Horror on the Lens: Dr. Jekyll and Mr. Hyde (dir by John S. Robertson)


394px-Dr_Jekyll_and_Mr_Hyde_1920_poster

Ever since the birth of film, Robert Louis Stevenson’s Dr. Jekyll and Mr. Hyde has been a popular subject for adaptation.  Not only does the classic story of a good doctor who unleashes his evil instinct via potion serve as a potent metaphor for everything from sexual repression to drug addiction, but the dual role of Dr. Jekyll and Mr. Hyde has provides an excellent opportunity for an actor to show off.

The first film adaptation of Dr. Jekyll and Mr. Hyde is believed to have been made in 1908.  Two more version followed in 1912 and 1913 and then, suddenly, 1920 saw three different film versions.

The best known of the 1920 version is our film for today.  This version is best remembered for John Barrymore’s powerful performance in the title role but it also holds up remarkably well as a work of cinematic horror.

October Positivity: Power of the Air (dir by Dave Christiano)


The 2018 film, Power of the Air, tells the story of David Williams (Nicholas X. Parsons).  David thinks that he can be a committed Christian despite the fact that he spends every weekend at the movies.  In fact, he and his friends have a streak going.  For over 40 weekends, they have gone to the movies and David has never once worried about all of the violence, nudity, and adult language that he sees.

Some might say that this is because David is an adult who has found a way to relax after work.  However, a Nigerian missionary named Emeka Odum (played — quite well, it must be said — by Veryl Jones) says that it’s because David is using the movie theater as a substitute for church.  As Odum explains it, the movie theater has become America’s new house of worship and, as a result, America is now a second-rate nation that has lost its way.  Why, in three years, America might even have a president who obviously doesn’t know where he is half the time.  And it’s all Hollywood’s fault!  Well, actually, the movie suggests that it’s really your fault for going to the movies.

If that sounds like an old-fashioned message, that’s because Power of the Air is a very old-fashioned movie.  That is perhaps not surprising, as this is a Dave Christiano production, but it still feels strange to hear David — the character and not the director, though one gets the feeling that it’s not a coincidence that they share the same name — announce that he can no longer watch any movies that feature people cursing.  I mean, avoiding a movie because of violence makes sense to me.  Avoiding a movie because of nudity or political messaging is also understandable.  Everyone has different things that they’re looking for.  But avoiding a movie because of cursing is basically just another way of announcing that you’re never going to watch another movie.  I mean, I’ve known plenty of Christians who do curse.  At the same time, I do have to admit that I hardly ever curse but that’s just because I don’t want to sound like everyone else.  I gave up cursing for Lent and my sisters all accused me of cheating because, according to them, it’s not really a sacrifice if you give up something that you don’t actually do.

Anyway, David wants to use mass media to spread a good Christian message so he comes up with the idea of broadcasting a commercial on all fifteen of his city’s radio stations at the exact same time.  As he sees it, this will mean that everyone will hear the commercial whether they try to change the station or not.  (Or, you know, they might just turn off their radio.  Or they might turn down the volume.  Or they might resent having David’s message forced upon them and respond by going to a Marvel film.)  Unfortunately, Charlie (Patty Duke), the manager of the biggest station in town, doesn’t want to run a religious commercial.  Can David change her mind?

Of course, I think the real problem with David’s plan is that the days of people spending all day listening to the local radio stations are pretty much over.  That’s true today and it was true when this film was made in 2018.  There are now so many options out there and so many other ways to keep oneself entertained during the day that the idea of everyone in the city listening to local AM radio seems a bit naïve.  David really should have started a podcast or something.

Anyway, Power of the Air is a fairly slow-moving film and it’s one of those films that will mostly appeal to people who already agree with its message.  The film is probably most interesting as Dave Christiano’s feature-length justification for making the type of movies that he does.  The main message seems to be that if only more people watched Christiano’s films, then David wouldn’t have had to spend all that money on those radio ads.

