October Positivity: Revelation Road: The Beginning of the End (dir by Gabriel Sabloff)


Eric Roberts is in the 2013 film, Revelation Road: The Beginning of the End.

Of course, he’s only in it for a few minutes.  In fact, if you blink, you will miss him.  He plays Sheriff Jenson, who is in charge of enforcing the law in a small desert community.  He appears long enough to tell salesman John McManus (David A.R. White) not to leave town.  McManus has just killed three armed men who were attempting to rob a general store.  The store’s owner (Ray Wise) invites him to dinner but the cops are curious as to how a salesman could be so proficient at killing people.

Revelation Road plays out over the course of one long night.  A group of bikers, led by the fearsome Hawg (Brian Bosworth), are seeking revenge for the death of their compatriots.  Meanwhile, Iran is pushing the world towards war.  In a motel, a woman asks John for money.  Lighting flashes.  Lights flicker on and off.  The Earth shakes.  It’s a fearful time, largely because the world itself is coming to an end.  A little over an hour into this 88 minute film, there’s a sudden blinding light and suddenly, a fourth of the cast vanishes.  One person who does not vanish runs into a kindly stranger, played by Bruce Marchiano.  Marchiano will be well-known to viewers of faith-based cinema for the number of times that he’s played Jesus.  So, you can probably guess what’s happened.

Revelation Road ends with the promise of a sequel, which means that the film also ends with a lot of unanswered questions.  It makes Revelation Road difficult to really review because it’s obviously meant to be a prologue to the actual story.  I will note that Revelation Road is a surprisingly violent movie, at least by the standards of most faith-based films.  Then again, most of the violence was in self-defense and the Bible itself is full of stories of violent men who found redemption.  In fact, you could probably argue that it’s impossible to do an apocalypse movie that isn’t violent.  We’ll just have to wait to see where this story is heading.

I’ll review the sequel tomorrow.

Previous Eric Roberts Films That We Have Reviewed:

  1. Paul’s Case (1980)
  2. Star 80 (1983)
  3. Runaway Train (1985)
  4. To Heal A Nation (1988)
  5. Best of the Best (1989)
  6. Blood Red (1989)
  7. The Ambulance (1990)
  8. The Lost Capone (1990)
  9. Best of the Best II (1993)
  10. Love, Cheat, & Steal (1993)
  11. Voyage (1993)
  12. Love Is A Gun (1994)
  13. Sensation (1994)
  14. Dark Angel (1996)
  15. Doctor Who (1996)
  16. Most Wanted (1997)
  17. Mercy Streets (2000)
  18. Raptor (2001)
  19. Rough Air: Danger on Flight 534 (2001)
  20. Strange Frequency (2001)
  21. Wolves of Wall Street (2002)
  22. Border Blues (2004)
  23. Mr. Brightside (2004)
  24. Six: The Mark Unleased (2004)
  25. We Belong Together (2005)
  26. Hey You (2006)
  27. Depth Charge (2008)
  28. Amazing Racer (2009)
  29. The Chaos Experiment (2009)
  30. In The Blink of an Eye (2009)
  31. Bed & Breakfast (2010)
  32. Enemies Among Us (2010)
  33. The Expendables (2010) 
  34. Sharktopus (2010)
  35. Beyond The Trophy (2012)
  36. The Dead Want Women (2012)
  37. Deadline (2012)
  38. The Mark (2012)
  39. Miss Atomic Bomb (2012)
  40. Assault on Wall Street (2013)
  41. Bonnie And Clyde: Justified (2013)
  42. Lovelace (2013)
  43. The Mark: Redemption (2013)
  44. The Perfect Summer (2013)
  45. Self-Storage (2013)
  46. Sink Hole (2013)
  47. A Talking Cat!?! (2013)
  48. This Is Our Time (2013)
  49. Bigfoot vs DB Cooper (2014)
  50. Doc Holliday’s Revenge (2014)
  51. Inherent Vice (2014)
  52. Road to the Open (2014)
  53. Rumors of War (2014)
  54. Amityville Death House (2015)
  55. Deadly Sanctuary (2015)
  56. A Fatal Obsession (2015)
  57. Las Vegas Story (2015)
  58. Sorority Slaughterhouse (2015)
  59. Stalked By My Doctor (2015)
  60. Enemy Within (2016)
  61. Hunting Season (2016)
  62. Joker’s Poltergeist (2016)
  63. Prayer Never Fails (2016)
  64. Stalked By My Doctor: The Return (2016)
  65. The Wrong Roommate (2016)
  66. Dark Image (2017)
  67. The Demonic Dead (2017)
  68. Black Wake (2018)
  69. Frank and Ava (2018)
  70. Stalked By My Doctor: Patient’s Revenge (2018)
  71. Clinton Island (2019)
  72. Monster Island (2019)
  73. The Reliant (2019)
  74. The Savant (2019)
  75. Seven Deadly Sins (2019)
  76. Stalked By My Doctor: A Sleepwalker’s Nightmare (2019)
  77. The Wrong Mommy (2019)
  78. Exodus of a Prodigal Son (2020)
  79. Free Lunch Express (2020)
  80. Her Deadly Groom (2020)
  81. Top Gunner (2020)
  82. Deadly Nightshade (2021)
  83. The Elevator (2021)
  84. Just What The Doctor Ordered (2021)
  85. Killer Advice (2021)
  86. Megaboa (2021)
  87. Night Night (2021)
  88. The Poltergeist Diaries (2021)
  89. The Rebels of PT-218 (2021)
  90. Red Prophecies (2021)
  91. A Town Called Parable (2021)
  92. Bleach (2022)
  93. Dawn (2022)
  94. My Dinner With Eric (2022)
  95. 69 Parts (2022)
  96. The Rideshare Killer (2022)
  97. The Company We Keep (2023)
  98. D.C. Down (2023)
  99. Aftermath (2024)
  100. Bad Substitute (2024)
  101. Devil’s Knight (2024)
  102. Insane Like Me? (2024)
  103. Space Sharks (2024)
  104. The Wrong Life Coach (2024)
  105. Broken Church (2025)
  106. When It Rains In L.A. (2025)

