AMV of the Day: Lullaby (Corpse Party)


How about ending the week with an AMV of the Day?

Song: Lullaby by Receptor feat. K.I.R.A.

Anime: Corpse Party

Creator: AnimeAMVnightcore  (As always, if you enjoyed this video, we encourage you to subscribe to the creator’s channel and give them lots of likes and nice comments)

Past AMVs of the Day

Retro Television Review: Homicide: Life on the Street 1.2 “Ghost of a Chance”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing Homicide: Life On The Street, which aired from 1993 to 1999, on NBC!  It  can be viewed on Peacock.

This week, the search for Adeena Watson’s murderer begins.

Episode 1.2 “Ghost of a Chance”

(Dir by Martin Campbell, originally aired on February 3rd, 1993)

There’s been a murder in Baltimore.  That, in itself, is not news.  The pilot firmly established that murder is a fact of life in Baltimore.  But, the victim of this crime is an 11 year-old girl named Adeena Watson, who left her home to go to the library and who never returned.  The press is covering every detail.  The police brass want an arrest and they want an arrest quickly.  And the primary detective on the case is rookie Tim Bayliss, who has never even worked a murder case on his own before.  Giardello refuses to replace Bayliss but he also makes it clear that he needs Bayliss to bring him something.

As for Bayliss, he spends most of this episode struggling.  Not only does he not have the respect of his fellow detective but he also, as a rookie, doesn’t even have a desk until Giardello, in a fit of anger, knocks everything off an unoccupied desk and awards it to Bayliss.  (So, was that desk just sitting there the whole time?  I thought they didn’t have any available desks.)  Because this crime is what is known as a “red ball,” (i.e., a murder that has attracted the attention of the media and the public), every detective is looking for Adeena’s murderer.  While Bayliss obsesses on who Adeena was before she was killed, the rest of the squad does the practical things, like talking to neighbors and bringing in all of the city’s sex offenders for interrogation.

My heart broke for Bayliss while watching this episode.  Kyle Secor did a good job of capturing both Bayliss’s outrage over the crime and his fear of failing to solve his first case as a primary.  While Bayliss stared at Adeena’s body in the alley, Munch, Lewis, and Crosetti debated sports.  And while their attitude may have seemed callous, this episode established that disconnecting is the only way to handle working Homicide.  Bayliss, having not learned how to disconnect, grows more and more obsessed with Adeena.  I cheered a little when Bayliss finally stood up for himself and even won the grudging respect of Frank Pembleton.  That said, the change in Bayliss happened almost too quickly to be credible.  Apparently, all it took was for Giardello to give him a desk for Bayliss to go from being meek and overwhelmed to being a confident and take-charge detective.

While Bayliss searched for Adeena’s killer, Much and Bolander dealt with a murder that happened in a wealthy neighborhood.  The killer (Gwen Verdon) was a wife who snapped after 60 years of marriage.  As she explained to Bolander and Munch, she and her husband had earlier promised each other that they wouldn’t get a divorce until the children died.  Bolander has a crush on the coroner, Dr. Blythe (Wendy Hughes), but he’s worried about getting back in the dating game after his own divorce.  When Munch asks Bolander how old he is, Bolander replies, “48.”  Ned Beatty was a great actor and I’ve never seen a bad Ned Beatty performance.  That said, it’s also hard for me to think of any film where he looked a day under 50.

Meanwhile, Kay tries to get a confession from a guy who is about to go on trial for murder.  Felton laughs when Kay says that she was visited by the ghost of the guy’s victim.  However, Felton makes up for being a jerk by helping Kay find the murder weapon.  This whole subplot was odd to me, largely because Kay really doesn’t come across as the type to believe in ghosts.  But whatever works, I guess!  Melissa Leo and Daniel Baldwin did a good job in this episode, selling a storyline that had the potential to be a little bit too cute for its own good.

As the episode ended, the killer of Adeena Watson had yet to be captured.  While the other detective drank at a wharf bar, Bayliss went to Adeena’s memorial service and stared at her coffin, haunted.  It was a powerful moment but one that left the viewer worried about Bayliss’s sanity.  Earlier in this episode, Pembleton said that a murder that goes 72 hours without being solved will never be solved.  Bayliss is running out of time.

 

Horror Scenes I Love: The Doll Attacks In Trilogy of Terror


Today’s horror scene that I love comes from 1975’s Trilogy of Terror, directed by Dan Curtis and starring Karen Black.

In this scene, Karen Black discovers that the doll she recently received in the mail has a mind of its own.

A Blast From The Past: Final Curtain (dir by Edward D. Wood, Jr.)


1957’s Final Curtain is a short, 22-minute film in which a mysterious man (Duke Moore) wanders around a creepy and seemingly abandoned theater.  While Dudley Manlove (who played Eros the Alien in Plan Nine From Outer Space) provides narration, the man sees many strange things in the theater.  What is real and what is merely a hallucination?  Watch to find out!

