Going Crazy With Sam Peckinpah and Max Evans


At the beginning of The Wild Bunch, William Holden says, “If they move, kill them.”  That line became so associated with director Sam Peckinpah and his films that it was even used as the title of his biography.  Sam Peckinpah was known for both the violence of his films and the turmoil of his private life.  He fought studios and film critics and directed six classic films before destroying himself and his talent with drugs and hard living.  When he died in 1984, he was could not get a job in Hollywood but his legacy as a filmmaker has lived on.

Goin Crazy With Sam Peckinpah And All Our FriendsIn his memoir, Goin’ Crazy With Sam Peckinpah And All Our Friends, novelist Max Evans takes a look back at his long and often contentious friendship with Peckinpah.  When Sam Peckinpah first met Max Evans, it was to buy the rights to Max’s western novel, The Hi-Lo Country.  Though Peckinpah never made the movie, he and Evans remained friends for the rest of Peckinpah’s life.  As Evans puts it, he and actor James Coburn were the only two to stay with Peckinpah until the very end.

When talking about Peckinpah, Evans does not pull any punches.  Much of the book details Peckinpah’s casual cruelty.  When Peckinpah’s son David wrote a script, Sam dismissed it as a “piece of shit.”  Evans interviewed Peckinpah’s girlfriend, Katy Haber, about the time that Peckinpah hit her and how actor Steve McQueen reacted when he found out.  Towards the end of his life, Peckinpah was told that he would die if he did not stop drinking.  Sam gave up liquor and turned to cocaine instead.  At one point, a paranoid Peckinpah even asked Evans for help in hiring a hitman to “take care of” a film producer that Peckinpah disliked.

Evans also talks about the other side of Sam Peckinpah.  According to Evans, the Peckinpah that visited him in New Mexico was a different human being from the Sam who threatened producers and shot guns at actors.  In Hollywood, Peckinpah felt had to prove he was a madman.  With Max, he could just be “Ol’ Sam.”  Max even suggests that Sam may have been a mystic and includes several stories about Sam’s “supernatural” abilities.

Along with writing about Sam Peckinpah, Evans also talks about his colorful encounters with actors like Lee Marvin, Burt Lancaster, L.Q. Jones, Woody Harrelson, and Sean Penn.  Evans is a natural storyteller and Goin’ Crazy With Sam Peckinpah is an engaging and breezy trip through the Hollywood of the 60s and 70s.

Otis, Roscoe, and Roy Sullivan


We lost three talented character actors this week.

Tom Towles Tom Towles (March 20, 1950–April 5, 2015) may have never been a household name but he  was well-known to horror fans.  In Rob Zombie’s House of a 1,000 Corpses, he played George Wydell, the gruff deputy who was executed by Karen Black’s Mama Firefly.  In Tom Savini’s underrated remake of Night of the Living Dead, he took over the role of Harry Cooper and was executed by Patricia Tallman’s Barbara.

However, he was best known for playing the loathsome Otis in Henry: Portrait of a Serial Killer.  Taken under the wing of serial killer Henry (Michael Rooker), Otis is such an enthusiastic and depraved student that even Henry grows disgusted with him. Based on real-life murderer Ottis Toole, Otis is one of the most disgusting and plausible of movie psychos.  Playing a stupid character, Towles gave a very intelligent performance.

Before being cast as Otis, Towles served in the Marines and was active in Chicago theater.  He died in Florida, of a massive stroke.

James BestJames Best (July 26th, 1926–April 6th, 2015) played many different roles but he will always be best known as Sheriff Roscoe P. Coltrane of Hazzard County.  Born in Kentucky, Best proudly served in World War II and started acting in 1950.  For the first part of his career, he played cowboys, soldiers, outlaws, and sidekicks.  In The Twilight Zone episode “The Last Rites of Jeff Myrtlebank,” he played a country boy who came back to life in the middle of his funeral.  On The Andy Griffith Show, he played guitar player Jim Lindsey.  He showed his versatility in films like Sam Fuller’s Shock Corridor and Max Baer’s Ode To Billy Joe.

