Babes in the Slimeball Bowl-O-Rama or Bigfoot vs. D.B. Cooper.

It’s DeCoteau’s background in B-movies that made him the perfect director for The Wrong Roommate. Like many filmmakers, DeCoteau began his career working with Roger Corman and then later worked with Charles Band. These are filmmakers who understood how to tell a story. Above all else, Roger Corman and his best students all understood the importance of storytelling. They understood the importance of keeping the audience entertained.

And, whatever else one may say about it, The Wrong Roommate is a terrifically entertaining film.

The film opens with a man getting run over by a car. That man is Prof. Floyd and he’s played by Eric Roberts. From the minute that I saw that Eric Roberts was going to be in The Wrong Roommate, I assumed that he would be playing another one of his trademark crazy stalker roles but instead, Roberts is one of the good guys here. He’s actually playing a sympathetic character. It’s clever casting because, even once it starts to become clear that he’s not going to kill anyone, you’re still uncertain about him because he’s played by Eric Roberts. Eric Roberts as a good guy keeps the audience off-balance and tells them not to take anything for granted.

That said, Roberts only has a supporting role here. The film is about Laurie Valentine (Jessica Morris). Laurie has just broken up with her controlling jerk of a fiancee, Mark (William McNamara). And now, she’s rebuilding her life. Her best friend (Dominique Swain) has gotten her a job teaching at the local college. And her older sister has invited Laurie to spend the summer at her mansion. The only catch is that Laurie has to look after her rebellious 17 year-old niece, Ricki (Brianna Joy Chomer).

After moving in, Laurie discovers that there’s someone else living on the estate. Alan (Jason-Shane Scott) is staying in the guest house. Ricki has a huge crush on him and soon, so does Laurie. And why not? Alan has amazing abs, spends all of his time shirtless, and he’s an artist! He specializes in wood work and there’s nothing sexier than a man who is good with his hands and his wood…

But, wait a minute!

If Alan’s so great, why does he stage a break-in at the house?

Why doesn’t he ever seem to be surprised when Mark drops by the mansion?

And, of course, we have to consider the fact that Alan has installed a secret webcam in Laurie’s bedroom so that he can watch her undress on his laptop.

Hmmmm…something might not be quite right….

You’ll probably be able to guess what’s going on within the first 30 minutes of the film but who cares? This is a fun movie and David DeCoteau’s direction strikes a perfect balance between melodrama and parody. The film looks great, the cast looks great, and I was jealous of that big house. The Wrong Roommate is wonderful entertainment, in the best tradition of Corman, Band, and DeCoteau.

What Lisa Watched Last Night #147: Stalked By My Doctor (dir by Doug Campbell)

Posted on December 27, 2015 by Lisa Marie Bowman

Last night, I watched the second-to-last original Lifetime film of 2015, Stalked By My Doctor!

Why Was I Watching It?

After a month of nonstop holiday cheeriness, Lifetime returned to doing what it does best. With the premiere of Stalked By My Doctor, Lifetime announced that the melodrama was back! There was no way that I was going to miss it. (Of course, it also helped that the film was directed by Doug Campbell, who previously directed such classic Lifetime films as Sugar Daddies, Stalked By My Neighbor, Betrayed at 17, and The Cheating Pact.)

What Was It About?

Teenager Sophie Green (Brianna Joy Chomer) is nearly killed in a car accidents that occurred because her dumbass boyfriend was texting while driving. Fortunately, her life is saved by the brilliant Dr. Beck (Eric Roberts).

Unfortunately, as brilliant as he may be as a doctor, Beck has some issues. He’s a sociopath with an obsessive streak and he quickly decides that he’s in love with Sophie. Soon, Sophie is being stalked by her doctor…

What Worked?

Oh my God, Eric Roberts was so creepy in this movie! And I mean that in the best possible way. Whether flashing a smile that was a bit too quick or leaning in a bit too close while having a conversation or throwing a sudden and childish fit, Eric Roberts turned Dr. Beck into the creepiest stalker in the history of creepy Lifetime stalkers. But what made Roberts’s performance even better was that, no matter how crazy he went, you still believed that he could be a brilliant surgeon.

