Retro Television Review: Miami Vice 3.18 “Lend Me An Ear”

Posted on February 17, 2025 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989. The entire show can be purchased on Prime!

This week, Crockett and Tubbs are both spectacularly bad at their jobs.

Episode 3.18 “Lend Me An Ear”

(Dir by James Quinn, originally aired on February 27th, 1987)

This week’s episode of Miami Vice centers around Steve Duddy (John Glover), an eccentric former cop-turned-surveillance expert. When the Vice Squad has trouble bugging the home and phone lines of a mysterious Greek criminal named Alexander Dykstra (Yorgo Voyagis), Crockett and Tubbs approach Duddy for help. Little do they know that Dubby is also on Dykstra’s payroll. Duddy sells them the bugs that they plant in Dykstra’s home. Then Dykstra calls Duddy and Duddy removes them. Dykstra doesn’t know that Duddy works for the cops and the cops don’t know that Duddy works for Dykstra.

It sounds like a pretty good deal for Steve Duddy, no? But when Duddy witnesses Dykstra commit a murder that was caused by Dykstra using one of Duddy’s voice analyzers to discover whether or not her girlfriend was lying about cheating on him, Duddy decides to try to take down Duddy. First, he calls the homicide department and, using a device to disguise his voice, he reports that Dykstra just killed someone. When that doesn’t work, he splices together some recordings to make it appear as if Dykstra is setting up a crime. When that doesn’t work and Dykstra decides to take out Duddy, Duddy just kills Dykstra and his men. Crockett and Tubbs arrest him, charging him with interfering with an investigation. The charges are ultimately dropped but, when Duddy returns to his home, he finds a video message from Crockett. “I’ll be watching you!” Crockett says.

This was a strange episode, if just because the main theme seemed to be that the members of the Vice Squad weren’t that smart. Not only were they repeatedly fooled by Duddy but also Dykstra as well. Really, anyone with as much experience as Crockett and Tubbs should have been able to figure out what Duddy was doing. Duddy’s reaction when he heard the 9-11 call (“Sounds like someone’s altering their voice!” Duddy says) should have been a dead giveaway that Duddy knew more than he was telling. And yet, somehow, Crockett and Tubbs didn’t figure out anything strange was happening until the episode was nearly over.

Dykstra, incidentally, was not a drug dealer. He was a money launderer and he really didn’t make much of an effort to hide that fact. I figure it out pretty quickly. But, again, it took Crockett and Tubbs nearly the entire episode to figure out what Dykstra’s business actually was. Crockett and Tubbs just had a really off-week with this episode.

On the plus, John Glover was memorably odd as Duddy. Up until he discovers Dykstra is a murderer, Duddy is having the time of his life playing both sides against each other and it’s actually kind of entertaining to watch. Apparently, this was Duddy’s only appearance on Miami Vice. That’s a shame because his character definitely had potential.

Next week: Viggo Mortensen, Annette Bening, and Lou Diamond Phillips all stop by Miami!

Monday Live Tweet Alert: Join Us for America 3000!

Posted on February 17, 2025 by Lisa Marie Bowman

As some of our regular readers undoubtedly know, I am involved in hosting a few weekly live tweets on twitter and occasion ally Mastodon. I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of Mastodon’s #MondayActionMovie ! Every week, we get together. We watch a movie. We snark our way through it.

Tonight, for #MondayActionMovie, the film will be 1986’s America 3000!

It should make for a night of fun viewing and I invite all of you to join in. If you want to join the live tweets, just hop onto Mastodon, pull up America 3000 on YouTube, start the movie at 8 pm et, and use the #MondayActionMovie hashtag!

Enjoy!

Scenes That I Love: Elvis and JFK in Bubba Ho-Tep

Posted on February 17, 2025 by Lisa Marie Bowman

Today is both President’s Day and Don Coscarelli’s birthday! As such, it only seems appropriate that today’s scene of the day should come from Coscarelli’s 2002 film, Bubba Ho-Tep.

In this film, Elvis (Bruce Campbell) and John F. Kennedy (Ossie Davis) team up to battle the killer Mummy that is haunting their nursing home. Personally, I choose to believe that both Elvis and JFK were exactly who they said they were in this film.

4 Shots From 4 Films: Special Alejandro Jodorowsky Edition

Posted on February 17, 2025 by Lisa Marie Bowman

4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, the Shattered Lens wishes a happy birthday to master of surrealism and the man who nearly turned Dune into a film before either David Lynch or Denis Villeneuve, Alejandro Jodorowsky! It’s time for….

