Enjoy!
Enjoy!
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986! The series can be streamed on Paramount Plus!
This week’s cruise is all about family, love, and …. CRIME!
Episode 1.18 “Last of the Stubings / Million Dollar Man / The Sisters”
(dir by Jack Arnold, originally aired on February 4th, 1978)
Fresh from having given Isaac a lesson in black history during the previous cruise, Captain Stubing is excited to give the rest of the crew a lesson about his family. The Stubings have a long and noteworthy Naval tradition and the Captain is proud to announce that his nephew, L. Courtney Stubing IV (Peter Isacksen), has been accepted to Annapolis. But, before going to school, he’s going to work on the Pacific Princess and show everyone that he is a natural-born sailor. The only problem is that Courtney Stubing is not a natural-born sailor. Instead, he’s a tall, clumsy, near-sighted, and kind of goony guy who has no idea how to talk to the passengers and who would rather be a ballet dancer. The problem, along with the fact that he’s the last of the young Stubings and expected to carry on the family tradition, is that he’s just as bad at dancing as he is at everything else.
Now, I have to give some credit to Gavin MacLeod here because he made this storyline work. The scene where, having finally realized the truth of about his nephew, Captain Stubing tells Courtney that it’s okay not to become a sailor and that he should find out what he’s good at was well-written and sensitively acted by MacLeod. It was about as honest a moment as you’ll probably ever find on a show like The Love Boat.
While the Stubings were bonding, two sisters were fighting. Rose (Marion Ross) was upset that Noreen (Pat Crowley) was spending all of her time with the handsome Clark Tyler (Brett Halsey). Seeing as how I mostly know Hasley from his starring role in Lucio Fulci’s Touch of Death, I would have been more concerned for Noreen’s safety than upset that she was ignoring me. Anyway, it was kind of boring story but it all worked out in the end. Marion Ross would go on to become the Love Boat’s most frequent passenger, though she always played a different character. Eventually, she even played a woman who married Captain Stubing but we’ve got a long way to go until we reach that point.
A long, loooooooooong way.
Meanwhile, two passengers found love. Unfortunately, it was only after they slept together that Stephanie (Marcia Strassman) discovered that Bill (Frank Converse) had stolen a million dollars from his employer and Bill discovered that Stephanie was a cop. Stephanie explained that she would be required to arrest Bill as soon as the ship returned to the United States. Bill considered running off to Mexico but, in the end, he decided to face justice in the U.S., on the condition that Stephanie would be waiting for him after he got out of prison. Honestly, I think it would have made more sense for Stephanie to just join Bill in Mexico and thy two of them could have built a new life there. I mean, they’ve got a million dollars! But, whatever. Strassman and Converse had a lot of chemistry so, despite yourself, you really do hope that things will work out for them while you’re watching the episode.
And I hope things work for you as well, as we sail towards 2023! The Love Boat will return.
Enjoy!
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1986. The entire show is currently streaming on Tubi!
Smiles, everyone, smiles! How silly can things get this week?
Episode 2.2 “The Big Dipper/The Pirate”
(Dir by Earl Bellamy, originally aired on September 23rd, 1978)
Pete Raymond (Dan Rowan) and his daughter, Harmony (Jill Whelan), are professional pickpockets who are hiding out from a determined NYPD Detective named Broylan (Cameron Mitchell). What better place to hide than Fantasy Island? After stealing a ticket to the island from a reverend, Pete discovers that “his” fantasy is to work on a farm. Of course, as you probably already guessed, the fantasy is actually Harmony’s. She wants her father to calm down and live a normal life, away from committing crimes and fleeing the police. At first, farmwork seems to agree with Pete but then Broylan shows up on the island.
I’ve often wondered about the legal status of Fantasy Island. Is it an independent nation or is it territory of the United States or a member of the Commonwealth? Some of the episodes during the first season suggested that Fantasy Island was a territory of the United States. However, in this episode, Roarke reminds Broylan that the NYPD has no jurisdiction in Fantasy Island and that the island is not required to turn anyone over to America. Pete is eventually arrested but Mr. Roarke explains that the Fantasy Island magistrate has ruled that Pete and Harmony can stay on the island and work on the farm. When Broylan demands to know who the magistrate is, Mr. Roarke replies that he is. So, apparently, we are now back to Fantasy Island being a separate nation where Mr. Roarke makes and interprets all of the laws.
The legal status of Fantasy Island was probably the most interesting thing about this fantasy. It’s always fun to see Cameron Mitchell playing an obsessed cop but Dan Rowan gives a lousy performance as Pete and it’s never really clear how Harmony was able to set up the fantasy in the first place. I mean, it obviously took a lot of planning on her part. Did Mr. Roarke charge her the full price or is she another one of the freeloaders that Tattoo is always complaining about?
