4 Shots From 4 Films: Special Michael Cimino Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

In life, Michael Cimino was often controversial.

Cimino hit box office gold with his first film as a director, Thunderbolt and Lightfoot.  With his second film, The Deer Hunter, he won the Academy Award for Best Director.  With his third film, Heaven’s Gate, he nearly bankrupted United Artists.

Heaven’s Gate was Cimino’s passion project, an epic western that was based on the historical Johnson County War.  Considering that Cimino had just won an Oscar, expectation were high when production began in 1979.  Soon, however, ominous reports started to come back from the set.  It was said that Cimino was a perfectionist and a megalomaniac who was demanding so many takes and retakes that the filming was quickly falling behind schedule.  The modestly budgeted production soon went overbudget and overschedule.  After nearly a year of shooting, Cimino finally allowed the studio executives to view his first cut.  It was over five hours long.

Though the film was eventually edited down to a more manageable length, the damage had been done.  By the time Heaven’s Gate was finally released, the title was already being used a byword for fiasco.  The film lost a ton of money and, at the time, it was savaged by critics.  Cimino would only direct four more films after Heaven’s Gate and none of them were a success at the box office or with critics.

However, once the initial hype died down, some critics started to take another look at Cimino’s films.  Heaven’s Gate has been reevaluated and is now considered by many to be a minor classic.  Cimino’s Year of the Dragon has also developed a strong cult following.  Though Cimino himself died in 2016, he is a director who is currently in the process of being rediscovered.

Today would have been Michael Cimino’s birthday.  Because he told so many conflicting stories about his past, there is some controversy about the year of Cimino’s birth.  Most people agree that it was probably 1939.  Today, on his birthday, let’s take a moment to honor this unfairly dismissed talent.

4 Shots From 4 Films

Thunderbolt and Lightfoot (1974, directed by Michael Cimino)

The Deer Hunter (1978, directed by Michael Cimino)

Heaven’s Gate (1980, directed by Michael Cimino)

The Year of the Dragon (1985, directed by Michael Cimino)

Music Video Of The Day: If I Only Had A Brain by MC 900 Ft Jesus (1994, directed by Spike Jonze)


Once upon a time, there was a televangelist named Oral Roberts.  Oral was very successful and he even had his own university in Oklahoma.  One day, Oral said that he had a vision of someone telling him that he needed to build a hospital on the campus of his university and that, of course, he would need people to send him money to help him do that.  That someone was Jesus and, according to Oral, Jesus was 900 feet tall.

Mark Griffin, a classically trained musician who had recently graduated from the University of North Texas, happened to hear what Oral said.  Griffin, who had played in several local Dallas bands, was on the verge of launching a new career as a rapper.  Griffin took the name MC 900 ft Jesus and the rest is history.

As MC 900 ft Jesus, Mark Griffin developed a strong cult following.  He still has one, even though he retired from the business in 2001.  (He had performed a few times post-retirement and there are annual rumors that he’s on the verge of making a comeback.)  If I Only Had A Brain was one of his more popular songs, thanks to this music video from Spike Jonze.

Enjoy!

North Dallas Forty (1979, directed by Ted Kotcheff)


Pete Gent was a college basketball star at Michigan State University who, in 1964, received a tryout with the Dallas Cowboys.  Intrigued by the $500 that the team was offering to any player who attended training camp that summer, Gent accepted.  Despite the fact that Gent had never before played football, the Cowboys were impressed with his athleticism and they signed him to the team.

For five seasons, Gent played wide receiver.  During that time, he caught a lot of balls, became close friends (or so he claimed) with quarterback Don Meredith, and got under the skin of Coach Tom Landry with his nonconformist attitude.  After several injuries kept him off the field during the 1968 season, Gent was traded to the Giants who waived him before the next regular season began.