The film also did a good job of revealing the double standard when it comes to how society views stalkers and their victims. No matter how insane Dr. Beck revealed himself to be, Sophie’s father was quick to 1) make an excuse for him and 2) accuse his own daughter of leading him on.

What Did Not Work?

It all worked! This was exactly what viewers like me are looking for when we watch a Lifetime film.

“Oh my God! Just like me!” Moments

When I was 19 years old, I was in a serious accident much like Sophie’s. By all logic, I shouldn’t have survived. It was raining, I wasn’t wearing my seat belt, I was driving too fast, and I was in a convertible. When I hit the car in front of me, I turned the wheel too sharply and my car flipped over and skidded, upside down, across the street. By the time the car came to a stop, both the windshield and the door windows had shattered, showering me with broken glass. Thankfully, since it was raining, I had the top up on the car. Otherwise, I would have ended up with a broken neck and more. However, somehow, I only ended up with a few scrapes on my legs, a small cut on my hand, and a gash on my neck that bled a lot but didn’t sever any major veins or arteries. I didn’t have any broken bones or anything else and, my injuries meant that I’d only have to deal with some stitches and I wouldn’t be able to show off my legs for a few days. I don’t know how I survived but I do know I was a very lucky girl!

And though my injuries were not as bad as Sophie’s (I didn’t nearly die, for instance), I did feel like the doctor at the hospital was hitting on me but who was I to complain? He was a medical professional and I was in shock and bleeding. He could flirt as much as he wanted as long as he made sure I didn’t end up with any disfiguring scars.

Lessons Learned

Melodramatic Lifetime is a lot more than Holiday Lifetime (though I did enjoy The Spirit Of Christmas!)

What Lisa Watched Last Night #146: A Fatal Obsession (dir by James Camali)

Posted on December 21, 2015 by Lisa Marie Bowman

Last night, I watched the premiere of A Fatal Obsession on the Lifetime Movie Network!

Why Was I Watching It?

So, for the past month, Lifetime has exclusively been showing holiday movies. And don’t get me wrong — I love the holidays, I enjoy holiday movies, and I’m certainly not complaining. I can understand why Lifetime has made the programming choice that they have and, during this week, keep an eye out for my reviews of all of those Lifetime Christmas movies. But, at the same time, I have been missing the melodrama that made Lifetime famous. So, when I saw that the Lifetime Movie Network would be premiering a movie that had nothing to do with Santa Claus, I simply had to watch!

What Was It About?

Michael Ryan (Eric Roberts) is a horror author who is not just famous for giving his readers nightmares. He’s also famous for being a recovering alcoholic. Except, he’s not really in recovery. Instead, he’s still drinking, he’s still violent, and he’s still dangerous abusive. When his wife, photographer Christie (Tracy Nelson), and teenage daughter, Miri (Remington Moses) finally leave him, Michael spirals into madness. Soon, Michael has vanished and Christie’s best friend turns up dead.

Could Michael still be out there, trying to track down his wife and daughter? He could be. Then again, Christie and Miri have met a lot of other strange characters since starting their new life. Their neighbors, Ben (George Saunders) and his sullen son, Kyle (Colin Chase), seem to be a little bit off. And then, of course, there’s Harrison (David Winning), the aspiring actor who has hired Christie to take his headshots….

What Worked?

Oh my God, this is one of the most melodramatic, over-the-top, implausible films that I’ve ever seen so, of course, I had to love it. Improbable plot twists? Gloating villains? Forbidden love? Questionable life choices? This film had it all and thank the television Gods for that!

I also really liked the look of the film. The snowy and overcast images were wonderfully chilly and atmospheric, giving the entire movie a dream-like atmosphere.

And, on top of all that, you had Eric Roberts doing his Eric Roberts thing. Roberts is such an eccentric actor that he’s always interesting to watch, regardless of the role. And he actually did a pretty good job, creating a frighteningly plausible portrait of a serial abuser.

