The late and legendary singer James Brown was born 92 years ago today.
Today’s song of the day comes from the soundtrack of 1973’s Black Caesar. Here is James Brown with Down & Out In New York City.
Author Archives: Lisa Marie Bowman
Film Review: The Jackpot (dir by Walter Lang)
In 1950’s The Jackpot, James Stewart plays Bill Lawrence.
Bill has a job at a department store. He’s not the manager but he’s still a respected member of the staff and who knows? Maybe his boss (Fred Clark) will give him a promotion someday. He lives in a big, two-story home with his wife, Amy (Barbara Hale). He and Amy have two children, one of whom is played by a 12 year-old Natalie Wood. By all appearances, Bill is doing pretty good for himself. At one point, it’s mentioned that makes a grand total of $7,500 a year.
That definitely caught my attention. “I make more than that!” I snapped at the screen. I pulled up an inflation calculator and I discovered that $7,5000 in 1950 is the equivalent of — wait for it — $102,000 today! (Technically, I still make more than that but still, it’s six figures.)
When Bill answers a phone call from a radio station and guesses the correct answer to a trivia question, he wins $24,000-worth of prizes. (I didn’t bother to figure out how much that $24,000 would be be in 2025 dollars but we can safely assume that it would be quite a bit.) Unfortunately, a lot of the prizes end up costing more than their worth. Bill wins a side of beef , 7,500 cans of soup, and a 1,000 fruit trees but he doesn’t win anywhere to store it all. He also wins a maid, an interior designer, a pony, a swimming pool, a trip to New York, and a session with portrait painter Hilda (Patricia Medina). He also ends up with an income tax bill for $7,000. Remember, he only makes $7,500 a year. Damn the IRS!
Realizing that he’s going to have to sell the majority of his winnings, Bill loses his job when he’s caught trying to sell to the store’s customers. Needing money to pay off his tax bill, he tries to pawn a diamond ring and ends up getting arrested. With his anniversary coming up, he asks Hilda to paint a portrait of Amy from his description of her but Bill ends up spending so much time with Hilda that Amy becomes convinced that he’s having an affair.
Basically, one terrible thing after another happens to Bill, all the result of having won a contest. (The film is loosely based on a true story, with James Gleason playing a fictionalized version of the reporter who wrote the original story.) The movie’s a comedy but, as with the majority of the films that James Stewart made after World War II, there’s a sense of melancholy running through it. Even before he wins the money, Bill doesn’t seem satisfied with his life. Much like George Bailey, he’s restless and wondering if there will ever be more to his life than just his house in the suburbs and his job in the city. Also, like George, Bill learns to appreciate what he has as the result of getting what he wants and discovering that he was happier before. Few actors were as skilled at capturing ennui and dissatisfaction as Jimmy Stewart. The Jackpot is a silly comedy but it’s also an effective portrait of a middle-aged man trying to find peace with the way his life has turned out. That’s almost entirely due to Stewart’s likable but honest performance.
The Jackpot may not be one of Stewart’s most-remembered films but it’s entertaining, with the supporting cast all providing their share of laughs while Stewart provides the film with a heart. The film may be a comedy but it’s also a look at America and Americans adjusting to life in the years immediately following World War II. Suddenly, abundance is everywhere but, as Bill Lawrence, not without a price.
Live Tweet Alert: Join #ScarySocial for Alligator!
As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter. I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie! Every week, we get together. We watch a movie. We tweet our way through it.
Tonight, at 9 pm et, Deanna Dawn will be hosting #ScarySocial! The movie? 1980‘s Alligator!
If you want to join us this Friday, just hop onto twitter, start the movie at 9 pm et, and use the #ScarySocial hashtag! I’ll be there tweeting and I imagine some other members of the TSL Crew will be there as well. It’s a friendly group and welcoming of newcomers so don’t be shy.
Alligator is available on Prime!
See you there!
Music Video of the Day: I See Orange by La Bruja (2024, dir by James Smith and Giselle Medina)
I was going to hold off and wait until October to share this one but I don’t know. I’m in an October kid of mood right now!