The TSL’s Horror Grindhouse: The First Power (dir by Robert Reskinoff)


In this 1990 horror film, Lou Diamond Phillips plays Russell Logan, a Los Angeles police detective who specializes in capturing and sometimes killing serial killers.  (“So far,” a news reporter breathlessly tells us, “Detective Logan has captured or killed three serial killers!”)  His latest triumph is the capture of Patrick Channing (Jeff Kober), also known as the Pentagram Killer because he carves a pentagram on his victims.

Logan captures Channing thanks to a tip from a psychic named Tess (Tracy Griffith).  Tess specifically made Logan promise her that he wouldn’t push for Channing to get the death penalty.  However, after Logan captures him, he goes back on his word and Channing is sentenced to die in the gas chamber.  To be honest, I wasn’t aware that detectives had the power to decide whether or not to go for the death penalty when it comes to prosecuting murder cases.  As far as I’ve known, that’s always been the job of the district attorney’s office.  Maybe they do things differently out in California….

Anyway, Channing smiles when he’s sentenced to death and then he smiles again when he’s executed.  Logan shrugs all of that off but suddenly, the pentagram murders start up again.  The murderer is killing people in the exact same way that Channing did and he also appears to be targeting the people who were involved in Channing’s capture.  Meanwhile, Tess is running around angry because she specifically told Logan not to allow Channing to be executed.

Hmmmm …. have you figured out what’s going on, yet?

Of course you have!  That’s because you’ve seen a horror movie before.  From the minute that Channing was sentenced to die, you probably knew that Channing would eventually come back from the dead and start murdering people all over again.  It turns out that, by executing Channing, the state of California has granted him the first power, i.e. resurrection.  By committing more murders, Channing is hoping to unlock all of the other powers.  Those powers include the power to appear and disappear at will, possess other people, jump off of roof tops, and mockingly laugh at anyone who tries to stop him.

Apparently, Detective Logan is not a fan of horror movies because it takes him a while to figure all of this out.  (We should keep in mind that he’s a cop so his job is to be skeptical of claims of people returning from the dead.)  But once he starts hearing Channing’s disembodied voice and getting attacked by possessed priests and homeless women, he really has no other option but to accept the truth and work with Tess to try to end Channing’s reign of terror.

The First Power is one of those horror films that’s extremely predictable but effective nonetheless.  Lou Diamond Phillips manages to maintain a straight face, regardless of how outlandish this film gets and Jeff Kober seems to be having a blast as the flamboyantly evil Patrick Channing.  Channing jumps off of rooftops and through windows with a graceful aplomb and the film actually has some fun with the idea of Channing skipping from body to body.  The First Power is often dumb but always entertaining.

The China Lake Murders (1990, directed by Alan Metzger)


Officer Donnelly (Michael Parks) of the Arizona Highway Patrol has snapped.  One day, he doesn’t show up for roll call and instead drives out to the desert.  Sometimes, he pulls people over and tells them that they’ve violated a traffic law.  Sometimes, he stops to help a stranded motorist.  Every encounter ends with Donnelly killing someone.  When Donnelly reaches the town of China Lake, he flirts with a waitress (Lauren Tewes) and befriends Sheriff Sam Brodie (Tom Skerritt).  Brodie is investigating the mystery of why so many people are turning up dead in the desert and he slowly comes to realize that his new friend is the one responsible.

The China Lake Murders was produced by the USA Network and it used to air regularly throughout the 90s.  For a while, it held the record for the highest rated basic cable film.  One reason why so many people would watch it whenever it aired was because the movie started out with a warning that it contained strong violence and some sexual content.  That warning was all that it took to convince most people to watch the movie.  While the sexual content is tame (we see someone’s bare back at one point), the violence is indeed strong. 

