Amy Winehouse. Her talent is missed more with each day that passes.
This beautifully shot video takes place at a funeral. What’s being buried? Amy’ heart, after another failed love affair. Originally, the video made this clear by featuring a close-up of the tombstone, announcing that Amy had just buried her heart. After Amy died in 2011, that shot was cut from the video. That’s an understandable decision and I think it actually adds an extra hint of mystery to the video. That said, I’ve always wondered if that’s the same decision that Amy would have made if she had some sort of say in the matter.
Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Freddy’s Nightmares, a horror anthology show which ran in syndication from 1988 to 1990. The entire series can be found on Tubi!
This week, it’s Halloween in Springwood!
Episode 2.4 “Photo Finish”
(Dir by Tom DeSimone, originally aired on October 29th, 1989)
This episode starts with Freddy welcoming us to a special Halloween episode of Freddy’s Nightmares. Because it is the season, Freddy actually plays a role in both of this week’s stories and it must be said that they are both rather gruesome, even by the standards of this show.
In the first story, photographer Stoney Adler (Patty McCormack) is commissioned to take some photos for a Halloween spread that will appear in Kink Magazine. Stoney is amazed at how good her models are at pretending to be scared. That’s because they’re all actually terrified because they keep seeing Freddy. Stoney isn’t aware of Freddy’s presence, at least not until Freddy drives a stake through the heart of one of her models. Stoney tries to avoid doing any more horror shoots but she takes on one final assignment. Freddy appears and asks Stoney, “Do you want me to make (the model) scream?” Stoney says yes. Freddy plucks out Stoney’s eyes. That certainly does lead to some screaming.
The second story feature three FBI men trying to figure out why a suburban father shot his wife and daughter the night before Halloween and then apparently slit his own throat. One of the agents — a profiler who owes more than a little to William Petersen’s performance in Manhunter — figures out that Freddy possessed the father. Freddy, however, then possesses another one of the FBI agents and the tragedy plays out a second time. The profiler ends up with his throat slashed, slowly dying while the camera lingers on him. There’s no way this episode didn’t inspire a few nightmares.
This was a good episode. It was scary, it was gory, and it was definitely designed to offend people who weren’t into horror. This episode was exactly what you would want Halloween with Freddy Krueger to be. The second season continues to be a hundred times better than the first.
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing St. Elsewhere, a medical show which ran on NBC from 1982 to 1988. The show can be found on Daily Motion.
This week, the heartbreak continues!
Episode 3.11 “Homecoming”
(Dir by David Anspaugh, originally aired on December 5th, 1984)
What a depressing episode!
Actually, it’s not totally depressing. Dr. Elliot Axelrod (Stephen Furst) survives his first night as the attending-on-duty and he even convinces cranky old Mrs. Hufnagle (Florence Halop) to go back to her room. He also handles things when a patient collapses in the hallway. One can be sure that Elliot will be given absolutely no praise for his good work because he never is. But at least, he was there and he proved himself to be more competent than anyone gives him credit for being.
Now, for the depressing stuff:
Nurse Rosenthal is continuing her affair with Richard Clarendon. This wasn’t depressing because of anything that happened in this episode. Instead, it’s just depressing that any time was devoted to these two boring characters.
After her apartment is broken into while she’s in the shower, Clancy (Helen Hunt) moves in with Jack. Jack and Clancy make for a cute couple but, watching this episode, it’s easy to see that their relationship is doomed. Clancy is young and enthusiastic. Jack is young but he moves like an old man and he’s already been through a lifetime’s worth of tragedy. Sadly, Clancy living with Jack does not last longer than one night. Clancy says that Jack acts like he’s offended by having her stuff in his apartment and she’s right. Jack is still mourning his wife and not ready to live with anyone.
Lois Wegener (Mimi Kennedy) comes home from being out of town and discovers that her husband, Andrew (John Schuck) is becoming progressively weaker from the experimental bone marrow treatment that he’s going through in an attempt to save the life of their daughter (Brandy Gold). Everyone at the hospital is impressed with Andrew’s courage but it’s obvious to me that this is not going to have a happy ending.
