Death Rides The Range (1939, directed by Sam Newfield)

Posted on January 27, 2022 by Jedadiah Leland

In this “modern-day” western, Ken Maynard stars as Ken Baxter. While out camping in the wilderness with his trusty horse Tarzan and his two comic relief sidekicks, Pancho (Julian Rivero) and Panhandle (Ralph Peters), Ken comes across the gravely injured Professor Wahl (Michael Vallon). Wahl is an archeologist who has been left to die. Wahl is too weak to reveal who attacked him and, when Ken gets Wahl back to civilization, he discovers that Wahl’s colleagues, Dr. Flotow (William Castello) and Baron Starkoff (Sven Hugo Bard), aren’t willing to help Wahl unless he shares the location of a helium mine.

Flotow and the Baron are working for “a foreign power” and want to smuggle the helium back to Europe so that their country can use it to fuel their dirigibles. Ken and his sidekicks have to stop the bad guys from getting control of the ranch that sits near the mine. Going undercover, Ken allows himself to be hired by Joe Larkin (Charles King), who is trying to steal the property away from Letty Morgan (Fay McKenzie). Romance and gunfight follows. Ken’s horse, Tarzan, saves the day more than once.

The plot of Death Rides the Range is intriguing and, for a 55-minute programmer, complex. Unfortunately, the execution doesn’t allow the story to fulfill its potential. By the time Maynard starred in this film, the once-major cowboy star had alienated most of the major studios and he had a reputation being difficult. He was reduced to working for poverty row studios, like Colony Pictures. Maynard is a convincing hero and his horse, Tarzan, was one of the most talented of the animal actors working at that time but Death Rides The Range still feels rushed.

Death Rides The Range is mostly interesting as an example of the type of anti-German films that were being made before the U.S. officially entered World War II. The film keeps it ambiguous who Flotow and Starkoff are working for but any viewer who had been following the news out of Europe would automatically know they were working for the Germans. Even when he was making movies for Poverty Row, Ken Maynard was still fighting the good fight.

Across The Plains (1939, directed by Spencer Gordon Bennett)

Posted on January 26, 2022 by Jedadiah Leland

In the old west, a group of outlaws attack a wagon train, killing a husband and wife but sparing their two children. One child is taken by the outlaws, who tell him that they have saved him from an Indian attack. He grows up to be The Kansas Kid (Dennis Moore), a wagon master who still works for Gordon (Bob Card), the outlaw who raised him. The other child is adopted by a Native tribe and grows up to be known as Cherokee (Jack Randall). Cherokee has been hired to protect a gold shipment that Kansas and Gordon are determined to steal. How long until the brothers come into conflict?

Across The Plains is a pretty good programmer. Dennis Moore and Jack Randall are convincing as two men on opposite sides of the law who don’t realize that they’re brothers and director Spencer Gordon Bennett captures the scenery of the old west. This is a western where the frontier really feels and looks like an untouched frontier! The gunfights are effectively choreographed and directed and the family aspect is a good spin on a simple story. For fans of westerns, Across The Plains is an enjoyable example of the genre.

Dennis Moore and Jack Randall were both B-western mainstays. Moore occasionally played a hero but was usually cast as a villain. Across The Plans gives him a chance to play a more complex role than usual and he takes full advantage of the opportunity. The Kansas Kid may be an outlaw but he’s not so much bad as just misguided. Jack Randall was one of the many stage names used by actor Addison Randall. He started out as a singing cowboy before playing more traditional heroes, like in this film. In Across The Plans, Randall was as tough and convincing a western hero as he always was. Tragically, he died six years after making this film when he fell off a horse while filming a Universal serial called The Royal Mounted Ride Again. He was only 39 years old.

Honor of the Range (1934, directed by Alan James)

Posted on January 25, 2022 by Jedadiah Leland

In an old west town, Sheriff Ken Bellamy (Ken Maynard) is an honest and upright lawman who thinks that he is trusted and respected by all. His brother, Clem (also played by Ken Maynard), is a storeowner who is less respected and very jealous of his brother. When Ken is asked to store some money in a safe, Clem decides to help the local outlaw, Rawhide (Fred Kohler), steal the money. Clem gives Rawhide the combination but Rawhide then betrays Clem and takes him hostage. Meanwhile, the townspeople think that Ken must has stolen the money so they toss him in jail and appoint a man named Boots (Frank Hageny) as the new sheriff. Now, Ken has to not only figure out how to escape from jail and the townspeople but also how to defeat Rawhide’s gang.

