Late Night Retro Television Review: Pacific Blue 1.2 “First Shoot”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing Pacific Blue, a cop show that aired from 1996 to 2000 on the USA Network!  It’s currently streaming everywhere, though I’m watching it on Tubi.

This week, the bicycle cops continue to expect to be taken seriously.

Episode 1.2 “First Shoot”

(Dir by Michael Levine, originally aired on March 9th, 1996)

It’s a busy time for the bicycle cops of Santa Monica.

Elvis (David Lander), the bicycle repairman who speaks with an indecipherable accent, is paranoid because a group of Bulgarian men are wandering the beach and asking if anyone knows where they can find him.  It turns out that the men are not dangerous but instead, they are the members of Bulgaria’s Olympic bicycling team.  They want Elvis to be their official team repairman.  However, Elvis previously had an affair with the girlfriend of one of the Olympians so he declines the offers.  He prefers the glamour of California.

Meanwhile, a pickpocket is robbing people on the boardwalk.  When he makes the mistake of grabbing the wallet of an old Italian man named Mr. Tataglia (Joseph Campanella), Tataglia goes to Lt. Palermo and explains that he wants the wallet back because it contains a picture of his wife.  He would consider it a matter of personal respect if Palermo retrieved the wallet and he promises to repay the favor.  Fortunately, the brave bicycle cops do catch the pickpocket.  Mr. Tataglia watches from a distance and nods.  I guess Mr. Tataglia is meant to be a mobster.  Believe it or not, not all Italians are in the Mafia.  I’m a fourth-Italian and I’m fairly sure that side of my family is not mob-related.

While that’s going on, Chris and Del Toro ride their bikes out to a film set and provide security for a spoiled movie star named Scott Magruder (Bojesse Christopher).  Chris is the one who has a crush on Magruder but it’s Del Toro who is seduced by the prospect of fame.  When Magruder gives Del Toro a line in the movie, Del Toro has visions of movie stardom in his head.  But then the scene gets cut.  Sorry, Del Toro, looks like you’re just going to have to spend the rest of your life riding around the beach on a Schwinn like a dumbass.  Scott later gets arrested in a bar fight but it turns out it was a publicity stunt.  Chris is saddened to learn that celebs aren’t as likable in real life as they are in the gossip pages.  Myself, I’m just wondering why Chris has gone from being the smart and driven character that she was in the pilot to being a total airhead just one episode later.

Finally, Cory and the bike cops help the real cops bust a group of drug dealers.  Cory shoots an aspiring rapper named Rasheed (Jeremiah Birkett).  Rasheed claims that he didn’t have a gun.  Cory is determined to prove that he did.  Apparently, this was the first time that Cory ever shot anyone.  Strangely, it doesn’t seem to rattle her at all that she nearly ended someone else’s life.  I mean, it seems like most people would have a more emotional reaction to nearly killing a man, even if that guy was a criminal with a gun.  Cory, however, is cool and calm and kind of creepy about it.  It’s established that Cory comes from a family of cops so maybe that’s why the shooting doesn’t faze her.

There was a lot going on in this episode.  Actually, there was probably too much going on.  This is only the second episode of the show and it’s not like any of the characters have really developed much of an individual personality.  Everyone is still pretty much interchangeable.  As a result, none of the action in this show carried much of an emotional impact.  The characters are all still strangers to me.

Maybe things will improve next week.

(Seriously, let’s hope so!  I’ve got a lot of episodes to make my way through before I’m done with Pacific Blue.)

 

Lisa Marie Reviews An Oscar Nominee: Alice Adams (dir by George Stevens)


Katharine Hepburn was famous for both her relationship with Spencer Tracy and the films that she made with him.  They were such frequent co-stars and so associated with each other that “Hepburn-Tracy” became a film genre in and of itself, one that promised a bit of comedy, a bit of drama, and some sharp-witted romance.  That said, I have to admit that one of my favorite of Katharine Hepburn’s film is one that she made not with Spencer Tracy but instead with Fred MacMurray.  Alice Adams is a Tracy-Hepburn film without Tracy.