4 Shots From 4 Alejandro Jodorowsky Films

Fando y Lis (1968, dir by Alejandro Jodorowsky, DP: Rafael Corkidi and Antonio Reynoso)

El Topo (1970, dir by Alejandro Jodorowsky, DP: Rafael Corkidi)

The Holy Mountain (1973, dir by Alejandro Jodorowsky, DP: Rafael Corkidi)

Santa Sangre (1989, dir by Alejandro Jodorwosky, DP: Daniele Nannuzzi)

Late Night Retro Television Review: Degrassi High 1.12 “Natural Attraction”

Posted on February 16, 2025 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Sunday, I will be reviewing the Canadian series, Degrassi High, which aired on CBC and PBS from 1989 to 1991! The series can be streamed on YouTube!

Welcome back to Degrassi Hiiiiiiiiiiiigh!

Episode 1.12 “Natural Attraction”

(Dir by Kit Hood, originally aired on January 23rd, 1990)

This week’s episode of Degrassi High centers around the Farrell twins. I always have a bit of an issue with the Farrell twin episodes because I can never remember which one had the abortion and, beyond that, they’re really not that interesting as characters. I know that one is more talkative than other and that the one who didn’t have an abortion ended up making out with Wheels at a party. But again, personality-wise, they’re both kind of boring characters.

Anyway, this week, Erica is dating an 11th grader who reminds her of the boy who impregnated her over the summer. (“Who does he remind me of?” “Kyle, from the summer.” “Oh yeah!”) Heather is concerned that Erica is going to get pregnant again and they’re going to have to take another trip to the abortion clinic and once again run into that old woman with plastic fetus doll. Erica doesn’t think her abortion was that big of a deal but it haunts Heather, who feels that she took part in a murder by accompanying Erica to the clinic.

And I will say this. Particularly when compared to the way Degrassi: The Next Generation and Netflix Degrassi dealt with the issue of abortion, Degrassi High deserved a lot of credit for treating both sides fairly. No one — whether they agree with Erica’s decision or not — is reduced to being a caricature on this show and that’s something that I personally appreciate. That doesn’t necessarily make the Farrell twins any more interesting than they were before but even that feels like a good move on the show’s part. Not everyone who has an abortion is interesting. Sometimes, they’re kind of boring and have a habit of glaring at anyone who talks to their twin.

As for the rest of this episode, I’m going to guess that the show’s “stars” must have been on vacation because it’s pretty much dominated by students who usually don’t get storylines. Dorothy (Annabella Waugh) encourages her friend Tessa Campanelli (Kirsten Bourne) to ask Scooter to the school dance. This is the first episode to give Tessa storyline and, while it’s not much of a story, it is interesting for those of us who know the important role that Tessa is going to eventually play in the history of Degrassi. As for Scooter, he doesn’t know how to slow dance so his friend Bart teaches him.

Meanwhile, Alison (Sara Holmes) and Amy (Jacy Hunter) get into a fight over the fact that Amy is going to the dance with Snake, despite the fact that Alison used to like Snake. They end up getting into a big argument and throwing all of the clothes that they’ve borrowed from each other all over the girl’s restroom. I could relate because, going to high school with my sister one grade above me, we certainly had our fights and arguments about …. well, exactly the same thing that Alison and Amy were fighting about. But, at the same time, this is really the first episode in which Alison and Amy have been major characters. I like that Degrassi High was an ensemble show but there were definitely times when the show would suddenly push a character into the spotlight without giving the audience any opportunities to get to know the character ahead of time. For instance, I had totally forgotten that Alison liked Snake. Doesn’t she knows that Snake is destined to marry Spike?

Next week, Joey discovers he has a learning disability!

Lisa Marie’s Week In Review: 2/10/25 — 2/16/25

Posted on February 16, 2025 by Lisa Marie Bowman

Greetings from Lake Texoma!

This will be another mini-week in review because Jeff and I enjoying a nice Valentine’s Day weekend and the time has kind of gotten away from me. My usual, big, in-depth week in review will return next Sunday. As for now, here’s what I watched this week!

