Retro Television Review: Miami Vice 4.4 “The Big Thaw”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989.  The entire show can be purchased on Prime!

I don’t even know how to describe this episode.

Episode 4.4 “The Big Thaw”

(Dir by Richard Compton, originally aired on October 23rd, 1987)

The Vice Squad raids a decrepit building, expecting to find drugs.  Instead, they find a container that holds the frozen body of a dead reggae singer.  Robillard Nevin died after eating a poisoned fish but his body was frozen so it could be thawed out once a cure had been found.  Several different groups of people — including Nevin’s widow and, for some reason, Izzy — all want the body.

Wait …. what?

This is a Miami Vice episode?  Miami Vice, as you may remember, is supposed to be a stylish and cynical show about two detective fighting a losing war against the Miami drug underworld.  Miami Vice is the show that often ends with Crockett and Tubbs looking on in anger as they realize that all of their efforts have been for nothing.  This is the show that often ends with a sympathetic character either getting shot or shooting someone else.  This is the show in which there are no happy endings and every episode — at least in the past — seemed to conclude at the cost of Sonny Crockett’s soul ….

Well, you get my point.

What the Hell is this?

The fourth season of Miami Vice is off to an uneven start.  That’s not a surprise.  After four seasons, not every episode is going to be a winner.  It happens to the best of shows.  But, seriously, how did we go from Crockett and Tubbs driving in the middle of the night while Phil Collins sings In The Air Tonight to Crockett and Tubbs trying to protect a cryogenically frozen corpse?  I guess the show was trying to keep things fresh by trying something new but this episode was just too ridiculous to work.  Not even Tubbs bringing out his fake Caribbean accent could save this episode.

By the way, cryogenics and all that …. it doesn’t work!  It’s waste of money!  But, hey, whatever.  Do what you want.  It’s your life.

Monday Live Tweet Alert: Join Us for Eve of Destruction


As some of our regular readers undoubtedly know, I am involved in hosting a few weekly live tweets on twitter and occasion ally Mastodon.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of Mastodon’s #MondayActionMovie!  Every week, we get together.  We watch a movie.  We snark our way through it.

Tonight, for #MondayActionMovie, the film will be 1991’s Eve of Destruction!

It should make for a night of fun viewing and I invite all of you to join in.  If you want to join the live tweets, just hop onto Mastodon, pull up Eve of Destruction on YouTube, start the movie at 8 pm et, and use the #MondayActionMovie hashtag!

Enjoy!

Scenes That I Love: Katharine Hepburn and James Stewart in The Philadelphia Story


On this date, 118 years ago, Katharine Hepburn was born in Hartford, Connecticut.  She would go one to become a cultural icon, a performer who survived being labeled box office to poison to eventually become one of our most acclaimed actresses.  Hepburn was a total of four acting Oscars over the course of her career, a record that has yet to be topped.

Today’s scene that I love comes from 1940’s The Philadelphia Story and it features Katharine Hepburn acting opposite another one of my favorite performers, the great James Stewart.

4 Shots From 4 Films: Special Jess Franco Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today is the 95th anniversary of the birth of Jesus Franco!  One of the most prolific filmmakers of all time, Franco made movies that …. well, they’re not easy to describe.  Jess Franco was responsible for some of the most visually striking and narratively incoherent films ever made.  He made films that you either loved or you hated but there was no mistaking his work for being the work of someone else.

Today, in honor of his birthday, here are….

4 Shots From 4 Films

The Awful Dr. Orloff (1962, dir by Jess Franco, DP: Godofredo Pacheco)

A Virgin Among The Living Dead (1970, dir by Jess Franco, DP: anyone’s guess)

She Killed In Ecstasy (1970, dir by Jess Franco, DP: Manuel Merino)

Female Vampire (1973, dir by Jess Franco, DP: Jess Franco)

Music Video of the Day: The Lion and the Cucumbers by The Vampires’ Sound Incorporation (1971, dir by ????)


The song is probably best known for appearing on the Jackie Brown soundtrack but it was actually written for the 1971 Jess Franco Film, Vampyros Lesbos.  The music video is made up of scenes from Franco’s wonderfully surreal film.

Enjoy!

Late Night Retro Television Review: Degrassi High 2.4 “A Tangled Web”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sunday, I will be reviewing the Canadian series, Degrassi High, which aired on CBC and PBS from 1989 to 1991!  The series can be streamed on YouTube and Tubi

This week, everyone’s lying.

Episode 2.4 “A Tangled Web”

(Dir by Kit Hood, originally aired on November 26th, 1990)

We’ve got three plots going on in this episode.  Let’s start with the one that no one cares about.

Alex, who may appear in the opening credits (he’s wearing glasses and smiling) but who hasn’t really made much of an impression as a character in the 5 years that he’s been a Degrassi regular, has a crush on Tessa.  Tessa has a crush on Joey.  Arthur — hey!  Arthur’s still on the show! — decides to help out by leaving notes in both Tessa and Alex’s lockers.  Tessa and Alex meet up after school, each expecting to find someone else.  Tessa seems kind of annoyed but Alex swears to Arthur that they actually had a good time talking.

Let’s move on to the plot that only director Kevin Smith, famous for his teen crush on Caitlin, would care about.  Caitlin finally confronts her father about his cheating.  She also tells her mother.  Caitlin’s mom is like, “We’re trying to work through it, mind your own business for once!”  As usual, Caitlin is stunned to discover that life is complex and I’m sure her friends will have to listen to her complain about it for the next few weeks.

