Joe Jonas, still hard at work.
I always enjoy music videos that take place at night.
Enjoy!
Joe Jonas, still hard at work.
I always enjoy music videos that take place at night.
Enjoy!
Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Saturdays, I will be reviewing the Canadian sitcom, Check it Out, which ran in syndication from 1985 to 1988. The entire show is currently streaming on Tubi and Peacock!
This week, Howard is getting sued!
Episode 3.17 “Fatal Harrassment”
(Dir by Alan Erlich, originally aired on January 10th, 1988)
The newest cashier at Cobb’s, Kim Dillard (Lolita Davidovich, in a very early role), is suing Howard for sexual harassment!
Actually …. yeah, I could see that. Everything about Howard screams lawsuit, if not for sexual harassment than for something else. The same can be said of the behavior of just about everyone who works at Cobb’s. One thing I’ve noticed over the years that I’ve spent watching old sitcoms for the site is that, in the 80s and 90s, everyone just harassed everyone else and regularly made comments that would end friendships and lose jobs today.
Anyway, Howard swears that Kim was actually coming onto him and that he’s being set up. Yeah, whatever, Howard. No one buys that! Except, it’s true! It turns out that Kim has a history of taking jobs and then suing her boss for sexual harassment. Since most of her bosses settle to avoid the bad publicity that would come with a trial, Kim makes a lot of money without having to prove anything. Howard, however, threatens to go to court, which cause Kim to drop her suit. Howard keeps his job, disappointing Christian who was hoping to take over the store.
This episode wasn’t great but it wasn’t terrible. It was very middle-of-the-road, featuring a lot of obvious jokes that were saved by the cast’s third season chemistry. That said, it also painted Kim as too obvious a villain and it again left me wondering why Edna is still wasting her time with Howard. For three seasons now, Edna has been complaining about dating Howard. Strangely, Edna always says that she’s been dating Howard for “Seven years,” even though three years have passed since she first said that. Poor Edna!
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Saturdays, I will be reviewing The American Short Story, which ran semi-regularly on PBS in 1974 to 1981. The entire show can be purchased on Prime and found on YouTube and Tubi.
Today, we start a new series of reviews with an adaptation of a John Updike short story!
Episode 1.1 “The Music School”
(Dir by John Korty, originally aired on January 1st, 1974)
The first episode of The American Short Story is based on a story by John Updike. Alfred Schweigen (Ron Weyand) is a writer who sits at his typewriter and who occasionally looks out the window of his office. His wife playfully sprays the window with a garden hose and the writer thinks about how she’s in therapy because of his affairs. He remembers taking his daughter to her music school and thinks about the sounds of music floating through the building like ghostly memories. He thinks about a priest who, while talking to a bunch of “Protestants and non-believers,” explained that it was now permissible to chew the Eucharist wafer instead of waiting for it to dissolve. He thinks about a friend of his, a computer programmer, who was apparently assassinated by a random sniper while his family watched. In his mind, Alfred takes the random thoughts and occurrences and builds a story around them.
It’s an interesting episode, even if it doesn’t quite work. Tasked with bringing Updike’s words to visual life, this episode far too often falls back onto cliche and Ron Weyand often looks more annoyed that sincerely perplexed by life’s mysteries. (The writer’s narration is provided by Henry Fonda, whose middle-American voice doesn’t quite match Weyand’s petulant performance.) It’s a midlife crisis type of story, one in which the writer tries to deal with his own ennui and infidelities by turning them into fiction. Unfortunately, this is a case of what was compelling on the page falling flat when it’s adapted for film. I appreciated this episode’s ambition, even if it didn’t work in the end.
Next week, the American Short Story interprets a story by Ambrose Bierce!
As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter. I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie! Every week, we get together. We watch a movie. We tweet our way through it.
Tonight, at 9 pm et, Deanna Dawn will be hosting #ScarySocial! The movie? 1993‘s When A Stranger Calls Back!
