Great Moments In Television History #12: NBC Airs The First Football Game


Today, everyone takes at least three things for granted: television, football, and football on television.

However, that wasn’t always the case.  There was a time when television was a novelty and the idea of watching a game on television while it was being played was nearly unheard of.  The first televised football game didn’t involve any of the teams in what would eventually become the NFL.  Instead, it was a college game between Fordham and Waynesburg.  It was played on September 30th, 1939.

The game was aired on NBC, as part of an experiment to see whether or not a game could actually be carried live over the air.  The game was called by Bill Stern, a radio announcer who was famous for embellishing the action on the field while he was calling it.  Unfortunately, since no footage of the game appears to still exist, no one knows if he attempted to embellish the action that was being televised.

All in all, NBC spent $100,000 to show the game.  What was the size of the audience for the very first televised football game?  It was speculated that 500 to 1.000 people watched the game on television!  In 1939, with television still a luxury for most people, that was enough to convince NBC that sports and television could go together.  82 years later, it appears that NBC was right.

Incidentally, Fordham beat Waynesburg, 34-7.

Previous Great Moments In Television History:

  1. Planet of the Apes The TV Series
  2. Lonely Water
  3. Ghostwatch Traumatizes The UK
  4. Frasier Meets The Candidate
  5. The Autons Terrify The UK
  6. Freedom’s Last Stand
  7. Bing Crosby and David Bowie Share A Duet
  8. Apaches Traumatizes the UK
  9. Doctor Who Begins Its 100th Serial
  10. First Night 2013 With Jamie Kennedy
  11. Elvis Sings With Sinatra

Great Moments In Comic Book History #16: Alex Ross Captures Galactus In All His Glory


Galactus has always been one of my favorite Marvel characters and it’s a shame that his only film appearance was botched in 2007’s Fantastic Four: Rise of the Silver Surfer.  Now that the Fantastic Four are once again free to be a part of the MCU, my sincere hope is that we’ll get a worthy Galactus film.  If Marvel Studios could bring Thanos to life, why not the Planet-Eater?

Below is Galactus (and the Silver Surfer) as imagined by Alex Ross.  All four of these images are from Marvels #3 (March 1994) and they really capture Galactus in all of his glory.

Hopefully, the next time Galactus appeared in a film, he’ll be as impressive as he was here.

Previous Great Moments In Comic Book History:

  1. Winchester Before Winchester: Swamp Thing Vol. 2 #45 “Ghost Dance” 
  2. The Avengers Appear on David Letterman
  3. Crisis on Campus
  4. “Even in Death”
  5. The Debut of Man-Wolf in Amazing Spider-Man
  6. Spider-Man Meets The Monster Maker
  7. Conan The Barbarian Visits Times Square
  8. Dracula Joins The Marvel Universe
  9. The Death of Dr. Druid
  10. To All A Good Night
  11. Zombie!
  12. The First Appearance of Ghost Rider
  13. The First Appearance of Werewolf By Night
  14. Captain America Punches Hitler
  15. Spider-Man No More!

Space Rage (1985, directed by Conrad E. Palmisano)


Space Rage is a mix of science fiction and the old west.

In what the movie insists is the far future, a sadistic and notorious criminal named Grange (Michael Pare) is a captured after robbing the Bank of the Moon. As his punishment, he’s sent to a prison planet called Botany Bay. Despite the name, the entire prison is a desert. (Maybe they named it after the doomed colony from Star Trek II: The Wrath of Khan.) The prison is run by Gov. Tovah (William Windom), who uses the prisoners as slave labor in his mines. Grange doesn’t want to work as a miner so he plots his escape. There’s only one shuttle that goes from Botany Bay to Earth and Grange plans to be in control of it.