Out of work and with no other team wanting to sign him, Gent wrote a thinly veiled autobiographical novel about his time with the Cowboys.  North Dallas Forty was published in 1973 and it immediately shot up the best seller charts.  When the book was published, football players were still regularly portrayed as being wholesome, all-American athletes and the Dallas Cowboys were still known as America’s Team.  North Dallas Forty shocked readers with its details about groupies, drugs, racism, and gruesome injuries.  The NFL, of course, claimed that Gent was just a disgruntled former player who was looking to get back at the league.  When asked about the book (which portrayed him as being a marijuana-loving good old boy), Don Meredith was reported to have said, “If I’d known Gent was as good as he says he was, I would have thrown to him more.”

Meredith had a point, of course.  In the book, Pete Gent portrays himself as not only being the smartest man in football but also as having the best hands in the league.  Men want to be him.  Women want to be with him.  And the North Dallas Bulls (which is the book’s version of the Dallas Cowboys) don’t know what they’re losing when they release him for violating the league’s drug policy.  Today, when you read it and you’re no longer shocked by all of the drugs and the sex, North Dallas Forty comes across as mostly being a case of very sour grapes.

Luckily, the film version is better.

Nick Notle plays Phil Elliott, a broken-down receiver who wakes up most mornings with a bloody nose and who can barely walk without first popping a hundred pills.  Phil is a nonconformist and a rebel.  He loves to play the game but he hates how it’s become a business.  Mac Davis plays Seth Maxwell, the team’s quarterback and Phil’s best friend.  Seth is just as cynical as Phil but he’s better at playing politics.  G.D. Spradlin is B.A. Strother, the cold head coach who is a thinly disguised version of the legendary Tom Landry.  In the novel, B.A. Strother was portrayed as being a hypocritical dictator.  The film’s version is more sympathetic with Strother being portrayed as stern but not cruel.  Strother even tells Phil that he “can catch anything.”

Both the film and the book take place over the course of one week leading to a big game against Chicago.  In the book, Phil says that he and Seth don’t care about whether or not they win.  In the movie, they much do care but, at the same time, they know that they’re being held back by a system that cares more about whether or not they follow the rules than if they win the game.  While Phil’s teammates (including Bo Svenson as Joe Bob Priddy and John Mantuszak as O.W. Shaddock) behave like animals, Phil falls in love with Charlotte Caulder (Dayle Haddon), who doesn’t care about football.

Pete Gent was originally hired to write the film’s screenplay but left after several disagreements with producer Frank Yablans.  (The screenplay was completed by Yablans, directed Ted Kotcheff, and an uncredited Nancy Dowd.)  The movie loosely follows the novel while dropping some of its weaker plot points.  As a result, the film version has everything that made the novel memorable but without any of Gent’s lingering bitterness over how his career ended.  The novel used football as a metaphor for everything that was going wrong in America in the 60s and 70s but the movie is more of a dark comedy about one man rebelling against the system.

There’s only a few minutes of game footage but North Dallas Forty is still one of the best football movies ever made, mostly because Nick Nolte is absolutely believable as an aging wide receiver.  He’s convincing as someone who can still make all the plays even though he’s usually in so much pain that it’s a struggle for him to get out of bed every morning.  He’s also convincing as someone who loves the game but who won’t give up his freedom just to play it.  This is a definite improvement on the novel, in which Phil seemed to hate football so much that it was hard not to wonder why he was even wasting his time with it.  Country-and-western signer Mac Davis is also convincing as Seth Maxwell and fans of great character actors will be happy to see both Charles Durning and Dabney Coleman in small roles.

Whether you’re a football fan or not, North Dallas Forty is a great film.  Coming at the tail end of the 70s, it’s a character study as much as its a sports film.  It’s also one of the few cinematic adaptations to improve on its source material.  As a book, North Dallas Forty may no longer be shocking but the movie will be scoring touchdowns forever.

My 2020 Super Bowl Predictions


A Super Bowl without the Patriots?