Meanwhile, Wheels is being a little brat again, refusing to study and lying to his grandmother about his grades.  She finally grounds Wheels but Wheels sneaks out anyway so that he can go to the Gourmet Scum concert with Joey and Snake.  Uh-oh …. the car that the three of them bought breaks down!  Wheels says that this is all Joey’s fault.  They’ve missed the concert and now, Wheels is going to be in a huge amount of trouble when he returns home.  And Wheels is right about that!  In fact, his grandmother kicks him out of the house!

There was a lot of drama in this episode but it all felt a little bit familiar.  We went through a whole storyline about Wheels acting like a jerk during Degrassi Junior High.  It’s hard not to feel like the show is repeating itself here.  And seriously, when did Wheels become such a jerk?  In this episode, he does apologize to Joey but then, he asks if he can stay with Joey and his family.  Uhmm …. gee, Wheels, didn’t you get caught stealing a bunch off money the last time you stayed at Joey’s house?  Interestingly enough, the episode doesn’t make clear where Wheels stayed after his grandmother kicked him out.  I mean, where is Wheels going to live?  Since Wheels is actually an orphan, shouldn’t grandma have called the Canadian version of Child Protective Services to come pick him up?  The whole thing just seems odd!

Now, of course, if you know your Degrassi history, you know what’s going to happen to the characters in this episode.  Tessa is going end up sleeping with Joey, having an abortion, and leaving town.  Wheels is going to end up in prison after driving drunk and killing a kid.  Joey and Caitlin will eventually fall in love again but it won’t work out and grown-up, middle-aged Caitlin will end up sleeping with a college student.  And Snake will become the principal of Degrassi.  As for Arthur, he’s going to start a computer software company with Yick Yu. And Alex …. well, no one really cares.

Next week, life goes on.

 

Lisa Marie’s Week In Review: 5/5/25 — 5/11/25


Films I Watched:

  1. The Amazing Transparent Man (1960)
  2. Cradle Will Rock (1999)
  3. The Dove (1968)
  4. The Five Forty Eight (1979)
  5. I Come In Peace (1990)
  6. Me and Orson Welles (2008)
  7. RKO 281 (1999)
  8. The Texas Chainsaw Massacre (1974)
  9. Truth or Dare — A Critical Madness (1986)
  10. Two (1969)

Click here for last week!

Retro Television Review: Homicide: Life on the Street 3.11 “Cradle to Grave”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing Homicide: Life On The Street, which aired from 1993 to 1999, on NBC!  It  can be viewed on Peacock.

This week, secrets are uncovered and trust is betrayed.

Episode 3.11 “Cradle to Grave”

(Dir by Myles Connell, originally aired on January 13th, 1995)

Police Commissioner James Harris (Al Freeman, Jr.) gives Pembleton a special assignment.  A congressman (Dick Stillwell) claims to have been temporarily abducted by a man in a van but he also says that he doesn’t want to press charges.  Both Harris and Pembleton suspect that the Congressman is lying and that he filed a false police report, which is itself a crime.  Pembleton’s investigation leads to the discovery that the abduction story was actually the congressman’s attempt to cover-up a quarrel between him and his lover (Christopher Glenn Wilson).  Pembleton goes to the congressman and offers to drop the investigation into the abduction so that the congressman’s personal life will not be exposed.  The congressman agrees.

Unfortunately, news of the false police report still gets out and Pembleton is sold out by Harris, who claims that he never gave Pembleton permission to drop the investigation, even though Harris made it clear that he wanted the problem to go away.  Outraged over being sold out by his boss and also by Giardello’s refusal to back him up (Giardello is upset that Pembleton lied to him about the investigation), Pembleton turns in his badge and quits the force.

Meanwhile, Lewis and Much investigate the murder of a biker.  What they discover is that the biker sacrificed his own life after it was discovered that his wife was an FBI informant.  In order to keep the gang from going after his daughter, the victim agreed to be killed in retribution.

And finally, Felton and Howard try to investigate a murder but …. where’s the body!?  It turns out that the body is on the move.  First, it’s accidentally sent to the hospital before Felton and Howard can get a look at it.  Then, it’s returned to the crime scene while Felton and Howard are heading to the morgue.  Apparently, this was based on a true story and I can believe it.  There’s no incompetence like bureaucratic incompetence.

This was not a bad episode.  Andre Braugher did a great job of capturing Pembleton’s pain at being betrayed by his mentor, Commission Harris.  Even the biker stuff was well-handled, with Timothy Wheeler giving a strong performance as the club’s “warlord.”  The biker stuff had an interesting subplot, with one of the bikers revealing himself to be an undercover FBI agent trying to make a RICO case.  As with the case involving the congressman, it helped to create a definite atmosphere of mistrust that ran through the entire episode.  Whether it was the FBI or the congressman or just the EMTs, no one could be trusted and no one knew what they were doing.

It’s a good episode.  I hope Pembleton reconsiders quitting.  The city needs him.

 

Song of the Day: The Twilight Zone Theme by Marius Constant


Technically, the French composer Marius Constant did not set out to write the theme song for The Twilight Zone.  In the 50s, CBS commissioned Constant to compose a number of short pieces for CBS stock music library, basically as musical stingers that could be used for radio shows.  In 1960, when The Twilight Zone needed a theme song, an enterprising CBS employee combined two of Constant’s composition to create the iconic Twilight Zone theme.

Enjoy our short but haunting song of the day.