So is the performance of Michael Parks, who plays Donnelly as the ultimate nightmare cop.  In many ways, Donnelly epitomizes everything that people hate about the police.  He’s a bully who hides behind his uniform and his badge.  The movie never explains why Donnelly suddenly snapped but watching him, it’s easy to guess that he’s always been a sadist.  He channeled his cruelty into law enforcement and now that he’s crossed the line and is killing random people, he still believes that his uniform will protect him.  Tom Skerritt, on the other hand, is the epitome of what most people would hope a cop would be, fair-minded and more concerned with helping the community than controlling it.

The China Lake Murders is a little slow.  Since it’s revealed early on that Parks is the killer, there’s not much suspense during the middle section of the film.  Things pick up, though, when Skerritt and Parks finally go after each other.  The two veteran actors bring a lot of gravitas to their roles and their final confrontation does not disappoint.

Horror Scenes that I Love: Pennywise Visits The Library In It


Admittedly, this scene from the 1990 version of It is a bit more goofy than scary but still, I love Tim Curry’s performance as Pennywise the Clown.  When the first part of the latest version of It came out, it was kind of fashionable to dismiss the 1990 version.  But then the second movie came out and everyone was like, “We waited a year for this!?  Give us back our Tim Curry!”

Anyway, in this scene, Pennywise shows at the Derry Public Library and offers Richie (Harry Anderson) some balloons.

International Horror Film Review: En el Pozo (dir by Bernardo and Rafael Antonaccio)


In this 2019 film from Uruguay, four people spend the day at a quarry.  Needless to say, things don’t go well.

Alicia (Paula Silva) grew up in the small town of Suarez but she has since moved to the big city.  When she returns to her home to visit her parents, she brings along her new boyfriend.  Bruno (Augusto Gordillo) is well-educated and apparently wealthy.  He’s not a fan of hunting.  He finds fishing to be barbaric.  He doesn’t think much of Alicia’s small town and it’s obvious, from the first minute that we see him, that he is eager to get back to the city.  However, Alicia wants to spend the day at the water-filled quarry (“It’s as close to the beach as we get,” someone explains) with two of her old friends, Tincho (Rafael Beltran) and Tola (Luis Pazos).  Tincho is Alicia’s ex-boyfriend and is obviously still in love with her.  He gets the day off to an awkward start by telling her that he’s ready to abandon Suarez and join her in the city.  Tola, meanwhile, is a cheerful joker.  While Bruno and Tincho spend their timed trying to one-up each other, Tola is content to just smoke weed and drink beer.  While Alicia tries to keep the peace, the tension between Tincho and Bruno continues to grow.

From the start, it’s obvious that at least one member of the group is going to eventually end up trying to kill the others.  It’s just a question of who is going to snap first.  The film tells its story with a deliberate pace, capturing each moment of growing tension.  When Bruno kicks away Tincho’s soccer ball, we wonder, “Is this the moment that’s going drive Tincho to murder?”  When Tincho taunts Bruno into risking serious injury by diving into the quarry, we again wonder if this is the moment that Bruno is going to finally lose it.  Even Tola occasionally seems somewhat suspicious.  I mean, no one can be that laid back!  As women have done since the beginning of time, Alicia tries to keep the men from killing each other in their attempts to impress her with their displays of machismo.  It takes a while but the inevitable violence does arrive and I have to say that I was actually a little surprised to see who instigated it.

En El Pozo (the name translates to In The Quarry) is a well-acted and tense film.  One thing that works to the film’s advantage is that no one in the film is one-dimensional.  None of them are perfect but none of them are totally evil.  Bruno is correct when he says that Tincho is trying to bait him but, at the same time, Bruno is also a bit condescending to both Tincho and Alicia.  Tincho may be an immature jerk but his feelings for Alicia are real.  And while I sympathized and related to Alicia, I did have to wonder why she thought it would be a good idea to have her new boyfriend hang out with her ex-boyfriend in an isolated quarry.  The violence erupts suddenly and the events that happen afterwards are as much a result of panic as they are of maliciousness.  En El Pozo is well-acted and well-directed, with the atmosphere becoming progressively more claustrophobic as the tensions continue to rise.  It all leads to appropriately dark and downbeat ending.  Así es la vida.