The show’s other fantasy is even more ridiculous and, not coincidentally, it’s also a lot more fun. Painter Ted Cavanaugh (Sonny Bono) is upset that his ex-wife Mary (Diana Canova) is going to be marrying some stuffy rich guy so he asks to be transformed into an 18th century pirate so that he can kidnap Mary and convince her that she’s still in love with him. WHAT!? It’s totally completely ludicrous but …. I don’t know. Sonny Bono is kind of funny as a pirate. If you’re going to have a silly fantasy, you might as well go out and make it as silly as humanly possible and that’s definitely what happens here. Fortunately, it all works out in the end. Who can resist a pirate?
Enjoy!
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Mondays, I will be reviewing Hang Time, which ran on NBC from 1995 to 2000. The entire show is currently streaming on YouTube!
Are you feeling lost? Fear not! The Deering Tornadoes are here with some important life lessons!
Episode 3.5 “No Smoking”
(Directed by Patrick Maloney, originally aired on September 27th, 1997)
Oh no, Teddy’s smoking!
Yes, it’s yet another TNBC anti-smoking episode. It seems like every TNBC show was required to do at least one episode where someone smokes one cigarette and suddenly becomes so addicted that they can’t function without that sweet, sweet nicotine. Everyone tells them that smokers aren’t cool. No one wants to hang out with a smoker. Smokers smell like smoke. Smokers taste bad when you kiss them. Smokers can’t play basketball. Blah blah blah. It’s like a 30-minute version of those dumbass Truth dot com commercials where they’re like, “Big Tobacco is ravaging Struggling America.”
Anyway, Teddy is smoking and, when Coach Fuller finds out, he forbids Teddy from playing basketball. Everyone tries to help Teddy quit. Hypnosis doesn’t work. Meditation doesn’t work. “The nicotine has control of you,” Coach Fuller explains, making nicotine sound a lot cooler than it actually is. Eventually, Fuller lets Teddy play, even though Teddy still hasn’t totally given up cigarettes because Fuller apparently had a total personality transplant between seasons 2 and 3. (Remember how, during season 2, Fuller decided he’d rather the team lose than allow his best players on the court, all due to some fake IDs? That doesn’t seem like the actions of a guy who would just sort of shrug and let Teddy play.) Teddy agrees to enter an “anti-smoking” program and the other non-smokers on the team agree to attend with him. What good is that going to do for them? They’re already anti-smoking. No, this is a path that Teddy must walk alone.
Ugh, this episode was so heavy-handed. I don’t even smoke and I got annoyed with it. Let’s move on.
Episode 3.6 “Coach Fuller’s Car”
(Directed by Patrick Maloney, originally aired on September 27th, 1997)
Coach Fuller has a conference to attend but the cab that was supposed to take him to the airport never showed up! Because Fuller apparently has no friends or family outside of his team, he asks if they can give him a ride to the airport. When they reveal that Vince’s car isn’t working, Fuller asks them to drive him to the airport in his prized Range Rover.
So, already, this episode has a huge credibility program. First off, is there seriously no one else who can drive Fuller to the airport? What about the assistant principal, the one who happens to be in love with him? How about the assistant coach who showed up when Fuller had the mumps? How about one of the many adult basketball players who are willing to drop everything and come to Deering High whenever a member of the Tornadoes needs a pep talk?
Secondly, even if we do accept that Fuller needs a high school student to drive his car to the airport, why does the entire team go to the airport with them? Julie ends up driving, while Teddy, Vince, and Danny pile in the back seat. Since it’s already been established that Fuller is extremely protective of his car, why would he allow the three most irresponsible characters on the show to ride with him and Julie to the airport?
Anyway, once they reach the airport, Fuller tells Julie to take the car straight home. Instead, Julie, Teddy, Vince, and Danny drive the car to a frat party in Indianapolis, where Michael’s band is performing. (Michael has a band? And Kristy and Mary Beth are his backup singers?) Unfortunately, the punch at the frat has been spiked and soon, everyone but Michael and his singers are drunk! In a rare example of good judgment, Julie decides not to drive Coach’s car while drunk. Instead, they leave the car at the frat house while Michael takes everyone home.
The next morning, Michael and Julie go back to the frat house and …. THE CAR’S GONE!
You saw that coming, right?
When Fuller comes home early, he is informed by the police that his car was found on the roof of the university library. (The police say is was a rush week prank. I’m wondering how a bunch of frat boys got a range rover on the roof of a library.) The car is fine but Fuller still plays a prank on his team by having some biker dude tell them that the car is no more. It turns out that Fuller is proud of his team for not driving drunk but he still orders them to run 20 miles to teach them a lesson about responsibility.
This episode …. actually, it wasn’t that bad. Yes, Fuller made a huge mistake trusting the team with his car but, for once, his reaction to the team screwing up seemed realistic and reasonable. He praised his team for not driving drunk. That’s a good message. Despite the fact that most of this episode’s drama could have been avoided by the characters not being idiots, the overall episode actually work pretty well.
