As some of our regular readers undoubtedly know, I am involved in hosting a few weekly live tweets on twitter and occasionally Mastodon. I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of Mastodon’s #MondayActionMovie! Every week, we get together. We watch a movie. We snark our way through it.
Tonight, for #MondayActionMovie, the film will be 1986’s Assassin!
It should make for a night of fun viewing and I invite all of you to join in. If you want to join the live tweets, just hop onto Mastodon, find the movie on YouTube and hit play at 8 pm et, and use the #MondayActionMovie hashtag! The watch party community is a friendly group and welcoming of newcomers so don’t be shy.
Alana Westbrook (Morgan Fairchild), the ruthless owner of a cosmetics company, is murdered after she announces that she is actually 60 years old and owes her youthful appearance to a miracle skin cream. Her husband (Patrick O’Neal) is charged with the crime but he’s lucky enough to have Perry Mason (Raymond Burr) as his attorney. Perry thinks that the murderer is an eccentric gigolo (David Warner) but, for once, Perry might be wrong. Meanwhile, Ken Malansky (William R. Moses) gets involved with a corporate spy (Lauren Lane) who might know more than she says.
Lisa and I watched this one earlier today. We really enjoyed it! It’s the most soapy of all the Perry Mason films that I’ve watched so far. Morgan Fairchild was great as the murder victim and all of the suspects were enjoyably weird. What I really enjoyed about this movie was that it featured people who appeared, in different roles, in other Perry Mason films. Patrick O’Neal went from being the victim in Perry Mason Returns to being the accused here. David Warner went from being the victim in The Case of the Poisoned Pento being a suspect here. This was also a second Perry Mason film for Jonathan Banks but instead of being a tough guy like he was the first time, he was a skin cream creator this time. This movie understood that people will kill for clear skin.
This was one of the last of Raymond Burr’s Perry Mason films (it aired the same year that he died) and, with the returning actors, it feels like a tribute to Burr and the role that he made his own.
4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
Today, on what would have been his 83rd birthday, the Shattered Lens pays tribute to Texas’s own, Tobe Hooper!
The Austin hippie who redefined horror and left thousands of yankees terrified of driving through South Texas, Tobe Hooper often struggled to duplicate both the critical and the box office success of The Texas Chainsaw Massacre. It’s only been in the years since his death that many critics and viewers have come to truly appreciate his unique and subversive vision.
Down here, in Texas, we always believed in him.
It’s time for….
4 Shots From 4 Tobe Hooper Films
The Texas Chainsaw Massacre (1974, dir by Tobe Hooper, DP: Daniel Pearl)
Eaten Alive (1976, dir by Tobe Hooper. DP: Robert Caramico)
The Funhouse (1981, dir by Tobe Hooper. DP: Andrew Laszlo)
Poltergeist (1982, dir by Tobe Hooper, DP: Matthew Leonetti)
Perry Mason (Raymond Burr) can’t even go to a wedding without someone getting killed! Kaitlynn Parrish (Heather McAdam) is the daughter of Max (Ronny Cox) and Diane Parrish (Diane Baker). Diane used to work for Perry and it’s implied that they used to be more than just colleagues. (I think that means that it is safe to assume that Kaitlynn is actually Perry’s daughter.) At the wedding, Alonzo Hawkes (Beau Starr), the uncle of the groom, gets into an argument with Max and accuses Max of embezzlement. Kaitlynn says she could kill Alonzo. A few hours later, Alonzo is found dead and Kaitlynn is arrested.
This was the 23rd Perry Mason television movie and it’s very predictable. I didn’t care much for the mystery or the scenes of Ken (William R. Moses) looking for clues. Once again, Ken gets in trouble with organized crime. It’s as if the movies ran out of plot lines for Ken so he just has to keep doing the same thing over and over again. All Ken really has to do is track down Suzy Richards (Merle Kennedy), a wedding crasher who witnessed the murder but it takes him forever to do it. Paul Drake, Jr. would have found her in the time it takes to snap your fingers.