If you want to join us this Friday, just hop onto twitter, start the movie at 9 pm et, and use the #ScarySocial hashtag! I’ll be there tweeting and I imagine some other members of the TSL Crew will be there as well. It’s a friendly group and welcoming of newcomers so don’t be shy.
When A Stranger Calls Back is available on Prime!
See you there!
This is the song that gave it’s title to one of Dennis Hopper’s best films.
My my, hey hey
Rock and roll is here to stay
It’s better to burn out
Than to fade away
My my, hey hey.
Out of the blue
and into the black
They give you this,
but you pay for that
And once you’re gone,
you can never come back
When you’re out of the blue
and into the black.
The king is gone
but he’s not forgotten
This is the story
of a Johnny Rotten
It’s better to burn out
than it is to rust
The king is gone
but he’s not forgotten.
Hey hey, my my
Rock and roll can never die
There’s more to the picture
Than meets the eye.
Hey hey, my my.
Songwriters: Neil Young and Jeff Blackburn
Bill Paxton would have been 70 years old today.
Today’s scene that I love comes from Twister and it features Bill Paxton showing off some wonderful chemistry with Helen Hunt. One of the great things about Bill Paxton is that he was equally at home in both big blockbusters like Twister and Titanic and low-budget indies like Near Dark. He was an artist who also happened to be a star. As a lover of both films and eccentric Texans, I will always miss Bill Paxton.

4 (or more) Shots From 4 (or more) Films is just what it says it is, 4 (or more) shots from 4 (or more) of our favorite films. As opposed to the reviews and recaps that we usually post, 4 (or more) Shots From 4 (or more) Films lets the visuals do the talking.
89 years ago, Dennis Hopper was born in Dodge City, Kansas.
It seems rather appropriate that one of America’s greatest cinematic outlaws was born in a town that will be forever associated with the old west. Dennis Hopper was a rebel, back when there were actual consequences for being one. He started out acting in the 50s, appearing in films like Rebel Without A Cause and Giant and developing a reputation for being a disciple of James Dean. He also developed a reputation for eccentricity and for being difficult on set and he probably would have gotten completely kicked out of Hollywood if not for a somewhat improbable friendship with John Wayne. (Wayne thought Hopper was a communist but he liked him anyways. Interestingly enough, Hopper later became a Republican.) Somehow, Hopper managed to survive both a raging drug addiction and an obsession with guns and, after a mid-80s trip to rehab, he eventually became an almost universally beloved and busy character actor.
Hopper, however, always wanted to direct. He made his directorial debut with 1969’s Easy Rider, a film that became a huge success despite being an infamously chaotic shoot. The success of Easy Rider led to the Hollywood studios briefly trying to produce counter-culture films of their own. Hopper was given several million dollars and sent to Peru to make one of them, the somewhat dangerously titled The Last Movie. Unfortunately, The Last Movie, was such a bomb that it not only temporarily derailed Hopper’s career but it also turned Hollywood off of financing counter culture films. Hopper spent a decade in the Hollywood wilderness, giving acclaimed performances in independent films like Tracks and The American Friend, even while continuing to increase his reputation for drug-fueled instability. Hopper would eventually return to directing with his masterpiece, 1980’s Out of the Blue. (Out of the Blue was so controversial that, when it played at Cannes, Canada refused to acknowledge that it was a Canadian production. It played as a film without a country. Out of the Blue, however, is a film that has stood the test of time.) Unfortunately, even after a newly cleaned-up Hopper was re-embraced by the mainstream, his directorial career never really took off. He directed 7 films, of which only Easy Rider and Colors were financially successful. Contemporary critics often didn’t seem to know what to make of Dennis Hopper as a director. In recent years, however, Hopper’s directorial efforts have been reevaluated. Even The Last Movie has won over some new fans.
Today, on his birthday, we honor Dennis Hopper’s directorial career with….
4 Shots From 4 Dennis Hopper Films




It is Dennis Hopper’s birthday, afterall.
Enjoy!
Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Friday the 13th: The Series, a show which ran in syndication from 1987 to 1990. The entire series can be found on YouTube!
This week, the show attempts a change of pace!
