A Movie A Day #287: Leviathan (1989, directed by George Pan Cosmatos)


A group of miners are sent into a dangerous environment by an evil corporation.  When they explore an abandoned ship, they unknowingly bring a hostile creature onto their own vessel.  One of the crewman is killed when the creature mutates inside of his body.  The rest of the crew includes a scientist, one strong woman, one woman who cries, and a strong, silent captain.

Sound familiar?

No, it’s not Alien.  

Instead, it’s Leviathan, which could best be described as being Alien underwater with a dash of The Thing tossed in.  The main difference between Leviathan and the films that inspired it is that people are still watching Alien and The Thing while Leviathan is one of the most forgettable films that I have ever seen.  Peter Weller is the captain.  Richard Crenna is the scientist.  Amanda Pays has the Ripley role and Ernie Hudson fills in for Yaphet Kotto.  Daniel Stern plays Sixpack, who turns into a monster after he drinks contaminated Russian vodka.  (It happens to the best of us.)  Meg Foster, with her translucent eyes, represents the corporation.

That’s a good cast and the script was written by David Peoples (who also wrote Blade Runner, Unforgiven, and 12 Monkeys) and Jeb Stuart (who wrote Die Hard and The Fugitive).  The above average special effects were designed by Stan Winston.  Why, with all of these talented people involved in the production, is Leviathan so by the numbers and forgettable?  It probably had something to do with the presence of George Pan Cosmatos in the directing chair.  Cosmatos is also credited with directing Rambo: First Blood II, Cobra, and Tombstone.  The first two films starred Sylvester Stallone, who was known for directing all of his 80s films in every way but name only and everyone knows that Kurt Russell was in charge on Tombstone.

If you want to see Alien underwater done right, watch Deepstar Six.

A Movie A Day #286: The Tomb (1986, directed by Fred Olen Ray)


 Sybil Danning is top-billed in The Tomb but she only appears at the very start of the film.  She lands an airplane on a landing strip in the middle of the Egyptian desert and then gets into a gunfight with two archeologists who have robbed a tomb and are now trying to sell off the artifacts.  When one of the archeologists aims his handgun at the plane and pulls the trigger, the plane explodes.  Though Sybil survives the gun fight, that’s it for her in this movie.  Since whatever modern-day audience The Tomb may have is largely going to be made up of nostalgic Sybil Danning fanboys, most people will probably stop watching once it becomes obvious that she is never coming back.

The rest of the movie is about the archeologists selling off the artifacts to greedy collectors like Cameron Mitchell (who spend the entire movie sitting in his office).  This ticks off the ancient Egyptian princess, Nefratis (Michelle Bauer), and she sets off to kill all of the collectors, one-by-one.

Like The Awakening and Blood From The Mummy’s Tomb, The Tomb claims to be based on Bram Stoker’s The Jewel of Seven Stars.   Actually, The Tomb is just an early Fred Olen Ray film, complete with Ray regulars like John Carradine, who gets even less screen time that Danning and Mitchell.  Like most early Ray films, it suffers due to a low budget but Ray’s enthusiastic, never-say-die spirit keeps things moving right along.  With most of the top-billed actors only appearing in a scene or two, the movie belongs to Bauer and she does the most that she can with her role, tearing apart hearts and swearing vengeance with real gusto.

One final note: during the opening credits, The Pharohs, a band that performed while wearing headresses and wrapped in banadages, performs Tutti Frutti.  That almost makes up for Sybil Danning only appearing in 3 minutes of the movie.

Jedadiah Leland’s Horrorific Adventures In The Internet Archive #10: Vampire’s Castle Adventure (1984, Aardvark Software)


For my latest adventure in the horror section of the Internet Archive, I played Vampire’s Castle Adventure (1984, Aardvark Software).

Vampire’s Castle Adventure is an early and extremely basic text adventure game.  You are in a castle.  You have four hours before the vampire awakes.  You have to discover a way to get out of the castle and stake the vampire.

Vampire’s Castle Adventure is simple but addictive.  Part of the challenge came from the fact that is such a basic adventure.  The parser accepts only two-word commands and the game only has a vocabulary of 70 words.  The game’s descriptions are terse and to the point.  There are no fancy graphics.  You will have to depend on your imagination.

For those who want to cheat, there is a walkthrough available.  The best advice that I can give is to be careful around the fireplace.

A Movie A Day #285: Bless The Child (2000, directed by Chuck Russell)


Kim Basinger is Maggie, a nurse who has adopted her autistic niece, Cody.  Her sister, Jenna (Angela Bettis), used to be a junkie but now she has cleaned up her act and married a former-child star-turned-cult leader, Eric Stark (Rufus Sewell).  Because Jenna’s daughter has supernatural powers and Eric is a Satanist, they want the little girl back.  Christina Ricci is Cheri, a junkie goth who used to be a member of the cult and who tries to warn Maggie before getting her head chopped off.  Jimmy Smits is John Travis, the FBI agent who helps Maggie out when Jenna and Eric kidnap Cody.  Mostly, though, he’s just Jimmy Smits, a TV actor who looks out of place whenever he appears in a movie.