I still recommend this one because of the cast. Along with Ronny Cox, the cast also includes Linda Blair, Paul Dooley, and musician Stephen Stills and they’re all really good. Paul Dooley plays the district attorney in this one. He really has no patience for Perry’s courtroom theatrics and Perry has a lot of them in this movie. It’s a good thing Perry was always able to get people to confess on the stand because otherwise, he probably would have gotten in a lot of trouble.
My wife and I are iced and snowed in here in Central Arkansas this weekend, so we’re watching movies. I was browsing Tubi when I came across the 1991 made-for-TV movie BUMP IN THE NIGHT. Knowing nothing about the film other than the fact that Christopher Reeve is prominently featured on the poster, I hit play and got a movie I really wasn’t prepared for, emotionally or morally!
The film opens with a young schoolboy named Jonathan (Corey Carrier) leaving his home, where his alcoholic mother Martha (Meredith Baxter Birney) is passed out on the couch. Jonathan is on his way to have breakfast with his dad Patrick (Wings Hauser). Rather than finding his dad, however, he’s met by the mysterious Lawrence Muller (Christopher Reeve) who claims he was sent by his dad to pick him up. When Patrick and Martha, divorced well before the opening of the film, discover that Jonathan is missing, the two must try to put aside their differences to find their son, who’s been targeted by both a pornographer and a pedophile.
We’ve been watching a lot of made-for-TV thrillers around my house lately that deal with people with various psychological issues, but I was not expecting a film that dealt with child pornography and pedophilia. And I certainly wasn’t expecting that pedophile to be played by Christopher Reeve. Reeve gives an effective and chilling performance, as his character starts out as kind and soft spoken to the boy, before eventually showing himself to be violent and emotionally unstable as he’s rejected and the walls start closing in on him. Meredith Baxter Birney and Wings Hauser are also effective as the divorced couple who carry a lot of emotional baggage, but try to put that aside while they’re looking for their son. Birney is especially good as she’s an alcoholic, and we see her fighting her own personal demons throughout the search. Hauser, who’s always so good when he plays the psycho in his movies, gets the straight role as the concerned dad and he brings a needed calm and steadying presence to the explosive material.
You have to give BUMP IN THE NIGHT some credit for tackling some very difficult material, whether it be alcoholism, pornography or pedohilia, and it takes them head on. Based on the 1988 novel of the same name from author Isabelle Holland, there are limits to how far this TV production can take the material, but in some ways those limits make the film even more disturbing. We see bedrooms with multiple cameras set up for recording illicit activities with children. We see grainy VHS tapes from pornographers that show young boys holding hands and walking down the street. We’re told things like, “just make sure he’s ready for filming! It begins at 10:00!” Director Karen Arthur uses these types of images and thoughts to manipulate our emotions, with our own minds filling in the blanks with the worst fears that we can imagine. This gave me a strong rooting interest for the local law enforcement and parents to rescue their son before he’s exploited and abused.
Even with its excellent cast, I may not have watched BUMP IN THE NIGHT if I had realized the sordid nature of the material. I’ll be honest, with its title, I was expecting a more straightforward thriller. However, having now seen the film, I will give it credit for its effective handling of the material and its fine performances. I won’t ever watch it again though.
As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter. I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie! Every week, we get together. We watch a movie. We tweet our way through it.
Tonight, for #ScarySocial, I will be hosting 1984’s The Initiation!
If you want to join us on Saturday night, just hop onto twitter, start the film at 9 pm et, and use the #ScarySocial hashtag! The film is available on Prime and Tubi! I’ll be there co-hosting and I imagine some other members of the TSL Crew will be there as well. It’s a friendly group and welcoming of newcomers so don’t be shy!
