Late Night Retro Television Review: CHiPs 2.13 “Down Time”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983.  The entire show is currently streaming on Freevee!

This week, Ponch loses his car and Baker loses his wallet.

Episode 2.13 “Down Time”

(Dir by John Florea, aired on December 16th, 1978)

While chasing two female car thieves, Ponch crashes his motorcycle and sprains his finger.  Getraer is overjoyed because he can now require Ponch to take a few days off work.  Ponch is happy because he’s just moved into a new apartment and he wants to get to know his neighbor, Kim Balford (Randi Oakes).

Kim says she’s an aspiring actress but actually she’s the head of a ring of car thieves.  In fact, by an amazing coincidence, they’re the same car thieves that Ponch was chasing when he injured himself!  Kim sees that Ponch has a new car, a brown Firebird.  Ponch really loves that car.  Well, too bad!  Kim and her associates steal his car.

To Getraer’s disappointment, Ponch is soon spending his entire vacation at headquarters, pressuring people like Detective Bill Ross (Burr DeBenning) to find his car.  Detective Ross informs Ponch that he’ll probably never see his car again but Ponch is determined to get it back.

Baker, meanwhile, just want to find his wallet.  His misplaced it and he has no idea where it is.  Ponch is upset that Baker is more upset over losing all of his money and his ID than over Ponch losing his car.  Baker, realizing that this is CHiPs and Ponch therefore always comes first, apologizes to Ponch and agrees to set aside his own problems to help Ponch out.

Fortunately, Ponch and Baker do figure out that Kim is the one behind the car thefts.  It all leads to a chase through the streets of Los Angeles.  Kim and her two partners-in-crime are in one of those big trucks that are used to transports cars from one place to another.  (I can’t imagine driving one of those things.)  Since they’re off duty, Baker and Ponch have to make due with Baker’s pickup truck.  (Fortunately, Grossman shows up on a motorcycle so this episode doesn’t turn out like that weird season one episode where Baker and Ponch spent the entire episode in a patrol car.)  Kim is caught but, of course, Ponch’s beloved firebird is destroyed in the chase.

Good news, though!  Baker finds his wallet in his jacket.  Yay!  YOU GO, BAKER!

This episode was actually a lot of fun.  Watching it, you could just hear people in 1978 saying, “They steal cars? …. But, they’re women!”  Randi Oakes, who would later be a regular on the show as a member of the Highway Patrol, gives a wonderfully over-the-top performance as Kim.  As well, anyone watching should be able to relate to Getraer’s annoyance as he discovers that there’s no way get Ponch to stay home.  Best of all, with so much of the action taking place in Ponch’s swinging bachelor pad, this episode was pretty much a museum-quality exhibit of the late 70s.  Watching this episode was like stepping into a time machine.

It was fun!

Retro Television Review: Miami Vice 2.23 “Sons and Lovers”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989.  The entire show can be purchased on Prime!

This week, the second season comes to a close with …. TRAGEDY!

Episode 2.23 “Sons and Lovers”

(Dir by John Nicolella, originally aired on May 9th, 1986)

The final episode of the second season Miami Vice opens with Crockett and Tubbs getting their cover blown for what seems like the 100th time.  Seriously, has there every been an episode featuring these two going undercover in which their cover has not been blown?  This time, they’re nearly executed by the drug dealers they were trying to arrest but, at the last minute, a sniper with a laser-guided sight shoots one of the dealers.  In the confusion, Sonny and Tubbs are able to subdue most of the other dealers and disarm a booby trap that would have blown up Switek and Zito.

When Crockett mentions that they would have been dead if not for the sniper with the laser pointer, Switek says, “None of our guys have a laser.”

(Why not, Switek!?  Are you guys trying to win the War on Drugs or not!?)