Ken Maynard and his white horse Tarzan were two of the biggest western stars of the pre-code era. Most of them were routine programmers but Honor of the Range stands out because it allows Maynard to step out of his usual heroic role by having him also play Clem. Maynard could be a stiff actor when he was playing a traditional hero but here he seems to be enjoying playing the untrustworthy Clem. Maynard actually produced Honor of the Range himself and it’s much more serious than the typical Ken Maynard western. The town’s betrayal of the sheriff is played straight, as is Clem’s resentment of his brother. With higher production values than usual and Maynard looking credible whenever he was holding a gun or riding his horse, Honor of the Range is one of the better westerns to be distributed by Universal during the pre-code era.

Mason of the Mounted (1932, directed by Harry L. Fraser)

Posted on January 24, 2022 by Jedadiah Leland

Bill Mason (Bill Cody) is a member of the Canadian Mounted Police who is sent over the border to track down a murderous horse thief. Going undercover, Mason discovers that a nearby frontier town is being terrorized by rustlers. The townspeople have named Calhoun (LeRoy Mason) as the head of the local posse but Mason soon discovers that Calhoun is actually the horse thief!

Mason of the Mounted is only 57 minutes long but it’s a very slow-moving 57 minutes. It’s also a pre-Code film but, other than a grisly shot of a dead body at the start of the film, there’s nothing about Mason of the Mounted that you wouldn’t expect to find in a western made under the production code. Much of the film centers around Mason befriending an American teenager named Andy Talbot (played by Andy Shuford). This was actually one of 8 films that Bill Cody and Andy Shuford made together. Cody was a genuine cowboy who performed in wild west shows before and after his film career. Shuford was a child actor whose career was primarily in Westerns. During World War II, he enlisted in the U.S. Army Air Corps, flew many missions out of England, and eventually reached the rank of colonel. He never returned to making films.

As for Mason of the Mounted, Bill Cody has some authentic cowboy grit and is credible when he’s on a horse or shooting a gun but the plot moves too slowly and most of the cast is stiff and awkward. I did like the idea of the main rustler disguising himself as the only person capable of stopping the rustlers. That was an interesting idea and I wish the movie had done more with it. This is a film that’s mostly for fans of the genre and even the most undemanding western fan will probably have a hard time making their way through the whole thing.

Great Moments In Television History #13: The A-Team Premieres

Posted on January 23, 2022 by Jedadiah Leland

39 years ago today, television viewers who were watching NBC primetime met a group of four former members of the Special Forces who, during the Vietnam War, were framed for a crime they didn’t commit.

The pilot for the A-Team first aired on January 23rd, 1983. No one had much hope for the pilot, with the exception of star George Peppard who predicted the show would be a hit as soon as he read the script. Producer Stephen J. Cannell hadn’t had a hit in a while. When Cannell was hired by NBC, network president Brandon Tartikoff asked for one thing: “Mr. T driving a car.”

Despite what the critics thought and despite the skepticism of the network brass, The A-Team was an immediate success. Audiences loved the four misfits who somehow always managed to win the day despite Face’s womanizing, Murdock’s insanity, and B.A.’s fear of flying. A week after the pilot aired, the show’s first regular episode was broadcast directly after the Super Bowl. The rest is history.

If you have a problem, the A-Team can help. You just have to find them.

Previous Great Moments In Television History:

Great Moments In Comic Book History #17: Spider-Man and The Dallas Cowboys Battle The Circus of Crime

Posted on January 23, 2022 by Jedadiah Leland

Spider-Man meets the Dallas Cowboys!

In 1983, Marvel comics teamed up with local newspapers to produce inserts that would feature heroes like the X-Men and Spider-Man visiting towns outside of New York, meeting with local celebrities, and, of course, providing ad space for local businesses. One of the newspapers that they teamed up with the now-defunct Dallas Times Herald, which was also the original home of Texas’s own drive-in movie reviewer, Joe Bob Briggs.

Marvel ended up doing three inserts for the Dallas Times Herald, one with the X-Men at the State Fair and then two featuring Spider-Man. In “Danger in Dallas,” Peter Parker accompanied J. Jonah Jameson and Dr. Mudge to Dallas so that Dr. Mudge’s wheelchair-bound son could meet his heroes, the Dallas Cowboys.

Dr. Mudge had also developed an anti-gravity device and the Circus of Crime was determined to steal it for themselves. Spider-Man had to stop them but to fight an entire circus, he would need some help. Good thing that Cowboys didn’t have anything to do that day!

