The legendary director John Ford was born 132 years ago today, in Maine of all places. He may have been born in New England but few directors have done a better job of capturing, on film, the forces that shaped America.
He also directed one of my favorite films, The Man Who Shot Liberty Valance. Today’s scene that I love comes from the end of that 1962 film and it features a line that would become a classic. “Print the legend.” That was a line that Ford clearly understood and I imagine it’s one that all great filmmakers eventually come to appreciate.
Today is National Freedom Day, which celebrates the anniversary of President Lincoln singing the joint House and Senate resolution that proposed the 13th amendment to the U.S. Constitution.
Today’s song of the day is a favorite of mine and I think it deserves to be heard by more people. Here is Michael Fredo with Free.
Ain’t never had a day, never had a day Ain’t never had a day, never had a day
Rising up, the morning sun Walking down the street, oh, my day has just begun I’m feeling fine, what’s come over me? Ain’t never had a day when I feel so, feel so
Feel so free Ain’t never had a day, what’s come over me, baby? Feel so free, yeah Ain’t never had a day, what’s come over me?
I thought this day would never ever end I felt so high (Felt so high) I’d do it all again (I’d do it all again) I can’t explain what’s been in my heart It’s not about a girl (It’s not about a girl) It’s about my day and how it started
Feel so free Ain’t never had a day, what’s come over me, baby? Feel so free, yeah Ain’t never had a day when I can fly so, fly so
Oh, oh, oh, oh I’ve waited for you so long and I cannot say goodbye So come and fly with me I’ll take you to a place that you would rather be
The day is done, the night is here I look up to the sky with stars perfectly clear The moon is full, I praise the Lord For another day that we can say, we can say hey
Oh, oh, oh, ain’t never had a day, what’s come over me, baby? Feel so free, yeah Ain’t never had a day when I can, when I can groove with you Never had a day, never had a day Ain’t never had a day, what’s come over me, baby? Feel so free, yeah
As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter. I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie! Every week, we get together. We watch a movie. We tweet our way through it.
Tonight, at 9 pm et, Deanna Dawn will be hosting #ScarySocial! The movie? 1988’s Waxwork!
If you want to join us this Saturday, just hop onto twitter, start the movie at 9 pm et, and use the #ScarySocial hashtag! It’s a friendly group and welcoming of newcomers so don’t be shy.
The 1976 film, The Eagle Has Landed, takes place during World War II.
The year is 1943 and, with the war turning against Germany, Heinrich Himmler (Donald Pleasence, in a chilling turn) orders Colonel Max Radl (Robert Duvall) to come up with a plan to kidnap Winston Churchill. When Radl learns that Churchill is scheduled to visit a small, coastal British village, he recruits a cynical member of the IRA, Liam Devlin (Donald Sutherland), to travel to the village and make contact with a Nazi sleeper agent, Joanna Grey (Jean Marsh). While Devlin sets up the operation in Britain and falls in love with Molly Prior (Jenny Agutter), Radl recruits disillusioned Colonel Kurt Steiner (Michael Caine) to lead the mission to kidnap Churchill.
At first the village is welcoming to Steiner and his men, who are disguised as being Polish paratroopers. However, it doesn’t take long for the plan to fall apart. Soon, Steiner and his men are holding the villagers hostage in a church while battling a group of American soldiers led by the incompetent Colonel Clarence Pitts (Larry Hagman) and Captain Harry Clark (Treat Williams). Meanwhile, in Germany, Radl learns that Hitler did not actually authorize the mission to kidnap Churchill and that he has been set up as the scapegoat in case the mission fails.
The Eagle Has Landed can seem like a bit of an odd film. For a film that was released in the same year as Network, All The President’s Men, and Taxi Driver, The Eagle Has Landed feels rather old-fashioned and almost quaint in its storytelling. This was the final film to be directed by John Sturges, a director who started his career in the 1940s and whose best-known films included The Magnificent Seven and The Great Escape. Sturges’s direction is efficient but not at all flashy. (It’s a film that feel like its very much a product of the mid-60s as opposed to the mid-70s.) The story plays out at a deliberate pace, one that leaves no doubt that the film was based on a novel. In fact, it sometimes feels as if the film itself should have chapter headings. The film holds your interest but it’s hard not to feel that a film that should have been an epic action film has instead been turned into something far less ambitious.
Sturges works with an ensemble cast, with no one member of the cast really dominating over the other. (I guess if the film has a main character, it would be Donald Sutherland’s Liam Devlin but, for all the time that’s devoted to him, he actually doesn’t do that much once the action starts.) The cast is full of good actors, though a few of them are miscast. Neither Michael Caine nor Robert Duvall make much of attempt to sound German. As a member of the IRA, Donald Sutherland sounds as Canadian as ever. Fortunately, Caine, Duvall, and Sutherland are all strong-enough actors that they can make an impression even with somewhat distracting accents. Treat Williams is a bit bland as the heroic American but Larry Hagman generates a few chuckles as Williams’s amazingly dumb commanding officer. The important thing is that ensemble is strong enough to hold the viewer’s attention.
The Eagle Has Landed is an old-fashioned but still entertaining film. The actors are fun to watch, the action scenes are fairly exciting, and it ends with a clever twist, one that was apparently historically accurate. It’s a well-done historical melodrama, even if it’s never quite as epic as it aspires to be.
Today’s song of the day could probably double for a scene that I love but that’s okay. I’ve always loved the Nothing Ever Happens On Mars song from Waiting to Guffman.
(Mars? “Where’s that!?”)
It’s such a marvelous scene. Yes, it captures the absurdity of regional theater but it also captures the underlying sweetness of it as well. We may laugh but it’s still hard not to be touched by how much the members of the audience love it.
And, in the contest of the show, it’s a nice reminder that we’re not that different. Martians get bored with their hometown as well!
When I heard that the actress Catherine O’Hara had passed away, I immediately thought of Waiting For Guffman.
I know that a lot of people immediately thought of Schitt’s Creek. And I imagine that a lot of people thought of her as the desperate mother in Home Alone. And definitely, there are a lot of people on twitter who are posting clips of her work on SCTV right now. But I’m a theater nerd and, when you’re a theater nerd, Waiting for Guffman pretty much feels likes watching your life on film.
The entire cast of Waiting for Guffman is brilliant. It’s definitely the most emotionally satisfying of all of Christopher Guest’s mockumentaries. But I’ll have a special place in my heart for Catherine O’Hara and Fred Willard as the community theater superstars. Today’s scene that I love features O’Hara and Willard giving the audition of a lifetime in Waiting For Guffman.
As some of our regular readers undoubtedly know, I am involved in a few weekly watch parties. On Twitter, I host #FridayNightFlix every Friday and I co-host #ScarySocial on Saturday. On Mastodon, I am one of the five hosts of #MondayActionMovie! Every week, we get together. We watch a movie. We tweet our way through it.
Tonight, at 10 pm et, I will be hosting #FridayNightFlix! The movie? 1991’s Double Impact!
If you want to join us this Friday, just hop onto twitter, find Double Impact on Prime, start the movie at 10 pm et, and use the #FridayNightFlix hashtag! I’ll be there happily tweeting. It’s a friendly group and welcoming of newcomers so don’t be shy.