Lisa Marie’s Week In Television: 12/17/23 — 12/23/23


It’s been a busy week.  I haven’t even had a chance to watch the finale of Survivor yet!  But that’s okay.  My mind is on the holidays right now.

Here’s some thoughts on what I watched this week:

Baywatch Nights (YouTube)

I wrote about Baywatch Nights here!  I’m really enjoying this extremely silly show.

The Bear Who Slept Through Christmas (YouTube)

This cute animated Christmas special from 1973 followed the adventures of a bear who decided not to hibernate for the winter because he wanted to experience Christmas firsthand.  All of the other bears thought he was crazy.  I was proud of him for following his dreams.

A Charlie Brown Christmas (Apple TV+)

I watched this on Friday evening.  It’s one of my favorite Christmas traditions, from poor Charlie Brown’s attempts to direct the play to Snoopy’s impersonations.  A few years ago, my sister wrote about this special.

Check It Out! (Tubi)

This week’s episode was a strange one.  My review will drop in another 30 minutes or so.

CHiPs (Freevee)

I wrote about CHiPs here!  Wow, Ponch really is a terrible cop, isn’t he?

Degrassi Junior High (YouTube)

I wrote about Degrassi Junior High and the start of season 2 here.

Fantasy Island (YouTube)

I’m happy to say that Fantasy Island has been re-uploaded to YouTube so now I basically have to binge as many episodes as possible before they get yanked down again.  Otherwise, I’ll have to use that terrible Daily Motion site to watch the show.  Anyway, I wrote about this week’s episode here.

Friday the 13th: The Series (YouTube)

I wrote about this week’s David Cronenberg-directed episode here!

Frosty The Snowman (DVR)

I recorded this classic Christmas special when CBS aired it on Saturday and then I watched it on Sunday.  It always upsets me when Frosty melts.  I think that’s because I live in Texas, where it hardly ever snows.  So, when a snowman melts down here, it’s totally possible that he will never be able to return.

Frosty Returns (DVR)

Frosty’s back and he sounds a lot like John Goodman!  I recorded this the same night that I recorded Frosty the Snowman.  Frosty Returns is not quite as charming as the first special, as the environmental message is so heavy-handed that it almost feels like a parody.  Still, I like snow and I like snowmen.  Come back, Frosty!

Highway to Heaven (Tubi)

By wonderful coincidence, this week’s episode of Highway to Heaven was a Christmas episode!  I reviewed it here.

Jennifer Slept Here (YouTube)

My review can be found here!

The Love Boat (Paramount Plus)

This week’s episode was really good.  I wrote about it here!

Monsters (Tubi)

I reviewed Monsters here!

The Murder of Jill Dando (Netflix)

This three-part true crime series took a look at the still unsolved murder of a famous and influential British journalist and television host.  It was an intriguing series, full of twists and turns and questions to which we may never get an answer.

Rudolph The Red-Nosed Reindeer (DVR)

This special is undoubtedly a classic but it always bothers me to see what a jerk Santa is.

Seinfeld (Netflix)

Earlier today, I watched the Festivus episode and the episode where Kramer becomes a department store Santa Claus and is accused of being a communist.  “Hey, this guy’s a commie!  He’s spreading propaganda!”

T and T (Tubi)

I wrote about T and T here!

Welcome Back, Kotter (Tubi)

I wrote about Welcome Back, Kotter here!

Retro Television Reviews: Welcome Back Kotter 3.3 “And Baby Makes Four, Part Two”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing Welcome Back Kotter, which ran on ABC  from 1975 to 1979.  The entire show is currently streaming on Tubi!

This week, Julie gives birth and Woodman shares a story from his past!

Episode 3.3 “And Baby Makes Four, Part Two”

(Dir by Bob Claver, originally aired on September 15th, 1977)

After a recap of what happened in the previous episode (i.e., Julie went into labor and Barbarino was held back a grade), this episode picks up with the story already in progress.  In other words, we don’t begin with any stories and jokes about Gabe’s family.  Instead, we open with Barbarino checking Julie into the hospital.

While Julie is taken to the labor room, the admitting nurse asks Barbarino for some information.