Late Night Retro Television Review: Degrassi: The Next Generation 1.11 “Friday Night”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sunday, I will be reviewing the Canadian series, Degrassi: The Next Generation, which aired from 2001 to 2015!  The series can be streamed on YouTube and Tubi.

This week, we get glimpse of the future.

Episode 1.11 “Friday Night”

(Dir by Paul Fox, originally aired on June 3rd, 2002)

It’s a wild Friday night in Toronto!

Emma and Sean go on their first date.  It goes like this: Sean asks out Emma.  Emma says yes but isn’t sure whether or not Sean is asking her on a date or just asking her to hang out.  Sean is inarticulate because he’s a guy.  Emma gets mad.  In gym class, a game of dodgeball turns into a game of Emma throwing the ball exclusively at Sean.  Sean thinks that Emma hates him.  Emma says she doesn’t hate him.  Finally, Sean shows up at Emma’s house.  Before they leave on their date, Spike takes a picture.

They step outside of the house and a bird immediately defecates on Emma’s outfit.  Emma changes.  They decide to get something to eat before going to a movie.  Emma says that she ordered Sean a vegetarian burger.  Sean is cool with that because he doesn’t eat meat ever since he spent time on a ranch and saw how the animals are treated.  Emma is like, “Awwww!”  But then Emma realizes she can’t find her wallet and she fears that it’s accidentally been thrown away.  Sean spends the night searching through the dumpster behind the restaurant, until Emma realizes that she had her wallet with her all the time.  Whoops!  Emma runs off in tears.

How sad!  Of course, those of us who have watched this show know that one bad date isn’t going to keep Emma and Sean from having one of the most epic (if ultimately pointless) relationships in Degrassi history, one that will survive Sean going to jail but which won’t survive him joining the Army.  Of course, we also know that Emma is somehow going to end up married to Spinner despite saying barely ten words to him over the course of 8 seasons.

Speaking of Spinner, he and Jimmy spend Friday night tormenting Ms. Kwan.  Spinner has a grudge against Ms. Kwan because Ms. Kwan broke his “discman” while trying take it away from him when she discovered him listening to it in her class.

“My discman!” Spinner exclaimed.

“No, your fault!” Kwan snapped.

Spinner got detention.  Later, Jimmy also got detention for making fun of Shakespeare.  (Kwan also got annoyed with Jimmy for making out with Ashley in the hallway.  “You two may think you’re cute….”  Uhmm, it’s the hallway.  Calm down, Ms. Kwan.)  When Spinner and Jimmy learned that Ms. Kwan would be at the school late, teaching an ESL class, they broke into the principal’s office, broadcast the sound of Spinner chewing gum into her classroom, and then ordered several pizzas for her class.  Spinner then threw an entire carton of eggs at Kwan’s car.  Kwan came outside, saw her car, and broke down into tears while Spinner and Jimmy watched from afar.  Spinner was amused.  Jimmy felt guilty.

