In this video, the Bauhaus perform their song Spirit for actual spirits. Spirit was the seventh single to released by Bauhaus. It peaked at Number 42 on the UK Singles Chart.
Director Christopher Collins is directed with overseeing three other videos, all for Bauhaus: Bela Lugosi’s Dead, Mask, and In The Flat Field.
Enjoy!
In 1978, KISS appeared to have it all. The band was famous for both their makeup and their anthemic stadium rock. They had just released not only a new studio album but also four solo albums. They had starred in their own Marvel comic and gained notoriety for supposedly allowing their blood to mixed in with the comic’s ink. Teenagers loved KISS and parents and religious leaders feared that the band’s name stood for Knights In Satan’s Service. KISS had everything except for motion picture stardom.
KISS Meets The Phantom Of The Park was supposed to change that. The film starred Anthony Zerbe as Abner Devereaux, an engineer and an expert at animatronics who loses his job at Magic Mountain and seeks revenge by using robot versions of KISS to drive the audience of their concert to riot. Fortunately, the real members of KISS are not just rock stars but also alien beings who descend from the heavens and shoot lightning bolts from their eyes. (Gene Simmons can breathe fire.) The real KISS isn’t going to allow their fan to be manipulated by a robot version of the band, which leads to a battle between KISS and the robots that protect Abner’s underground lair.
KISS Meets The Phantom of the Park aired on NBC on October 28th, 1978. It was later given a theatrical release in Europe, where it was re-edited and retitled Attack of the Phantom. Since then, it has become a very difficult film to see. (On Amazon, old VHS copies go for several hundred dollars.) One reason why the movie is so hard to see is because the members of the KISS hated the movie and felt that they were portrayed as being clowns instead of super heroes. Even though the members of the band have since mellowed out about the film (with Gene Simmons suggesting it should be viewed on a double bill with Plan 9 From Outer Space), KISS Meets The Phantom Of The Park is still a film that is more talked about than actually watched.
While looking for clips of the movie on YouTube, I came across an upload of the entire film. The only problem was that all of the dialogue was dubbed into German and that’s not a language that I speak. Still, figuring that you have to take your opportunities when they’re available, I decided to watch. I figured that the dialogue might not actually be that important and it wasn’t. I was able to follow the plot just fine. (The only weird thing about watching the move in German was listening to the members of the band speak in something other than a New York accent.) Fortunately, there’s actually more singing than talking in Kiss Meets The Phantom Of The Park and the songs are untouched and in English. KISS plays Magic Mountain in the film and they actually performed a real concert for filming. Those are real fans of the band going crazy whenever Gene Simmons sticks out his tongue.
The movie itself is definitely a product of its time and not meant to be taken seriously. The members of KISS are both aliens that descend from the heavens and rock musicians and they are never seen without their makeup. Even when they’re hanging out at a hotel pool, they are in full costume and they’re wearing their makeup. When the members of the band enter the Phantom’s underground lab, they have to fight a series of very 70s robots, including some that know karate and two who have lightsabers. For better or worse, it’s a very silly move that epitomizes an era. The special effects are cheesy, the members of the band often look straight at the camera, and the rest of the cast does what they can with what they’ve been given. Anthony Zerbe plays the Phantom with a hint of empathy while Deborah Ryan is the ingenue who searched for her missing boyfriend while Beth plays on the soundtrack. Keep an eye out for Brion James, playing a security guard.
Overall, the band probably would have been smarter to just release a concert film but then the rest of us wouldn’t have the fun of watching Paul Stanley face off against a robot version of Bruce Lee. KISS Meets The Phantom of The Park is worth watching at least once, even in German!
The music video for Quiet Riot’s The Wild and The Young takes place in a future that’s controlled by the military and the Parents Resource Music Center (PRMC), the Tipper Gore-led organization that campaigned for albums and CDs to come with warning labels. Because the PRMC was largely made up with the wives of U.S. Senators, there was actually a Senate hearing on obscene lyrics in 1985, which led to a bunch of Senators being made to look foolish by everyone from Dee Snider to Frank Zappa.
Director Jeff Stein has directed several TV shows, along with doing videos for The Who, Weezer, Tom Petty and the Heartbreakers, George Clinton, Cinderella, Warrant, and Wilson Phillips.
Rest in peace, Suzanne Somers. Whether she was mouthing “I Love You” to Richard Dreyfuss in American Graffiti or playing Chrissy Snow on Three’s Company or playing the mother of a blended family on Step By Step, Suzanne Somers was long a part of our shared pop culture.
In 1991, after having been out of the spotlight for a few years, Suzanne Somers made a comeback with The Thighmaster.
Today, it’s hard to explain just how popular this commercial was in 1991. Adding to its notoriety was that many stations would not play the commercial except as a part of their late night programming. In the days before YouTube and DVRs, people would actually stay up late to catch the Suzanne Somers Thighmaster commercial. For a while, this commercial revived Somers’s career as an actress and a talk show host. Needless to say, it also sold a lot of Thighmasters.
Previous Moments In Television History:
Dr. Bikini Jones (Christine Nguyen) is a world-famous adventurer and archeologist who is willing to brave any danger and sleep with any security guard or spy in her hunt for treasure. She has just recovered a golden idol that contains a code that will lead to the Temple of Eros and a tiara that, when worn, makes the wearer the Empress of Moronica.
Evilla Cruella (Heather Vandeven) may have born in Hoboken but her family came from Mornica and she is determined to be Queen of the Morons. She sends her lover Drago (Frankie Cullen) and her other lover, Carol (Rebecca Love), to steal the idol. Working with CIA agent Mark X (Tony Marino), Bikini must keep Cruella from being the first to find the Temple of Eros. It won’t be easy because the Temple itself is guarded by a hungry dinosaur!