“Name?” the nurse asks.

“Vinnie Barbarino,” Vinnie replies.

No, Vinnie!  She wants Julie’s name and it turns out that Barbarino’s not sure.  The nurse then asks, “What month?”  When Barbarino struggles to remember the current date, the nurse clarifies, “How long has the mother been pregnant?”

“Who said my mother’s pregnant!?” Barbarino snaps, “I’ll break his face!”

This entire exchange reminds us of why Barbarino was left back.  That said, John Travolta’s earnest delivery and vulnerable eyes makes it impossible not to feel at least a little love for Vinnie Barbarino.

Gabe shows up at the hospital, accompanied by the other Sweathogs.  The rest of the episode is pretty much a collection of scenes of Gabe, the Sweathogs, and eventually Mr. Woodman saying and doing strange things while waiting for news about Julie.  Yes, Mr. Woodman does show up.  As he explains it, “I like to be around when a new delinquent is brought into the world.”

Seeing that Gabe is nervous, Woodman tells him a story about a time that Woodman “got a girl in trouble.”  Woodman explains that he was dating a girl who was obsessed with feet so they naturally spent all of their time shopping for shoes.  One night, while out on a date, they stopped by a shoe store and Woodman’s girlfriend fell for a shoe salesman who appreciated feet just as much as she did.  They ran off together and one thing led to another.

Gabe points out that Woodman wasn’t the one who got the girl in trouble.

“I’m the one who took her to the shoe store,” Woodman explain.

Gabe considers Woodman’s words and then says, “Don’t ever tell that story again.”

Meanwhile, Horshack is scandalized to hear that Julie is in “the labor room.”  “They’re making her work at a time like this!” Horshack declares.

Freddie steals some flowers from a guy who has kidney stones and gives them to Julie, explaining that she deserves the flowers more than some dude who “got his kidneys stoned.”  When Julie’s doctor asks Freddie if he’s a relative, Freddie replies that “I’m the cousin they don’t talk about.  I’m the …. white sheep on the family.”

As for Barbarino, he and Epstein try to figure out which train to take to get to Burma, which they assume is somewhere near the Bronx.  Gabe says that he thinks that he can talk Woodman into letting Barbarino enter the 11th Grade.  So, I guess that’s the end of that story.

Anyway, eventually, Gabe is informed that he’s the father of twin girls.  TWINS!  Gabe will have to double up on the jokes.  Gabe goes to see Julie, who smiles beatifically because she now knows there will be someone else around to listen to Gabe talk about his Uncle Max.

This was an okay episode, in that every member of the cast got a chance to get some laughs and, unlike a lot of sitcom episodes featuring someone giving birth, the show avoided any cheap melodramatics.  For me, the worst “birth” episode of any sitcom was the episode of Boy Meets World where Cory throws a fit because his mother has the nerve to go into labor on Valentine’s Day and ruin Cory’s plans with Topanga.  Seriously, Cory Matthews was a little creep.

Next week: Julie’s parents come to visit!

Music Video of the Day: Sleigh Ride by Lindsey Stirling (2023, dir by Stephen Mallett)


Its nearly Christmas, which means that it’s time for some Christmas music from the amazing Lindsey Stirling.  There’s a lot of pure holiday joy to be found in this video.

Enjoy!

Late Night Retro Television Review: Friday the 13th 1.12 “Faith Healer”


Welcome to Late Night Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Friday the 13th, a show which ran in syndication from 1987 to 1990. The show can be found on YouTube!

This week, David Cronenberg directs a story about a cursed glove.

Episode 1.12 “Faith Healer”

(Dir by David Cronenberg, originally aired on February 8th, 1988)

After being absent for the last few episodes, Jack has returned to the antique shop and he’s back just in time to investigate a faith healer named Stewart Fishoff (Miguel Fernandes).

Fishoff started his career as a phony evangelist, one who was exposed by one of Jack’s friends, Jerry Scott (Robert A. Silverman).  However, Fishoff is back and now, it appears that he truly does have the power to heal the sick.  Jack can’t help but notice that Fishoff is now wearing a white glove, one that was purchased from the store.  The glove can take away someone’s illness but then it then passes on that illness to the next person that it touches.  With Micki busy researching the store’s history and Ryan suffering from a cold, Jack pays a visit to Jerry to plot how to get back the glove.