What Did Not Work?

It all worked.

“Oh my God! Just like me!” Moments

Naturally, I related to the character of Meri, the intelligent but rebellious daughter who was struggling to deal with all the ugliness around her. Remington Moses did a good job and was believable in her struggle to deal with her family’s legacy of abuse.

Lessons Learned

Just because your paranoid, that doesn’t mean that people aren’t out to get you.

Insomnia File No. 3: Love is a Gun (dir by David Hartwell)

Posted on August 17, 2015 by Lisa Marie Bowman

What’s an Insomnia File? You know how some times you just can’t get any sleep and, at about three in the morning, you’ll find yourself watching whatever you can find on cable? This feature is all about those insomnia-inspired discoveries!

If you were suffering from insomnia last night, at around 2 in the morning, you could have turned on Showtime and watched Love is a Gun, an odd little thriller from 1994.

How odd is Love Is a Gun? It’s so odd that it stars Eric Roberts. Roberts plays Jack, a photographer with problems. His longtime girlfriend, Isabelle (Eliza Roberts), refuses to forgive him for cheating on her in the past and demands that he put a ring on her finger. (Jack, for his part, has bought a ring but he keeps losing it.) Jack is haunted by a reoccurring dream, in which he sees himself with a gun pointed at his head. Isabelle says that the dream means that Jack needs to give her a ring. Jack says it’s all about deja vu.

Jack gets a job working as a crime scene investigator. He meets a detective who is so crazy that he’s played by R. Lee Ermey. Jack takes pictures of dead bodies. His colleagues make macabre jokes. A local reporter offers to pay Jack for insider information. Ermey asks Jacks to help cover up a crime. Jack has visions of a line of well-dressed detectives shooting at him, firing squad style. Eventually, Jack ends up sitting in a living room, an anonymous body at his feet, and watching a soap opera. The actors on TV repeat dialogue that we’ve heard Jack and Isabelle say earlier in the film. Jack starts to giggle and is soon laughing like a maniac. A detective steps into the living room and asks Jack if he remembered to take a picture of the body in the bathroom. “Oh yeah,” Jack says, “I forgot about that…”

Jack meets a model named Jean (Kelly Preston). He takes pictures of her wearing a bridal gown and occasionally playing dead. He realizes that he’s already seen the exact same pictures that he’s just taken. Somebody left them in his locker at work but the images of Jean faded to black as soon as he looked at them. He asks Jean if this is all an elaborate joke. “Take the shot, Jack,” Jean replies.

Soon, Jean and Jack are having an affair. Jean tells Jack that she has a strange rash. Jack imagines that there’s a hole in Jean’s forehead. A man claiming to be Jean’s husband shows up and wishes Jack luck because his wife is crazy.

Jack goes back to Isabelle. Isabelle demands the ring. Jack freaks out and returns to Jean. Jean says she’s pregnant but then says she isn’t. Jack giggles and then cries. He goes back and forth between the two women, constantly begging for forgiveness as beads of sweat collect on his forehead.

Jack’s watch stops. He tries to get it repaired. An old man yells at him that his watch is cursed and cannot be repaired because it might infect all of the other watches in the man’s shop.

And, after all of that, the movie starts to get really weird…

Love Is A Gun does eventually offer up an explanation as to what’s going on. It doesn’t make a bit of sense but somehow, the total incoherence of it all adds to this low-budget film’s charm. Full of surreal images and intentionally odd dialogue, Love Is A Gun is compulsively watchable.

It also features a genuinely strange performance from Eric Roberts. Roberts goes through the film with this goofy smile on his face, except for the scenes when Jack gets upset. When Jack is upset, Roberts stomps his feet, jumps up and down, yells out every other line of dialogue, and contorts his body in some truly weird ways. When he gets really angry, he grabs can after can of beer and furiously shakes them before opening, causing the beer to drench his face. Eric Roberts’s lead performance is literally one of the oddest things that I have ever seen and it’s worth watching Love Is A Gun just to experience it.