Most people know him for his role on The Dukes of Hazzard.  For 6 years, Best played Roscoe P. Coltrane and his performance has lived on and been rediscovered in endless syndicated reruns.  Roscoe was forever in “hot pursuit,” chasing the Duke boys with his basset hound, Flash, sitting in the car beside him.  Roscoe never came close to catching the Dukes but he never stopped trying.  There was nothing subtle about Best’s performance but it was perfect for The Dukes of Hazzard.

James Best was also a painter and a respected acting coach, as well as an early mentor to Quentin Tarantino.  He passed away at the age of 88 from pneumonia.

Geoffrey LewisGeoffrey Lewis (July 31st, 1935–April 7th, 2015) began his career in 1970 and, at the time of his passing, he had over 200 credited roles to his name.  With a face that could either be friendly or threatening depending on how it was lit, Lewis played truck drivers and senators, criminals and lawyers, good old boys and corporate businessmen.  Lewis was the epitome of a character actor, never quite a star but making even the smallest of roles memorable.

He was a favorite of Clint Eastwood’s and appeared in seven films with him.  In Every Which Way But Loose and Any Which Way You Can, he played Orville and stole scenes from not only Clint Eastwood and Ruth Gordon but from Clyde the Orangutan as well.  More recently, he brought tragic dignity to the role of Roy Sullivan in Rob Zombie’s The Devil’s Rejects.

Rest in peace, good gentlemen.

 

America, Tommy Wiseau, and Rifftrax


“America is the best country in the world.” — Tommy Wiseau

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Tommy Wiseau in The Room

Recently, I had the chance to speak with Tommy Wiseau, the director of the cult hit, The Room and the man behind the online series, The Neighbors.

In a perfect world, everyone would get to spend 30 minutes talking to Tommy Wiseau.  For someone who has watched The Room over a hundred times, it was at first overwhelming to hear that famous accent and that equally famous chuckle over the telephone.  Once you start talking to Tommy, it is hard not to get caught up in his energy and his enthusiasm.

During our conversation, Tommy frequently returned to the theme that, as he put it, “America is the best country in the world.”  Both The Room and Tommy Wiseau are American success stories.  Along with writing and directing The Room, Wiseau also starred as Johnny, a banker who lives with and loves his “future wife” Lisa (Juliette Danielle).  What he does not know is that Lisa is having an affair with Johnny’s best friend, Mark (Greg Sestero).  Meanwhile, Johnny’s ward, Denny, is stalked by a drug dealer, Lisa’s friend tries to find enough privacy to make out with her boyfriend, a guy that nobody has seen before suddenly shows up towards the end of the film and somehow knows about everything that has been going on, Mark nearly tosses a man off a rooftop, and Johnny and his friends spend a lot of time playing football while wearing tuxedos.

Juliette Danielle, Tommy Wiseau, and Greg Sestero in The Room

Juliette Danielle, Tommy Wiseau, and Greg Sestero in The Room

When The Room was first released in 2003, it played in two theaters and it easily could have gone the way of many other forgotten independent films.  However, through word of mouth, people started to discover The Room and now, in the tradition of The Rocky Horror Picture Show, The Room has become a midnight movie success.  Fans come to showings dressed like their favorite characters, repeat the film’s dialogue, talk back to the characters, and throw plastic spoons at the screen.  (Go to a showing and you will understand.)  Co-star Greg Sestero has written a book, The Disaster Artist, about the making of The Room.  (When I asked Wiseau how accurate he felt the book was, he replied, “40%, no more than that.”  He also told me that, despite what some people in the media may be claiming, reports that he was no longer talking to Greg Sestero were totally incorrect.)  I was first introduced to The Room by Lisa Marie (not to be mistaken for Lisa, Johnny’s future wife) and we have both lost track of how many midnight showing we have attended at the Inwood Theater.

As The Room has become better known, so has Tommy Wiseau.  When I asked him if he found all of the fame to be overwhelming, Wiseau told me, “Not overwhelming. Because it’s fun.  You have to believe in what you want to create.”