The problem is that Jerry wants the glove for himself and he’s willing to kill not only Fishoff but also Jack to get it.

Faith Healer was directed by David Cronenberg, one of the many prominent Canadian horror filmmakers who directed an episode or two of this show.  Not surprisingly, the episode is full of visually striking images, from Fishoff’s church and the member of his cult to the scenes of suddenly sickened skin erupting and then rotting away.  Indeed, if you watched this episode and somehow missed the directorial credit, you would still be able to guess that it came from the mind of David Cronenberg.  It’s full of moody Cronenbergian images and themes, as the rational skepticism of Jerry goes to war with the faith of Fishoff’s cult and both turn out to be equally destructive.  A good deal of this episode focused on showing how both Fishoff and Jerry were seduced by the cursed glove and its promise of power.  If you’ve ever wondered why everyone on this show is so quick to use the antiques for evil, this episode seems to suggest that the antiques are a bit like a powerful drug.  Once you give in to the temptation, the addiction quickly follows.

This episode was well-acted by both Cronenberg regular Robert A. Silverman and Chris Wiggins.  Silverman turns Jerry into a compelling villain, one who falls victim to the same dark magic that he previously made a career out of debunking.  This episode ends with Jack in a particularly dark place and Chris Wiggins does a great job of capturing Jack’s disillusionment.  As Jack points out, all of his friends are either evil or dead or both!  This episode explores the pain that comes from both owning the antiques and tracking them down.

Next week: Micki and Ryan travel in time to pursue a vampire!

Retro Television Reviews: T and T 2.10 “Conspiracy”


Welcome to Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing T. and T., a Canadian show which ran in syndication from 1987 to 1990.  The show can be found on Tubi!

This week, T.S. goes up against his scariest opponent yet!

Episode 2.10 “Conspiracy”

(Dir by Robert Malenfant, originally aired on December 5th, 1988)

Two pre-teens, Paul (Michael Fantini) and Colby (Alan Fawcett), come across a million dollars hidden away in an apparently deserted warehouse.  In slow motion, Paul throw the money into the air and declares that he and Colby are rich.  Of course, Paul doesn’t stop to consider that the money is probably linked to something illegal and that it’s dangerous for him and his best friend to take it.

Soon, Paul and Colby are spending money all over the place.  They buy new clothes.  They buy new bicycles.  Local store owner Bud (Charles Woods Gray) is concerned about the amount of money that Paul and Colby suddenly seem to have.  He meets with his old friend, T.S. Turner, and asks Turner to talk to the boys.

Paul and Colby meet with Turner at Decker’s gym and Paul lies and says that the money came from his grandmother.  He also says that he loaned Colby the money for Colby’s new bike.  After the boys leave, Turner says that he knows that there is more to the story and that he’s going to investigate on his own.  Turner invites Joe to investigate with him.  It’s good to see that the show’s writers finally remembered that Turner and Amy basically adopted Joe at the start of the second season.

Turner is not the only one investigating.  The counterfeiter who created the money wants to know who stole it.  Birken (Martin Neufeld) may drive a car with a personalized license plate that reads “Rainbow” but he’s still a scary dude.  He’s so dangerous that he doesn’t even wear a shirt half the time!  No one is going to tell Birken what to do.

Eventually, Birken kidnaps Paul and ties him to a chair and threatens to suffocate him if he doesn’t help Birken get back his money.  That leads to this rather disturbing sight:

The villains on T and T are usually fairly generic and forgettable but Birken is probably the scariest man in Canada.  He’s certainly the first villain on this show to be just as intimidating at Mr. T.  As soon as Birken shows up, the viewer has no doubt that he’s willing to kill anyone to get back his money.  For once, the stakes on this show feels real.

Or, at least, they feel real until T.S. Turner shows up at Birken’s loft.  (This is yet another episode where T.S. somehow manages to sneak into a building without being noticed.)  When he confronts Birken, Birken attemps to show off his karate moves but T.S. takes him down with one punch.