Two men are determined to stop Grange and his partners from escaping the planet. Walker (John Laughlin) is a young bounty hunter who is haunted by he death of his wife. The Colonel (Richard Farnsworth) is a former policeman who is haunted by nightmares of his time on Earth. Working together, the inexperienced Walker and the crusty, old Colonel try to thwart Grange’s plans.  Grange has an itchy trigger finger and is willing to kill anyone to get what he wants.  Grange may be quick on the draw but the Colonel might be even quicker.

Space Rage starts out as a western before becoming a prison film before then concluding as a Mad Max rip-off, with everyone chasing each other through the desert in intergalactic dune buggies.  The movie is only 75 minutes long but due to a repetitive soundtrack and some less than inspired dialogue, it often feels longer. The Botany Bay is too obviously Southern California to be an effective setting and neither Michael Pare nor John Laughlin seem to be invested in their roles. Not surprisingly, the film’s greatest strength is Richard Farnsworth, playing another no-nonsense veteran tough guy and doing what a man has to do to keep Earth safe.  His presence alone does not make Space Rage worth watching but it definitely helps.  It’s a good thing he was out there looking out for us.

Game Review: Second Wind (2021, Matthew Warner)


Society has collapsed.  Biological warfare has changed the majority of humans into werewolves.  Those who have not been infected live in locked-down shelters.  You live in Shelter 5, with your second wife Lorraine.  You used to live in Shelter 4 with your first wife, Wendy.  Wendy kicked you out after she found out that you were cheating on her with Lorraine.  Things have been tense ever since.

Now, Lorraine’s pregnant.  The midwife has told you that the delivery is not going as planned.  A C-section has to be performed to save the lives of both Lorraine and the baby.  (With humanity nearly wiped out, the survival of your baby could give hope to those few who remain.)  You have to get a doctor but that means making you way across the desert wasteland and the ruined city to Shelter 4.  Not only do you have to save the life of your second wife but you’re going to have to convince your first wife to help you do it.  You only have a few hours to make it and all of the shelter’s hoverbikers are damaged beyond use.  Best of luck!

Second Wind is an interactive fiction game for adults.  The stakes are real.  The puzzles require thought.  Your mistakes have consequences.  Puzzles are usually my great downfall when it comes interactive fiction.  Timed challenges are my second greatest downfall.  As you can probably guess, I had to play Second Wind a few times before I got anything close to a good ending and, even then, it was only as good as any ending can be when the world’s gone to Hell in a bucket without anyone even enjoying the ride.  But the challenge made the eventual success even more rewarding.  When playing a game like Second Wind, the best advice would be to remember that using google is not the same as cheating and that Occam’s Razor is your friend.  It also helps to take notes because a lot of the game’s puzzles depend on remembering numbers and then inputting them into the keypads necessary to enter the shelters.

I dug Second Wind.  It’s better-written than most and the descriptions are so vivid that you’ll feel like you’re in that apocalyptic desert, trying to make your way back home.  And if you really do get lost, there is a walk-through that explains the puzzles without leaving you feeling too ashamed for not being able to figure them out for yourself.

Play Second Wind.

Ring of Terror (1961, directed by Clark L. Paylow)


Whilst stumbling around his office in a drunken daze, graveyard keeper R.J. Dobson (Joseph Conway) accidentally steps on his cat’s tail.  The cat runs out of the office.  Dobson stumbles after it.  Dobson eventually finds the cat sitting by a grave in the cemetery.  Dobson picks the cat up and starts to tell it (or maybe the people watching at home), the story behind the tombstone.

Lewis B. Moffit (George E. Mather) was a med student who had a reputation for not being scared of anything.  He killed a rattlesnake without a second’s hesitation.  He didn’t flinch while watching an autopsy.  For some reason, this upsets his frat brothers so they decide to pull a prank on him to see how brave he really is.  As a part of his initiation, Lewis has to break into the mortuary and retrieve a gold ring off of a corpse’s finger.  Of course, the prank goes wrong and there are serious consequences to Lewis’s sanity.