It had to happen sometime.  Actually, it happened back in 2016, when the Broncos beat the Panthers.  Still, this is going to be the first Super Bowl since Donald Trump became president that will not feature Tom Brady out on the field.

Instead, it will be the Chiefs vs. the 49ers, two strong teams that have earned their right to play in the biggest game of the year.  It will be Kyle Shanahan vs. Andy Reid, Jimmy Garoppolo vs. Patrick Mahomes.  Everyone will be watching the game.  I remember that, in one of the old editions of Madden, Al Michaels used to describe the Super Bowl as being “an unofficial holiday” and he is right.  With the commercials and the half-time show, even people who hate football will be watching the game.

As far as the game goes, I don’t really have a dog in this hunt.  If the Ravens or the Patriots were appearing in the Super Bowl, I would be excited for the game but the Chiefs and the 49ers are two teams that I don’t really follow.

From what I have seen, I think it’s going to be a close Super Bowl.  It wouldn’t surprise me to see the 49ers jump out to an early lead just to have the Chiefs fight their way back into the game.  But anything could happen.  Both teams seem to be evenly matched.  I’m looking forward to watching Mahomes throw the ball for the Chiefs, just like I’m looking forward to seeing what Richard Sherman does on defense for the 49ers.

My final prediction:

Kansas City Chiefs — 28

San Francisco 49ers — 27

It’s going to be the type of game that we’ll end up telling our children about.

Music Video Of The Day: I Got You Babe by Sonny and Cher (1965, directed by ????)


Happy Groundhog Day!

This performance of the song that would haunt Bill Murray over the course of his own endless Groundhog Day is taken from Top of the Pops.

Cher would famously go on to do another version of this song with Beavis and Butthead.  As for Sonny Bono, he had to settle for a career in Congress.

Enjoy!

Any Given Sunday (1999, directed by Oliver Stone)


With Any Given Sunday, Oliver Stone set out to make the ultimate football movie and he succeeded.

Any Given Sunday is not just the story of aging coach Tony D’Amato (Al Pacino).  It’s also the story of how third-string quarterback Willie Beamon (Jamie Foxx) allows celebrity to go to his head while the injured starter, Cap Rooney (Dennis Quaid), deals with his own mortality and how, at 38, he is now over-the-hill.  It’s also about how the team doctors (represented by James Woods and Matthew Modine) are complicit in pushing the players beyond their limits and how the owners (Cameron Diaz) view those players as a commodity to be traded and toyed with.  It’s about how the Sharks represent their home city of Miami and how cynical columnists (John C. McGinley plays a character that is obviously meant to be Jim Rome) deliberately set out to inflame the anger of the team’s fans.  It’s about how politicians (Clifton Davis plays Miami’s mayor and asks everyone to “give me some love”) use professional sports to further their own corrupt careers while the often immature men who play the game are elevated into role models by the press.  It’s a film that compares football players to ancient gladiators while also showing how the game has become big business.  In typical Oliver Stone fashion, it tries to take on every aspect of football while also saying something about America as well.

In the role on Tony D, Pacino famously describes football as being “a game of inches” but you wouldn’t always know it from the way that Oliver Stone directs Any Given Sunday.  As a director, Stone has never been one to only gain an inch when he could instead grab an entire mile.  (Stone is probably the type of Madden player who attempts to have his quarterback go back and throw a hail mary on every single play.)  Tony tells his players to be methodical but Stone directs in a fashion that is sloppy, self-indulgent, and always entertaining to watch.  One minute, Al Pacino and Jim Brown are talking about how much the game has changed and the next minute, LL Cool J is doing cocaine off of a groupie’s breast while images of turn-of-the-century football players flash on the screen.  No sooner has Jamie Foxx delivered an impassioned speech about the lack of black coaches in the league then he’s suddenly starring in his own music video and singing about how “Steamin’ Willie Beamon” leaves all the ladies “creamin’.”  (It rhymes, that’s the important thing.)  When Tony invites Willie over to his house, scenes of Charlton Heston in Ben-Hur are on TV.  Later in the movie, Heston shows up as the Commissioner and says, about Cameron Diaz, “she would eat her young.”

