Late Night Retro Television Review: Good Morning Miss Bliss 1.11 “Stevie”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing Good Morning, Miss Bliss, which ran on the Disney Channel from 1988 to 1989 before then moving to NBC and being renamed Saved By The Bell.  The entire show is currently streaming on Prime!

This is perhaps the dumbest episode of this show yet.

Episode 1.11 “Stevie”

(Dir by Burt Brinckerhoff, originally aired March 4th, 1989)

The world’s most popular pop singer (Suzanna Tara) is performing at her old middle school, JFK Junior High!  The world knows her as Stevie but Miss Bliss still calls her “Colleen Morton.”  Since Colleen/Stevie’s parents are no longer living in Indiana, Miss Bliss suggests that Stevie should stay with her.  Stevie agrees because, when you’re a millionaire who can literally stay anywhere, why wouldn’t you want to stay with a condescending middle school teacher?

During her concert, Stevie will be singing to one student who will join her on stage.  Zach wants to be that student, especially since he’s made a bet that he’ll kiss Stevie before the week ends.  Zach sends Stevie a letter, claiming to be terminally ill.  Stevie is touched.  Mr. Belding is touched.  Miss Bliss sees right through Zach and exposes him for being a liar.

When Zach goes to Miss Bliss’s house to apologize, he meets Colleen.  Like Zach, Colleen is also a damn liar and claims to be Miss Bliss’s niece.  Zach and Colleen talk about how Stevie is retiring to go to college.  Zach thinks that is crazy and I agree.  Colleen kisses Zach on the cheek.

Later, watching Stevie sing to Screech, Zach realizes who she is.  “I kissed Stevie!” he shouts.  Nikki tells him to get bent.

This was an annoying episode.  I could buy the idea of Stevie wanting to perform at her old high school but seriously, who would ever want to return to middle school?  Who remembers their middle school teachers?  Who would want to stay with Miss Bliss?  Add to that, this was yet another episode of Good Morning Miss Bliss that was so poorly lit that I almost went blind from the glare of Mark-Paul Gosselaar’s hair.

This whole thing was just dumb.

Retro Television Review: The American Short Story #17: The Greatest Man In The World


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing The American Short Story, which ran semi-regularly on PBS in 1974 to 1981.  The entire show can be purchased on Prime and found on YouTube and Tubi.

This week, The American Short Story comes to a close.

Episode #17: The Greatest Man In The World

(Dir by Ralph Rosenbaum, originally aired in 1981)

In this adaptation of a James Thurber short story, a country boy named Jack Smurch (Brad Davis) briefly becomes a celebrity when he breaks Charles Lindbergh’s record for flying nostop around the world.  Two reporters (Reed Birney and John McMartin) are assigned to write a glowing profile of him.  The U.S. Secretary of State (William Prince) wants to make him a symbol of America.  The only problem is that Smurch himself is a violent and dull-minded habitual criminal who can barely fly his plane and who almost crashes when he comes in for a landing at the end of his flight.  Before he took off in his plane, the only person who cared about Smurch was his girlfriend (Carol Kane).  Even Smurch’s own mother says that she hopes that he crashes and drowns.  But once he manages to land, Smurch becomes a hero.  As the saying goes, print the legend.

Smurch, unfortunately, isn’t smart enough to play along with the hero routine.  At a meeting with the Secretary of State and the President (who is implied to be FDR), Smurch proves to be so obnoxious that he’s tossed out of a window.  He plunges to his death but he dies an American hero.

The final episode of The American Short Story was also the best, a wonderfully dark satire on the media and our cultural need for heroes.  Brad Davis’s naturally obnoxious screen presence — the same presence that made audiences enjoy seeing him get tortured in Midnight Express — is put to good use here.  Jack Smurch is such a jerk that you really can’t blame anyone for tossing him out that window.  If nothing else, it got him to stop talking.

The American Short Story was, overall, an uneven series.  Too often, the episodes failed to really capture the tone and style that made the original stories so memorable.  That said, there were a few good episodes, like this one.  If nothing else, perhaps this series inspired people to read the original stories for themselves.  That would have been the best possible outcome.