Previous Insomnia Files:

Film Review: Inherent Vice (dir by Paul Thomas Anderson)

Posted on January 10, 2015 by Lisa Marie Bowman

One of the best things about Paul Thomas Anderson’s latest film, Inherent Vice, is that Doc Sportello, the private detective played by Joaquin Phoenix, is a real stoner. He’s not one of those weekend smokers, who gets high on Saturday, brags about it on Sunday, and then spends the rest of the week interning at Vox. For the entire 2 hour and 20 minute running time of Inherent Vice, Doc is stoned. From the minute we first meet him to the end of the film, there is never one moment where Doc is not stoned. Most stoner comedies feature a scene where the main character shocks everyone by turning down a hit because he’s dealing with something so important that he has to “keep his mind straight.”

Not so with Doc!

And, in Doc’s case, it definitely helps him out. Inherent Vice tells a story that is so full of paranoia, conspiracy, and random connections that only a true stoner could follow it. Much like Doc, the film often seems to be moving in a haze but occasionally, out of nowhere, it will come up with a scene or a line of dialogue or a detail that is so sharp and precise that it will force you to reconsider everything that you had previously assumed.

To be honest, if you are one of the people who watched Inherent Vice this weekend and could actually follow the film’s plot, then you’ve got a leg up on me. (That said, I’ve still got pretty good legs so it all evens out.) But, that’s not necessarily a complaint. As befits a film based on a novel by Thomas Pynchon and directed by one of the most idiosyncratic filmmakers around, the twists and turns of Inherent Vice are deliberately meant to be obscure and confusing. Characters appear and then vanish. Clues are discovered and then forgotten. Connections are hinted at but then never confirmed. Inherent Vice ultimately serves a tribute to stoner’s paranoia and, as a result, the plot’s incoherence leads to a certain contact high.

The film takes place in California in the 1970s. Doc is both a hippie and a private detective. His current girlfriend (Reese Witherspoon) works for the district attorney’s office and doesn’t seem to like him much. His ex-girlfriend, Shasta (Katherine Waterston), reenters his life and asks him to help protect her new boyfriend, real estate developer Mickey Wolfman (Eric Roberts). Mickey has disappeared. Shasta disappears. As Doc investigates, he wanders through a psychedelic Los Angeles and deals with an ever growing collection of eccentrics.

For instance, there’s Hope Harlingen (Jena Malone), a former heroin addict who now runs a group that aims to promote “responsible drug use” among children. She believes that her husband, Coy (Owen Wilson), is dead but actually Coy is a government informant who keeps popping up in the strangest places.

There’s Rudy Blatnoyd (Martin Short), a decadent dentist who may or may not be responsible for all of the heroin entering California.

There’s Sauncho Smilax (Benicio Del Toro), Doc’s lawyer who specializes in maritime law.

There are Nazi bikers, new age doctors, a formerly blacklisted actor turned right-wing spokesman, a black revolutionary whose best friend was a member of the Aryan brotherhood, three FBI agents who keep picking their noses, the decadent rich, and, of course, the endlessly clean-cut and bullying officers of the LAPD.

And then there’s Detective “Big Foot” Bjornsen (Josh Brolin), a celebrity cop and occasional television extra who seems to admire Doc, except for when he’s trying to frame Doc for everything from murder to drug smuggling. Bjornsen is probably the most interesting character in the entire film and Brolin plays the character perfectly. His scenes with Phoenix crackle with a comedic energy that bring the film to life.

As for the movie itself, it’s not for everyone. A lot of very smart people are going to dislike it, much as many of them did with The Master. In some ways, Inherent Vice truly is an endurance test. Speaking as someone who enjoyed the film, even I occasionally found myself saying, “Okay, does everyone have to have a silly name?” Inherent Vice is a long, rambling, and occasionally frustrating film but, for me, it still worked because of the strong cast and Anderson’s attention to detail.