The next day, Mr. Raditch announces that Ms. Kwan has taken a leave of absence because her husband’s been sick.  The upcoming class field trip is canceled.  And Mr. Raditch will now be teaching Kwan’s class.  Spinner, you idiot!

That said, I blame Jimmy more.  Everyone knows that Spinner’s impulsive and out-of-control.  Jimmy’s supposed to be the voice of reason.

This episode is one of the better season one episodes, if just because it featured Emma being repeatedly humiliated (that may seem cruel but if you know some of the things that Emma’s going to do in the future, it is kind of satisfying to see) and it also features an early appearance of a recurring Degrassi theme: Spinner accidentally destroying someone’s life.  This episode represents the future of Degrassi.

10 Horror Movies For The Week (10/26/25)


Halloween approaches!  I’ll be posting another list of movies in a few days but here’s ten horror movie recommendations for between now and Wednesday!

Vampire Circus (1972) is a gloriously macabre film that I recommend to everyone.  This British film takes place in a Serbian village that a vampire curses with his dying breath.  Twenty years later, the village is ravaged by the plague and blockaded by other towns.  With the inhabitants basically prisoners in their own home, they are easily tempted by the arrival of a circus.  The circus, of course, is not what it seems.  This is a stylish film, full of quirky characters, disturbing imagery, and a lot of blood.  It’s perfect for Halloween.  You can view it on Prime.

Speaking of vampires, Count Yorga, Vampire (1970) features Robert Quarry as a vampire in 1970s California.  Apparently, the film was originally envisioned as being a soft-core film that would feature a few horror elements but Quarry insisted that the script be rewritten to emphasize the count’s vampirism.  That was probably a good idea as Quarry turned Yorga into one of the most memorable movie vampires not named Dracula.  Serious actor Michael Murphy appears in this film as well.  It’s interesting to note that Murphy went from battling a vampire to working with Robert Altman and Woody Allen and appearing in some of the best films of the 70s.  You can view Yorga here.

In Magic (1978), Anthony Hopkins plays a ventriloquist who is basically at the mercy of his foul-mouthed, foul-tempted, all together foul dummy.  This is one of the best examples of a creepy ventriloquist dummy film.  Hopkins’s neurotic performance is brilliant and actually far more interesting than his best-known work as Hannibal Lecter.  Burgess Meredith and Ann-Margaret offer strong support.  Hopefully, the dummy was used for kindling after this film was shot because seriously ….. agck!  Magic is on Prime.

Prime also has some of Vincent Price’s classic collaborations with Roger Corman.  The Fall of the House of Usher (1961), The Pit and The Pendulum (1961), and The Raven (1963) are available for your Halloween viewing and I recommend them all.  It’s not really Halloween without a generous amount of Vince Price, is it?  The Fall Of the House of Usher, The Pit and The Pendulum, and The Raven can all be found on Prime.

The Witchfinder General (1968) stars Vincent Price and was released as The Conqueror Worm in the United States but it should not be mistaken for one of Corman’s Poe adaptation.  Instead, The Witchfinder General is a visually stunning and intense film that features Price is one of his best villainous roles.  There’s very little camp or intentional humor to be found in this film.  Instead, it’s just Price giving a genuinely frightening performance.  Under its American Title of The Conqueror Worm, The Witchfinder General can be found on Prime.

Earlier, I mentioned that Robert Quarry’s Count Yorga was one of the most interesting not named Dracula.  I should also mention that William Marshall made for an equally interesting vampire in 1972’s Blacula.  The film may have been a bit campy but William Marshall gave a strong and dignified performance as Count Mamuwalde, who is transformed into a vampire by Dracula (who is not just a bloodsucker but a racist as well) and later finds himself in 1970s America.  Blacula was followed by a sequel, 1973’s Scream, Blacula, Scream.  The sequel is a mess but worth watching for the teaming of William Marshall and Pam Grier.  Blacula and Scream, Blacula, Scream are both on Tubi.

