Retro Television Review: Night Partners (dir by Noel Nosseck)


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay.  Today’s film is 1983’s Night Partners!  It  can be viewed on Tubi.

Lauren Hensley (Diana Canova) is a divorced mother who has a nice house in Bakersfield, California.  Her best friends and neighbors are housewife Elizabeth McGuire (Yvette Mimieux) and Elizabeth’s husband, a cop named Glenn (Arlen Dean Snyder).  One night, after spending the day with the McGuires, Lauren returns to her home and is attacked by three burglars.

For Lauren, the crime is not even the worst part of the night.  The worst part is when the police don’t even seem to care that much about her suffering and instead take a “just-the-facts” approach to getting the details to what she’s been through.  Glenn attempts to explain to both Lauren and Elizabeth that cops see terrible things every day and, if they seem desensitized to it all, that’s just their way to handling the stress of the job.  Lauren, however, feels that the cops need a unit that provides the same support for victims that the criminals receive from their lawyers and social workers.

At a community meeting, Lauren proposes her idea to the police chief, John Wilson (Larry Linville).  When Wilson replies that there is no money in the budget, Lauren suggests that maybe the program could be staffed by volunteers.  She then proceeds to volunteer herself and Elizabeth.  Wilson agrees, but on the requirement that Lauren and Elizabeth first attend the police academy and train with the officers.  Under the watchful eye of the gruff but kindly Joe Kirby (M. Emmet Walsh), the two middle-aged housewives run obstacle courses and learn about conflict resolution.  And while the conflict resolution lessons make sense, I’m not sure what the point of having them do the obstacle course was.

Eventually, Lauren and Elizabeth become quite good at their jobs, providing comfort to the victims and getting information that helps the police put away criminals, like the serial rapist (a young M.C. Gainey) who has been stalking the streets of Bakersfield.  Of course, it takes them a while to get good at the job.  When Elizabeth and Lauren are first sent out on the streets, they can’t even keep the police codes straight and they accidentally call in a robbery code when they’re instead just letting the dispatcher know that they’re on break.  Bizarrely, when Lauren and Elizabeth are not at a crime scene talking to a victim, they’re just supposed to drive around in a beat-up patrol car.  Neither one of them has the power to arrest anyone because they’re just volunteers.  In fact, they’re supposed to stay out of the way until the police specifically call for them to come to a crime scene.  So, why are they patrolling the city like real cops?  It seems like that would basically be a lawsuit waiting to happen.

Night Partners was obviously designed to serve as a pilot for a series where Laruen and Elizabeth would comfort victims and help to solve crimes.  The two lead actresses are likable and M. Emmet Walsh is particularly effective as their supervisor.  That said, the film itself can’t decide if it wants to be a hard-hitting crime drama or a comedy about two housewives trying to make it as cops.  Of course, there’s no reason why it couldn’t be both.  Some of the best cops shows have had elements of dark, gallows humor.  But this film’s tone is so inconsistent that the comedic scenes seem to be taking place in an entirely different universe from the dramatic scenes.

As someone who strongly believes that the right of the victims need to be given as much weight as the rights of the criminals, I appreciated the film’s message.  I just wish it had been delivered a bit more effectively.

Late Night Retro Television Reviews: Check It Out 1.11 “Love on Sale”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing the Canadian sitcom, Check it Out, which ran in syndication from 1985 to 1988.  The entire show is currently streaming on Tubi!

Attention shoppers, tonight’s episode is weird.

Episode 1.11 “Love on Sale”

(Dir by Alan Erlich, originally aired on December 11th, 1985)

Weird episode.

Mrs. Cobb (Barbara Hamilton) wants to open up a store in Saudi Arabia so she assigns Howard to give a speech to a group of “Arab investors,” while she spends the night seducing a sheik.  Howard agrees and is told that, if everything works out, he could end up as the President of Cobb’s International.  Going from being the manager of grocery store to an international business tycoon would be quite an accomplishment.  Of course, Mrs. Cobb also expects Howard to dress up like Peter O’Toole in Lawrence of Arabia.  This leads to both Edna and Murray punching him out because they initially don’t recognize him in his costume.

Meanwhile, Murray is trying to raise $150 so that he can buy Howard’s old car, which is apparently sitting on a bunch of milk crates somewhere.  Murray is a teenager who doesn’t even know how to drive but he really wants that car.  How can Murray earn $150?

(Just consider that apparently, Murray doesn’t even make $150 a week from his job at Cobb’s.)