Horror Film Review: The Watcher (dir by Joe Charbanic)


Released in 2000, The Watcher is one of those movies where a burned out FBI Agent finds himself locked in a game of cat-and-mouse with an overly verbose serial killer. The FBI agent doesn’t want to get involved and is struggling with a drug addiction. (It’s always either drugs or a wife who doesn’t feel like she knows him anymore.) The serial killer is surprisingly intelligent and well-spoken, despite the fact that most real-life serial killers are only a step or two away from blowing themselves up in a meth lab. Movies love the idea of a witty sociopath but it rarely happens in real life.

Anyway, you get the point. Probably just from reading the previous paragraph, you already know everything that happens in The Watcher. There’s not a single moment in this movie that will take you by surprise. In fact, this movie is so full of clichés that, when I watched it, I actually got mad at the film’s characters for not being able to figure out that they were all just characters in a predictable serial killer film. Seriously, if I woke up and discovered that I was only a character in a movie, I imagine that I would devote at least a few minutes to having an existential crisis. There is also a lot of random slow motion in this movie. The slow motion doesn’t create suspense or generate thrills or anything like that. It’s just kind of there.

Really, the only interesting thing about The Watcher is the cast. For a movie like this, it has a surprisingly good cast. James Spader plays the FBI agent. Marisa Tomei plays the agent’s therapist. (She’s also the only female character to have more than 10 lines in the entire movie. To be honest, it’s a role that anyone could have played but Tomei does her best with what she’s been given.) The serial killer, who is named David Allen Griffen because all serial killers have three names, is played by Keanu Reeves.

Keanu as a serial killer is strange casting. For the most part, Keanu’s appeal has always been that he comes across like someone who, to quote Mother Bates, wouldn’t hurt a fly. Keanu flashes his charming smile and speaks politely with his future victims and, at no point, does he make much of an effort to be a believable killer. Some of that may be because Keanu apparently didn’t want to do the film. Keanu has always said that one of his assistants forged his name on a contract, legally obligating Keanu to appear in this movie. That’s a strange story. When you hear it, you think to yourself, “This the type of thing that could only happen to Keanu Reeves.”

For more than Keanu, James Spader is convincing in his role. Spader spends the entire movie looking like 1) he’s going through massive drug withdrawal and 2) like he’s on the verge of losing his mind. So much of acting is expressed through the eyes and, throughout this movie, Spader’s eyes are bloodshot and exhausted. It’s a superior piece of acting and it’s hard not to feel that it’s probably more than this movie deserved.

Horror on the Lens: Nosferatu (dir by F.W. Murnau)


Today’s Horror on the Lens is a classic film that really needs no introduction!  Released in 1922, the German silent film Nosferatu remains one of the greatest vampire films ever made.  It’s a film that we share every October and I’m happy to do so again this year!

Enjoy!

The TSL’s Horror Grindhouse: Beyond The Time Barrier (dir by Edgar G. Ulmer)


This 1960 film tells the story of Bill Allison (Robert Clarke), an air force test pilot who flies his test craft into space and then returns to discover that Earth has totally changed!

The Air Force base where he previously worked is now deserted and desolate.  After he’s captured by a group of silent soldiers, Allison is taken to an underground city known as the Citadel.  He meets the head of the city, an older man known as The Supreme (Vladimer Sokoloff).  The Supreme explains that only he and his second-in-command, The Captain (Red Morgan), can speak and hear.  The rest of humanity communicates through telepathy.  Though the Supreme’s granddaughter, Princess Trirene (Darlene Tompkins), telepathically insists that Allison is not a threat, the Supreme and the Captain still exile him to live with a bunch of angry, bald mutants who are determined to destroy the city.  Allison meets three other exiles and discovers that they too are time travelers.  The scientists explains that Bill has found himself in the far future.  The year is no longer 1960.  No, the year is …. 2024!