Happy Birthday in Heaven to one of my all time favorite actors, Rutger Hauer. I was so happy when his career hit a resurgence in 2005 with roles in SIN CITY and BATMAN BEGINS. Today, I’m celebrating my wife’s birthday, and I’m also celebrating Rutger’s birthday by sharing this scene from the amazing SIN CITY.
Enjoy my friends, and Happy Birthday Rutger! You have brought me so much joy over the years!
Sleazy talk show host Ted Mayne (Geraldo Rivera) writes a tell-all book about all of the famous women with whom he has had affairs. One of the women, Roxanne Shields (Amy Steel), is filmed threatening to kill him with a knife. When Ted is later found stabbed to death, Roxanne is arrested. Luckily, Perry Mason (Raymond Burr) is willing to take the case and reveal the true killer of the reckless Romeo.
This was one of the last of the Perry Mason movies. (Burr only did four more after this before he died.) The plot is okay, even if this is the third movie to feature Ken (William R. Moses) getting in trouble with the mob while investigating the the murder. It didn’t take me long to guess who the murderer was but the scene where Perry got his courtroom confession was still really well-done. Not surprisingly, the main pleasure of this film was seeing Geraldo Rivera as the victim. Geraldo may have been a terrible actor but he was still totally believable as a sleazy talk show host who went out of his way to embarrass every woman that he had ever had sex with. Geraldo is in the film long enough for you to get sick of him and then he goes away and isn’t seen again. That’s the way it should always be with Geraldo Rivera.
Perry does a few more courtroom tricks than usual in this movie. As the hapless district attorney, Kenneth Kimmins is no David Ogden Stiers. He’s not even Scott Baio. It’s really enjoyable to watch him get continually outsmarted by Perry. Raymond Burr was obviously not doing well physically when he made this movie but it’s still fun to watch him trick witness after witness into identifying the wrong woman.
Ranger Bill Williams (Bill Cody) is working undercover. First, he meets up with and goes to prison with rustler Dragon Morris (Ben Corbett). After Bill finds out that Dragon’s boss is Chuck Adams (George Chesebro), Bill gets out of prison, tracks down Chuck, and then has a fake posse pursue him in order to prove his bona fides as an outlaw. Chuck invites Bill to be a member of his gang. However, Dragon has figured out that Bill’s a lawman and, when he escapes from prison, he tries blow Bill’s cover.
I know I make a lot of excuses for Poverty Row westerns. I can’t do it with this one. The Border Menace is really bad. Produced by Aywon Film, one of the least success of the Poverty Row studios, nothing about The Border Menace works, not even the stock footage of the posse. This is one slow movie, even with barely enough plot to fill out its 50-minute run time. The acting is bad all around, except for veteran western baddie George Cheseboro and Bill Cody, who at least is likable as the hero. Bill has a comedic sidekick but it’s not Fuzzy St. John or Gabby Hayes. Instead, it’s Jimmy Aubrey as Polecat Pete. Polecat Pete yells and sings. I don’t think I’ve ever rooted for the comic relief to get caught in that crossfire before.
Bill Cody starred in a handful of B-westerns in the 30s. He was a former stuntman and looked convincing on a horse. He really wasn’t a bad actor but the main reason he found success was because he shared his name with “Wild Bill” Cody. The two Codys were not related.
As some of our regular readers undoubtedly know, I am involved in a few weekly watch parties. On Twitter, I host #FridayNightFlix every Friday and I co-host #ScarySocial on Saturday. On Mastodon, I am one of the five hosts of #MondayActionMovie! Every week, we get together. We watch a movie. We tweet our way through it.
Tonight, at 10 pm et, I will be hosting #FridayNightFlix! The movie? 1990’s Lionheart!
If you want to join us this Friday, just hop onto twitter, find Lionheart on Prime, start the movie at 10 pm et, and use the #FridayNightFlix hashtag! I’ll be there happily tweeting. It’s a friendly group and welcoming of newcomers so don’t be shy.
Through the Shattered Lens 