Kathy Martin is still in the psych ward. During this episode, she gives Fiscus the note that Shirley Daniels gave her after Shirley shot and killed Peter White.
And finally, it wouldn’t be a depressing episode without a Westphall storyline. Westphall’s daughter, Lizzie (Dana Short), comes home from college for the weekend and, without asking Westphall ahead of time, she brings along her new boyfriend, Rick (Casey Seimaszko). Lizzie assumes that Rick will be sleeping with her in her room. Westphall is not thrilled to hear about that. (It doesn’t help that Rick isn’t wearing a shirt when he and Westphall first meet.) Lizzie gets angry. Westphall points out that his dead wife would not have approved. Lizzie argues that she is now an adult and can do whatever she wants.
And you know what? I am totally on Westphall’s side here. It’s his house! Lizzie isn’t the one paying the bills. If Westphall doesn’t want Rick sleeping in her room (and, I might add, there are other rooms in the house where Rick could sleep), then Rick doesn’t sleep in her room. When I was younger, I probably would have been on Lizzie’s side but now that I’ve gotten older, I see Westphall’s point and Lizzie comes across as being a spoiled brat. I mean, if she wants to stay in the same room as Rick, they can get a motel room. How expensive could one be in 1984? This episode ends with Lizzie telling her father that she’s leaving. “Lizzie!” Westphall says but she’s already gone.
See what I mean? This was a depressing episode, even by St. Elsewhere standards. That said, it was also a good episode. Ed Flanders, David Morse, Helen Hunt, Stephen Furst, Mimi Kennedy, they all gave wonderfully empathetic performances. Your heart may hurt for them but you can’t wait to see what happens next. Sometimes, life is depressing but, like the characters on this show, you have to moving forward.
It’s often forgotten that, before he became an award-winning actor, Joe Pesci pursued careers as both a stand-up comedian and a singer. Here he is, performing a lounge version of The Beatles’ Fool On The Hill for his 1968 album, Little Joe Sure Can Sing!
Today would have been the 94th birthday of one of the greatest film stars of all time, Elizabeth Taylor!
Today’s scene that I love comes from 1963’s Cleopatra. Cleopatra is often dismissed as the film that nearly bankrupted a studio but it’s enjoyable if you’re in the right mood and you’ve got four hours of free time. Elizabeth Taylor may not have been a historically accurate Cleopatra but who cares? It seems appropriate that the most glamorous woman of what was then the modern world played the most glamorous woman of the ancient world.
In this scene, Cleopatra arrives in Rome with all of the fanfare befitting the world’s most beautiful and powerful woman. Keep in mind that this scene was done in the days before AI. Every costume was real. Every extra was real. Everything about this scene was real.
4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
Today is the birthday of one of the greatest films stars ever, Elizabeth Taylor! And you know what that means. It’s time for….
4 Shots From 4 Elizabeth Taylor Films
A Place in the Sun (1951, dir by George Stevens, DP: William C. Mellor)
Boom! (1968, dir by Joseph Losey, DP: Douglas Slocombe)
Night Watch (1973, dir by Brian G. Hutton, DP: Billy Williams)
The Driver’s Seat (1974, dir by Giuseppe Patroni Griffi, DP: Vittorio Storaro)
As some of our regular readers undoubtedly know, I am involved in a few weekly watch parties. On Twitter, I host #FridayNightFlix every Friday and I co-host #ScarySocial on Saturday. On Mastodon, I am one of the five hosts of #MondayActionMovie! Every week, we get together. We watch a movie. We tweet our way through it.
Tonight, at 10 pm et, I will be hosting #FridayNightFlix! The movie? 2003’s Detention!
If you want to join us this Friday, just hop onto twitter, find Detention on Prime or Tubi, start the movie at 10 pm et, and use the #FridayNightFlix hashtag! I’ll be there happily tweeting. It’s a friendly group and welcoming of newcomers so don’t be shy.
This video was shot early in Katy Perry’s career, as you can probably guess just from the basic and rather simple style of the music video. Long Shot was originally intended to appear on what was intended to be Perry’s second album. Unfortunately, that album was shelved but Long Shot still found an audience when it was covered by Kelly Clarkson.