Any Given Sunday is Oliver Stone at both his best and his worst.  The script is overwritten and overstuffed with every possible sports cliché  but the football scenes are some of the most exciting that have ever been filmed.  Only Oliver Stone could get away with both opening the film with a quote from Vince Lombardi and then having a player literally lose an eye during the big game.  Stone himself appears in the commentator’s both, saying, “I think he may have hurt his eye,” while the doctor’s in the end zone scoop up the the torn out eyeball and put it into a plastic bag.  Only Stone could get away with Jamie Foxx vomiting on the field during every game and then making amazing plays while a combination of rap, heavy metal, and techno roars in the background.  Stone regulars like James Woods and John C. McGinely make valuable appearances and while Woods may be playing a villain, he’s the only person in the film willing to call out the coaches, the players, the owners, and the fans at home as being a bunch of hypocrites.  Stone’s direction is as hyper-kinetic as always but he still has no fear of stopping the action so that Foxx can see sepia-toned images of football’s past staring at him from the stands.  Stone directs like defensive lineman on steroids, barreling his way through every obstacle to take down his target.  No matter what, the game goes on.

Any Given Sunday is the ultimate football movie and more fun than the last ten super bowls combined.

4 Shots From 4 Films: Special John Ford Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

John Ford.

The very name brings to mind sweeping vistas, the grandeur of the old west, and stories about men doing what men had to do.  John Ford began his directing career during the silent era and he continued to work through the 1960s and, along the way, he created a unique and very American sort of cinema.  Though Ford may be known for his westerns, he also directed his share of war films, historical epics, and even a classic romantic comedy.  The son of Irish immigrants, Ford made several films that took place in Ireland.  The Quiet Man featured one of the greatest fight scenes in film history.  Stagecoach introduced the world to John Wayne and The Searchers proved that he could act.  With The Grapes of Wrath, Ford provided, for future generations, the definitive look at the Great Depression.  Twenty-two years later, The Man Who Shot Liberty Valance told us to always “Print the legend.”

John Ford was born 126 years ago today.  In honor of his legacy, here are 4 shots from 4 films.

4 Shots From 4 Films

Stagecoach (1939, directed by John Ford)

The Grapes of Wrath (1940, directed by John Ford)

The Searchers (1956, directed by John Ford)

The Man Who Shot Liberty Valance (1962, directed by John Ford)

Music Video Of The Day: Grey Day by Madness (1981, directed by Chris Gabrin)


“‘Grey Day’ was a definite step on for Madness. I remember going to a club with a copy of it and Joe Strummer was DJing. I asked him to put this on, because I thought I’d finally done something that he could dig, not just jumping up and down – but he wouldn’t play it.”

— Madness lead singer Suggs on Grey Day

Grey Day may not have been good enough for Joe Strummer but I definitely appreciate it.

The first version of Grey Day was first performed by Madness when they were still known as The North London Invaders.  Three years later, they revisited the song and recorded it in the Bahamas “for tax purposes.”

The video was directed by Chris Gabrin, who was active in the 80s.  He also did videos for The Cure, Culture Club, John Mellencamp, and Pat Benatar.

Enjoy!

Cinemax Friday: Blown Away (1993, directed by Brenton Spencer)


Rich Gardner (Corey Haim) and his brother, Wes (Corey Feldman) both work at a ski resort in Canada.  When Rich rescues the wealthy Megan (Nicole Eggert) from being trampled by a horse, she invites him to attend her 17th birthday party.  Despite the fact that he’s already dating Darla (Kathleen Robertson), Rich goes to Nicole’s party.  Nicole greets him in her underwear and soon, the two of them are having softcore, late night Cinemax-style sex.  It’s only in the morning that Rich discovers that Megan is the daughter of his boss, Cy (Jean LeClerc).