Ring of Terror is based on the old urban legend in which a promising but tightly wound college student is either killed or driven mad by a thoughtless fraternity prank.  Ring of Terror doesn’t really add anything to the basic story.  The only thing that distinguishes it is that all of the college students are played by middle-aged actors so they all seem as if they should have graduated from college and outgrown the frat life a long time ago.  George E. Mather was in his 40s when he starred in this film so even if the prank hadn’t broken his mind and he had graduated from medical school, he wouldn’t have had a very long practice.

The story would feel slight for even a 30-minute episode of The Twilight Zone so the director tries to pad out Ring of Terror with a visit to a “swinging” jazz club (and I use the term swinging loosely because there ain’t swinging about that joint), an autopsy, and, of course, those scenes in the cemetery with RJ and his cat.  The padding doesn’t help make the story any more intersting but the autopsy scene is at least amusing.  Because all of the college students are played by middle-aged actors and are wearing suits, the scene really does look as if a group of wall street brokers decided to spend their lunch hour in the hospital basement.  It’s like the episode of Seinfeld where Jerry and Kramer observe an operation and accidentally drop a junior mint in the patient’s chest cavity.

Today, Ring of Terror is best known for being featured on an early episode of Mystery Science Theater 3000.  (It was actually such a short movie that it had to be paired up with the third chapter of The Phantom Creeps serial.)  I’ve seen both the original version and the version with Joel and the Bots and the MST 3K way is the best way to watch this movie.  Without Joel and the Bots, it’s so slow and poorly acted that it is nearly unwatchable.  With Joel and the Bots, there’s at least a few laughs to be found.

The Doolins of Oklahoma (1949, directed by Gordon Douglas)


Randolph Scott stars in The Doolins of Oklahoma, a fictionalized account of the career of the real-life western outlaw, Bill Doolin.

Doolin (played, naturally, by Randolph Scott) may have once rode with the fearsome Dalton Brothers but, according to this film, he was actually just an ordinary, salt of the Earth type who wanted to settle down with the right woman and lead a normal life. It looks like he might get that opportunity after the Daltons are killed and Doolin tires of leading his own gang of outlaws. Doolin settles in a Oklahoma town, takes a new name, and falls in love with Elaine (Virginia Hutton). But when both the members of his old gang and a veteran lawman (George Macready) show up in town, Doolin learns that the past cannot be escaped.

The plot of The Doolins of Oklahoma is nothing special, though it’s portrayal of the outlaws being more honorable than law enforcement may have been surprising in 1949. The main thing that distinguishes The Doolins of Oklahoma is the cast, which is full of western veterans like John Ireland, Noah Beery Jr., Charles Kemper, Frank Fenton, and Jock Mahoney. Not surprisingly Randolph Scott is ideally cast as a weary cowboy who just wants to settle down and live the rest of his life in peace. Scott is well-matched by MacReady, as the marshal who will not let anything stand in the way doing his duty as a member of law enforcement. Gordon Douglas directs crisply and energetically and every member of the main cast gets at least one big moment in which to distinguish themselves. The Doolins of Oklahoma may not be a groundbreaking film but it will be enjoyed by fans of the western genre.

 

Rangers of Fortune (1940, directed by Sam Wood)


After narrowly avoiding execution by a firing squad in Mexico, three good natured outlaws head back to Texas.  Gil (Fred MacMurray) is their leader, a former army officer.  Antonio (GIlbert Roland) is the charming caballero.  George (Albert Dekker!) is the punch-drunk former prizefighter who provides comedic relief.  When they reach Texas, they meet and become involved in the efforts of a newspaper publisher (Brandon Tynan) and his daughter (Betty Brewer) to free their hometown from the control of an aristocratic landowner named Col. Rebstock (Joseph Schildkraut), who rules the town with the help of a sadistic group of cowboys.  It turns out that the three outlaws aren’t so bad while the respectable and wealthy Col. Rebstock is as bad as they come.