Enjoy!
Late Night Retro Television Review: Friday the 13th: The Series 3.11 “Year of the Monkey”
Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Friday the 13th: The Series, a show which ran in syndication from 1987 to 1990. The entire series can be found on YouTube!
This week, Friday the 13th features an international adventure!
Episode 3.11 “Year of the Monkey”
(Dir by Rodney Charters, originally aired on January 15th, 1990)
Mushashi (John Fujioka) is a modern-day samurai who owns a cursed tea kettle. When Jack, Micki, and Johnny come by his dojo in search of the kettle, Mushashi says that he will give it to them if they can prove that they are “honorable” by retrieving three cursed monkey statues that are currently in the possession an elderly businessman named Tanaka (Robert Ito).
Tanaka, however, has given the three wise monkey statues (“See No Evil,” “Hear No Evil,” and “Speak No Evil”) to his three children, Michiko (Tia Carrere), Koji (Leonard Chow), and Hitoshi (Von Flores). Tanaka explains that each statue will challenge it’s owner. Those who react in an honorable way will inherit Tanaka’s fortune. Those who are dishonorable will get nothing.
Jack, Micki, and Johnny split up to retrieve the monkeys. Johnny goes to New Yok to get Hear No Evil from Hitoshi. Micki goes to Hong Kong to retrieve See No Evil from Koji. Jack gets to stay in Canada (or Chicago or wherever this show is supposed to be taking place) so that he can retrieve Speak No Evil from Michiko. What they don’t know is that Tanaka is several hundred years old. Every time one of his children fails a monkey test, Tanaka gets a little bit younger.
It’s all about honor and dishonor and the code of the samurai in this week’s episode. To be honest, it’s a bit of a mess. First off, the title refers to the Chinese Zodiac but, other than our three regulars, all of the characters are meant to be Japanese. Secondly, it’s never really clear how the cursed monkeys decide what is honorable and what is dishonorable. Hitoshi uses his monkey to hear the thoughts of those around him and to take advantage of them. That’s definitely dishonorable. But then Koji is declared to be dishonorable even though his monkey did something on its own, without Koji telling it to. Michiko refuses to use her monkey to her own advantage and is judged to be honorable. She is told that it is now her duty to kill her father but instead, she commits suicide because killing her father would be dishonorable. Then, Tanaka is eventually judged to be dishonorable because he stabs Musashi while Mushasi is not holding a weapon but that’s just because Mushashi dropped his sword at the very least minute. It seems like Mushashi should be the dishonarable one for going out of his way to trick Tanaka.
My point is that this was a confusing episode. The monkey were actually kind of cute but their powers made no sense. I’m also not sure why experienced world traveler Jack decided to send Micki to Hong Kong instead of going himself. In the end, this episode was pretty silly, despite the cool monkeys and the samurai-themed finale.
Scene That I Love: The Meteor Hits Hong Kong
Today’s scene that I love is a chaotic scene in which a fragments of a meteor cause a tidal wave to crash over Hong Kong. It’s chaos on a budget in 1979’s Meteor! This scene was actually filmed in Los Angeles and featured cardboard cut-outs of buildings in a big water tank.
Song of the Day: Meteor (Main Title Track) by Laurence Rosenthal
We just finished watch Meteor for #FridayNightFlix. Here is our slightly late song of the day, from Lawrence Rosenthal’s score of the film.
Retro Television Review: St. Elsewhere 1.20 “Craig In Love”
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing St. Elsewhere, a medical show which ran on NBC from 1982 to 1988. The show can be found on Hulu and, for purchase, on Prime!
This week, Dr. Craig does the unthinkable …. maybe.
Episode 1.20 “Craig In Love”
(Dir by Victor Lobl, originally aired April 12, 1983)
Dr. Craig is indeed in love in this episode. He’s totally smitten with the Hungarian Dr. Vera Anya and, when his wife Ellen (played by Bonnie Bartlett, real-life wife of William Daniels) goes out of town to visit her mother, Craig makes plans to show Dr. Anya around the town and maybe more….