Once the Cowboys had tackled the Circus of Crime, Peter and even Jonah were able to enjoy opening day. Peter even proved his courage by eating a Texas Stadium hot dog!

Spider-Man wished the Cowboys a good game, letting us know that even super heroes from New York were rooting for America’s Team in the 80s.

Out of curiosity, I decided to see how the Cowboys did during the 1983 season. They went 12-4 and were second in the NFC East. They earned a wildcard spot but lost to the Rams, 17-24. Despite Spider-Man’s blessings, it was not the Cowboys who went to the Super Bowl but instead the team currently known as Football Team. (Full disclosure: By default, that was my family’s team until Baltimore finally got the Ravens.) Fortunately, Washington lost to the Raiders, 9-38.

According to the cover, this was a 60 cent value in 1983. Currently, it sells for $18.00 online.

The Dallas Cowboys and Spider-Man #1 “Danger in Dallas” (1983)

Writer Marie Severin and David Kraft
Pencilers Marie Severin and Kerry Gammill
Inker Mike Esposito
Colorist Stan Goldberg
Letterer R. G. O’Shaw

Previous Great Moments In Comic Book History:

Game Review: Locked Door (2022, Cody Gaisser)

Posted on January 23, 2022 by Jedadiah Leland

(SPOILER WARNING)

You are in a room. A wooden door leads north. That’s the only exit. But, the door is locked!

This is a puzzle that has faced many a player of Interactive Fiction. We’ve all had to deal with the locked room scenario, where you have to find the solution for how to get that door open. You can play guess the verb. You can look for things to examine. You can check your inventory to see if you have something on you that could be used in some clever way to unlock the door.

Or you could just pick up the iron key and see what it does.

To quote the game itself:

Room A
A plain white room. A wooden door leads north.

You can see an iron key here.

Can it be that simple? Why not? One side effect of playing too much interactive fiction is that you reach a point where you assume that every solution has to be complicated. Sometimes, you can just pick up the key.

There is another room, though. Be sure to go in the other room and read what you find.

Keep in mind, this is only the first Locked Door game. There are at least three other adventures, all asking if you can unlock more doors. I’ve been playing the fourth one. I’ll review it as soon as I figure out how to open up the damn door.

Play Locked Door

The New Frontier (1935, directed by Carl Pierson)

Posted on January 23, 2022 by Jedadiah Leland

In 1889, wagon master Milt Dawson (Sam Flint) rides into a western town. He is planning on meeting his son John, who is also a wagon master. However, when a friend of Milt’s is killed by gambler Ace Holmes (Warner Richardson), Milt announces that he’s going to clean up the town and Ace is the first piece of trash that Milt is going to toss out. Ace responds by having his henchmen shoot Milt in the back.

After Milt’s death, his son finally arrives in town and you know that Ace is going to be in trouble because John Dawson is played by John Wayne! Seeking to avenge his father’s death, John teams up with an outlaw named Kit (Al Bridge) and declares war on Ace and his gang.

This is a typical western programmer, one that would probably be forgotten if not for the presence of John Wayne in an early starring role. This was before Stagecoach so the budget is low and the plot is simple. Even in his early 20s, John Wayne has the natural authority that would later make him a star but it’s still strange for me to see him in any film where he’s playing a young man who still has parents. There are some actors who you can’t picture as ever having been anything less than middle-aged and John Wayne is one of them. While most of the other actors are stiff and awkward, Wayne seems right at home in the dusty streets of The New Frontier. Interestingly, given Wayne’s identification with law-and-order, he plays a character here who has no problem working with outlaws and who understands that sometimes, the law can be unfair. Ace is the most powerful man in town and John has no choice but team up with those on the outs of what was then considered to be respectability. Another memorable scene juxtaposes a gun battle with the town’s citizens praying in church, a reminder that innocent people were often caught in the middle of the old west’s grudge matches. These are interesting themes, though they’re not very deeply explored.

Though the gunfights are nicely choreographed and shot, the chance to see a pre-stardom John Wayne clean up the old west is the main reason to watch The New Frontier.

Frontier Marshal (1939, directed by Allan Dwan)

Posted on January 22, 2022 by Jedadiah Leland

When Wyatt Earp (Randolph Scott) arrives in the town of Tombstone, he takes the law in his own hands by preventing a local outlaw named Indian Charlie (Charles Stevens) from destroying the saloon owned by Ben Carter (John Carradine). For his trouble, Earp is beaten up by Carter’s men. Earp, however, does get a job as the town’s new marshal.