It turns out that the sniper worked for Angelina Medera (Phanie Napoli), the daughter of Calderone, the Colombian drug lord whose murder of Tubb’s brother led to Tubbs coming to Miami in the first place.  Though she is still bitter over Crockett killing her father, Angelina has come to Miami to introduce Tubbs to his son, infant Ricardo, and to warn Tubbs that her half-brother, Orlando (John Leguizamo, in his first screen role), has put a contact out on his life.

Tubbs is a father!  Tubbs is in love!  Well, as Crockett could warn him, there’s nothing worse than being happy when you’re a member of the Vice Squad because it’s guaranteed that your happiness will be ripped away from you in the most violent way possible.  Orlando comes to Miami and kidnaps Angelina and little Ricardo.  With the help of a corrupt DEA agent named Harrison (J.C. Quinn), Orlando tries to set Tubbs up.  Drawing Tubbs out to a pier where Angelina is bound in a car, Orlando plans to blow up his rival.  Tubbs, being the star of the show, does manage to survive being near the car when it explodes.  Angelina is not so lucky.  Tragically, Tubbs believes that his son was in the car as well.  (Actually, Orlando set little Ricardo back to Colombia.)  At Angelina’s funeral, Tubbs receives a letter from Orlando.  “I’ll be back!” it reads.

And so, season 2 ends!

The finale was a bit of a let down, largely because a good deal of the running time was devoted to flashbacks to remind us just who the Calerdones were in the first place.  As well, John Leguizamo is not exactly the most intimidating of actors and his performance as Orlando was a bit stiff and awkward.  (It makes sense when you consider that he was only 19 years old and making his debut on a hit television show.  Anyone would be nervous.)  Much like the Frank Zappa episode, it’s obvious that this episode was meant to launch a storyline that would be revisited in the future.  While Leguizamo would return, it would appear that this episode is the only one to feature Tubbs’s son.  So, I guess Tubbs will have to live the rest of his life thinking his childhood was blown up by a Colombian drug lord.

That’s dark!

That’s Miami Vice dark!

Despite the weak finale, I thought the second season of Miami Vice was a good one.  There were a few weak episodes but, for the most part, it was a strong and stylish season and one that continued to explore just why exactly the War on Drugs proved to be unwinnable.  Episodes like Out Where The Buses Don’t Run, Bushido, One Way Ticket, Little Miss Dangerous, and Trust Fund Pirates were all examples of Miami Vice at its cynical and surreal best.

Next week, we begin season 3 with a guest appearance by Liam Neeson!

Monday Live Tweet Alert: Join us for The Octagon and Swingers!


As some of our regular readers undoubtedly know, I am involved in hosting a few weekly live tweets on twitter and occasionally Mastodon.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of Mastodon’s #MondayActionMovie!  Every week, we get together.  We watch a movie.  We snark our way through it.

Tonight, for #MondayActionMovie, the film will be The Octagon, selected and hosted by Sweet Emmy Cat!

Following #MondayActionMovie, Brad and Sierra will be hosting the #MondayMuggers live tweet.  We will be watching Swingers!

It should make for a night of fun viewing and I invite all of you to join in.  If you want to join the live tweets, just hop onto Mastodon, pull up The Octagon on YouTube or Tubi, start the movie at 8 pm et, and use the #MondayActionMovie hashtag!  Then, at 10 pm et, switch over to Twitter and Prime, start Swingers, and use the #MondayMuggers hashtag!  The live tweet community is a friendly group and welcoming of newcomers so don’t be shy.

Late Night Retro Television Review: Degrassi Junior High 3.9 “Food For Thought”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sunday, I will be reviewing the Canadian series, Degrassi Junior High, which aired on CBC and PBS from 1987 to 1989!  The series can be streamed on YouTube!

This week, everyone’s thinking about food.