Final Curtain was envisioned, by director Edward D. Wood, as being the pilot for a horror anthology series.  Though none of the networks were interested in buying Wood’s proposed series, Wood considered Final Curtain to be his finest film and it certainly is a bit more atmospheric than the typical Wood film.  The role of the mysterious man was written for Bela Lugosi but, after Lugosi passed away, Duke Moore was cast in the role instead.

From 1957, here is Final Curtain.

4 Shots From 4 Films: Special Dan Curtis Edition


4 (or more) Shots From 4 (or more) Films is just what it says it is, 4 (or more) shots from 4 (or more) of our favorite films. As opposed to the reviews and recaps that we usually post, 4 (or more) Shots From 4 (or more) Films lets the visuals do the talking.

Today’s edition of 4 Shots from 4 Films is dedicated to one of the most underrated horror directors around, Dan Curtis!

It’s time for….

4 Shots From 4 Dan Curtis Films

House of Dark Shadows (1970, dir by Dan Curtis, DP: Arthur Ornitz)

The Norliss Tapes (1973, dir by Dan Curtis, DP: Ben Colman)

Trilogy of Terror (1975, dir by Dan Curtis. DP: Paul Lohmann)

Burnt Offerings (1976, dir by Dan Curtis, DP: Jacques R. Marquette)

Horror on the Lens: The Norliss Tapes (dir by Dan Curtis)


The Norliss Tapes (1973, dir by Dan Curtis)

Today’s Horror on the Lens is The Norliss Tapes, a 1973 made-for-TV movie that was also a pilot for a television series that, unfortunately, was never put into production.

Reporter David Norliss (Roy Thinnes) has disappeared.  His friend and publisher, Stanford Evans (Don Porter), listens to the tapes that Norliss recorded before vanishing. (Stanford Evans, it must be said, is a great name for an editor.)  Each tape details yet another paranormal investigation.  (Presumably, had the series been picked up, each tape would have been a different episode.)  The first tape tells how Norliss investigated the mysterious death of an artist who apparently returned from the grave.

For a made-for-TV movie, The Norliss Tapes is pretty good.  It’s full of atmosphere and features a genuinely menaching yellow-eyed zombie monster. The film was directed by Dan Curtis, who was responsible for several made-for-TV horror films and who also created the deathless TV show, Dark Shadows. Curtis also directed a few feature films. Burnt Offerings, for instance, will be forever beloved for its scene of annoying little Lee Montgomery getting crushed by a chimney. If you ever get a chance to listen to the director’s commentary that Dan Curtis recorded for the Burnt Offerings DVD release, you must do so. Curtis comes across as the crankiest man on the planet and it’s actually kind of fascinating to listen to. His irritation when Karen Black keeps asking him if he knows the name of the actor who played the ghostly chauffeur is truly an amazing thing to here. (For the record, the actor’s name was Anthony James, he also had important supporting roles in two best picture winners — In The Heat of the Night and Unforgiven — and yes, he was one of the best things about Burnt Offerings. Karen Black knew what she was talking about.)

But back to The Norliss Tapes!

Admittedly, this is not the first Halloween in which I’ve shared The Norliss Tapes with our readers. Back in both 2015 and 2021, The Norliss Tapes was one of our “horrors on the lens.” Unfortunately, there’s only so many good quality, public domain horror films available on YouTube so, occasionally, a movie is going to show up more than once over the years. But, as long as it’s good film, who cares?

Enjoy The Norliss Tapes!

6 Ed Wood Trailers For Horrorthon


Since the 10th of October was the 100th anniversary of the birth of director Edward D. Wood, Jr., it seems appropriate to dedicate this week’s edition of Lisa Marie’s Favorite Grindhouse Trailers to him!

Below …. can you handle six trailers for six Ed Wood films!?

Watch, if you dare!

  1. Glen or Glenda (1953)

2. Jail Bait (1954)

3. Bride of the Monster (1955)

4. Plan 9 From Outer Space (1957)

5. The Sinister Urge (1960)

6. Meatcleaver Massacre (1977)

Music Video of the Day: California Rain by Syamali (2024, dir by ????)


Technically, this isn’t a Halloween or a horror video, unless you live in California and you really hate the rain.  But the foggy imagery and the deserted streets and the nighttime cinematography are definitely appropriate for the season.

Enjoy!

October Positivity: The Sin: From Adam and Eve to Cain and Abel (dir by Robert Savo)


2017’s The Sin tells a familiar story.

Shortly after creating the world and the first people, God allows Adam (Ayman Nahas) and Eve (Khawlah Hag-Debsy) to live in the Garden of Eden.  He only gives them one major rule to follow.  They can eat from any tree except for the Tree of Knowledge.  They’ve got all the food that they could possibly want, as long as they don’t break that one very simple rule.  Eve promptly breaks that rule, taking the advice of a serpent and eating an apple.  She then convinces Adam to do the same.  When God asks Adam whether or not he ate from the tree, he lies.  Then he tries to put all the blame on Eve.  God responds by kicking them out of the Garden and cursing them to suffer on Earth.