Next week …. something new will premiere in the time slot!  What will it be?  I’ll give you a clue — it’s set on the beach but it’s not Pacific Blue.  Let’s just say that some people stand in the darkness….

Live Tweet Alert: Watch The Satanic Rites of Dracula With #ScarySocial!


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, for #ScarySocial, I will be hosting 1973’s Satanic Rites of Dracula!

If you want to join us on Saturday night, just hop onto twitter, start the film at 9 pm et, and use the #ScarySocial hashtag!  The film is available on Prime and Tubi!  I’ll be there co-hosting and I imagine some other members of the TSL Crew will be there as well.  It’s a friendly group and welcoming of newcomers so don’t be shy!

 

Song of the Day: The Ballad of Bonnie and Clyde by Georgie Fame


With today’s song of the day, we continue our Bonnie and Clyde theme!

This song is from 1968 and was inspired by Arthur Penn’s classic crime film, Bonnie and Clyde. Oddly enough, this song insists that Bonnie and Clyde were from Savannah, Georgia when everyone knows that they were from my part of the world, North Texas.  Then again, “Savannah” does sound a bit better when set to music than “West Dallas.”

Scene That I Love: The Story of Bonnie and Clyde


In this scene, from Arthur Penn’s 1967 film Bonnie and Clyde, Bonnie Parker (played by Faye Dunaway) writes a poem and tries to craft the future image of Bonnie and Clyde.  Though it has none of the violence that made Bonnie and Clyde such a controversial film in 1967, this is still an important scene.  (Actually, it’s more than one scene.)  Indeed, this scene is a turning point for the entire film, the moment that Bonnie and Clyde goes from being an occasionally comedic attack on the establishment to a fatalistic crime noir.  This is where Bonnie shows that, unlike Clyde, she knows that death is inescapable but she also knows that she and Clyde are destined to be legends.

(Of course, Dunaway and Warren Beatty — two performers who once epitomized an era but who are only seen occasionally nowadays — are already legends.)

4 Shots From 4 Films: Special Arthur Penn Edition


4 (or more) Shots From 4 (or more) Films is just what it says it is, 4 (or more) shots from 4 (or more) of our favorite films. As opposed to the reviews and recaps that we usually post, 4 (or more) Shots From 4 (or more) Films lets the visuals do the talking.

103 years ago today, Arthur Penn was born in Philadelphia.  In the 50s, Penn was one of the new crop of directors who made a name for themselves directing for television.  Like most of his colleagues, he transitioned into film.  Unlike many of his colleagues, he remained a fiercely iconoclastic director, one who was willing to challenge the conventions of Hollywood.  While his early films often struggled at the box office, he was respected by actors and hailed as a visionary by the directors of the French New Wave.

In 1967, he and Warren Beatty changed the course of American cinema with Bonnie and Clyde.  Penn followed up that classic film with movies like Alice’s Restaurant, Little Big Man, Night Moves, and a handful of others.  When he died in 2010, Penn was hailed as one of the most influential (if sometimes underrated) directors of all time.

Today, in honor of the anniversary of his birth, the Shattered Lens offers up….

4 Shots From 4 Arthur Penn Films

The Chase (1966, dir by Arthur Penn, DP: Joseph LaShelle)

Bonnie and Clyde (1967, dir by Arthur Penn, DP: Burnett Guffey)

Alice’s Restaurant (1969, dir by Arthur Penn, DP: Michael Nebbia)

Little Big Man (1970, dir by Arthur Penn, DP: Harry Stradling Jr)

Music Video of the Day: Couple Days Off by Huey Lewis and the News (1991, directed by Jim Yukich)


Huey Lewis and the News were the epitome of a mid 1980s band.  They worked hard and they made videos that celebrated having a good time.  They were never as obnoxious or openly hedonistic as the hair bands of era but they were also out-of-place in the angst-filled 90s.  But while everyone else continues to pay thousands to see Bruce Springsteen, Huey Lewis and the News will always be the blue collar bar band for me.

This video was directed by Jim Yuckich, who has directed videos for everyone.

Enjoy!