Chuck Mangione, RIP.
Chuck Mangione, RIP.
Happy Gilmore 2, the sequel to my favorite golf movie, is currently available on Netflix. I’ll be watching it later today. I have no idea if it’s any good or not. I’m hoping for the best, though.
Anyway, this seems like a good time to share the best scene from the original Happy Gilmore. In this scene, Happy and Bob Barker team up for a celebrity tournament. It does not go well. Reportedly, Barker initially turned down this cameo and only changed his mind after he was assured that he would win the fight.
4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
Today, we pay tribute to a great year in cinema. It’s time for….
4 Shots From 4 1974 Films
Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989. The entire show is currently streaming on Tubi and several other services!
This week, Highway to Heaven makes a mockery of legitimate theater.
Episode 4.6 “Playing for Keeps”
(Dir by Michael Landon, originally aired on November 4th, 1987)
Jonathan and Mark are directing a play!
The play stars movie star Rhett Clark (Eric Douglas, the least talented son of Kirk Douglas). Rhett plays a young man who is struggling to come to terms with the impending death of his father. In the play, Rhett’s father is played by his actual father, Jackie Clark (Donald O’Connor), a old-time comedian who can’t get work anymore.
It’s not an easy rehearsal process. Rhett resents his father. Jackie wants to tell jokes. He wants to put on a dress and a wig because, according to him, all of his fans will want to see him play “Aunt Jackie.” Rhett explains that the play is not a comedy. There’s no room for Aunt Jackie. Really, explaining all of that should have been Jonathan’s job. He’s the director!
The problem with this episode is that we’re supposed to be angry at Rhett for not supporting his father’s attempts to turn the play into a vaudeville comedy but actually, Jackie’s a jerk. Rhett’s a jerk too but he’s a jerk who understands that, when you’re doing a dramatic play, the actor playing a dying man can’t suddenly get out of his hospital bed, duck into a closet, and then come out as Aunt Jackie. An actor ad-libbing dialogue and then turning the play into a comedy because he’s petulant and insecure is not the type of behavior that would be tolerated in all-volunteer community theater, much less on a professional stage. The fact that Jackie is getting paid to appear in the show makes his unprofessional conduct all the more annoying.
This episode puts on the blame on Rhett. We’re meant to see Rhett as the ungrateful son who refuses to see things from his father’s point of view. Because Rhett is being played by Eric Douglas, an actor who did not exactly have the most likable screen presence, it’s easy to blame him. I mean, everyone loves Donald O’Connor, But honestly, Jackie is the jerk here.
How big of a jerk is Jackie? On opening night, he gets mad at his son and does his Aunt Jackie schtick. Somehow, this leads to Rhett and Jackie reconciling and hugging it out while the audience applauds. Honestly, though, it should have led to Jackie being fired. If you’re not going to be professional, you have to go. This episode would have been far more touching if Jackie had been willing to put his ego aside and actually allow his son to have the spotlight for once.
This episode will definitely not be remembered as one of my favorites of the series. In the past, I’ve defended this show’s tendency to go for sentimentality over realism but this episode just pushed things a little too far.
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing Malibu CA, which aired in Syndication in 1998 and 1999. Almost the entire show is currently streaming on YouTube!

Yes, this is from the first season. I don’t care. I refuse to waste my time looking for a second season advertisement.
This week, it’s competition to see who can be the worst character.
Episode 2.23 “The Houseguest”
(Dir by Gary Shimokawa, originally aired on April 29th, 2000)
A recurring theme for these reviews is that Lisa (the character, not me) is the worst. Amazingly, in this episode, she’s only the third worse.
The second worse is Jason. When Murray announces that he’s going to be spending the week at a convention for surfers, he leaves the key to his apartment with Lisa at the Surf Shack so that Lisa can give the key to the house sitter. Jason and Scott, wondering why they’ve never been invited to Murray’s apartment, steal both the key and the note that Murray left. Along with Lisa, they go to his apartment and break in. It turns out that Murray, who is the son of a multi-millionaire, has a really nice apartment that has a hot tub in the living room! In other words, he’s a rich guy with a rich apartment.
Now, there’s a few things to consider, when it comes to deciding who is the worst of these three. First off, all three of them are breaking into Murray’s apartment despite the fact that he’s made it clear that he doesn’t want them there. Secondly, thanks to Jason and Scott, Murray’s house sitter is now out of a job because they didn’t get the key or the note telling them where the apartment was located. Third, Jason decides to move into the apartment and pretend that he owns it because he has a crush on the lingerie model living next door.
When Murray comes back unexpectedly, Jason tells Murray that Peter’s aunt just died and Peter would appreciate it if Murray spent a week living at the Collins house. Jason then tells Peter and Scott that Murray’s aunt died and that he needs a place to stay for a week. This is the dumbest freaking thing I have ever seen. Why would Jason come up with two lies that would definitely fall apart as soon as Murray or Peter or Scott, for that matter, had any sort of casual conversation?
Regardless of his logic (or lack of it), it’s all enough to position Jason as being worse than both Scott and even Lisa.