After a customer gives Murray a five dollar tip after Murray introduces him to a female shopper, Murray decides that he’ll start hooking up the single shoppers in return for a ten dollar payment.  Howard thinks that this is a fine idea, as long as Murray doesn’t try to hook up anyone who is married.  (Personally, I can’t think of anything that would make grocery shopping more awkward than having a 15 year-old bagboy trying to convince me to date someone while I’m looking over the produce but whatever.)  Soon, Murray is making all sorts of money but then a Vice detective shows up and arrests Howard for running an escort service.

While dressed like Lawrence of Arabia, Howard is thrown in jail.  In his cell, there are two burly men who continually threaten to beat him up, a skinny guy who talks about how he ate someone’s face, and a male lawyer who is wearing hot pink high heels.  Murray, Christian, and Alf show up at the station and explain that they were all involved in getting people dates at Cobbs and, as a result, they’re all tossed in the cell as well.

Somehow, Howard and his employees do get released because, the next day, Howard comes to work and discovers that every swinger in the city is eager to shop at his store and Mrs. Cobb is not upset about Howard missing the meeting with the investors because Mrs. Cobb was able to seduce the sheik.  Howard says that he can’t wait to be in charge of Cobb’s International because then he’ll be able to get a harem, which leads to Edna punching him.

Weird, weird episode.  It’s hard to even review this episode because it really does take place in its own rather surreal reality.  That said, I kind of appreciated the episode’s nonstop jokiness.  There wasn’t a serious moment to be found here and, while some of the jokes fell flat, some of them worked surprisingly well.  It’s an extremely silly episode that doesn’t add up to much but it’s just weird enough to be entertaining.

Lisa Marie’s Week In Television: 12/10/23 — 12/16/23


It’s the holidays and, as a result, I haven’t had much time to watch television this week.  In fact, outside of the stuff that I watch for my Retro Television Reviews, I only watched three shows this week.

All In The Family (YouTube)

On Friday night, my friend Pat suggested checking out the 1976 Christmas episode of All In the Family, in which a draft-dodging friend of Mike’s visits from Canada.  He shows up at the Bunker household, right on Christmas day!  At the same time, a friend of the Archie Bunker’s is visiting.  Pinky lost his son in Vietnam.

Now, really, the whole conflict in this episode could have been avoided if the draft dodger had just kept his mouth shut when Archie started asking him what was so great about living in Canada.  But the dodger felt that he had to reveal the truth about why he went up north.  Archie wanted to kick him out but Pinky was understanding and forgiving.

This was a well-acted episode with a powerful message but I do have to admit that I could kind of see Archie’s point.  It’s his house!  He’s the one who paid for the Christmas dinner that they’re all eating.  If he doesn’t want to have a draft dodger sitting at the table in his house and eating the food that he paid for, that’s actually Archie’s right.  Still, I’m glad that Archie didn’t kick the draft dodger out because the guy actually was reasonably polite and everyone should have some place to go on Christmas.

Baywatch Nights (YouTube)

I wrote about Baywatch Nights here!

Check It Out (Tubi)

My review of Check It Out should be dropping in about 30 minutes.

CHiPs (Freevee)

I wrote about CHiPs here!

Degrassi Junior High (YouTube)

I wrote about Degrassi Junior High here!

Fantasy Island (Daily Motion)

I wrote about Fantasy Island here!

Friday the 13th (YouTube)

I wrote about Friday the 13th here!

Hell’s Kitchen (Thursday Night, Fox)

Why would anyone agree to hold a charity event at Hell’s Kitchen?  That’s what I found myself wondering as I watched the latest episode of Hell’s Kitchen on Thursday.  Surely, they’ve seen enough episodes of this show to know that they’re going to be running the risk of getting raw chicken and rubbery scallops.

Anyway, I was sad to see Donya go.  I think the only reason Ramsay is keeping Jason around is for the drama.  Go Ryan!

Highway to Heaven (Tubi)

I wrote about Highway to Heaven here!

Jennifer Slept Here (YouTube)

I wrote about Jennifer Slept Here …. here!

The Love Boat (Paramount Plus)

I wrote about The Love Boat here!

Monsters (Tubi)

I wrote about Monsters here!

Santa Claus Is Comin’ To Town (Tuesday Night, ABC)

It’s the holidays so, naturally, I had to watch this classic.  The old Christmas specials have never really been topped, despite Disney’s best efforts.