Rangers of Fortune is a standard 1940’s western programmer, though it’s distinguished by a better than usual cast and the quick-paced direction of Sam Wood.  It starts out almost as a comedy, with MacMurray, Roland, and Dekker cracking jokes and getting the better of almost anyone that they come across.  The screenwriter of Rangers of Fortune, Frank Butler, also wrote some of Bing Crosby and Bob Hope’s road films and he’s just as good as coming up with comedic dialogue for the team of MacMurray, Roland, and Dekker as he was for Hope and Crosby.

But the movie takes a serious turn once MacMurray, Roland, and Dekker cross the Texas border and they discover that Col. Rebstock will do almost anything and kill just about anyone to keep his hold on the town.  Even a successful scheme to install Gil as sheriff just leads to more innocent people dying.  When Rangers of Fortune turns dark, it turns very dark, with characters, who we usually don’t expect to die in a film like this, meeting a violent end.  Though it won’t convert any skeptics, it’s an interesting film for those who are already fans of old Hollywood westerns.

Rangers of Fortune has never gotten a proper video release but it is on YouTube.  Unfortunately, the copy uploaded to YouTube was in terrible condition so it’s difficult to fairly judge the film’s production values.  However, even on a damaged print, the natural authority of Fred MacMurray’s lead performance comes through and Joseph Schildkraut is as good a villain as always.  Patricia Morrison plays the prettiest girl in town and, even on YouTube, it’s easy to see why every man in town is competing for her attentions.  Seeing Albert Dekker, usually cast as intelligent and often conniving character, playing dumb is also an interesting experience, even on a bad print.  Hopefully, someday, Rangers of Fortune will get a decent restoration.

Griff the Invisible (2010, directed by Leon Ford)


Griff (Ryan Kwanten) is a socially awkward young office worker who keep a rubber suit hidden away in his apartment.  When he returns home from work, he puts on the suit and searches the night for crimes to stop and criminals to thwart.. Or at least he thinks that he’s fighting crime. The neighbors seem to be afraid of the man in the rubber suit and there are posters on every street corner, asking if anyone can identity the masked voyeur who has been spotted walking about the neighborhood at night.  The only one his neighbors who appreciates him is the stray cat that waits every morning for a tin of tuna.

Though he might fight crime at night, no one thinks much of Griff during the day. His co-worker, Tony (Toby Schmitz), constantly bullies him. His older brother, Tim (Patrick Brammall), resents that he had to move back home to keep an eye on him and he is constantly asking Griff if he is having another breakdown.  Only the owner of the local hardware store is polite to Griff and that’s just because Griff spends a lot of money in the store, buying what he needs to make what he thinks will be an invisibility suit.

When Tim brings his new girlfriend, Melody (Maeve Dermody), over to meet Griff, she discovers that she has more in common with Griff than with Tim. Griff wants to be invisible while Melody wants to learn how to walk through solid objects. Melody and Griff could be the prefect crime fighting team and also the perfect romantic couple, but only if their fantasy world is allowed to exist uninterrupted.  That may be difficult because both Griff and Melody are coming under more and more pressure to get it togther, conform, and start living in the real world with everyone else.

Griff the Invisible is a likable comedy-drama from Australia. At first, it seemed like the film was going to idealize Griff’s fantasy existence but it’s actually fair in its treatment of Tim and everyone who wants Griff to snap out of it and join them in the real life. Being Griff’s friend or relative can be demanding. At the same time, Griff and Melody’s fantasy world is inviting too. Who hasn’t imagined themselves as a super hero at some point?  Most importantly, the pairing of Ryan Kwanten and Maeve Dermody works well. By the end of the movie, you’re happy that they have their fantasy as long as they also have each other.

End of a Gun (2016, directed by Keoni Waxman)


Decker (Steven Seagal) is a former DEA agent who now lives in France.  Lisa Durant (Jade Ewen) is a stripper who Decker saves from getting beat up one night.  Decker and Lisa become lovers and Lisa recruits Decker to help her steal two million dollars from a sadistic drug lord named Gage (Florin Piersic, Jr.).  Gage doesn’t like having his money stolen so he has his men kidnap Lisa.  Decker eventually gets around to trying to do something about it.