It is today’s music video of the day because I’ll always root for the long shots.
Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989. The entire show is currently streaming on Tubi and several other services!
This week, Jonathan and Mark get into the detective business.
Episode 5.9 “Choices”
(Dir by Michael Landon, originally aired on June 30th, 1989)
Working as private investigators, Mark and Jonathan are approached by a Vietnamese couple who are looking for the two sons that they gave up for adoption many years ago. They gave the boys up so that they could escape Vietnam and live in America, safe from communism. Now, the father (Dr. Haing S. Ngor) wants to bring his sons back to Singapore, despite the fact that both of them have been adopted by good people and the oldest has been accepted to a prestigious college.
This was an above average episode of Highway to Heaven. It was undoubtedly heavy-handed and there were more than a few minutes where the dialogue was a bit too spot-on for its own good. But ultimately, the episode was so earnest and heartfelt that the viewer couldn’t help but forgive the show’s flaws. This particular episode was very well-acted, especially by Dr. Haing S. Ngor. A Cambodian who lost most of his family after the Khmer Rogue came to power and attempted to return the country to “Year Zero” by killing off anyone who was considered to be too educated or cosmopolitan, Dr. Ngor survived by disguising the fact that he was an educated doctor. After the fall of the Khmer Rogue, Ngor made his way to Thailand and eventually to America. He won an Oscar for playing a character who suffered much as he suffered in The Killing Fields (a film about communist atrocities that has the gall to unironically include John Lennon’s Imagine on the soundtrack). In this episode, Ngor gives a strong performance as a stubborn man who struggles with the fact that his sons have grown up in his absence. Tragically, seven years after this episode aired, Dr. Ngor was murdered in his driveway. Though a group of gang members were arrested and convicted of his murder, it’s always been known that his murder was ordered by Pol Pot, the leader of the Khmer Rogue.
The final season of Highway to Heaven has been uneven but this was a good episode.
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing Decoy, which aired in Syndication in 1957 and 1958. The show can be viewed on Tubi!
This week, Casey deals with two brothers who may or may not be guilty of a crime.
Episode 1.22 “Reasonable Doubts”
(Dir by Teddy Sills, originally aired on March 10th, 1958)
An office is robbed and the manager is shot. As Casey Jones tells us in her narration, the difference between this robbery and countless others is that someone got a good look at the robber. Lawrence Osler (Joe Warren) is arrested for the crime. However, Lawrence’s sister, Julia (Anna Minot), is convinced that Lawrence is innocent and she thinks that Lawrence’s younger brother, John (Thomas A. Carlin), can prove it. Casey agrees to go undercover as a friend of Julia’s who has agreed to pay Lawrence’s bail. Her assignment is to get John to talk. Julia thinks that Casey is going to exonerate both the brothers but, in reality, Casey is trying to put John in jail with Lawrence.
“It wasn’t very nice,” Casey ruefully tells us. But, Casey goes on to note, neither is robbing an office and putting a man in the hospital.
Casey discovers that Lawrence is innocent. It was John and his shady buddy Oscar (Edward Walsh) who robbed the place. John was willing to let Lawrence take the fall because he thought Lawrence would be acquitted in court. But now, Oscar is trying to frame Lawrence. Will John take responsibility for his own actions?
This episode probably sounds more interesting than it is. With only a 30 minute running time, there’s not much room to generate any sort of suspense as to which brother is guilty. Lawrence is obviously innocent from the start and John is obviously guilty. It doesn’t take Casey long to figure this out but she can’t really do anything about it until Oscar shows up unexpectedly and casually reveals that truth about what happened. This is one of those episodes where the viewer feels like Casey just got lucky. As well, most of the action too place indoors so there weren’t any of the 1950s New York location shots that so often added life to this series.
That said, Beverly Garland was great as always. Her regret over manipulating Julia added an extra dimension to the story. As Casey said, “It wasn’t nice.” In the end, Julia saves one brother but loses another.
Through the Shattered Lens 