First released in 1935 and based on a novel by Booth Tarkington (who was quite a big deal back in the day even if, like Arrowsmith‘s Sinclair Lewis, he’s somewhat forgotten today), Alice Adams stars Hepburn as the title character.  Alice is the daughter of Virgil Adams (Fred Stone) and his wife, who is only referred to as being Mrs. Adams (Anne Shoemaker).  Virgil is a sickly man who has worked as a clerk at a glue factory for several years.  Despite living in a rather large house and having a maid named Malena (Hatti McDaniel), the Adams family is not wealthy.  However, Mrs. Adams desperately wants the family to be rich and Alice carries herself with the airs of a wealthy woman, despite the fact that everyone in town knows that she’s not.  Alice love her family and is loyal to them, even if her younger brother (Frank Albertson, who later played Sam “Hee Haw” Wainwright in It’s A Wonderful Life) appears to be addicted to gambling and her mother is constantly browbeating her father for not being more ambitious.  Her family may embarrass her but we know she wouldn’t trade them for all the money in the world.  That’s why we like Alice, even if she does sometimes act like a snob.

However, when Alice meets and falls for the wealthy Arthur Russell (Fred MacMurray), she lies about her social background and tries to present herself as being just as rich as him.  When she invites Arthur and his parents to her house for a dinner party, she frantically tries to keep up the charade of being wealthy.  Meanwhile, Virgil finds himself wrongly accused of stealing from his boss (Charley Grapewin) and, as a result, the family’s financial future is put in jeopardy.

Alice Adams is a mix of screwball comedy and social drama.  On the one hand, Alice’s desperate attempts to throw the perfect party are frequently very funny.  Katharine Hepburn was always at her best when she played a flighty character and the contrast between Alice’s sophisticated airs and Alice’s actual personality makes me laugh every time that I watch the film.  At the same time, there’s a definite undercurrent of melancholy to the film.  Alice and her mother are both so desperate to be rich that they’ve both been blinded to just how wonderful their lives really are.  Alice may like Arthur and Arthur definitely likes Alice but one never forgets that a part of Alice’s attraction to Arthur is that Arthur can give her the life to which she aspires.

Alice Adams features one of Hepburn’s best performances and it’s a rare Hepburn performance to which anyone watching should be able to relate.  At some point in our lives, we’ve all felt like Alice.  We’ve all been Alice, even if we don’t want to admit it.  Fred MacMurray’s natural likability serves him well as Arthur.  He comes across like a genuinely nice guy and we definitely want him and Alice to end up together.

Alice Adams was nominated for Best Picture but it lost to a much bigger production, Mutiny on the Bounty.  Bette Davis beat Katharine Hepburn for Best Actress.  Davis later said that she felt Hepburn should have won.

Beverly Hills Cop (1984, directed by Martin Best)


Two years after teaming with Nick Nolte in 48 Hrs., Eddie Murphy returned to the action genre in what remains he best-known action comedy, Beverly Hills Cop.

We all know the story.  Eddie Murphy is Axel Foley, a streetsmart detective in Detroit whose childhood friend, Mickey (James Russo), is murdered because of something that he saw while working as a security guard in Beverly Hills.  Axel plays by his own rules and gets results even as he gives his boss, Inspector Todd (Gil Hill), heartburn.  Todd refuses to allow Foley to investigate Mickey’s death so Axel puts in for some vacation time and catches the first plane to Beverly Hills.

In Beverly Hills, he meets up with another childhood friend, Jenny (Lisa Eilbacher).  Axel thinks that Mickey’s murder was ordered by a shady businessman named Victor Maitland (Steven Berkoff).  The Beverly Hills Police Department orders Axel to leave Maitland alone and to return to Detroit.  Axel won’t go until he gets justice for Mickey.  Lt. Bogomil (Ronny Cox) assigns Taggart (John Ashton) and Rosewood (Judge Reinhold) to follow Axel in Beverly Hills.

Like 48 Hrs., the story is serious but the comedy comes from how the well-drawn characters interact with each other and from seeing how Axel reacts to the strange and wealthy world of Beverly Hills.  Axel has the same reactions that we would have but, because he’s played by Eddie Murphy, he always has the perfect response to everything that he sees, whether it’s dealing with a snooty hotel clerk or with someone like Serge (Bronson Pichot), Jenny’s co-worker who speaks with an unidentifiable accent.  Even more so than in 48 Hrs or Trading Places, Murphy reveals himself to be a natural star here.  One reason why we like Axel is because he’s not just funny but he’s also the type of confident hero that we all wish we could be.  He’s not intimidated by Beverly Hills for a second.