Episode 3.13 “Midnight Riders”
(Dir by Allan Eastman, originally aired on January 29th, 1990)
An odd episode, this one.
Jack, Micki, and Johnny head out to a small town so that Jack can look up into the night sky and see a once-in-a-lifetime convergence of the stars. However, possibly as a result of the convergence (it’s never really made clear), a bunch of dead motorcycle riders are resurrected and they rumble into town, seeking vengeance on everyone who took part in the death of their leader. If the bikers can kill every one of them, their leader will be resurrected. Finally, the ghost of Jack’s father (Dennis Thatcher) shows up and works with Jack to stop the bikers. It turns out that Jack and his father had a difficult relationship. Ryan had a difficult relationship with his father. Johnny was falsely accused of murdering his father. We’ve never met Micki’s father but he’s probably a jerk too.
The weird thing about this episode is that it didn’t feature a cursed antique. Instead, Jack and the crew went to a small town and supernatural stuff started happening shortly after they arrived. That’s okay, I guess. In theory, there’s nothing wrong with trying something new. But, at the same time, the cursed antiques were what set this show apart from all of the other supernaturally-themed television series out there. Personally, even when the antique’s curse makes no sense, I still enjoy seeing what the show comes up with.
This episode had a lot of atmosphere and a typically good performance from Chris Wiggins. The ghost bikers were never quite as intimidating as they should have been, despite all of the murders. If anything, they reminded me a bit too much of Sometime They Come Back. This episode was a change of pace and, as if often the case with things like this, it didn’t quite work. Here’s hoping next week will have a cursed antique!
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing St. Elsewhere, a medical show which ran on NBC from 1982 to 1988. The show can be found on Hulu and, for purchase, on Prime!
This week, the first season comes to a close.
Episode 1.22 “Addiction”
(Dir by Mark Tinker, originally aired on May 3rd, 1983)
“To life,” Dr. Auschlander toasts towards the end of the finale of St. Elsewhere’s first season and the sentiment could not be more called for.
While Auschlander has spent the episode hanging out with a friend of his and getting into fights with disrespectful street punks, Dr. Morrison’s wife has been giving birth to their son. While someone breaks into the supply room and takes off with a huge supply of drugs, Dr. White is sobbing and telling his estranged wife that he knows he has to get help for his addictions. While one drug addict (Ralph Seymour) commits suicide by injecting an air bubble into his veins, Dr. Craig’s cocky son, Stephen (Scott Paulin), visits from medical school and turns out to be quite a weed-smoking, pill-popping drug user himself. Ehrlich, assigned to show Stephen around the hospital and teach him what it’s like being a resident, considers telling Dr. Craig that his son has a drug problem but apparently decides not to. Dr. Craig is very proud that his son is going to follow the family tradition of becoming a surgeon. Meanwhile, Dr. Fiscus cheats on Shirley Daniels with Kathy Martin. Fiscus, you idiot.
Life goes on at St. Eligius. That’s was the theme of the finale and it’s also been the theme of the first season. For all the bad things that happen, there are also good things. Some patients die. Some doctors are incompetent. But babies are born and doctors like Morrison and Ehrlich and Chandler haven’t given up and are still trying to make the world a better place. Dr. Auschlander may be terminally ill with cancer but he embraces life and we should all do the same.
It’s a good ending for an overall good first season. There were a few weak episodes. Dr. Samuels was a pretty annoying character and I’m a bit relieved to see that David Birney left the show after this season. Ed Flanders can be a bit overly somber as Dr. Westphall and Howie Mandel is still one of the least convincing doctors that I’ve ever seen. That said, Morrison, Ehrlich, Chandler, Nurse Daniels, and even Dr. White are interesting characters and I look forward to seeing what happens with them during season 2. The season’s stand-out was definitely William Daniels as the pompous yet still likable Dr. Craig. Other than the terrible storyline where he cheated on his wife (and I still claim that was a dream episode, like almost all of the stuff with Dr. Samuels), Dr. Craig was this season’s standout character.
Next week, we start season 2!