It’s a bit of an anti-climatic ending, which is a shame because this was actually, by the standards of T and T, a pretty good episode.  Birken was both memorable eccentric and genuinely menacing.  Still, he was no match for T.S. Turner.  No one stops Mr. T.

The Greater Western New York Film Critics Association Nominated Asteroid City!


I think the Greater Western New York Film Critics Association is the only group announcing any year-end awards today and they should be the last of the precursor groups to do so before Awards Season starts up again on December 28th.

Here are the nominations.  The winners will be announced on January 6th.

Best Picture
ALL OF US STRANGERS
ASTEROID CITY
BARBIE
THE HOLDOVERS
KILLERS OF THE FLOWER MOON
MAY DECEMBER
OPPENHEIMER
PAST LIVES
POOR THINGS
SPIDER-MAN: ACROSS THE SPIDER-VERSE

Best Film in a Foreign Language
Justine Triet – ANATOMY OF A FALL
Hayao Miyazaki – HE BOY AND THE HERON
Takashi Yamazaki – GODZILLA MINUS ONE
Wim Wenders – PERFECT DAYS
Jonathan Glazer – THE ZONE OF INTEREST

Best Animated Film
Hayao Miyazaki – THE BOY AND THE HERON
Peter Sohn – ELEMENTAL
Nick Bruno & Troy Quane – NIMONA
Joaquim Dos Santos, Kemp Powers & Justin K. Thompson – SPIDER-MAN: ACROSS THE SPIDER-VERSE
Jeff Rowe & Kyler Spears – TEENAGE MUTANT NINJA TURTLES: MUTANT MAYHEM

Best Documentary
Kaouther Ben Hania – FOUR DAUGHTERS
D. Smith – KOKOMO CITY
Frederick Wiseman – MENUS-PLAISIRS – LES TROISGROS
Davis Guggenheim – STILL: A MICHAEL J. FOX MOVIE
Sam Wrench – TAYLOR SWIFT: THE ERAS TOUR

Best Director
Greta Gerwig – BARBIE
Todd Haynes – MAY DECEMBER
Christopher Nolan – OPPENHEIMER
Martin Scorsese – KILLERS OF THE FLOWER MOON
Celine Song – PAST LIVES

Best Lead Actor
Bradley Cooper – MAESTRO
Paul Giamatti – THE HOLDOVERS
Cillian Murphy – OPPENHEIMER
Andrew Scott – ALL OF US STRANGERS
Jeffrey Wright – AMERICAN FICTION

Best Lead Actress
Lily Gladstone – KILLERS OF THE FLOWER MOON
Sandra Hüller – ANATOMY OF A FALL
Greta Lee – PAST LIVES
Natalie Portman – MAY DECEMBER
Emma Stone – POOR THINGS

Best Supporting Actor
Robert Downey Jr. – OPPENHEIMER
Ryan Gosling – BARBIE
Charles Melton – MAY DECEMBER
Mark Ruffalo – POOR THINGS
Dominic Sessa – THE HOLDOVERS

Best Supporting Actress
Emily Blunt – OPPENHEIMER
America Ferrera – BARBIE
Anne Hathaway – EILEEN
Rachel McAdams – ARE YOU THERE GOD? IT’S ME, MARGARET.
Da’Vine Joy Randolph – THE HOLDOVERS

Best Original Screenplay
Justine Triet and Arthur Harari – ANATOMY OF A FALL
Greta Gerwig & Noah Baumbach – BARBIE
David Hemingson – THE HOLDOVERS
Samy Burch (story by Samy Burch & Alex Mechanik) – MAY DECEMBER
Celine Song – PAST LIVES

Best Adapted Screenplay
Andrew Haigh – ALL OF US STRANGERS
Kelly Fremon Craig – ARE YOU THERE GOD? IT’S ME, MARGARET.
Eric Roth and Martin Scorsese – KILLERS OF THE FLOWER MOON
Christopher Nolan – OPPENHEIMER
Tony McNamara – POOR THINGS