Episode 3.9 “Food For Thought”

(Dir by Eleanore Lindo and Kit Hood, originally aired on January 30th, 1989)

The science fair is coming up and the Farrell twins are doing their project on eating disorders.  One of them, I think it’s Heather, is convinced that everyone at Degrassi has an eating disorder.  She even speculates that Lucy has an eating disorder, even though Lucy explains that it’s a combination of exercise and her metabolism that allow her to remain thin.  “Some people are just thin,” the other twin says and that’s an important thing to remember.  Not every skinny girl has an eating disorder and assuming that they do can be very harmful to their self-image.

Alexa worries that she’s fat.  After she asks Simon if she’s fat, Simon stupidly says, “I don’t know.”  (Simon isn’t very smart.)  Alexa asks the Farrell twins if it’s possible to just be anorexic for a week.  To Alexa, that sounds like a much better way to lose weight than to exercise.

Meanwhile, the person who actually does have an eating disorder — Kathleen — is left to struggle alone.  Kathleen is the girl who always has to be the first to raise her hand with the answer in class.  She has to be the first to get involved with every school project  She always has to be the first to tell everyone else why they’re wrong.  Kathleen is a bossy perfectionist who insists that she doesn’t need anyone’s help.  As a result, Kathleen is not particularly popular.  Melanie is Kathleen’s only friend, largely because Melanie is one of the few people to understand that Kathleen’s home life sucks.  Her father is always working and her mother is an alcoholic.  Kathleen wants to win the science fair so her parents will be proud of her and maybe they’ll stop fighting for a few minutes.

Along with everything else, Kathleen is bulimic.  Despite already being thin, Kathleen is skipping meals and throwing up whatever she eats during the day.  She’s also taking laxatives.  (Ew!)  Melanie, sensing that something is wrong with Kathleen, takes a look at Kathleen’s diary while Kathleen is busy throwing up.  Melanie discovers that Kathleen is obsessed with losing ten pounds by the end of the week.

Needless to say, it all catches up with Kathleen.  After only receiving honorable mention in the science fair, Kathleen faints in the school hallway.  (It’s really not a show about an eating disorder until someone faints.)  What sets this episode apart from the typical episode about an eating disorder is that, even after she faints, Kathleen refuses to admit that she has a problem.  The episode ends with Kathleen refusing to listen as Melania tries to convince her that she needs to get help.  It’s a dark ending but it’s also a realistic one.  Problems are never as easily solved as television would have you believe.

This episode was an example of what Degrassi does so well.  Kathleen, a character who most shows would simply portray as being a one-dimensional bitch, is revealed to be suffering more than perhaps any of the other regular characters.  Instead of treating her like a joke or a stereotype, this episode invites us to consider why Kathleen acts the way that she does.  For all the well-intentioned students at Degrassi, the classmate who needs them the most is left to suffer in isolation.

Lisa Marie’s Week In Review: 9/16/24 — 9/22/24


Our annual October Horrorthon is just 8 days away!  I’ve been busy getting ready, as you can tell be looking at the films and the book listed below.

Earlier this week, Jeff and I drove to Fort Smith, Arkansas so I could visit the Book Barn and pick up a bunch of horror paperbacks.  I can’t wait to read and review all of them this October!  As well, when I returned home, I received a copy of Eric Roberts’s just-published autobiography!  This has been a good week to be a book lover!

This upcoming week, it’s back up to the lake for a few more days of writing and contemplation as I prepare from my favorite three months of the year!

Here’s what I watched, read, and listened to this week!

Films I Watched:

  1. Cape Fear (1962)
  2. Chapter 27 (2007)
  3. Death Rink (2019)
  4. Do Not Disturb (2010)
  5. Go, Johnny, Go! (1959)
  6. Godzilla Raids Again (1955)
  7. Hitchhike (1974)
  8. It Conquered The World (1956)
  9. Labyrinth (1986)
  10. Let It Be (1970)
  11. Money Plane (2020)
  12. The Only Way Out (1993)
  13. Phantom Fun-World (2023)
  14. Saved By The Belding (2010)
  15. The Survivor (1981)
  16. The Wager (2007)
  17. Without Warning (1980)
  18. The Wolfman (2010)
  19. Wolves of Wall Street (2002)