Finally, I have to mention that Bruno Mattei’s 1984 masterpiece, Rats: Night of Terror can now be viewed on Tubi.  The film may seem ludicrous but you’ll never get that final shot out of your head!  It can be viewed on Tubi.

Click here for last week’s movie suggestions!

Horror on TV: A Cold Night’s Death (dir by Jerrold Freedman)


For today’s Horror on the Television, we have a made-for-TV movie from 1973.  As you can tell from the video below, it originally aired as a part of ABC’s Tuesday Night At The Movies.

A Cold Night’s Death tells the story of two scientists (Eli Wallach and Robert Culp) who are sent to a remote research station to investigate the apparent disappearance of another scientist.  They soon come to suspect that they may not be alone and soon, paranoia rears its ugly head.  With its frozen landscape and its ominous atmosphere, this movie feels like a distant cousin to John Carpenter’s The Thing.

Retro Television Review: Homicide: Life On The Street 4.12 “The Hat”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing Homicide: Life On The Street, which aired from 1993 to 1999, on NBC!  It  can be viewed on Peacock.

This week, incompetence reigns.

Episode 4.12 “The Hat”

(Dir by Peter Medak, originally aired on January 19th, 1996)

There’s a running theme in this week’s episode and that theme is incompetence.

With Russert having been demoted all the way back to detective, there is now a captain’s vacancy.  The squad room is convinced that Giardello is going to get promoted.  For that matter, Giardello is also convinced that he’s going to be promoted.  Instead, the promotion goes to Roger Gaffney (Walt MacPherson), the racist martinet former homicide detective who nearly got into a fist fight with Pembleton during the white glove murder investigation.

(Giardello, for all of his strengths, has never played the political game as well as those around him.)

Munch thinks that a lawyer who he arrested for murder is going to be convicted.  However, it turns out that the video that Brodie shot at the crime scene shows that a key piece of evidence was mishandled.  Munch tells Brodie to erase the tape.  Brodie refuses to tamper with evidence.  (“It’s illegal,” he says.)  As a result, the murderer walks free.  And while it’s true that Brodie’s refusal to erase the tape did lead to an guilty man walking, it’s also true that it wouldn’t have been a problem if the cops on the scene hadn’t screwed up in the first place.

Finally, Lewis and Kellerman are sent to Pennsylvania to pick up Rose Halligan (Lily Tomlin), a woman suspected of murdering her husband in Baltimore.  Lewis and Kellerman are supposed to go straight to Pennsylvania and then come right back to Maryland, without making any unnecessary stops.  Instead, they screw up.  Kellerman decides to stop off at a run-down amusement park that he remembers from his childhood.  Later, Lewis and Kellerman stop off at a diner so they can get some dinner.  When Rose excuses herself to go to the restroom, they not only remove her handcuffs but they also allow her to go unaccompanied.  Needless to say, Rose escapes, makes her way back to Baltimore, and stabs her husband’s mistress to death before getting Lewis and Kellerman track her down.

Lily Tomlin was this episode’s big guest star, for better or worse.  Sometimes, when a big name appears on a television show, it becomes obvious that there wasn’t anyone around who was willing to tell them that they were overacting just a bit and that would certainly seem to be the case here.  Rose is a music teacher so this episode really tests one’s tolerance for Lily Tomlin singing opera.  That said, Tomlin was quietly effective at the end of the episode, sitting out on a porch while her former friend lay dead in the house.  Rose says she was returning her friend’s hate and, indeed, the dead woman in wearing the hat that Rose wore throughout almost the entire episode.

All said, I enjoyed this episode.  Lewis and Kellerman may be incompetent but they’re still entertaining to watch.  As for the hated Roger Gaffney getting the job that Giardello deserved …. well, isn’t that always the way?

Horror Scenes I Love: The Bleeding Hand Scene From The Wizard of Gore


Today’s horror scene that I love comes from 1970’s The Wizard of Gore.  Directed by Herschell Gordon Lewis, this uniquely acted scene should be familiar to anyone who has ever watched the montage that opens most of the Something Weird video releases.

October True Crime: Sins of the Mother (dir by John Patterson)


In the city of Spokane, Washington, Kevin Coe (Dale Midkiff) is a real estate agent who always tries to come across as being the slickest guy in the room.  With his quick smile and his moderately expensive suits, Kevin certainly seems to fit the stereotype.  It’s only when you start to look a little closer that the surface starts to crack.