Bless the Child was one of two movies that Kim Basinger made after winning an Oscar for L.A. Confidential.  She also made I Dreamed Of Africa, which probably did the most damage to her career but the box office and critical failure of Bless The Child probably did not help either.  Bless The Child was an overlong rip-off of The Omen films.  The only suspense is whether Cody is the antichrist or the reborn messiah.  Basinger and Jimmy Smits both look lost amid all the theological chaos raging around them.  Even Christina Ricci is wasted in a role that could have been played by anyone willing to dye her hair black.

One final note: Rufus Sewell is not terrible in Bless The Child, even if the majority of his lines sound more appropriate for Darth Vader than a former child actor.  (He even tells Maggie to feel the hate growing inside of her, like Vader trying to draw Luke over to the dark side.)  Sewell is still a busy actor but it seems like he has never really gotten his due in Hollywood.  Most of the good Rufus Sewell roles now seem to go to Jude Law.

A Movie A Day #284: Brainscan (1994, directed by John Flynn)


Michael Bower (Edward Furlong) is a 15 year-old loser who walks with a limp and still has nightmares about the night his mother was killed in a car wreck.  Brainscan is the new PC game that Michael makes the mistake of playing.  In the game, Michael is encouraged by The Trickster (T. Ryder Smith) to kill both his friends and complete strangers.  When Michael starts finding body parts around his house, he realizes that whenever he kills someone in the game, he kills them in real life too.

Though it may be forgotten now, Brainscan was heavily promoted when it was first released.  I think the producers were hoping to turn The Trickster into the new Freddy and get a new horror franchise out of it.  Like most films from the 90s that dealt with computers and gamers, Brainscan is now as dated as dial-up internet.  T. Ryder Smith does ok as the Trickster but it is difficult to take him seriously because he has a big red mohawk skullet and he dresses like the keyboard player in every new wave band that has ever synthesized.  As for Furlong, he had apparently already entered the I-no-longer-give-a-shit phase of his career when he made Brainscan.  Add to that one of the worst endings that I have ever seen in a horror movie and Brainscan is one film that is easy to forget.

It is easy to say what Brainscan is lacking: suspense, gore, and horror.  It is less easy to say what would have made it better.  Considering its suburban setting, I think Brainscan would have been improved by cameos from the stars of Shattered If Your Kid’s On Drugs.

With Burt Reynolds and Judd Nelson around to serve as mentors, Eddie Furlong never would have gotten addicted to playing video games in the first place.

Right, Burt?

A Movie A Day #283: ClownTown (2016, directed by Tom Nagel)


To quote a wise man named Forrest Gump, shit happens … especially if there is a clown nearby.

Six idiots take a wrong turn and end up in a deserted, desolate town.  It turns out that the town is populated by a gang of clowns and one homeless man who looks like a skinnier version of Randy Quaid.  It turns out that the clowns are crazy and homicidal and will kill anyone who is not wearing clown makeup.

That is the entire movie!  Other than the amateurish acting, ClownTown is not badly made.  The town is creepy.  The gore looks real.  The clowns are freaky.  The main problem with the movie is that crazy clowns are not unique or surprising anymore.  Even before It went into production and there were all those real-life evil clown sightings last summer, lunatics in clown makeup had become a cliché.  The clowns in ClownTown are evil and sadistic and do some messed up things but who cares?  They’re clowns.  Everyone already knows they’re crazy.

Jedadiah Leland’s Horrific Adventures In The Internet Archive #9: Final Soul (1995, CAT Productions, Inc)


Continuing my adventures in the scary side of the Internet Archive, I played Final Soul (1995, CAT Productions, Inc.).

Final Soul is a text adventure that starts out with this message:

In Final Soul, you and a group of 12 friends have been invited to a haunted castle.  All you have to do is spend one night in the castle and the “reward” will be yours.

No sooner have you arrived then the lights go out.  When they come back on…

The rest of the game is a basic text adventure.  You explore the castle, search for clues, and try to solve puzzles.  It is a big castle but pressing “m” brings up a map:

The rest of the characters walk around the house, as well.  You can try to talk to them, though some of the conversations are more interesting than others:

If I had to use one word to describe this game, it would be “goofy.”  This is one of the goofiest text adventures that I have ever played and that is saying something.  This is the type of game where, when you leave the coat closet, it makes a joke about you “finally coming out the closet.”  If you type in a command that the game does not recognize, its response will depend on what room you are in:

Goofy though it may be, I still enjoyed playing Final Soul.  The game is a mix of complex puzzles and corny jokes.  It is hard not to like a game that has no pretense about being anything more than what it is.  Playing Final Soul, I was reminded of some of the deliberately stupid games that I created when I was first learning how to program.