T and T (Tubi)

I wrote about T and T here!

Welcome Back, Kotter (Tubi)

I wrote about Welcome Back Kotter here!

Retro Television Review: Welcome Back Kotter 3.2 “And Baby Makes Four, Part One”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing Welcome Back Kotter, which ran on ABC  from 1975 to 1979.  The entire show is currently streaming on Tubi!

It’s time for a new school year and a new addition to the Kotter family!

Episode 3.2 “And Baby Makes Four, Part One”

(Dir by Bob Claver, originally aired on September 15th, 1977)

This episode opens with the sad scene of Gabe Kotter staring at himself in the bathroom mirror and telling himself a joke about his Uncle Charlie.  Even Gabe is not impressed with the joke and tells himself that he needs to be more funny.  Poor, Gabe!

Watching this scene, I was reminded of all the stories I’ve read about how much Gabe Kaplan and Marcia Strassman disliked each other and how Strassman apparently really couldn’t stand having to listen to and laugh at Kaplan’s jokes.  Apparently, by the time the third season rolled around, the hostility between Kaplan and Strassman was so pronounced and obvious that even the actors playing the Sweathogs were forced to take sides, with Ron Pallilo siding with Strassman, Robert Hegyes and Lawrence Hilton-Jacobs siding with Kaplan, and John Travolta trying to get along with everyone.  On the one hand, the opening scene here once again reminds us that Gabe is compulsive joke teller.  On the other hand, it’s hard not to feel that it was written to give Strassman a break from Kaplan.

Of course, the very next scene features Gabe and Julie awkwardly interacting, as Gabe tells the very pregnant Julie everything that she should do if she goes into labor while Gabe is at school.  Gabe tells Julie to call a cab, call the school and tell Woodman and then Gabe will call Dr. Melman and they’ll all meet at the hospital.  Julie assures Gabe that she’s not due for another week but Gabe says that he’s not sure that the baby knows that.  He then tells a joke to the baby while Julie grimaces.

It’s the first day of school!  Horshack is super excited while Epstein and Washington are still thinking about the fun they had during the 1977 New York City blackout.  (Epstein gave lemonade to “people running with a TV set.”  Washington “ran with a TV set.”)  Barbarino is not at all excited because, just before school began, he received a letter telling him that he was going to have to repeat the 10th Grade.  Barbarino explains that he skipped the exam that all the students were required to take to be promoted into the next grade but he thought that Mr. Kotter was going to handle it for him.

(Myself, I’m just shocked to learn that the Sweathogs were only supposed to be in the 10th Grade when the show began.  Considering that Horshack and Epstein both appear to be in their 30s, Washington appears to be in his mid-twenties, and Barbarino looks like he’s around 20, I’m going to guess that getting held back is not necessarily a new experience for this group.)

Determined not to be held back, Barbarino decides to sit in the classroom as if nothing has happened and he’s been promoted with the rest of the Sweathogs.  When Gabe arrives, he’s not surprised to see Barbarino in his classroom, mostly because Gabe doesn’t know that Barbarino was held back.  It’s not until Woodman, ordered by Principal Lazarus to personally welcome back each class, steps into the room that Barbarino’s status at a 10th Grader is revealed.

Gabe is shocked to hear that Barbarino was held back.  Barbarino says that Gabe was supposed to take care of it.  Gabe says that he did when he arranged for Barbarino to take a makeup exam.  But Barbarino thought that, when Gabe said he would take care of it, Gabe would sneak into the principal’s office and fix the records  Barbarino didn’t realize he still actually had to take the test and now, his dreams of being “a doctor …. or a longshoreman” have been put at risk.

Woodman laughs maniacally as Barbarino leaves the classroom.  Hitting his breaking point, Gabe kicks Woodman out of the classroom and tells him to stop interrupting his class.

Rather than go to his new classroom, Barbarino goes to the Kotter apartment, where he tells Julie about his problems.  Julie is a bit more concerned with the fact that she’s having contractions.  When she gets out her suitcase and calls for a cab, Barbarino worries that she’s leaving Gabe.  When she says she’s going to the hospital, Barbarino worries that his story made her sick.

Meanwhile, Woodman — banned from entering Gabe’s classroom — uses the PA system to let him know that Julie has gone into labor.  Gabe rushes from his classroom, accompanied by Horshack, Washington, and Epstein.  I kind of doubt Julie is going to be happy to see the Sweathogs at the hospital but whatever.  Julie’s stuck with them in her life.