Cruella’s Castle started life as an 82-minute softcore film called Bikni Jones and The Temple of Eros. When the film moved to streaming, it was edited to remove all of the explicit sex and most of the nudity and renamed Cruella’s Castle. (Without the sex and boobs, Cruella’s Castle is only 40 minutes long.) I imagine many would say that the editing took the main reason why anyone would want to watch this movie in the first place but, even in edited form, Cruella’s Castle has got enough double entendrees and intentionally dumb jokes to be entertaining. The dinosaur is surprisingly effective, considering that the budget for this movie was undoubtedly not high and Christine Nguyen has so much energy and enthusiasm as Bikini Jones that it’s hard not to mourn that she hasn’t had any more adventures. This is a typical Fred Olen Ray joint, dumb but inoffensive and even a little fun if you’re in the right mood.
In this music video, the members of Zodiac Mindwarp & The Love Reaction fly their mechanical airship to what appears to be a church school. It’s ever parents worst nightmare. The lyrics of the song features references to X-ray specs. Zodiac Mindwarp, as far as their lyrics were often concerned, was not necessarily meant to be taken seriously.
Enjoy!
Cray (Blair Kelly) has spent his entire life convinced that his father is a famous horror actor. When he sees the actor sitting on a bench and reading a newspaper, Cray introduces himself as the actor’s son. The actor politely explains that he was rendered sterile in a motorcycle accident and cannot be Cray’s father. Cray beats the actor to death and then heads over to another movie site so he can stalk the actor’s former co-star, Janey Romero (Carol Lynn Fortin).
This low-budget, straight-to-video horror film tries to make fun of the whole process of making other low-budget, straight-to-video horror films but the dialouge is never as funny as the movie seems to think and none of the actors appear to have a semblance of comedic timing. There have been many instances of horror stars, especially women, getting stalked by obsessive fans so the story does have some root in reality. It is something that particularly seems to happen to the final girls from the Friday the 13th films, with Adrienne King literally putting her career on hold because of an obsessed stalker. Some people really do take their fandom too far. But Fan Base doesn’t do much with the idea and never finds a way to balance both the bad comedy and the bad horror.
Spellbound was the lead single off of Siouxsie and the Banshee’s fourth studio album, Juju. In later interviews, Siouxsie would describe Juju as being an accidental concept album as all of the songs dealt with dark themes and subject manner. Juju was a horror-themed album but the horror was psychological and not supernatural. As a sign of that theme, Spellbound was named after an Alfred Hitchcock film about a man who is troubled by disturbing dreams.
Clive Richardson directed several videos from Siouxsie and the Banshees. He also worked with Depeche Mode, Steve Winwood, Big Country, and Tears for Fears.
Enjoy!
Corbin Nash (Dean S. Jagger) is a New York cop who has been suspended for shooting a rapist. While he and his stepfather (Bruce Davison, making a cameo appearance) sit in a bar and talk about how much the world sucks, they are approached by a mysterious man (Rutger Hauer, also making a cameo appearance) who explains that Corbin’s father was not just a minor league baseball player but he was also a demon hunter who was murdered by his enemies in Los Angeles. Jack confirms that what the stranger says is true.
Corbin does what anyone would do. He moves to Los Angeles, joins the LAPD, and starts to investigate cases of missing children. This leads to Corbin being captured and held prisoner by two vampires, a drag queen named Queeny (Corey Feldman, camping it up to a cringe-worthy degree) and Queeny’s lover, Vince (Richard Wagner). Queeny and Vince force their prisoners to participate in cage matches until finally feeding on them. Corbin escapes but, as the Blind Prophet (Malcolm McDowell, collecting a paycheck) reveals, Corbin is now a vampire. Like a less memorable version of Blade, vampire Corbin sets out to battle evil.
The film’s overall tone is grim and serious, which makes Corey Feldman’s mincing performance as Queeny feel all the more out-of-place. Watching him in films like this, it can be easy to forget that Feldman was actually a fairly good actor before his career went off the rails in the 90s. As a child, he appeared in some classic films and, as a teenager, he often redeemed otherwise subpar material. But he never made the transition into adult roles. Being one of “The Two Coreys” didn’t help and he had the misfortune of struggling with drugs before Robert Downey, Jr. made rehab cool. Well into his 20s, he was still playing high school students and, even today when he’s in his 50s, Corey Feldman still comes across as being the world’s oldest teenager. That’s certainly the impression that I got from Corbin Nash, where Feldman seems like a high school theater student who is more interested in showing off than actually acting.
Of course, Feldman’s self-indulgence is still more interesting than the rest of the film, which feels like an origin story for a super hero who never really took off. There are a few interesting idea to be found in the film but mostly, it just feels like a cut-rate version of Blade and a dozen other recent vampire films. Corbin Nash never creates an identity of its own.
Today’s music video of the day is the third single from Metallica’s 11th studio album (and the second Metallica album to be released by their own label), 72 Seasons. This video finds the band performing in front of what appears to be a tank that is full of both water and flames. This song marries the hard sound of Metallica with some of the most serious and introspective lyrics that James Hetfield has ever sung. If darkness had a son, who would that son be?
Along with directing several other videos from 72 Seasons, Timothy Saccenti has worked with Korn, Phantogram, Franz Ferdinand, Depeche Mode, and the Animal Collective.
Enjoy!
Through the Shattered Lens 