Unbroken is a film that seems to take place in an entirely different world from Inherent Vice but these two films do have one big thing in common. Both of them have been victims of the expectation game. Many of the same people who thought Unbroken would be a surefire Oscar nominee also assumed, sight unseen, that Inherent Vice would be right there with it. Much as how Unbroken has suffered for merely being good as opposed to great, Inherent Vice is also suffering for failing to live up to the expectations that were thrust upon it. Inherent Vice is not an awards movie. Instead, it’s a fascinatingly idiosyncratic film that was made by a director who has never shown much concern with playing up to the audience. While Unbroken is enough of a crowd pleaser to still have a shot at some Oscar glory, Inherent Vice is the type of film that will probably never get nominated. (I do have some hope that Brolin will get a supporting actor nomination but, even there, it appears likely that Brolin’s spot will be given to The Judge‘s Robert Duvall.)

Well, no matter! Flaws and all, Inherent Vice will be a film that people will still be debating and watching years from now.

The Stuff You Find On Netflix: Rumors of Wars (dir by Paul Tomborello)

Posted on December 20, 2014 by Lisa Marie Bowman

You can sometimes find the strangest stuff of Netflix. And, if you’re like me and you try to review every single thing that you see, you can end up reviewing the strange stuff that you end up watching on Netflix.

For example: Rumors of Wars.

According to the imdb, Rumors of Wars had a theatrical release in May of this year but I had never heard of it until I happened to come across it on Netflix. Earlier this week, I did a search on “2014 films,” and my natural hope was that the search would return results like The Grand Budapest Hotel and maybe a James Franco film or two.

Instead, I got Rumors of Wars.

Rumors of Wars is one of the many dystopian films that have come out this year. For whatever reason, a lot of filmmakers have shared this vision of the future this year and none of them seem to be very optimistic.

In Rumors of Wars, the future is represented by bombed out cities, black-clad soldiers, and frightened refugees being rounded up and shot. The soldiers work for a man named Zurn and they’re quick to say that their mission is to “unify the world in peace and harmony.” When one refugee is spotted to be wearing a cross, a soldier sneers, “The only thing this symbolizes is your primitive thinking!” Another refugee, when confronted by the approaching soldiers, says, “Time to join the one world government!”

Can you guess where this is going?

While the rest of the soldiers are busy burning books and watching a hologram of a blonde with big boobs telling them to keep fighting for the glory of Zurn, Shaw (Ben Davies) secretly reads a diary that he came across during an earlier refugee roundup.

The diary was written, in the days before the one world government, by a college student named Roxy (Jennifer Cooper). Roxy writes about how, following a series of terrorist attacks that the film suggests were all “false flag” operations, the government decrees that everyone should have a microchip inserted into their hand. The microchip will allow the government to both regulate what people eat and keep track of all of America’s gun owners. However, since the microchip also allows people to get discounts on otherwise expensive commodities like food and gasoline, the populace willingly gives up their freedom.

The microchips, incidentally, are made by the Zurn Corporation. And who is in charge of the Zurn Corporation? Mr. Zurn, of course!

And, of course, Mr. Zurn is played by Eric Roberts.

Now, Eric Roberts is only on-screen for about two minutes but he makes the best of those two minutes. Seriously, Roberts gives a performance that is so manic and so over-the-top and so extremely weird that it might be the best performance of his career. Certainly, it livens up the movie.

(Of course, it helps that Roberts spends the length of his screen time telling a weird story about picking up a calf.)

Anyway, the film alternates between Roxy in the near future and Shaw in the far future and, for an independent, low-budget, right-wing, evangelical movie, it’s actually surprisingly competent. This is nothing like Left Behind. Rumors of Wars can actually pass for a real movie.

Now, I know what you’re asking — just how preachy does this movie get? By the standards of the genre, it’s actually less preachy than most but still preachy enough that it’ll probably annoy militant nonbelievers. (As for us casual skeptics, it all depends on just how casual you really are.) In my case, I was able to tolerate the film’s preachy moments because I appreciated all of the anti-government propaganda and the over-the-top atmosphere of paranoia.

So, that was the latest strange thing that I saw on Netflix. Rumors of Wars. Was it great? No. But it wasn’t terrible and that’s probably the biggest shock of all.