Best Cinematography
Mátyás Erdély – THE IRON CLAW
Rodrigo Prieto – KILLERS OF THE FLOWER MOON
Matthew Libatique – MAESTRO
Hoyte Van Hoytema – OPPENHEIMER
Robbie Ryan – POOR THINGS

Best Editing
Nick Houy – BARBIE
Thelma Schoonmaker – KILLERS OF THE FLOWER MOON
Jennifer Lame – OPPENHEIMER
Keith Fraase – PAST LIVES
Yorgos Mavropsaridis – POOR THINGS

Best Score
Trent Reznor & Atticus Ross – THE KILLER
Robbie Robertson – KILLERS OF THE FLOWER MOON
Ludwig Göransson – OPPENHEIMER
Jerskin Fendrix – POOR THINGS
Daniel Pemberton – SPIDER-MAN: ACROSS THE SPIDER-VERSE

Breakthrough Director
Daniel Goldhaber – HOW TO BLOW UP A PIPELINE
Raven Jackson – ALL DIRT ROADS TASTE OF SALT
Cord Jefferson – AMERICAN FICTION
A.V. Rockwell – A THOUSAND AND ONE
Celine Song – PAST LIVES

Breakthrough Performance
Abby Ryder Fortson – ARE YOU THERE GOD? IT’S ME, MARGARET.
Charles Melton – MAY DECEMBER
Dominic Sessa – THE HOLDOVERS
Cailee Spaeny – PRISCILLA
Teo Yoo – PAST LIVES

Live Tweet Alert: Join #FridayNightFlix For Santa Claus Conquers The Martians!


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on Twitter and Mastodon.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 10 pm et, #FridayNightFlix has got one of my favorite Christmas movies, 1964’s Santa Claus Conquers The Martians!

If you want to join us this Friday, just hop onto twitter, start the movie at 10 pm et, and use the #FridayNightFlix hashtag!  It’s a friendly group and welcoming of newcomers so don’t be shy.

Santa Claus Conquers The Martians is available on Prime, Tubi, YouTube, and a host of other streaming sites!  See you there!

Music Video of the Day: God Rest Ye Merry Gentlemen by Blake Lewis (2017, dir by ????)


Blake Lewis totally should have won American Idol.  (I voted for him and cried when he lost!)  But at least he can still win our hearts with this interpretation of a classic Christmas carol!

Enjoy!

Late Night Retro Television Review: Highway to Heaven 1.13 “Another Song For Christmas”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989.  The entire show is currently streaming on Tubi and several other services!

It’s time for a Christmas episode!

Episode 1.13 “Another Song For Christmas”

(Dir by Michael Landon, originally aired on December 19th, 1984)

Oh, that Fast Eddie!

Played by the familiar character actor Geoffrey Lewis, Fast Eddie is a wealthy used car salesman.  He knows how to turn on the charm.  He knows how to close the sale.  Fast Eddie may have grown up poor but now he’s rich and he’s determined to not sacrifice one cent.  It’s the day before Christmas but Fast Eddie has no problem refusing to give money to charity.  He has no problem ripping off an elderly couple looking for an affordable car.  He has no problem firing Dave Ratchett (Jeff Doucette) when Dave refuses to roll back a car’s mileage.  Fast Eddie doesn’t care that Dave’s son is sick and Fast Eddie certainly doesn’t care that it’s Christmas Eve.  He even orders his butler (Ivor Barry) to work on Christmas Day.

Jonathan and Mark stop by Fast Eddie’s car lot but they don’t buy a car.  They just observe Fast Eddie at work.  After they leave, Mark watches as Jonathan has a brief conversation with Santa Claus (Don Beddoe).  It turns out that, like Fast Eddie, Mark doesn’t really have the Christmas spirit.  Jonathan suggests that Mark should re-read A Christmas Carol.  Mark starts to read it but falls asleep after the first page.

Meanwhile, at his mansion, Fast Eddie also falls asleep but is soon awakened by Jonathan who takes him to the past and shows Eddie how his poor childhood led him to grow up to become overly obsessed with money.  Mark then appears and shows Eddie what’s happening in the present.  Eddie’s lawyers are trying to shut down a charity so that Eddie can buy their headquarters.  Poor Dave Ratchett is having to explain to his family that he lost his job.  Eddie is moved by the sight of Dave’s wheelchair-bound son, who will die unless he gets the operation that Dave will now never be able to afford.  Finally, Jonathan takes him to the future and shows Eddie that no one will visit his grave after he dies.