One final note: there is an official site for Final Soul, which has hints, a list of commands, and a walkthrough for people like me who struggle when it comes to solving puzzles.

A Movie A Day #282: Jack’s Back (1988, directed by Rowdy Herrington)


When med student Rick Westford (James Spader) is found hung at the free clinic where he worked, the police say that he committed suicide.  Rick’s estranged twin brother, John (James Spader), does not agree and launches an investigation of his own.  With the help of Rick’s co-worker, Chris (Cynthia Gibb), John discovers that Rick may have learned the identity of a serial killer who has been copying the crimes of Jack the Ripper and murdering prostitutes in Los Angeles.  However, the killer knows that John is getting close to discovering his identity so the killer sets out to frame John not only for the prostitute murders but for the murder of his brother as well.

Jack’s Back is a movie that deserves to be better known than it is.  James Spader gives two great performances, as both Rick and John.  He and Cynthia Gibb make a good team and Jack’s Back actually does some unexpected things with their relationship.  Jack’s Back was directed by Rowdy Herrington, who is best known for Roadhouse and Gladiator.  Jack’s Back is part murder mystery, part action thriller, and part horror movie and Herrington does a good job of switching back and forth through Jack’s Back constantly shifting tone.  Because this is a low-budget movie with a small cast, there really are not enough suspects to make the murderer’s identity a surprise but Spader, Herrington, and Gibb always keep things interesting.

This is a film that really does deserve to be better known.

A Movie A Day #281: The House Where Evil Dwells (1982, directed by Kevin Connor)


When writer Ted Fletcher (Edward Albert) moves his family into a house in Kyoto, Japan, he does not know that the house comes with a violent history.  140 years ago, the house was occupied by a samurai and his wife.  When the samurai discovered that his wife had taken a lover, he killed both them and himself.  The three spirits remain in the house, haunting Ted and his wife, Laura (Susan George).  When a possessed Laura starts an affair with Ted’s best friend (Doug McClure), will history repeat itself?

When I was growing up, The House Where Evil Dwells used to frequently show up on television.  When you are a kid, anything that combines ghosts, sex, and samurai swords is automatically the coolest thing that you have ever seen so I used to really like The House Where Evil Dwells.  A few weeks ago, I rewatched it for the first time in years and I was shocked by how boring the movie actually is.  There are a few well-composed scenes with the ghosts silently watching the Fletcher family and Susan George does the best she can do with what she is given but has there ever been any two actors as wooden as Edward Albert and Doug McClure?  Any film about passion and anger is doomed to fail when it stars two actors who cannot show emotion.  This is one haunted house movie that will make you want to hang out with the ghosts because the living are just too boring.

 

Jedadiah Leland’s Horrific Adventures in The Internet Archive #8: Demon’s Tomb — The Awakening (1989, Silhouette Software)


For my latest trip into the scariest parts of the Internet Archive, I played Demon’s Tomb — The Awakening (1989, Silhouette Software).

One thing that I instantly liked about Demon’s Tomb was the opening screen, which lists all of the special features that come with this game:

I appreciated that this game comes with a “pretend to be working” mode.  Sometimes, when a game is uploaded into the Internet Archive, it loses some of its features.  (For instance, do not even try to save a game if you are playing it in the archive.)  While playing Demon’s Tomb, I decided to see if the pretend to be working mode still worked.

This was the game, before I pressed F2.

After I pressed F2.

After I pressed F2 again.

The game itself is an Infocom-style text adventure.  You start the game as Edward Lytton, a British archeologist who is exploring a burial mound that has been uncovered on the moors.  Do not get too attached to Edward.  At the start of the game, he is trapped in the tomb and you are told that he only has a few turns left to live.  Before Edward dies, you can hide some of his possessions around the tomb so that they can be found later.

This is important to do because, after Edward dies, the game becomes about his son, Richard.  Richard arrives at the tomb to search for his father and he discovers that opening of the tomb has unleashed an ancient demon.  In order to defeat the demon and escape from the burial mound himself, Richard is going to need to find the things that Edward has hidden in the tomb.  If you did not hide those things while you were Edward, you will not be able to find them once you become Richard.

This is a challenging but rewarding game and the only real way to solve it is through trial and error.  Try something and, if it doesn’t work, do the opposite the next time you play.  Or you can just go on google and search for a walkthrough, like I shamefully did once I realized that I was never going to be able to figure this game out on my own.

Demon’s Tomb is largely text-based but it does give you the option to press F1 and see pictures of what is being described.  For example:

And my favorite:

If you are looking for a retro adventure game, I highly recommend Demon’s Tomb.  It’s a shame that they don’t make them like this anymore.