And so ends Part One of this special three-part episode!  This episode was a bit uneven.  The scene between Gabe Kaplan and Marcia Strassman felt a bit strained, largely due to the fact that the two of them could obviously barely stand to look at each other while delivering their lines.  John Travolta was charming as Barbarino but his co-stars were all obviously getting a bit old to still be playing high school students.  As always, John Sylvester White made me laugh with his portrayal of Woodman’s growing insanity.  The studio audience was very loud as they went out of their way to make sure that anyone watching knew how much they loved John Travolta.

Next week, Julie gives birth!

Live Tweet Alert: Watch MEGAN with #ScarySocial


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, for #ScarySocial, Deanna Dawn will be hosting 2023’s MEGAN!

If you want to join us on Saturday night, just hop onto twitter, start the film at 9 pm et, and use the #ScarySocial hashtag!  The film is available on Prime.  I’ll probably be there and I imagine some other members of the TSL Crew will be there as well.  It’s a friendly group and welcoming of newcomers so don’t be shy.

Late Night Retro Television Reviews: Friday the 13th 1.11 “Scarecrow”


Welcome to Late Night Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Friday the 13th, a show which ran in syndication from 1987 to 1990. The show can be found on YouTube!

This week, Micki and Ryan visit the country and battle a killer scarecrow!  Yikes!

Episode 1.11 “Scarecrow”

(Dir by William Fruet, originally aired on February 1st, 1988)

While Jack is off in Europe searching for a cursed antique, Micki and Ryan head into the country.  They’ve recently received a letter from someone requesting that they come to a small rural town and collect the scarecrow that was bought from their shop years ago.

Seriously, do people usually buy scarecrows from antique shops?  I mean, I always thought that half the fun of having a scarecrow was getting to build it yourself.  And even if you didn’t want to build your own scarecrow, I imagine that you would probably go to a country store to buy one as opposed to heading into the city and going to an antique store.

No matter, though.  Even if it doesn’t make much sense to buy a scarecrow from an antique store, the scarecrow is undeniably scary.  Of course, when Micki and Ryan arrive in the town, the farmer who bought the scarecrow lies and says that someone set it on fire three years ago.  However, the viewer knows that the scarecrow not only still exists but that it comes to life at night and kills people with a scythe!  Every harvest, the scarecrow beheads three people and, as a result, the owner of the scarecrow has a good crop while everyone else in the town is struggling to make ends meet.

The viewer also knows that the villain of the story is Marge Lonacre (Patricia Phillips), the rather severe-looking owner of the town’s only inn.  Even if the episode didn’t show us Marge activating the scarecrow early on, it would be easy to guess that she is the villain because everything about Marge — from the way she dresses to the way she glares at people to the abrupt way that she speaks — screams villainy.  Oddly enough, it takes Micki and Ryan forever to figure out that Marge is the villain, even though they’re staying in Marge’s inn and Micki witnesses the scarecrow depositing a dead body on Marge’s front porch.  In fact, for some reason, Micki gets into her head that the helpful sheriff (Steve Pernie) is the killer and she even locks him in a closet so that he can’t keep her from running back to the inn.  Ryan and Micki are both likable and Micki’s fashion sense is to die for but, without Jack around to guide them, neither of them is a particularly effective investigator.

While searching for the scarecrow, Ryan bonds with the son of one of the scarecrow’s victims, which leads to some nicely-acted moments from John D. LeMay.  I mention this because Friday the 13th, much like Nightmare Café, was always at its best when it explored the humanity of its lead characters.  For all of the violence that Micki and Ryan have witnessed, they’re still trying to make the world a better and nicer place and it’s hard not to admire that.

This was an effective episode, one of that was full of creepy atmosphere and which featured one truly scary scarecrow.  I think even Jason Voorhees would have avoided this country town!

Here Are The 2023 Nominations For The Black Reel Awards


The nominations for the Black Reel Awards were announced today.  The winners will be announced on January 13th, 2024.