Films I Watched:

Archie: To Riverdale and Back (1990)
Charming Sinners (1929)
Crash Landing (1958)
The Crush (1993)
Dangerous Curves (1929)
The Fourth Wall (1969)
Frank and Ava (2020)
Funeral Home (1980)
Killed By A Rich Kid (2022)
Kinjite: Forbidden Subjects (1989)
Lake Lavon (2022)
A New York Story (2023)
Red Haired Alibi (1932)
Top of the World (1997)
The 27th Day (1957)

Television Shows:

News From Last Week:

Links From Last Week:

Want to check out last week? Click here!

14 Days of Paranoia #2: Extreme Justice (dir by Mark L. Lester)

Posted on February 16, 2025 by Lisa Marie Bowman

What type of justice?

Extreme justice, y’all!

In this 1993 film, Lou Diamond Phillips stars as Jeff Powers. Who is Jeff Powers? He’s a cop! He wants to keep the street safe! Sometimes, he knows that you have to be willing to break the rules! He’s a cop who does things his way!

Okay, is that enough exclamation points? I’m not just using them to be obnoxious. The film is pretty much just one big exclamation point. The action is hyperintense and the film is full of characters who always seem like they’re just one step away from exploding. No one in this film is particularly calm or laid back. From the start, everything is dialed to eleven and it just keeps going higher and higher.

After Jeff is put on probation for roughing up a suspect, he receives an invitation to join an elite squad of detective. Led by the charismatic Detective Dan Vaughn (Scott Glenn, giving a performance that is so over-the-top that he yells straight at the camera at one point), the Special Investigative Section is the best of the bed. Upon joining, Jeff finds himself a member of a sacred fraternity of law enforcers. Working with men like the always amused Detective Larson (Yaphet Kotto) and the somewhat paranoid Angel (Andrew Divoff), Jeff finds himself tracking some of the biggest criminals in the city.

What Jeff also discovers is that SIS does more than just arrest criminals. The SIS has been given an unofficial license to kill and they end up executing as many people as they take to jail. Often times, Vaughn will tells the men to allow a crime to be committed so that they can then dispense their own brand of justice. In the film’s most disturbing scene, the members of SIS wait until after a woman has been raped in an alley before they move to neutralize her attackers. When Jeff finally decides that he can’t be a part of all this and tries to reveal what’s going on, he discovers that the SIS has some support in some very high places. Who cares if the SIS is allowing crimes to be committed or if an innocent person occasionally gets caught in the crossfire? At least they’re taking care of the criminals!

Extreme Justice is a crude and energetic film and one that is based on some of the stories that spread about the LAPD’s RAMPART division in the 90s. That the film works is a testament to the performances of Phillips, Kotto, and Glenn and also the direction of Mark L. Lester. An exploitation vet who occassionally made big studio action films as well, Lester keeps the pace moving at breakneck speed and, even more importantly, he allows both sides to have their say. While Jeff is upset about SIS’s methods, Detective Vaughn is correct when he says that his unit is targeting the worst of the worst. It makes for an unusually intelligent exploitation film, one that leaves the audience with a lot to consider. How far would you go to keep your neighborhood safe?

Previous entries in 2025’s 14 Days Of Paranoia:

The Fourth Wall (1969)

Retro Television Review: Homicide: Life On The Street 3.3 “Extreme Unction”

Posted on February 16, 2025 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Sundays, I will be reviewing Homicide: Life On The Street, which aired from 1993 to 1999, on NBC! It can be viewed on Peacock.

This week, the White Glove Killer is discovered.

Episode 3.3 “Extreme Unction”

(Dir by Keith Gordon, originally aired on October 28th, 1994)

For all the hours that Pembleton and the other detectives put in and for all the motives that were considered and the suspects were interviewed, the murderer of Katherine Goodrich and two other women is captured not through deductive brilliance but because she herself enters the police station.

When Pamela Wilgis (Lucinda Jenney) first enters the station, she claims to have just witnessed two men dumping the third victim. Pembleton is dismissive of her until she mentions the white gloves, a detail that has not been released to the public. While Pembleton talks to her, the other detectives check out Pamela’s apartment and discover 12 sets of white cotton gloves hanging in her bathroom. Pamela is the murderer.

When Pembleton asks Pamela about the gloves, Pamela suddenly starts speaking in an Irish accent. Later, she starts speaking like an angry and rebellious child. Later still, she reverts to being a wide-eyed innocent who says she had no idea how she ended up in the interrogation room. Pembleton is convinced that she’s faking her alternate personalities but, despite his best efforts, he can never get her to actually confess that she committed the murders.