Eddie wakes up infused with the spirit of Christmas and soon, he’s running around town and giving people, including Dave, all of his money and other gifts.  Interestingly enough, Mark also wakes up and he tells Jonathan that he had a dream in which he was the Ghost of Christmas Present.  Just like Eddie, Mark wakes up with a new appreciation for the Christmas holidays.

I’ve lost track of how many different version of A Christmas Carol that I’ve seen.  The idea of turning Scrooge into a used car salesman is an interesting one and I liked the fact that Eddie and Mark apparently both had the same dream.  This may be the only time in which one of the “ghosts” learned a lesson as well as Scrooge.  That said, Geoffrey Lewis — who was good in so many different films — goes a bit overboard as Fast Eddie.  He’s so desperate and twitchy that it’s easy to believe him as a used car salesman but not as a successful one.

Next week, Jonathan and Mark search for a missing friend.

Here Are The 2023 Nominations of the Society of Composers and Lyricists


The Society of Composers and Lyricists have announced their nominations for the best of 2023.  The winners will be announced on February 13th, 2024 so you’ve got a lot of time to listen to these scores.

Here are the nominations:

Outstanding Original Score for a Studio Film
Joe Hisaishi – The Boy and the Heron
Ludwig Göransson – Oppenheimer
Laura Karpman – American Fiction
Robbie Robertson – Killers of the Flower Moon
Anthony Willis – Saltburn

Outstanding Original Score for an Independent Film
Jon Batiste – American Symphony
Mica Levi – The Zone of Interest
Fabrizio Mancinelli, Richard M. Sherman – Mushka
Daniel Pemberton – Ferrari
John Powell – Still: A Michael J. Fox Movie

Outstanding Original Score for a Television Production
Nicholas Britell – Succession
Natalie Holt – Loki
Martin Phipps – The Crown
Carlos Rafael Rivera – Lessons in Chemistry
Gustavo Santaolalla – The Last of Us

Outstanding Original Title Sequence for a Television Production
Chanda Dancy – Lawmen: Bass Reeves
Nainita Desai – The Deepest Breath
Kevin Kiner – Ahsoka
Atli Örvarsson – Silo
Carlos Rafael Rivera -Lessons in Chemistry

Outstanding Original Song for a Dramatic or Documentary Visual Media Production
Jon Batiste, Dan Wilson – “It Never Went Away” (American Symphony)
Nicholas Britell, Taura Stinson – “Slip Away” (Carmen)
Sharon Farber, Noah Benshea – “Better Times” (Jacob the Baker)
Lenny Kravitz – “Road to Freedom” (Rustin)
Olivia Rodrigo, Dan Nigro – “Can’t Catch Me Now” (The Hunger Games: The Ballad of Songbirds and Snakes)

Outstanding Original Song for a Comedy or Musical Visual Media Production
Jack Black, John Spiker, Eric Osmond, Michael Jelenic, Aaron Horvath – “Peaches” (The Super Mario Bros Movie)
Heather McIntosh, Allyson Newman, Taura Stinson – “All About Me” (The L Word: Generation Q)
Billie Eilish O’Connell, Finneas O’Connell – “What Was I Made For?” (Barbie)
Mark Ronson, Andrew Wyatt – “I’m Just Ken” (Barbie)
Diane Warren – “The Fire Inside” (Flamin’ Hot)

Outstanding Original Score for Interactive Media
Stephan Barton, Gordy Haab – Star Wars Jedi: Survivor
Winifred Phillips – Secrets of Skeifa Island
Pinar Toprak – Avatar: Frontiers of Pandora
Austin Wintory – Stray Gods

The David Raksin Award for Emerging Talent
Catherine Joy – Home is a Hotel
Fabrizio Mancinelli – The Land of Dreams
Allyson Newman – Commitment to Life
Hannah Parrott – After Death
Kenny Wood – The Naughty Nine