After some initial weariness, Wyatt befriends an alcoholic dentist and gunfighter named Doc Holliday (Cesar Romero). While Earp keeps the peace in Tombstone, Doc is torn between two women, dancehall girl Jerry (Binnie Barnes) and his ex-girlfriend, Sarah (Nancy Kelly).

With Carter and his man planning on robbing a payroll train and also kidnapping frontier performer, Eddie Foy (played by the real Foy’s son, Eddie Foy, Jr.), it is only a matter of time before Earp takes on Carter at the legendary O.K. Corral.

Frontier Marshal was only the second sound film to be made about Wyatt Earp’s time in Tombstone and it was the first to use Earp’s name. (In the first film version of the story, also called Frontier Marshal, Earp’s name was changed to Michael Wyatt.) This was because Wyatt’s widow was offended by some of the material that was included in the biography that served as the basis for Frontier Marshal and threatened to sue anyone who wanted to make a movie out of it. In order to get her permission to make the film, 20th Century Fox agreed that no reference would be made to Wyatt’s marriage in the film. Mrs. Earp ended up suing anyways. 20th Century Fox settled.

As for the film, it’s in no way historically accurate and it pales in comparison to My Darling Clementine, Gunfight at the O.K. Corral, Tombstone, and the Star Trek episode where Kirk, Spock, and McCoy thought they were in the old west. It is, however, better than The Gunfighters episode of Dr. Who. Randolph Scott is convincing as an upright and law-abiding Wyatt Earp, quite a contrast to the real Wyatt. The movie though is stolen by Cesar Romero, who plays Doc Holliday as being pathologically self-destructive. Cesar Romero is not necessarily the first name that comes to mind when you think of a great western actor but he’s very convincing here. John Carradine is a perfect villain and keep an eye out for Lon Chaney, Jr. as one of his henchmen. Unfortunately, the final gunfight feels rushed and, for all the build up, it isn’t as exciting as it should be. Frontier Marshal will mostly be of interest to those curious to see how Doc Holliday, Wyatt Earp, Tombstone and the Gunfight at the O.K. Corral were portrayed in films before they became a sacrosanct part of the mythology of the Old West.

Frontier Marshal was later remade, as My Darling Clementine, by John Ford. Ward Bond, who played Morgan Earp in Ford’s film, plays the original town marshal in Frontier Marshal. Charles Stevens, who plays Indian Charlie in Frontier Marshal, was often falsely described by the Hollywood publicity mill as being the real-life grandson of Geronimo. He also appeared in My Darling Clementine, once again playing the role of Indian Charlie. It was one of the nearly 200 films he made before he died in 1964.

Tumbleweed Trail (1946, directed by Robert Emmett Transey)

Posted on January 21, 2022 by Jedadiah Leland

I know that I said yesterday that I was done with Eddie Dean westerns but I decided to watch one more, just because it was short and, based on the other Eddie Dean films I had seen, I assumed that it would be undemanding.

(I was right.)

Tumbleweed Trail opens with Brad Barton (Bob Duncan) and his group of colorfully named henchmen (one is named Dead-Eye) ambushing and apparently killing a rancher named Bill Ryan (Kermit Ryan), who also happens to be Barton’s half-brother. Barton wants to take control of Ryan’s ranch and he’s even forged a will to to convince the land office to give it to him instead of Ryan’s children. If this plot sounds familiar, it’s because much of it was recycled for Black Hills.

What Barton did not count on was the arrival of singing cowboy Eddie Dean (played by real-life singing cowboy Eddie Dean) and his sideick, Soapy (Roscoe Ates). Eddie and Soapy get jobs working on Ryan’s ranch. Eddie finds time to sing a few songs and to fall for Bill’s daughter, Robin (Shirley Patterson). Everyone loves Eddie’s singing but he’s not make much progress when it comes to proving that Barton’s will is a fake. Just when it seems like not even Eddie and Soapy will be able to stop Barton, there’s a “surprise” ending that you’ll see coming from a mile away.

This one is uninspired, though some of my reaction could be due to having already seen Eddie Dean go through a similar plot in Black Hills. Eddie sings a lot but that’s about all he does in this routine poverty row western. Bob Duncan is a generic villain. Of the three Eddie Dean films that I’ve watched, Tumbleweed Trail was the most forgettable. It’s for fans of the genre only.

Eddie’s horse in Tumbleweed Trail is played by Flash. Flash gets second billing, above Roscoe Ates.

This, I’m pretty sure, was my final Eddie Dean movie.