Adam and Eve wander the Earth, arguing nonstop about who is to blame.  Finally, they stop arguing long enough for Eve to get pregnant.  In the film, they are depicted as having two sons, Cain (Shredi Jabarin) and Abel (Nahed Bashir).  Abel is the gentle sheep herder.  Cain is the farmer who sees everything as a competition.  When God prefers Abel’s offering of a lamb to Cain’s offering of some nuts and berries, Cain murders his brother and then lies about it.

And, needless to say, everything’s been going downhill ever since.

This is a short film, barely clocking in at 50 minutes.  It tells the story faithfully enough, though it leaves out Seth and Adam and Eve’s other children.  (Perhaps that’s to avoid discussing the possibility that Cain and Seth ended up marrying their own sisters.  I mean, they had to populate the Earth somehow)  The main problem with the film is the acting.  The actors playing Adam and Eve both come across as being rather goofy and the scenes of them arguing about who is to blame feel more like petulant nagging than an actual discussion about who is to blame for bringing sin into the world.  As for Cain and Abel, Abel is kind of wimpy while Cain comes across as being the worst dumbass teenager ever.  The scene were Cain start to shout “competition” over and over again made me smile a bit too much, considering that I knew this was going to lead to the first murder.

On the plus side, the film refrains from putting all the blame on Eve.  While Eve may have been the first to bite into the forbidden fruit, Adam made his choice and then he not only lied about it but tried to put all the blame on Eve.  If anything, this film suggests that Adam was punished less for what he did and more because he refused to accept responsibility for his actions.  By that same token, Cain’s murder was bad but his refusal to take responsibility for his actions showed that he was beyond redemption.

As a final note, let me just say that it’s always amazing to me the odd and obscure things that you can find on Tubi if you just spend a few minutes scrolling through your list of recommendations.

Late Night Retro Television Review: Check It Out! 2.15 “Tots ‘R’ Us”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing the Canadian sitcom, Check it Out, which ran in syndication from 1985 to 1988.  The entire show is currently streaming on Tubi!

This week, Edna has a good idea.

Episode 2.15 “Tots ‘R’ Us”

(DIr by J. Sumner, originally aired on February 1st, 1987)

I have no idea who J. Sumner was.

J. Sumner is credited as being the director of this episode.  (Up until this episode, Alan Erlich was the show’s regular director.)  I’ve never seen the name before and it struck me as being such an odd name to use that I actually looked the director up on the IMDb.  According to the IMDb, this episode of Check It Out! is the only thing that J. Sumner has ever been credited as having been involved with.  That’s quite an accomplishment, making your entertainment career debut as a director   Most people have to work up to it.

I kind of suspect that J. Sumner is a pseudonym of some sort.  Maybe the real director didn’t want to be credited for this episode, though there’s nothing about it that’s really all that different from any other episode of Check It Out.  It’s not a terrible episode but it’s also not a particularly interesting one, which is why I’m wasting so much time speculating about the identity of J. Sumner.

The episode takes place on Canadian Mother’s Day.  Edna decides to turn the back offices into a daycare so mothers can leave their children while they shop.  That actually does sound like a good idea to me.  Whenever I go grocery shopping, I always seem to get stuck in line behind people who have multiple hyperactive children.  Just last week, this little brat stepped on my foot while running around the store and his mother didn’t even apologize to me.  Seriously, I was limping for hours afterwards!  I should have called the cops and pressed charges….

Anyway, all of the moms and their kids eventually leave.  Except there’s one child (played by Benjamin Barrett) left behind.  He wears a nametag that reads “Orphan” but a call to the local orphanage reveals that no one is missing.  Edna calls the police but tells them that the store will take care of the kid and hold onto him until his parents arrive.  The police apparently say, “Okay, thanks for letting us know,” and then never bother to come out to the store.  That doesn’t sound like typical police procedure when it comes to an abandoned child but who knows?  This is a Canadian show so maybe that’s the way they do it in Manitoba.

Edna pressures Howard into using a sock puppet to talk to the kid.  The previously silent kid is happy to talk to Goober The Sock.  The kid’s name is Freddy.  He stays overnight at the store with Edna and, in a really sad scene, Edna asks Freddy if he knows anything about adoption.  Edna’s dreams of taking Feddy into her home are ruined when Freddy’s father (Walker Boone) shows up.  Howard gives Freddy and his father tickets to a baseball game.  Awww, that was nice!

This was a pretty simple episode and, to be honest, it was kind of boring.  Howard and Edna are more fun when they’re weird than when they’re nice.  As always, Gordon Clapp (as Viker, the electrician) got a few funny lines and made the most of his limited screentime.  Otherwise, this was a sweet-natured but not particularly enthralling episode.

And if J. Sumner is reading this, say hi in the comments!  We’d love to hear from you!