Ugh. Seriously, I don’t like the idea of Dr. Craig cheating on his wife and, though this episode leaves it ambiguous as to what actually happened, it totally appears that’s what Craig did over the weekend. Dr. Craig is pompous and full-of-himself and rude to almost everyone he talks to but it’s always appeared that he totally loved his wife. The whole idea of him thinking about cheating — much less actually doing it — just doesn’t seem right for his character. And, quite frankly, Dr. Anya wasn’t really that intriguing of a character so if Craig did share more than just that passionate goodbye kiss with her …. well, I prefer to pretend this entire storyline didn’t happen.
Far more interesting was the malpractice suit brought against Dr. Chandler and Nurse Daniels. As the hospital’s lawyer explains it, there really isn’t much of a case to be made for malpractice. Instead, the dead man’s family is just hoping to get a quick settlement out of it. Most doctors aren’t willing to pay the legal fees and don’t have the time to go to court. Chandler, however, is personally offended by the suit and pledges to do whatever he has to do fight it. Yay, Chandler! Seriously, I hate people who try to bully people into settlements. After my Dad died, there was this crazy woman who thought she could bully his estate into giving her half a million dollars. Instead, she received nothing and that’s exactly what she deserved. Both Denzel Washington and Ellen Bry gave good performances this week. Ellen Bry’s Nurse Daniels is quickly becoming one of my favorite characters. She doesn’t let anyone push her around.
Speaking of pushing people around, Dr. Morrison finally got sick of Dr. White’s drug addiction and the two of them ended up having a fist fight in the men’s room. Still, when White later crashed his girlfriend’s car and needed to be bailed out of jail, Morrison was the first person that he called. Morrison, being a saint, got White out of jail. White, being a jerk, barely even said thank you. Morrison went to Westphall with his concerns about Dr. White. Westphall responded that it wasn’t his place to give a fatherly lecture. That’s cold, Westphall. What about when he kills a patient because he’s high? Will you care then? No wonder St. Eligius is getting sued for malpractice!
Finally, Dr. Samuels had a cold so he spent the entire episode whining about it. Seriously, Dr. Samuels is one of my least favorite characters of all time.
This episode was uneven for me. I’m not happy about Dr. Craig being a cheater but I am happy that Dr. Chandler is standing up for himself. Dr. White appears to be heading to a very dark place.
There’s only two episodes left in the first season so I’m assuming we’re going to get some sort of closure to at least some of these storylines. We’ll see what happens next week!
4 Shots From 4 Films: Special 1932 Edition
4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
Today, we take a look at a classic cinematic year. It’s time for….
4 Shots From 4 1932 Films
The Blood of a Poet (1932, dir by Jean Cocteau, DP: Georges Piranal)
Shanghai Express (1932, dir by Josef von Sternberg, DP: Lee Garmes and James Wong Howe)
Trouble In Paradise (1932, dir by Ernst Lubitsch, DP: Victor Milner)
Vampyr (1932, dir by Carl Theodor Dreyer, DP: Rudolph Mate)
Live Tweet Alert: Join #FridayNightFlix for Meteor!
As some of our regular readers undoubtedly know, I am involved in a few weekly watch parties. On Twitter, I host #FridayNightFlix every Friday and I co-host #ScarySocial on Saturday. On Mastodon, I am one of the five hosts of #MondayActionMovie! Every week, we get together. We watch a movie. We tweet our way through it.
Tonight, at 10 pm et, I will be hosting #FridayNightFlix! The movie? 1979’s Meteor, with Sean Connery and friends!
If you want to join us this Friday, just hop onto twitter, start the movie at 10 pm et, and use the #FridayNightFlix hashtag! I’ll be there tweeting and I imagine some other members of the TSL Crew will be there as well. It’s a friendly group and welcoming of newcomers so don’t be shy.
Meteor is available on Prime!
See you there!
Through the Shattered Lens 