From the start, Homicide has emphasizes the role of luck in solving murders. The majority of the show’s murders are solved precisely because someone thought they could outsmart the police or because they made a very obvious error. For all of Pembleton’s strengths in the Box, his interrogation technique works best when he’s dealing with someone who doesn’t understand how the system works. Pamela, on the other hand, obviously understands what he’s trying to do. She knows the system and she knows how to game it. Pamela does eventually confess but not Pembleton. Instead, she does an interview with the obnoxious reported played by Tony Todd, blaming her crimes on the abuse she suffered as a child and her dissociative disorder. Pembleton’s pride is hurt but he also finds himself struggling with his faith. How can Pamela, after killing three saintly women, now avoid paying for her crimes? Even with the thrilling interrogation scene between Pembleton and Pamela and the excellent performances of Andre Braugher and Lucinda Jenney, it’s all feels a bit anticlimactic. But it also feels appropriate for the world in which Homicide takes place.

This episode also wrapped up a few other plotlines. Munch, Bayliss, and Lewis finally own their bar. Good for them. I’m not really a bar person or a drinker but I probably would have enjoyed visiting the Waterfront whenever Munch was working the bar. Even more importantly, Felton returned to his mentally unstable wife. And again, that’s a good thing if just because I was getting sick of listening to Felton whine about his marriage. So was Kay.

This episode was effective enough. The scenes between Andre Braugher and Lucinda Jenney alone made the episode memorable. At the same time, as I watched, it occurred to me that, if this episode had aired during the first season, the White Glove Murders probably never would have been solved. If Adena Watson had died during the third season, one can be sure Bayliss would have gotten a confession out Risley Tucker.

Next week, we find out why Detective Crosetti has yet to return from Atlantic City.

Music Video of the Day: Wire Walks by Amy Milian (2025, dir by ????)

Posted on February 16, 2025 by Lisa Marie Bowman

After watching Dangerous Curves, this music video felt appropriate.

Enjoy!

Late Night Retro Television Review: Check It Out! 3.7 “He’s No Heavy, He’s My Brother”

Posted on February 15, 2025 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Saturdays, I will be reviewing the Canadian sitcom, Check it Out, which ran in syndication from 1985 to 1988. The entire show is currently streaming on Tubi and Peacock!

Hey, Howard has an older brother! I wonder how this will work out….

Episode 3.7 “He’s No Heavy, He’s My Brother”

(Dir by Alan Erlich, originally aired on October 25th, 1987)

In this episode, we meet Howard’s brother, George (Gary Krawford). George is an extremely wealthy money manager who lives in Switzerland. At the start of the episode, he is fired because his employers want to hire a younger man who they can pay less.

Dejected, George returns to Canada. He visits Howard at the store. Because George doesn’t specify that he was fired, Howard assumes that George is dying. Howard reveals that their father always liked George better. George eventually reveals that he’s not dying and that, being worth five million dollars, he doesn’t need a job in Howard’s store. Good for George. I’m happy for him.

George buys Howard’s apartment building. He then tells Howard that he’s a month behind on his rent. Howard jokes about George evicting him. George evicts Howard. End of episode.

This was a weird episode. I’m going to assume that the show’s producers were thinking of making George a regular character on the show and this episode was perhaps an attempt to reboot the entire series into a show that would focus 0n the rivalry between the Bannister brothers. According to the imdb, though, this is the only episode in which George appeared. Watching this episode, it occurred to me that the entire third season, so far, has featured epiosdes about characters who only appeared once or twice before vanishing. The third season has been an improvement over the previous season but it’s still obvious that the show was still struggling to figure out what it actually wanted to be about. This has not only led to a messy continuity but also a few unresolved cliffhangers. Last episode, it appeared Jack Christian was going to get his own store. In this episode, he’s still assistant manager at Howard’s store and no mention is made of last week’s events.

The strangest thing about this episode, though, is the show’s insistence that Howard is only in his forties when Don Adams was clearly in his sixties. George is introduced as being Howard’s older brother but actor Gary Krawford was nearly 20 years younger than Adams and he looked it, too.

Strange, strange episode. Considering George never again appeared after this episode, it’s probably best not to worry too much about it. This episode might end with Howard getting evicted (and seriously, the man manages a store, shouldn’t he able to cover his rent?) but I have a feeling we’ll never hear about it again.

Either that or Howard will be forced to live in the store, which is what he pretty much does already. The important thing is that it will all work out.