What lessons will be learned next week? We’ll find out soon!
As some of our regular readers undoubtedly know, I am involved in hosting a few weekly live tweets on twitter. I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie! Every week, we get together. We watch a movie. We tweet our way through it.
Tonight, for #MondayActionMovie, the film will be 2006’s The Contract! Selected by Matthew Titus, The Contract stars Morgan Freeman and John Cusack!
Following #MondayActionMovie, Brad and Sierra will be hosting the #MondayMuggers live tweet. Tonight’s movie, starting at 10 pm et, will be 2000’s Crouching Tiger, Hidden Dragon!
It should make for a night of intense viewing and I invite all of you to join in. If you want to join the live tweets, just hop onto twitter, start The Contract at 8 pm et, and use the #MondayActionMovie hashtag! Then, at 10 pm et, switch over to Hulu, start Crouching Tiger, Hidden Dragon, and use the #MondayMuggers hashtag! The live tweet community is a friendly group and welcoming of newcomers so don’t be shy. And reviews of these films will probably end up on this site at some point over the next few weeks.
Enjoy!
Merry Christmas!
Only one more week of 2022 to go!
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The fourth installment in the After franchise, After Ever Happy picks up where After We Fell ended.
The world’s most boring couple, Tessa Young (Josephine Langford) and Hardin Scott (Hero Fiennes Tiffin), are in London to attend Hardin’s mother’s latest wedding. Unfortunately, Christian Vance (Stephen Moyer) takes this opportunity to reveal that he is actually Hardin’s father which leads to Hardin storming off and grabbing a bottle of whiskey. If you’ve seen the previous three After films, then you know that’s a big problem because Hardin is a recovering alcoholic who turns into an asshole when he’s drunk. Of course, Hardin’s usually an asshole when he’s sober as well.
Because Tessa really doesn’t have any life beyond chasing after Harin and trying to keep him from being self-destructive, Tessa chases after him and tries to keep him from doing anything self-destructive. Unfortunately, since Harden’s already drunk, he decides that he might as well burn down his mother’s house and that’s exactly what Hardin does. In most movies, this would be treated as Hardin going off the deep end and as evidence that Tessa should get a thousand miles away from him. In the After films, every stupid, impulsive, and destructive thing that Hardin does is just an excuse for Tessa to comfort him by having soft-focus sex in a car. In the world of the After films, every toxic relationship is a Dior commercial.
Anyway, After Ever Happy pretty much follows the exact same pattern as the previous three films. After Tessa’s father dies, she moves to New York in order to heal and Hardin loses it. Hardin follows her to New York. Tessa takes him back. Hardin explodes over some trivial issue. Tessa forgives him. Tessa tries to do something for herself. Hardin gets mad. Tessa forgives him. Hardin tries to be a better person, which in this case means that he gives his scarf to an old homeless man whom Tessa has been giving food. (Tessa explains that giving the homeless man food makes her feel better about losing her dad, which is another way of saying that she’s only helping him to make herself feel good. If her Dad was still alive, the homeless man would probably end up freezing to death while Tessa and Hardin debated whether Fitzgerland was a better writer than Hemingway. Maybe one of those schmucks could try to help the old homeless man find shelter or something. That scarf’s only going to do so much.) Hardin turns his journals into a novel, which is somehow published. Tessa is angered that Hardin wrote about her without asking her permission and she leaves him. Hardin’s book is acclaimed, despite the fact that the excerpt we hear sound terrible. Hardin becomes an amateur boxer or something. I’m not really sure what was up with that scene. “To be continued….,” the title card announces, so maybe the next movie will feature more action in the ring.
A few questions sprang to mind as I watched After Ever Happy:
Why, after four movies, does Hardin still only have one facial expression?
See? Just one.
What was going on with Tessa’s hair during the second half of the movie?
Seriously, Tessa’s hair was one of the few things that she had going for her and this movie took that away from her.
Finally, how is it that, after four films, the lead performers still have next to zero romantic chemistry? You would think that, after three years of playing these people, Hero Fiennes Tiffin and Josephine Langford would at least have a little bit of a spark to their interactions but instead, they still come across as being friendly acquaintances as opposed to lovers. There’s nothing about their performances that suggest that they know each other in a way that only two people who are deeply in love could know each other. There’s none of the little details that one immediately spots between people who have shared trauma and found love. Instead, every emotion and thought is on the surface. There’s no depth to the relationship. Hardin is toxic and whiney. Tessa is the doormat that other doormats walk over.
Typically, with a film like this, critics will say that the cast does their best with the material they’ve been given but, in this case, everyone’s just as lousy as the material. Say what you will about the 50 Shades Films, at least Jamie Dornan and Dakota Johnson appeared to be having fun. The cast of After Ever Happy, from the stars on down, just seem to be hoping that it will soon all be over with.