With Wes’s encouragement, Rich continues the affair, even after Cy demands that Rich never see his daughter again.  Megan eventually tells Rich that she believes that Cy was responsible for the death of her mother and that she thinks they should kill Cy and, after Megan has gotten her inheritance, run off together.  At first, Rich is hesitant but when Megan turns up bruised and claiming that her father beat her up, Rich reconsiders Megan’s proposition.

In many ways, Blown Away is typical of the neo-noirs that used to dominate late night Cinemax in the 90s.  Take a faded TV or a film star.  Toss in an up-and-coming starlet who is willing to do nudity.  Add a dimly lit sex scene or two and a surprise twist at the end.  In this case, the surprise twist was actually a good one, the faded stars were the Two Coreys, and the up-and-coming starlet was Nicole Eggert.

Before they become direct-to-video mainstays in the 90s, both Corey Haim and Corey Feldman had a good, if brief, run as legitimate film stars.  With their subsequent notoriety, it’s easy to forget that they were two of the busiest and most critically acclaimed child actors of the 80s.  Corey Haim appeared in movies like Murphy’s Romance and Lucas while Corey Feldman did The Goonies and Stand By Me.  They co-starred in films like The Lost Boys and License to Drive.  Unfortunately, neither one of them was able to make the transition from being child stars to adult actors.  (It didn’t help that both of them had very public struggles with substance abuse and that the 90s saw both of them developing a unique talent for tracking down the worst projects possible and agreeing to star in them.)  Blown Away was one of the first of their post-stardom films and, whatever else you may say about it, it’s definitely better than the majority of the films that the pair made afterwards.  (Just try sitting through Dream A Little Dream 2.)  After years of playing best friends, Blown Away cast them as brothers who always seem to be on the verge of throwing a punch at each other.  When Rich and Wes say that they secretly hate each other, it feels less like a movie and more like real-life couples therapy.

Blown Away is a classic of its kind.  Though Rich is not a very sympathetic hero and there’s a few scenes where Haim’s tendency to overact gets in the way of the film, Nicole Eggert is a perfect femme fatale and Corey Feldman again shows that he had more talent than he was usually given credit for.  If you can overlook a few plot holes (and not spend too much time worrying about how a bunch of teenagers became experts in setting explosives), the film’s storyline is interesting and far darker than the usual late night Cinemax fare.  When people like me talk about being nostalgic for the old days of watching Cinemax after midnight, this is the type of film that we’re talking about.

Music Video Of The Day: Anarchy in the U.K. by The Sex Pistols (1976, directed by Julien Temple)


Today is John Lydon’s 64th birthday so today’s music video of the day features him at his best.

For the record, John Lydon (or Johnny Rotten, as he was known when he was the Sex Pistols’s lead singer) is not an anarchist.  The famous lyrics that start off Anarchy in the U.K, came about because “I am an anarchiste” was the best rhyme that Lydon could come up with for “I am an Antichrist.”  Lydon has described anarchism as being “mind games for the middle class.”  Lydon’s right, of course.

Remarkable, John Lydon has gone from being regarded as a symbol of everything that was wrong with British youth (a representation of what the Daily Mail famously called “The Filth and the Fury” after drummer Paul Cook called Simon Grundy a “fucking rotter” on national television) to being a national treasure. Songs that once scandalized Britain are now unofficial anthems and, remarkably, Lydon’s gone from hated to beloved without changing a thing about his outlook or even his attitude.   Listening to an interview with Lydon from the Sex Pistols-era is not that much different from listening to an interview that Lydon may have given last month. He may now be doing butter commercials and appearing on I’m A Celebrity!  Get Me Out Of Here! but he remains that same Johnny Rotten who once scared the Hell out of anyone with a pension.

Enjoy!