Late Night Retro Television Review: Pacific Blue 2.13 “Outlaw Blues”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing Pacific Blue, a cop show that aired from 1996 to 2000 on the USA Network!  It’s currently streaming everywhere, though I’m watching it on Tubi.

This week, there’s way too much happening on the Boardwalk.

Episode 2.13 “Outlaw Express”

(Dir by Michael Levine, originally aired on December 8th, 1996)

Mahmoud (Shaun Toub) is selling cheap jewelry on the boardwalk.  He gives Chris a “silver” necklace that makes her neck turn green.  Uh-oh, someone’s allergic to tin!

Palermo’s daughter is hanging out with some extreme athletes who are pressuring her to take part in increasingly dangerous pranks on the boardwalk so that they can film them for their web site!

Two criminals are hijacking trucks and then forcing merchants to sell stolen goods!  When they see that one truck driver is wearing a tie-dyed t-shirt, they shoot him in the back and then tell him, “Say hi to Jerry for me.”  (I’m guessing they were referring to Jerry Garcia and not Jerry Springer but who knows with this show.)

Finally, Victor’s mother is staying at his apartment which means Victor can’t get laid!

Wow, there’s a lot to deal with this week.  When a show tries to juggle this many plots, it really does remind you of the importance of having clearly defined and compelling characters.  Pacific Blue doesn’t have any of that so this episode kind of sucked.  We are 24 episodes into this stupid show and I still can’t tell the difference between Victor, TC, and Palermo whenever they’re riding their bikes.  That’s a problem.  24 episodes in and Chris still doesn’t have a personality beyond being annoyed by everyone she talks to.  That’s another problem.

(“I didn’t catch your first name Officer Kelly,” Mahmoud says.  “Officer,” Chris replies, deploying the power glare.)

Seriously, just think about how much it would suck to be a victim of the crime, call 911, and then have these douchebags show up.

Suburban Commando (1991, directed by Burt Kennedy)


After screwing up a mission to save the leader of his planet from the intergalactic gangster Suitor (William Ball), Shep Ramsey (Hulk Hogan) is ordered to take a vacation.  When Shep gets mad and accidentally damages the controls of his spaceship, he’s forced to hide out on Earth while his ship repairs itself.  After stealing some clothes from a biker, Shep rents a room from Charlie (Christopher Lloyd) and Jenny Wilcox (Shelley Duvall).  Charlie is an architect who hates his job, his boss (Larry Miller), and a malfunctioning traffic light in the middle of town.   Charlie doesn’t trust Shep but when Suitor comes to Earth in search of his number one foe, Charlie and Shep are going to have to work together to save Charlie’s family.

Suburban Commando was originally envisioned as being an Arnold Schwarzenegger/Danny DeVito film.  Schwarzenegger and DeVito decided to do Twins instead and Suburban Command was (eventually) made with Hulk Hogan and Christopher Lloyd.  The idea behind the film had potential but the film itself never comes to life, thwarted by a low-budget and a cast that generates little in the way of chemistry.  Things start out well when Hogan is in outer space and the film parodies Star Wars but, once Hogan goes on vacation, the story crashes down to Earth in more ways than one.  Hogan was more of a personality than an actor and it’s impossible to see him as being anyone other than Hulk Hogan, even if he is flying through space and wearing intergalactic armor at the start of the movie.  Hogan getting angry in space is funny because space is not where you would expect to find him.  Hogan getting angry in the suburbs just feels like a half-baked sitcom.  Lloyd is too naturally eccentric to be believable as someone trapped in a go-nowhere job.  It’d hard to buy Christopher Lloyd as someone who would be scared to tell off his boss or who would need an alien warrior to come down and show him how to loosen up.  There’s a lot talented people in the cast but the ensemble never really gels.

This was the last film to be directed by veteran filmmaker Burt Kennedy.  Kennedy was best-known for his westerns, including Welcome to Hard Times, Support Your Local Sheriff, and Hannie Caulder.  He was not known for his wacky comedies and this film shows us why.