Outstanding Film
American Fiction
The Color Purple
Origin
Rustin
Spider-Man: Across the Spider-Verse

Outstanding Lead Performance
Fantasia Barrino – The Color Purple
John Boyega – They Cloned Tyrone
Colman Domingo – Rustin
Aunjanue Ellis-Taylor – Origin
Jamie Foxx – The Burial
Kelvin Harrison Jr. – Chevalier
Michael B. Jordan – Creed III
Teyana Taylor – A Thousand and One
Sophie Wilde – Talk To Me
Jeffrey Wright – American Fiction

Outstanding Director
Blitz Bazawule – The Color Purple
Ava DuVerney – Origin
Cord Jefferson – American Fiction
Michael B. Jordan – Creed III
A.V. Rockwell – A Thousand and One

Outstanding Supporting Performance
Erika Alexander – American Fiction
Danielle Brooks – The Color Purple
Sterling K. Brown – American Fiction
Viola Davis – Air
Colman Domingo – The Color Purple
Jamie Foxx – They Cloned Tyrone
Taraji P. Henson – The Color Purple
Jonathan Majors – Creed III
Da’Vine Joy Randolph – The Holdovers
Jurnee Smollett – The Burial

Outstanding Screenplay
A Thousand and One
American Fiction
Origin
Rustin
They Cloned Tyrone

Outstanding Documentary
American Symphony
Kokomo City
Little Richard: I Am Everything
Renaissance: A Film by Beyoncé
Stamped From The Beginning

Outstanding International Film
Brother (Canada)
Our Father, the Devil (Cameroon)
Rye Lane (UK)

Outstanding Ensemble
American Fiction
The Blackening
The Color Purple
Rustin
They Cloned Tyrone

Outstanding Voice Performance
Ariana DeBose – Wish
Ayo Edebiri – Teenage Mutant Ninja Turtles: Mutant Mayhem
Brian Tyree Henry – Spider-Man: Across the Spider-Verse
Daniel Kaluuya – Spider-Man: Across the Spider-Verse
Shameik Moore – Spider-Man: Across the Spider-Verse

Outstanding Independent Film
A Thousand and One
All Dirt Roads Taste of Salt
Earth Mama
How I Learned To Fly
Rye Lane

Outstanding Short Film
ALIVE IN BRONZE: Huey P. Newton
Birthing A Nation: The Resistance of Mary Gaffney
Black Girls Play: The Story of Hand Games
The Dads
The Last Repair Shop

Outstanding Emerging Director
Blitz Bazawule – The Color Purple
Raven Jackson – All Dirt Roads Taste of Salt
Cord Jefferson – American Fiction
A.V. Rockwell – A Thousand and One
Juel Taylor – They Cloned Tyrone

Outstanding Breakthrough Performance
Halle Bailey – The Little Mermaid
Fantasia Barrino – The Color Purple
Danielle Brooks – The Color Purple
Jerrod Carmichael – Poor Things
Archie Madekwe – Gran Turismo
Phylicia Pearl Mpasi – The Color Purple
Tia Nomore – Earth Mama
Vivian Oparah – Rye Lane
Dewayne Perkins – The Blackening
Teyana Taylor – A Thousand and One

Outstanding First Screenplay
A Thousand and One
American Fiction
All Dirt Roads Taste of Salt
The Color Purple
Earth Mama

Outstanding Score
Jon Batiste – American Symphony
Kris Bowers – Chevalier
Kris Bowers – The Color Purple
Brandford Marsalias – Rustin
Desmond Murray & Pierre Charles – They Cloned Tyrone

Outstanding Original Song
“Am I Dreaming” – Spider-Man: Across the Spider-Verse
“It Never Went Away” – American Symphony
“Keep It Moving” – The Color Purple
“My House” – Renaissance: A Film by Beyoncé
“Road to Freedom” – Rustin

Outstanding Soundtrack
The Color Purple
Creed III
The Little Mermaid
Rustin
Spider-Man: Across the Spider-Verse

Outstanding Cinematography
All Dirt Roads Taste of Salt
Earth Mama
Kokomo City
Rye Lane
Silver Dollar Road

Outstanding Costume Design
Air
The Color Purple
Renaissance: A Film by Beyoncé
Rustin
They Cloned Tyrone

Outstanding Editing
The Color Purple
Kokomo City
Origin
Spider-Man: Across the Spider-Verse
They Cloned Tyrone

Outstanding Hairstyling & Makeup
A Thousand and One
Air
Bottoms
The Color Purple
Rustin

Outstanding Production Design
Chevalier
The Little Mermaid
Renaissance: A Film by Beyoncé
Rustin
Spider-Man: Across the Spider-Verse

Past Lives Rises From The Ashes In Phoenix!


The Phoenix Critics Circle has announced its pick for the best of 2023 and, despite the heat being generated for Oppenheimer and Killers of The Flower Moon by other regional groups, it named Past Lives as best picture of the year!

