Brad’s thoughts on UNKNOWN NUMBER: THE HIGH SCHOOL CATFISH (2025)!


(Shawn Licari, Lauryn Licari, and Kendra Licari)

My wife and I spent some time with our kids this weekend. Both of them mentioned to us at different times this new documentary they had watched on Netflix called UNKNOWN NUMBER: THE HIGH SCHOOL CATFISH, from director Skye Borgman. It had blown them both away, so we decided to watch it when we got home, and it’s a doozy.

Here’s a brief summary of the events covered… in the small community of Beal City, Michigan, teenage sweethearts Lauryn Licari and Owen McKenny, both around 13 years old, begin receiving disturbing text messages from an unknown number in October 2020. The initial messages say things like Owen is breaking up with Lauryn because he doesn’t like her anymore and wants to be with the person sending the messages instead. The messages pause for a few months, but when they resume in 2021 they get way worse, spamming the kids with up to 50 messages a day over the next year or so. These texts say awful stuff: insulting Lauren’s body, describing sexual acts the sender wants to do to Owen, telling Lauryn to just kill herself, etc. The person sending the texts uses details that only someone close could know. Owen and Lauren finally tell their parents, who go to the school’s administration and from there, local sheriff Mike Main. As you can imagine, the parents’ suspicions begin falling on some of the local teenage girls, especially an excellent young athlete and popular girl named Khloe Wilson. When the sheriff’s investigation comes up empty, the case is escalated to the FBI’s cybercrimes task force and agent Bradley Peter, who is able then to apply advanced forensics techniques. The case finally begins coming to a head when agent Peter is able to link key IP addresses to one specific phone number, a number that matches a person in the community. I won’t go any further so you can discover the rest for yourself if you haven’t watched it yet. 

This is one of those documentaries that may stay with me for awhile. As a father whose kids are now past the ages of the kids who were viciously harassed, I’m mostly left wondering how I would have handled a situation like this if it was happening to one of them. Here are a few thoughts I had while watching the film. First, I’ve watched my beautiful daughter struggle with issues of body image, especially in high school, and she still struggles with it today. I know firsthand the physical and emotional dangers involved with these types of issues. If someone was anonymously attacking her, I would probably explode, and I honestly don’t know what I would have done. It makes me sick just thinking about it. Second, the inadequacy of local law enforcement in many rural communities for solving crimes and punishing criminals is glaringly on display. I’ve always lived in small, rural communities, and I’ve been a victim of crimes on two separate occasions, a hit and run in 1998, and identity theft in 2005. Both times, I solved the crimes myself and passed the info on to the police. As far as I know, even though I filed the proper reports as well as the proof for the crimes, nothing ever happened to the perpetrators. In this specific case, to his credit, the sheriff did finally escalate the situation up to the FBI, but for many months, the kids had to deal with the harassment, the community had suspicions against innocent people running wild, and the parents were at their wits end. If the sheriff had not escalated the situation, this case would probably never have been solved. Finally, I’m amazed by the shit that is going on underneath the surface of the “normal people” all around us each day. I probably shouldn’t be, because my life has had its own share of drama that all but the closest people to me knew nothing about. David Lynch even plays with this theme in his weird and excellent BLUE VELVET. My wife likes to remind me that we should always be kind to people because we never know what they’re dealing with. There’s a lot of truth to that. I periodically remind her not to honk at people who cut her off in traffic because you never know who’s behind that other wheel either. At the end of the day, the craziest stories usually emerge from communities and people that we can all relate to. A place like Beal City is a lot like the places I grew up. 

Overall, if you enjoy real life documentaries that explore the crazy acts that normal people are capable of, you will probably like UNKNOWN NUMBER: THE HIGH SCHOOL CATFISH. It will definitely reinforce your ongoing inability to fully trust your family, friends and neighbors! 

I’ve included the trailer below:

Scenes That I Love: The Puppet Scene From Deep Red


Today is a special day here at the Shattered Lens as we celebrate the birthday of Dario Argento!

Now, we’ve got a lot of Argento-related stuff scheduled for October so, for today, I’m just going to share one of the best scenes from one of my favorite Argento films, 1975’s Deep Red.  This scene features what is seriously the creepiest puppet that I’ve ever seen.

4 Shots From 4 Films: Special Elia Kazan Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

116 years ago, on this date, Elia Kazan was born Istanbul.  Kazan would go on to become a groundbreaking director, both for the stage and in movies.  He would play a key role in turning both Marlon Brando and James Dean into stars and he made films, like Gentleman’s Agreement and A Face In The Crowd, that challenged the political pieties of the day.  Of course, he also named names in front of HUAC, a decision that continues to be controversial to this day.  Two of Kazan’s films — Gentleman’s Agreement and On The Waterfront — won the Oscar for Best Picture.  A Streetcar Named Desire was widely expected to win before it was upset by An American In Paris.  A Face In The Crowd is often cited as being one of the most prophetic films ever made.  When Kazan was given an honorary Oscar in 1999, many in the auditorium refused to applaud but his influence as a filmmaker cannot be denied.