Television Shows I Watched:

  1. American Sports Story: Aaron Hernandez
  2. Fantasy Island
  3. Get Judged by Byron Browne
  4. The Jerry Springer Show
  5. The Love Boat
  6. Miami Vice
  7. Monsters
  8. Monsters: The Lyle and Erik Menendez Story
  9. Night Flight
  10. One Step Beyond

Books I Read:

  1. Gila! (1981) by Les Simons

Music To Which I Listened:

  1. Britney Spears
  2. The Beatles
  3. Blondie
  4. The Chemical Brothers
  5. Christina Aguilera
  6. Chromatics
  7. The Courettes
  8. The Covids
  9. David Guetta
  10. Dillon Francis
  11. Fiona Apple
  12. Haim
  13. The Human League
  14. K
  15. The Orb
  16. Patti Smith
  17. Saint Motel
  18. Silversun Pickups
  19. Steve Aoki
  20. Tate McRae
  21. X

Live Tweets:

  1. Money Plane
  2. Cape Fear
  3. Labyrinth
  4. The Wolfman

News From Last Week:

  1. Actress Kathryn Crosby Dies At 90
  2. Sean “Diddy” Combs is on suicide watch after sex trafficking arrest, sources say

Links From Last Week:

  1. A Friend In Need: Why Matthew Perry Couldn’t Make It
  2. Merry Mabon
  3. Have You Seen China’s Incredible “Lost” Kowloon Walled City? Here’s A True-Life Crime Oasis!
  4. Tater’s Week in Review 9/20/24

Links From The Site:

  1. Erin shared One Kind of Woman, Justice, Guilty, Frenchie, New Detective, All-Story Love, and Mexico After Dark!
  2. I shared music videos from The Courettes, Tate McRae, Silversun Pickups, Haim, The Covids, Killer Kin, and Lilac!
  3. I reviewed Degrassi Junior High, Miami Vice, CHiPs, Fantasy Island, Baywatch Nights, The Love Boat, Monsters, Malibu CA, Highway to Heaven, T and T, Friday the 13th, Welcome Back Kotter, Check It Out, and The Only Way Out!
  4. I shared my week in television!

More From Us:

  1. At her photography site, Erin shared Green, Who Lives In There?, Chubby, Chubby 2, Panther, Panther 2, and Left Over From The Storm 2!
  2. At my music site, I shared songs from Steve Aoki, The Orb, Chromatics, Fiona Apple, The Human League, The COVIDS, and David Guetta!

Click here for last week!

Retro Television Review: The Only Way Out (dir by Rod Hardy)


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay.  Today’s film is 1993’s The Only Way Out!  It  can be viewed on YouTube.

“I’ll kill you before I let you go,” Tony (Henry Winkler) says to his terrified girlfriend, Lynn (Stephanie Faracy).

Agck!  Those are frightening words and they are certainly not something that you would expect to hear from a character played by notorious Hollywood nice guy Henry Winkler.  And, indeed, it would probably shock most of the characters in the film if they knew how Tony talked to Lynn.  Tony is a grad student who has worked at any number of jobs.  While some people might say all of those jobs prove that Tony has a hard time sticking to anything, Tony has obviously learned how to convince people that he’s actually a just a determined man working his way through grad school and taking whatever job will help to pay the bills.  Tony is friendly and romantic and given to grand gestures.  He’s the type who shows up unexpectedly at Lynn’s place of employment with flowers.  He’s the type of guy that strangers applaud while those close to him look for any way to escape.

Lynn knows all about the other side of Tony.  Tony is controlling, obsessive, and abusive.  He hits her.  He barks orders at her kids.  When she tells him that she wants him out of her life, he refuses to go and blames her for all of their problems.  He’s someone who can quickly go from being everyone’s friend to being a monster.  He preys on insecurity and, whenever anyone stands up  to him, he plays the victim.  Tony is a classic abuser and the fact that he’s played by the likable Henry Winkler makes him all the more disturbing.  Like most abusers, Tony knows how to turn on the charm.  He knows the power of a smile and a few complimentary words.