It’s now impossible to picture anyone else in the role of Axel Foley but, when the film’s script was first being shopped around, it was originally offered to Sylvester Stallone, who said the story had potential but was missing something.  He rewrote the script and took out all of the humor, turning it into a grim and serious action film.  (It is rumored that Stallone later turned his version of the script into Cobra.)  Fortunately, Stallone eventually dropped out of Beverly Hills Cop so that he could co-star with Dolly Parton in Rhinestone.  Producers Don Simpson and Jerry Bruckheimer, then at the start of their producing careers, then offered the role to Eddie Murphy, who took Stallone’s script and added back all of the humor.  Murphy also ended up ad-libbing several of the film’s best one-liners, improvising the hotel lobby scene and the meeting with Serge on the spot.

Beverly Hills Cop was a huge success, cementing Murphy’s status as a star and proving that Murphy could carry a movie on his own.  The film still holds up, certainly better than any of the sequels that followed.  Even though Murphy was clearly the main attraction, the movie also gave actors like John Ashton, Judge Reinhold, Ronny Cox, Bronson Pinchot, and even Paul Reiser a chance to shine.  The villainous performances of Steven Berkoff and Jonathan Banks would serve as a model for countless bad guys through the 80s and 90s.  Beverly Hills Cop is a movie that makes you happy that Sylvester Stallone didn’t have a better sense of humor.

Retro Television Review: Fantasy Island 6.1 “Curse of the Moreaus/My Man Friday”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1984.  Unfortunately, the show has been removed from most streaming sites.  Fortunately, I’ve got nearly every episode on my DVR.

Welcome to the sixth season of Fantasy Island!

Episode 6.1 “Curse of the Moreaus/My Man Friday”

(Dir by Bob Sweeney, originally aired on October 16th, 1982)

A new season has begun and the fifth season’s Julie experiment is officially over.  Mr. Roarke is back and Tattoo is once again his only assistant.  Julie is not only missing but she’s not even mentioned in this episode.  Personally, I think Julie went to college on the mainland or maybe she married Gopher from the Love Boat.  Either way, Julie is gone and Fantasy Island is back to normal.

This week’s fantasies both felt familiar.  It was another haunted house fantasy and another “secretary-becomes-the-boss fantasy.”  After spending nearly ten years as a secretary at an ad agency, Linda Whitney (Pamela Hensley) has watched as her stupid boss, Ed Turner (Avery Schrieber) has taken credit for all of her ideas and as everyone has gotten promoted but her.  Linda wants to be an executive and fortunately, Mr. Roarke knows the president of her company.  Linda has received a promotion to the executive suite.  She has 48 hours to prove herself or she’ll be “demoted” back to secretary.

(Demoted is in scare quotes because, right out of college, I worked as an administrative assistant and let me just say that a good assistant is the most important person in any office.)

What’s odd about this fantasy is that Mr. Roarke arranges for Linda’s office to be transported to Fantasy Island.  But all of Linda’s co-workers are transported to the Island as well.  In fact, the entire building seems to now be on Fantasy Island.  I mean, at this point, we all know that Mr. Roarke can pretty much do anything but even this seems a bit extreme for a fantasy that is clearly established as not being something that’s just happening in Linda’s head.  Mr. Roarke is somehow transporting office buildings now.  Were Linda’s co-workers given any warning before being transported to the Island?

It’s not easy being an executive.  Her old boss wants her to fail.  All of her former secretarial colleagues want her to fail.  Can Linda get land the big account?  Sure, she can.  Luckily, she has a male secretary named Jack Friday (James Houghton) to help out!  By the end of the episode, Linda has come to realize that she treated the handsome Jack almost as poorly and objectified Jack almost as much Ed Turner did to her.  Then again, Jack does introduce himself by saying that he likes working for women because they have “better legs.”  All that said, I liked the fantasy.  I liked that Linda kept her promotion.  I liked that she worked with Jack without falling in love with him.  I like that she left the Island on her own, satisfied with her new career.