Retro Television Review: Fantasy Island 7.3 “Nurses Night Out”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1984.  Unfortunately, the show has been removed from most streaming sites.  Fortunately, I’ve got nearly every episode on my DVR.

This week, three nurses are brought to the Island by one grateful benefactor.

Episode 7.3 “Nurses Night Out”

(Dir by Philip Leacock, originally aired on October 22nd, 1983)

Wealthy George Galloway (Peter Graves) has recently been discharged from the hospital and he wants to give a present to the three nurses that took care of him.  He pays for all of them to come to Fantasy Island and experience a fantasy.

Christine Donavon (Joanna Cassidy) wants the capable but abrasive Dr. Mark Reed (Monte Markham) to experience what it’s like to be a patient so that he might understand what it’s like having to deal with the uncertainty of being in a hospital.  However, Christine comes to discover that Dr. Reed isn’t that bad and Dr. Reed comes to realize that perhaps he could be a bit kinder.  Love is in the air!

Tracy Freemont (Pat Klous) wants to hook up with quarterback Crash McGowan (Brodie Greer, who I’m also currently watching as Officer Barizca on CHiPs).  Crash was a patient at the hospital and Tracy was his night nurse.  Crash likes Tracy but, as he explains it to Mr. Roarke, he’s currently under a lot of pressure to win football game  and, as a result, he’s impotent.  Maybe Crash should just ask for a fantasy where he’s not impotent for the weekend.  Fear not, things work out.  Love is in the air!

At first, Alice Green (Eleanor Parker) just wants to spend her time on the Island doing nothing.  That’s her fantasy.  Lawrence may think that an odd fantasy but I actually understand Alice’s point.  She’s on vacation.  Why should she have to do anything?  However, when Alice discovers that George is her benefactor, she decides she does have a fantasy.  She wants to tell George that she loves him.  George’s fantasy is for Alice to love him.  Hey, that works out!  The only problem is that George only has three months to live!  Love is in the air …. but for how long!?

This episode wasn’t that bad, especially when compared to the previous two episodes.  I like Peter Graves and I liked the three nurses and I was happy that they all ultimately found love on the Island.  Admittedly, Tracy and Christine’s fantasies didn’t do much for me.  But the Peter Graves/Eleanor Parker fantasy was nicely done and I appreciated the fact that the show didn’t come up with some miracle cure for George’s terminal illness.  Instead, with the gentle encouragement of Mr. Roarke, George and Alice decided to make the best of the time they had left.  Good work, Mr. Roarke!

Tattoo is very much missed but this was still a good trip to the Island.

Scenes That I Love: Clara Bow Prepares For Her Date In 1927’s It!


It (1927, directed by Clarence Badger)

Today, we celebrate the birthday of my pre-code, silent film role model, the amazing Clara Bow!  Clara was born 120 years ago, on this date, in Brooklyn, New York.  As an actress, she was one of the biggest stars of the silent era.  She came to represent the the Roaring 20s in all of their glory.  She also co-starred in the first film to ever win the Oscar for Best Picture, Wings!

Below is a scene from my favorite Clara Bow film, 1928’s It.  Playing a poor but confident shopgirl who falls in love with her wealthy boss, Bow was so popular with audiences that she became known as the “It Girl.”

In the scene below, she prepares for a date with her boss.  She may not be as rich as her romantic rivals but she doesn’t let that stand in her way.  She’s Clara Bow.  She’s got it and she knows it.

4 Shots From 4 Clara Bow Films: It, Wings, Dangerous Curves, Call Her Savage


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking.

Happy birthday to my pre-code role model, the amazing Clara Bow!

4 Shots From 4 Clara Bow Films

It (1927, dir by Clarence G. Badger)

Wings (1928, dir by William Wellman)

Dangerous Curves (1929, dir by Lothar Mendes)

Call Her Savage (1932, dir by John Francis Dillon)