For someone who goes out of his way to come across as being confident, Kevin is actually very immature and more than a little whiny.  He’s living with a perfectly nice young woman named Ginny (Heather Fairfield) but it’s obvious that he’s keeping secrets from her.  He comes home one morning with scratches on his face and, when she asks about them, he claims that 1) he got mauled by a dog and 2) he doesn’t need any sort of medical attention.  Kevin is someone who frequently loses his job because he’s just not that good at it.  When one boss fires him, Kevin replies that he’s going to start his own business and someday, maybe he’ll be the one doing the hiring and firing.  It’s classic empty cope.

And then there’s Kevin’s mother.  Ruth Coe (Elizabeth Montgomery) is someone who likes to present herself as being a grand diva, in the manner of a Golden Screen star.  She’s extremely close to her son, at times overprotective and at times overly critical.  Kevin often goes from yelling at his mom to dancing with her within minutes.  Ruth makes it clear that she doesn’t like Ginny and Ginny eventually grows to dread seeing Ruth wandering around their house, uninvited.  And yet, despite all of the time that Kevin spends talking about how wants to get away from his mother and to live his own life, Kevin doesn’t really make much of an effort to do that.

Meanwhile, Detective Liz Trent (Talia Balsam) is investigating a series of rapes that have been committed in Spokane.  When she comes to suspect that Kevin is the rapist, Kevin claims that it’s not true and it’s just another case of the world treating him unfairly.  Ruth stands by her son and eventually shocks everyone with just how far she’s willing to go to try to keep him out of prison.

Sins of the Mother is based on a true story.  Kevin Coe may have only been convicted of four rapes but he is suspected of having committed at least 41.  In prison, he insisted he was innocent and refused to attend any counseling programs.  He also refused to apply for parole, even after he became eligible.  After his criminal sentence was completed in 2008, he was sent to the Special Commitment Center on Washington’s McNeil Island, which is a institution that houses sexual predators who are likely to reoffend.  I’m writing this review on September 15th.  Coe, as of this writing, is scheduled to be released from McNeil on October 3rd so, by the time you’re reading this, he could already be out.  Coe is 78 and is reported to be in fragile health.

As for the movie, it’s mostly memorable for Elizabeth Montgomery’s over the top performance as Ruth Coe.  Sweeping into every scene and delivering her lines in what appears to be a deliberately fake-sounding Southern accent, Montgomery chews the scenery with gusto.  While the rest of the cast often seems to be going through the motions, Montgomery grabs hold of this movie and refuses to surrender it.

Horror Song of the Day: Main Theme From Cannibal Holocaust by Riz Ortolani


One of the great oddities of the horror genre and the world of grindhouse films is that 1980’s Cannibal Holocaust has got one of the most beautiful soundtracks ever recorded.  Composed by Riz Ortolani, here is the amazing Main Theme From Cannibal Holocaust.

4 Shots From 4 Horror Films: 1990s Part Three


This October, I’m going to be doing something a little bit different with my contribution to 4 Shots From 4 Films.  I’m going to be taking a little chronological tour of the history of horror cinema, moving from decade to decade.

Today, we complete the 90s!

4 Shots From 4 Horror Films

I Know What You Did Last Summer (1997, dir by Jim Gillepsie)

I Know What You Did Last Summer (1997, dir by Jim Gillepsie)

Vampires (1998, dir by John Carpenter)

Vampires (1998, dir by John Carpenter)

The Sixth Sense (1999, dir by M. Night Shyamalan)

The Sixth Sense (1999, dir by M. Night Shyamalan)

The Blair Witch Project (1999, dir by Daniel Myrick and Eduardo Sanchez)

The Blair Witch Project (1999, dir by Daniel Myrick and Eduardo Sanchez)

Horror On The Lens: Summer of Fear (dir by Wes Craven)


Today’s horror on the lens is a 1978 made-for-TV movie that was directed by Wes Craven.  Originally entitled Stranger In Our House, it was retitled Summer of Fear when it was released into theaters in Europe.  Personally, I think Summer of Fear is a better title.  It has a fun R.L. Stine feel to it.

As for the film itself, it tells the story of what happens when the recently orphaned Julia (Lee Purcell) moves in with her distant relations in California.  At first, Julia fits right in with her new family but, slowly and surely, her cousin Rachel (Linda Blair) comes to suspect that Julia might be a witch.  And hey, who can’t relate to that?  Seriously, everyone has that one cousin…