The winners are listed in bold:

BEST PICTURE
THE HOLDOVERS
KILLERS OF THE FLOWER MOON
OPPENHEIMER
PAST LIVES
POOR THINGS
THE ZONE OF INTEREST

BEST COMEDY FILM
AMERICAN FICTION
ASTEROID CITY
BARBIE
BOTTOMS
THE HOLDOVERS

BEST SCIENCE FICTION FILM
ASTEROID CITY
THE CREATOR
GUARDIANS OF THE GALAXY VOL. 3
INDIANA JONES AND THE DIAL OF DESTINY
INFINITY POOL
THEY CLONED TYRONE

BEST HORROR FILM
EVIL DEAD RISE
NO ONE WILL SAVE YOU
TALK TO ME
THANKSGIVING
WHEN EVIL LURKS

BEST ANIMATED FILM
THE BOY AND THE HERON
ELEMENTAL
SPIDER-MAN: ACROSS THE SPIDER-VERSE
TEENAGE MUTANT NINJA TURTLES: MUTANT MAYHEM
WISH

BEST FOREIGN LANGUAGE FILM
ANATOMY OF A FALL
FALLEN LEAVES
GODZILLA MINUS ONE
PERFECT DAYS
THE ZONE OF INTEREST

BEST DOCUMENTARY
20 DAYS IN MARIUPOL
AMERICAN SYMPHONY
BEYOND UTOPIA
THE MISSION
STILL: A MICHAEL J. FOX MOVIE

BEST ACTOR
BRADLEY COOPER – MAESTRO
LEONARDO DICAPRIO – KILLERS OF THE FLOWER MOON
PAUL GIAMATTI – THE HOLDOVERS
BARRY KEOGHAN – SALTBURN
CILLIAN MURPHY – OPPENHEIMER
JEFFREY WRIGHT – AMERICAN FICTION

BEST ACTRESS
LILY GLADSTONE – KILLERS OF THE FLOWER MOON
SANDRA HÜLLER – ANATOMY OF A FALL
GRETA LEE – PAST LIVES
NATALIE PORTMAN – MAY DECEMBER
MARGOT ROBBIE – BARBIE
EMMA STONE – POOR THINGS

BEST SUPPORTING ACTOR
WILLEM DAFOE – POOR THINGS
ROBERT DOWNEY JR. – OPPENHEIMER
RYAN GOSLING – BARBIE
MARK RUFFALO – POOR THINGS
DOMINIC SESSA – THE HOLDOVERS

BEST SUPPORTING ACTRESS
EMILY BLUNT – OPPENHEIMER
PENELOPE CRUZ – FERRARI
RACHEL MCADAMS – ARE YOU THERE GOD? IT’S ME, MARGARET.
JULIANNE MOORE – MAY DECEMBER
ROSAMUND PIKE – SALTBURN
DA’VINE JOY RANDOLPH – THE HOLDOVERS

BEST DIRECTOR
GRETA GERWIG – BARBIE
JONATHAN GLAZER – THE ZONE OF INTEREST
YORGOS LANTHIMOS – POOR THINGS
CHRISTOPHER NOLAN – OPPENHEIMER
MARTIN SCORSESE – KILLERS OF THE FLOWER MOON
CELINE SONG – PAST LIVES

BEST SCREENPLAY
GRETA GERWIG AND NOAH BAUMBACH – BARBIE
DAVID HEMINGSON – THE HOLDOVERS
CORD JEFFERSON AND PERCIVAL EVERETT – AMERICAN FICTION
TONY MCNAMARA AND ALASDAIR GRAY – POOR THINGS
CELINE SONG – PAST LIVES

BEST CINEMATOGRAPHY
HOYTE VAN HOYTEMA – OPPENHEIMER
MATTHEW LIBATIQUE – MAESTRO
RODRIGO PRIETO – BARBIE
RODRIGO PRIETO – KILLERS OF THE FLOWER MOON
ROBBIE RYAN – POOR THINGS
LUKASZ ZAL – THE ZONE OF INTEREST

BEST SCORE
JERSKIN FENDRIX – POOR THINGS
LUDWIG GÖRANSSON – OPPENHEIMER
MICA LEVI – THE ZONE OF INTEREST
DANIEL PEMBERTON – SPIDER-MAN: ACROSS THE SPIDER-VERSE
ROBBIE ROBERTSON – KILLERS OF THE FLOWER MOON