OH MY GOD, WE’VE ONLY GOT TWO YEARS LEFT!

Actually, we’ve probably got less than two years left.  This is October and the film appears to be taking place in the summer so we’ve probably only got 18 months to go!

(Cue Jennifer Lawrence: “We’re all gonna die!”  Cue Leonardo Di Caprio: “I’m so scared!”  Okay, tell them both to shut up now.)

Anyway, Allison assumes that society must have collapsed due to a global war but the scientists explain that the first manned spacetrip to the moon actually ushered in an era of peace.  (Wow, how did I miss this?)  In fact, humans had colonized the Moon, Mars, and Venus by 1970.  (Woo hoo!  Yay, humanity!)  However, years of nuclear testing had weakened the Earth’s atmosphere and, in 1971, the planet was bombarded by cosmic rays.  (Uh oh….)  Humanity was forced to move into underground cities.  Some of them developed telepathy and became super advanced.  Others became bald mutants.  Unfortunately, everyone is now sterile and the Supreme probably expects Allison to impregnate Trirene and do his part to repopulate the planet.

On the one hand, Allison and Trirene are falling in love.  Allison is handsome and strong.  Trirene has pretty hair and is the only citizen of the Citadel who gets to wear anything flattering.  They’re a cute couple.  On the other hand, if Allison sticks around the repopulate the planet, he’ll never be able to go back to his present and warn everyone about the upcoming cosmic ray plague.  Plus, it soon becomes clear that the scientists have an agenda of their own.  Allison finds himself torn between the two factions trying to control the Citadel.

Made for next to no money and filmed at Fair Park in Dallas, Beyond The Time Barrier is a surprisingly good film.  It was directed by Edgar G. Ulmer, an Austrian director who started out as an associate of Fritz Lang’s and who followed Lang to the United States.  Ulmer made films for the Poverty Row studios and he was a master of creating atmosphere on a budget.  He was one of the pioneers of film noir and he brought that same style to his horror and sci-fi films.  As envisioned by Ulmer in Beyond The Time Barrier, the future is full of menacing shadows, dangerous con artists, and untrustworthy authority figures.  It’s a fatalistic film, one that ends on a surprisingly downbeat note.  Even if Allison can save humanity, will it really be worth all the trouble?  Much like Detour, Ulmer’s best-known film, Beyond The Time Barrier plays out like a deliberately-paced dream, full of surreal moments and ominous atmosphere.

Beyond The Time Barrier is available on YouTube and Prime.  Watch it now before we have to go underground.

RUN! Short Film Review by Case Wright


Normally, I would have all kinds of tags about the filmmaker and actors, but I can’t find any. There are far too many “RUNS!”. I didn’t know that the horror short of “a woman being chased while jogging with her headphones on” wasn’t as much of a subgenre as much as it was a meme.

Not to say that running alone with your headphones on is not an extremely dangerous activity- IT IS! However, do we really need 30+ shorts of this same thing?

HOW ABOUT NO?

They were trying to be funny, but they ended up being kinda scary. I know they didn’t mean to do it, but it failed up. I was unsettled by it. It’s also possible that I’m burned out from too many Alex Magana films and by studying this all day:

Yes, I know to solve this… mostly. Slow down ladies, there’s enough Case for everyone.

I know many of you are thinking: sure steam generators are hot and sexy and all, but we’re here for the short-film review and now I’m all sweaty. Fine, I’m here for it.

This film creeped me out because it’s too much like real life. When I moved across the country, I was alone except for my cat- Love you, wherever you are. I would see signs in Montana- Next Services 250 Miles. I realized that if my truck broke down, I’d die here or if some psycho disabled my vehicle, I’d be lost forever and ever. The actress’ vulnerable got to me. I mean Without a Trace had 9 Seasons – that’s According to Jim territory. Point is, we’re not as safe as we want to believe that we are. We could vanish. We are at the mercy of the social contract, but not everyone is a party to it.

This short tapped into that. It failed, but it did fail up.