TribecaWiseau has another reason to be excited, because the guys from Rifftrax will soon be bringing The Room to a whole new audience.  Rifftrax will be hosting a showing and live commentary at the Tribeca Film Festival on April 17th and then Rifftrax Live: The Room will screen in 700 theaters across the United States and Canada on May 6th and May 12th.  

The Rifftrax guys are Mike Nelson, Bill Corbett, and Kevin Murphy.  They  are probably best known for their previous work on Mystery Science Theater 3000.  In many ways, MST 3K is as much of an American success story as The Room.  If you grew up in the 90s, it is likely that MST 3K shaped the way that you viewed everything from culture to politics to entertainment to whether or not it was okay to talk during a movie.  Rifftrax presenting The Room feels like the perfect marriage of two phenomenons of American pop culture.

Joe Don Baker in happier times

Joe Don Baker in happier times

There are a few famous stories of actors and filmmakers who did not appreciate having their films screened by the MST 3K guys.  On the DVD for MST 3K‘s take on Time Chasers, Mike Nelson mentions that the film’s producers had a party to view the show and that some of them did not take the ribbing as well as others.  The internet is full of rumors that actor Joe Don Baker is still angry over what was said about his performances in Mitchell and Fatal Justice.

However, Tommy Wiseau is encouraging everyone to see Rifftrax Live: The Room.  When I asked him how he felt about Rifftrax, he replied, “They’re very nice people.”  He went on to explain that he’s very excited and enthusiastic about the Rifftrax presentation of The Room and he’s looking forward to a whole new audience discovering the film.

Tommy Wiseau and football in The Room

Tommy Wiseau and football in The Room

Wiseau is also hoping that people will continue to discover The Neighbors, his online series that is currently available on Hulu.  When I asked him what had inspired The Neighbors, he replied that it was based on a true life. In regard to one character who is obsessed with a chicken, Wiseau explained, “My aunt used to have a chicken.”  He went on to explain that, like the characters in The Neighbors, “We are all human, we are all multicultural.”

We also talked about Wiseau’s first film, the documentary Homeless in America.  Tommy Wiseau really impressed me with the obvious passion that he felt for the topic.  “I wanted to know about what was happening,” he explained as to why he had made the documentary, adding that not all of the homeless are mentally ill and they not all of them are criminals.  “You cannot eliminate the homeless,” he said.  Homeless in America can be ordered from Amazon.

Orson Welles in Citizen Kane

Orson Welles in Citizen Kane

When asked what movies he would recommend that aspiring filmmakers should watch, Wiseau immediately said, “Citizen Kane.”  “Citizen Kane isn’t cookie cutter from Hollywood,” he explained.  “If Hollywood had made The Room, it would be a totally different story.”  Tommy also suggested watching Giant and “Clint Eastwood movies.”

As for the future, James Franco is currently working on an adaptation of Sestero’s The Disaster Artist but Wiseau can not talk about the production.  However, he did say about Franco, “He likes James Dean, I like James Dean.”  Wiseau is looking forward to more filmmaking.  He’s currently working on a new film called Foreclosure and, in June, there will be four more episodes of The Neighbors on Hulu.

And, of course, Rifftrax Live: The Room will be in 700 theaters on May 6th and May 12th.

I asked Wiseau if there was anything he would like to say to his fans.

“Yes,” he said, “You can laugh, you can cry, you can express yourself, but please don’t hurt each other.”

Those are words to live by.

Want to find out more about The Room and buy some Tommy Wiseau merchandise?  Click here!

Want to find out more about the showing of The Room at Tribeca and how to purchase tickets?  Click here!

Want to find out more about how to purchase tickets for the May 6th and May 12th showings of Rifftrax Live: The Room?  Click here!

Want to watch Tommy Wiseau’s The Neighbors?  Click here!

Want to order Tommy Wiseau’s documentary, Homeless in America?  Click here!

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(Thank you, Tommy Wiseau, for taking the time to talk to us!)