It’s time for….

4 Shots From 4 Elia Kazan Films

A Streetcar Named Desire (1951, dir by Elia Kazan, DP: Harry Stradling)

On The Waterfront (1954, dir by Elia Kazan, DP: Boris Kaufman)

East of Eden (1955, dir by Elia Kazan, DP: Ted D. McCord)

A Face In The Crowd (1957, dir by Elia Kazan, DP: Gayne Rescher and Harry Stradling)

Music Video of the Day: Don’t Get Me Wrong by The Pretenders (1986, directed by Stuart Orme)


Happy birthday to Chrissy Hynde!

Today’s music video of the day features Hynde filling in for Diana Rigg and searching for John Steed in a tribute to The Avengers.  Patrick Macnee makes an appearance as Steed, courtesy of archival footage from The Avengers.

Television director Stuart Orme has also done videos for Level 42, Bonnie Tyler, Whitney Houston, Sade, Genesis, and Frida.

Enjoy!

Late Night Retro Television Review: Good Morning Miss Bliss 1.8 “The Boy Who Cried Rat”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing Good Morning, Miss Bliss, which ran on the Disney Channel from 1988 to 1989 before then moving to NBC and being renamed Saved By The Bell.  The entire show is currently streaming on Prime!

This week, Zach takes up terrorism.

Episode 1.8 “The Boy Who Cried Rat”

(Dir by Gary Shimokawa, originally aired on February 11th, 1989)

Miss Bliss has been nominated for Indiana Teacher Of The Year because of course she has.  Mr. Belding is super-excited.  He is convinced that Miss Bliss’s Battle of the Eighth Grade Stars will put her over the top!  What is the Battle of the Eighth Grade Stars?  Miss Bliss wears silly costumes and asks historical questions.  Miss Bliss can’t wait to be named Teacher of the Year.

Uh-oh, Zach Morris needs an extra week to study for his midterm so he can get the B that his father is requiring before he’ll take Zach on a ski vacation.  Zach convinces Screech to set his two pet rats free in the school.  As a result, the school is shut down for a week and the Best Teacher judge will not get to see  Miss Bliss’s Battle of the Eighth Grade Stars.  But when Zach hears that Miss Bliss is going to miss her chance to be Teacher of the Year, he feels guilty and confesses.  Somehow, this leads to the school not being closed for a week.  I mean, Screech was able to find one of his rats but the other one is still loose in the school.  Zach confessing doesn’t change the fact that there’s still a rat infestation.  Mr. Belding offers Zach and Screech a deal.  If they act really enthusiastic during Miss Bliss’s Battle of the Eighth Grade Stars and they help Miss Bliss win the title of Teacher of the Year, Belding won’t give them detention.  Zach agrees.

(Personally, I think it can be argued that Zach should have been expelled and that his behavior is evidence of a sociopathic personality but whatever.  Miss Bliss is what matters here!)

Unfortunately, Zach and the class get too enthusiastic about the Battle of the Eighth Grade Stars.  They’re so busy praising Miss Bliss that Miss Bliss fears that they’ve become distracted from studying for their midterms.  Miss Bliss tells the judge that her number one concern has to be getting the kids ready for their test, not competing for a title.

So, of course, Miss Bliss wins the title.

More than any previous episode of Good Morning Miss Bliss, this episode felt like a typical installment of Saved By The Bell.  Zach came up with a wacky scheme.  Screech somehow got roped into it.  And, in the end, no one faced any real consequences for their behavior.  That said, this is also a typical Good Morning Miss Bliss episode in that Miss Bliss is again portrayed as being too good to be true and the entire school was portrayed as revolving around keeping her happy.

Personally, I don’t think Miss Bliss’s Battle of the Eighth Grade Stars was all that impressive.  Teacher of the Year?  STOP THE COUNT!

Lisa Marie’s Week In Television: 8/31/25 — 9/6/25


Big Brother 27 (CBS, Paramount+, Pluto TV, 24/7)

Only one more month of this crap left!  I’ve been writing about Big Brother, on an increasingly irregular basis, over at the Big Brother Blog.  I’ll be happy when Survivor and The Amazing Race return.