First question: Why is this movie set in France?  There’s nothing notably French about the story or any of the characters.  According to Wikipedia, End of a Gun was filmed in Romania, New Orleans, and Atlanta.  The movie does include stock footage of the Eiffel Tower and there’s a French flag in one scene.

Second question: who was this movie made for?  Will Seagal fans want to see their man Steve standing in a corner while his stunt double handles all of the action?  I know Seagal has claimed that he did all of his own stunts in End of a Gun but it’s hard not to notice that Decker’s face is never visible whenever he fights anyone.  Even though Seagal is not as heavy as he’s been in some of his direct-to-video films, he still seems out of breath for much of the film.  Seagal still whispers all of his lines.

Seagal is not in much of End of a Gun.  Most of the movie is about Gage looking for Decker and Lisa.  That works to the film’s advantage.  The more Seagal is in a film, the more difficult it gets not to focus on his deficiencies as an actor.  Steve showed up long enough to pick up his paycheck and probably sat in on the stripper casting call.  It’s all in a day’s work.

Gunfighters (1947, directed by George Waggner)


Brazos Kane (Randolph Scott) is a legendary gunfighter who has more notches on his gunbelt then he can count.  His reputation is so fearsome that he can’t even enter a town without having to worry about someone drawing a gun on him in an attempt to make a name for themselves.  When he’s forced to shoot his own best friend when the latter tries to outdraw him, Brazos says that he’s had enough.  He tosses aside his guns and he heads to the home of his friend, Bob Tyrell.  Brazos says he’s going to retire from gunfighting and just “ride the range.”

When Brazos reaches Bob’s cabin, he discovers that Bob has been murdered.  When Brazos rides to the nearby Banner ranch to report the crime, he’s arrested and accused of shooting Bob.  When it’s pointed out that Brazos doesn’t have a gun, corrupt Deputy Yount (Grant Withers) says that Brazos most have tossed it in the creek after he shot Bob.

With the help of Bob’s employer, a rancher named Inslip (Charley Grapewin), Brazos narrowly avoids getting hung.  Both Yount and the sheriff (Charles Kemper) encourage Brazos to leave town but Brazos isn’t going anywhere until he gets justice for Bob.  His investigation leads to him getting involved with two sisters (Dorothy Hart and Barbara Britton) and a young cowhand named Johnny (John Miles), who wants to become a famous gunslinger.  It also leads Bob into conflict with Bard Macky (Bruce Cabot) and Hen Orcutt (Forrest Tucker), who are both determined to run Brazos out of town.  Brazos finds himself tempted to go back on his word and pick up his guns yet again.

Based on a novel by Zane Grey, Gunfighters is a surprisingly mature and multi-layered western.  Brazos’s refusal to carry a gun and his genuine dislike of violence makes him a far more interesting protagonist than the typical B-western hero and Randolph Scott, one of the best of the cowboy actors, is appropriately world-weary in the role.  The villains are also written and played with an unexpected amount of depth, with Bruce Cabot the stand-out as Bard Macky.

Gunfighters is full of good scenes.  The opening sequence, featuring the pivotal gunfight between Brazos and his best friend, is excellently directed and captures how quickly violence can erupt in the old west.  Later, when Brazos first meets Johnny, the younger man is engaged in target practice and talking about how a man named Brazos Kane murdered Johnny’s best friend.  Johnny is practicing so he can kill Brazos himself.  Without revealing his identity, Kane gives Johnny a few pointers on how to draw and aim his gun.  It’s only after Johnny has perfected the quick draw that Kane laconically introduces himself and explains that he had nothing to do with Bob’s death.  Later, in a powerfully acted scene, Kane explains to Johnny just what exactly it means to be a famous gunfighter and to know that everyone you see is a potential threat.

Directed by George Waggner, Gunfighters is an intelligent and well-acted western and one of Radolph Scott’s best.