Lynn is in the process of getting divorced from an architect named Jeremy (John Ritter).  It’s been a remarkably amicable divorce, with Jeremy and Lynn agreeing on joint custody and apparently not bearing any ill feelings towards one another.  The only problem is that Lynn cannot bring herself to actually sign the divorce papers.  Jeremy wants to marry Susannah (Julianne Phillips) and Susannah is not happy about the long wait.  She’s even less happy when Jeremy takes it upon himself to try to protect Lynn from Tony.  Soon, Tony is stalking Jeremy and Jeremy finds himself considering a particularly extreme solution to his problem.

It’s John Ritter vs Henry Winkler and the casting of two of Hollywood’s best-known nice guys as violent rivals works surprisingly well.  Winkler is memorably unhinged while Ritter plays a guy who is struggling to hold onto a life that, until Tony shows up, seemed to be perfect.  In the end, it’s not just Tony who catches us by surprise by just how far he’s willing to take things.  The film’s ending took me by genuine surprise.  Featuring excellent dramatic turns from two actors best known for their comedic skills, The Only Way Out is a superior melodrama.

 

 

Late Night Retro Television Review: Check It Out! 2.12 “High Tech”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing the Canadian sitcom, Check it Out, which ran in syndication from 1985 to 1988.  The entire show is currently streaming on Tubi!

This week, Howard once again ruins Edna’s life.

Episode 2.12 “High Tech”

(Dir by Alan Erlich, originally aired on January 11th, 1987)

Howard has a gambling problem!

Wait a minute ….  I thought that was the plot of last week’s episode.

Well, it’s the plot of this week’s episode as well.  After Howard invests Edna’s life savings ($10,000, though it should be remembered that this is Canadian money) in a Venezuelan gold mine, Edna can only watch in horror as an earthquake rips through Venezuela and wipes out the gold mine.  (She should just be happy that she invested before Chavez and Maduro came to power.)  Howard, however, is sure that he can win her money back because he has a tip about a sure thing in an up-coming boxing match….

That’s it!  Edna demands that Howard go to therapy.

Which Howard does.  Dr. Cravitz (John Stocker) seems to be a little crazy himself, especially when people accidentally call him “Clavitz.”  The doctor does help Howard to realize that he has a gambling problem.  His mother used to take him to bingo halls while his father spent all of his time playing poker.  Howard is a bad gambler because he’s trying to both win his parent’s love and get back at them for neglecting him while he was growing up.  Damn, that’s depressing.

Howard returns to the store, diagnosed but hardly cured.  Fortunately, he gets a call from his stockbroker, telling him that the gold mine is now worth $10,000 because there’s oil underneath the gold.  Edna gets her money back, minus the money that Howard lost on the boxer.

This episode is another one where Howard is a complete and total buffoon.  I prefer the episodes where Howard is an idiot to the ones where he’s actually competent.  A competent manager is not a funny manager but a buffoonish boss who makes life difficult for the people working under him …. hey, who can’t relate to that?  That’s why The Office was better when Michael was boss than when Andy took over.  No one watches a show like this to root for management.

This episode had some funny moments.  There was an entertaining B-plot about Christian installing a new computerized checking system and accidentally ordering three-years worth of potatoes at one time.  (I had to smile when a jump cut revealed that every display in the store was now potato-related.)  Even better, Gordon Clapp finally returns as the dim-witted handyman, Viker.  Clapp’s ultra sincere line delivery made Viker into a hilarious character and the scenes where Viker gets on Howard’s nerves are always entertaining.  When we first see Viker, he’s upgrading his lunchbox.  Later, he tells Howard that “an important person called with an important message, that’s all I remember.”  This show works best when it embraces absurdity and Viker is so wonderfully absurd that you can’t help but love the character.