And yet, of all the character in this particular episode, Jason is only the second worse. Alex (Suzanne Davis) is even more terrible than Jason in this episode. When soap opera star Traycee says that she needs to hire an assistant, Alex volunteers for the job. At first, Traycee tells Alex to fill in for Lisa at the Surf Shack so Traycee can take Lisa to the new Matt Damon movie. (I hope they enjoyed The Talented Mr. Ripley.) Then Tracyee orders Alex to “detail” Peter’s car. That all made me laugh but then Alex insisted on helping Traycee out on the show. Traycee lets Alex read the latest script for her show. Alex gets offended by the script, telling Traycee that, since she’s playing a doctor, she needs to stand up for herself and tell the producer that she’s not going to wear a bikini in all of her scenes. Even though Traycee doesn’t want to, she tells the producer exactly what Alex told her to say. And Traycee gets fired.
Why is Alex the worse? Alex is correct that the soap opera is exploitive and sexist and not a realistic portrayal of life in hospital. However, Alex is not the one on the show. Traycee is one on the show and she’s happy with her job and she’s certainly making more money as an actress on a soap opera than Alex is making as lifeguard or Lisa is making as a waitress. It’s not Alex’s place to tell Traycee to refuse to do a scene, especially when Traycee herself doesn’t have any objection to anything in the script. Traycee does get her job back, on the condition that she fire Alex. “Okay,” Traycee said, “you’re fired.” YAY, TRAYCEE!
(To be honest, there’s something a little hypocritical about Malibu CA criticizing a show for featuring women in bikinis when every episode of Malibu CA might as well have been shot with ogle cam.)
This was a bad episode but, to give credit where credit is due, Brandon Brooks and Priscilla Inga Taylor once again showed that they were the only two consistently good things about Malibu CA. Even though they were playing caricatures, both Brooks and Taylor brought a lot of energy and sincerity to their performances. It made Murray and Traycee the only likable characters on both this particular episode and the series overall.
Only three more episodes to go! My nightmare will soon be over.
Today’s song of the day comes from Lalo Schifrin’s score for 1968’s Bullitt. This piece of music comes from the film’s classic and trendsetting car chase.
96 years ago today, the English director Peter Yates was born in Aldershot, Hampshire. Yates would go on to direct films in almost every genre but today, he’s perhaps best-remembered for directing what is considered to be one of the first great cop films, 1968’s Bullitt. I already shared the film’s classic car chase film for Steve McQueen’s birthday so today, I’m going to share the airport showdown.
4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
Today the Shattered Lens wishes a happy birthday to one of the pioneers of American independent cinema, Gus Van Sant!
It’s time for….
4 Shots From 4 Gus Van Sant Films
Today’s music video is this slightly creepy one from Bat For Lashes. Seriously, bicycling after dark is not safe!
Enjoy!
Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing 1st and Ten, which aired in syndication from 1984 to 1991. The entire series is streaming on Tubi.
This week, the football season begins!
Episode 1.2 “The Opener”
(Dir by Bruce Seth Green, originally aired on December 2nd, 1984)
The opening game of the season is approaching. The Bulls have trader their former quarterback (who was played, briefly, by Robert Logan in the pilot) for a new quarterback, Bob D0rsey (Geoffrey Scott). Bob Dorsey is a notorious womanizer and a veteran player with a strong arm and a bad knee. So, basically, he’s just like their former quarterback except he’s played by Geoffrey Scott instead of Robert Logan.
Dana has decided that Bob will start on opening day, instead of the quarterback that they drafted out of BYU, the ultra-religious Bryce Smith (Jeff East). (Opening Day, quarterback, drafted — look at me using all the football terminology!) Bryce is fine with not starting because he feels that it is God’s will for Bob to start.
However, the Mafia (represented by Michael V. Gazzo and Robert Miranda) is not happy! It turns out that general manager Roger Barrow has been doing business with the Arcola Brothers. He’s been giving them tickets and allowing the Arcolas to scalp them in return for a 20% commission. Dana puts an end to that, saying that all the tickets will now be sold through the box office as opposed to being held for VIPs. The Mafia wants Roger to make sure that Bob does not start. Roger convinces one of the other players to injure Bob during practice so that Bryce will be the starter.
Uh-oh! Bob injures his knee. Bryce is going to have to play …. except, right before the team hits the field, the team doctor suddenly says that Bob’s knee is at 80% and he can play if he wants to. Of course, Bob wants to! Bob takes the field and, after several minutes of stock footage, we’re told that the Bulls have won the game.
This show feels so strange. On the one hand, I get the feeling that this episode probably was realistic about the physical toll that playing football takes on a player. Bob is 35 and can barely walk. I imagine that the episode’s portrayal of the locker room being a mx of stupidity and testosterone was probably accurate as well. I’ll even give the episode credit for showing that all of the players resent the team’s owner and that Coach Denardo uses that to his advantage when it comes to motivating them. Everyone — well, almost everyone — resents their boss. (Not me! I love everyone I’ve ever worked with!)
On the other hand, the first two episodes have been so low-budget that it appears there’s only five or six players on the team and the mix of comedy and drama feels rather awkward. Dana’s friend Mona (Ruta Lee) starts drinking in the morning and tossing out pithy one liners. Meanwhile, the Mafia is threatening to kill Roger. It really doesn’t fit together. The whole thing just looks and feels cheap.
But, hey, the Bulls won! Good for them!