The Dark Side of Comedy (Hulu)

I watched a few episodes of this show because I was bored.  The Dustin Diamond episode was sad.  You know what wasn’t sad?  The Family Matters episode, in which the only two members of the cast willing to be interviewed complained endlessly about being overshadowed by Jaleel White.  I mean, admittedly, if my big chance at stardom was short-circuited by Urkel, I’d probably be bitter too but still, there comes a time when you have stop whining.

It’s Always Sunny In Philadelphia (Hulu)

I finished up the latest season.  I have to admit that the trip to the dog track almost made me throw up, it got so (intentionally) disgusting.  But no matter!  Frank as the Golden Bachelor?  Brilliant!  Now, I want to see Dennis and Mac on The Amazing Race.  Or maybe Charlie and Frank on The Amazing Race.  Or Dee and …. well, she’d probably end up running alone.  It would still make me laugh, though.

The Paper (Peacock)

From the creators of The Office …. oh, I really wanted to like this.  And the show had its isolated funny moments but what it didn’t have were any characters who were, in any way, as interesting as the folks on The Office.  The Paper mixed the format of The Office with the earnestness of Parks and Rec and I was pretty bored by the sixth episode.  One thing that this show didn’t seem to get is that people could see themselves in The Office because everyone hates their job.  Everyone could relate to Jim’s frustrations and Pam’s boredom.  The Paper, on the other hand, is about people who love their job to an almost obnoxious extent and, as such, the characters just weren’t relatable.  If anything they were kind of annoying.  The show attempts to do a Jim-and-Pam thing with the characters played by Domhnall Gleeson and Chelsea Frei but it doesn’t work because 1) he’s her boss and 2) the two actors don’t really have much chemistry.  Their scenes together felt forced.  (I was happy to see Oscar Nunez again, if just because he brought so much needed cynicism to the show.)  I’m a big admirer of producer Greg Daniels and the King of the Hill reboot was brilliant but, in this case, I think he overestimated that amount of nostalgia that people have for newspapers.

The Serial Killer’s Apprentice (HBOMax)

This documentary took a look at the disturbing life and crimes of Texas serial killer Dean Corll and it featured an interview with Elmer Henley, the young man who went from being Corll’s accomplice to eventually being Corll’s killer.  Henley is still serving a life sentence.  This documentary featured an interview with him and it made the mistake of featuring an actor playing the older Henley as he spoke on the phone in the jail.  It’s an interesting story and I’m surprised that it hasn’t been turned into a cheap B-movie like so many other real-life serial killer tales have.  That said, this documentary was a bit on the shallow side.  Elmer Henley may have ultimately killed Corll but, before that, he helped Corll kill a lot of people.  Henley is right where belongs, in prison for the rest of his life.

Retro Television Review: The American Short Story #14: Rappaccini’s Daughter


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, Lisa will be reviewing The American Short Story, which ran semi-regularly on PBS in 1974 to 1981.  The entire show can be purchased on Prime and found on YouTube and Tubi.

This week, we have an anemic adaptation of a Nathaniel Hawthorne short story.

Episode #14: Rappaccini’s Daughter

(Dir by Deszo Magyar, originally aired in 1980)

This week’s episode is an adaptation of one of Nathaniel Hawthorne’s more intriguing short stories.  Giovanni (Kristoffer Tabori) is a young scholar who, in 18th Century Italy, falls in love with the beautiful and mysterious Beatrice (Kathleen Beller).  Beatrice has been raised in a garden that is full of poisonous plants that have been developed by her father, Dr. Rappaccini (Leonardo Cimino).  As a result, Beatrice is immune to the plants but she herself is poisonous.  Giovanni falls in love with her and is willing to become poisonous himself but it ultimately turns out that everything comes with a price.

Hawthorne’s short story was not only an early example of gothic literature but it was also a well-deserved parody of the nature-loving, self-righteous transcendentalists.  (The story came out at the same time as Henry David Thoreau’s Walden.)  Unfortunately, this particular adaptation really doesn’t do the story justice.  It moves extremely slowly and the performances are not particularly memorable.  Kristoffer Tabori and Kathleen Beller have very little chemistry and, in the end, the adaptation misses the satirical nature of the story altogether.  There’s a reason why Vincent Price made for an excellent Dr. Rappaccini in 1963’s Twice Told Tales.

4 Shots From 4 Films: Special Tommy Lee Wallace Edition!


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.

Today, the Shattered Lens wishes a happy birthday to director Tommy Lee Wallace!

4 Shots From 4 Tommy Lee Wallace Films

Halloween III: Season of the Witch (1982, dir by Tommy Lee Wallace)

Fright Night Part 2 (1988, dir by Tommy Lee Wallace)

It (1990, dir by Tommy Lee Wallace)

Vampires: Los Muertos (2002, dir by Tommy Lee Wallace)