As for the other fantasy, Jack Moreau (Stuart Whitman) is haunted by nightmares in which he kills his wife, Kathy (Barbara Rush).  Agck!  It turns out that Moreau men are cursed.  They murder their wives on their 50th birthday.  Jack failed to mention this to Kathy when they got married.  That’s probably grounds for divorce.  Anyway, Mr. Roarke sends them to spend Jack’s birthday weekend in the Moreau plantation, where they are watched by a mysterious servant (Raymond St. Jacques) who seems to be all about driving Jack to murder his wife.  Fortunately, Jack does not murder his wife.  Kathy tells Jack that she loves him and the curse is broken.  Hey, that was easy!  That said, I enjoyed this fantasy.  The Fantasy Island haunted house stories always have a lot of atmosphere to them.  They’re fun to watch.

This was a good start of the season.  It was nice to see Tattoo and Roarke joking again.  Tattoo points out that a good boss needs good people working for him and Tattoo’s absolutely right.

Song of the Day: The Happening by The Supremes


Today is Faye Dunaway’s birthday and today’s song of the day is The Happening, which was the theme song of Dunaway’s first movie, 1966’s The Happening!  Faye played a hippie who, with George Maharis and Michael Parks, kidnapped Anthony Quinn.  The film wasn’t a hit but the song was.

Here are The Supremes with The Happening.

Hey, life, look at me
I can see the reality
‘Cause when you shook me, took me out of my world
I woke up
Suddenly I just woke up to the happening
When you find that you left the future behind
‘Cause when you got a tender love
You don’t take care of
Then you better beware of the happening

One day you’re up, then you turn around
You find your world is tumbling down
It happened to me, and it can happen to you

I was sure, I felt secure
Until love took a detour
Yeah, riding high on top of the world
It happened, suddenly it just happened
I saw my dreams fall apart
When love walked away from my heart
And when you lose that precious love you need
To guide you
Something happens inside you, the happening

Now I see life for what it is
It’s not all dreams, ooh, it’s not all bliss
It happened to me and it can happen to you

Once
Ooh, and then it happened
Ooh, and then it happened
Ooh, and then it happened
Ooh, and then it happened

Is it real, is it fake
Is this game of life a mistake?
‘Cause when I lost the love I thought was mine
For certain, suddenly I started hurting
I saw the light too late
When that fickle finger of fate
Yeah, came and broke my pretty balloon
I woke up
Suddenly I just woke up to the happening

So sure, I felt secure
Until love took a detour
‘Cause when you got a tender love you don’t
Take care of, then you better beware of

Songwriters: Alex Mungo / David Taylor / Jasper John Nielson Stainthorpe / Mark Robert Tiplady / Rob Downes / Stephen Wren

4 Shots From 4 Films: Assassin Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.

4 Shots from 4 Assassin Films

Le Samourai (1967, dir. by Jean-Pierre Melville, DP: Henri Decaë)
Léon: The Professional (1990, dir. by Luc Besson, DP: Thierry Arbogast)
The Killer (1989, dir. by John Woo, DP: Peter Pau and Wong Wing-Hang)
The Killer (2023, dir. by David Fincher, DP: Erik Messerschmidt)

Scenes That I Love: Marjoe Gortner in Earthquake


Today is Marjoe Gortner’s 81st birthday!

The former child evangelist-turned-whistleblower-turned-recording-artist-turned-golf-tournmanet-organizer appeared in some of the most memorable exploitation films of the 70s and 80s, usually playing villains.  (Personally, I’ve always liked his heroic performance in Starcrash.)

In today’s scene, from 1974’s Earthquake, Marjoe gives au unforgettably creepy performance as the type of character who, today, would probably be called an incel.  Usually, no one takes him serious but, when an earthquake hits, he puts on his uniform and becomes a mini-tyrant.  Few actors were as effective at playing crazy as Marjoe Gortner.

 

The Films of 2025: Alone In Venice (dir by Jules East)


Venice is my favorite city in Italy.

I mean, it’s such a cliché, isn’t it?  Tourists always fall in love with Venice, even though the majority of us really don’t know much about the city beyond the canals and the gondolas.  I spent a summer in Italy and Venice was definitely the city that had the most American visitors.  Sadly, the majority of them didn’t do a very good job representing the U.S. in Europe.  One night, a bunch of drunk frat boys approached me, all wearing University of Texas t-shirts.  One of them asked, “Are you from Texas?”

“No,” I lied.

“You sound like you’re from Texas!” his friend said.

“No, ah’m not from Texas,” I said, “Sorry, y’all.”

That’s not something that would have happened in Florence or even Naples!  In Rome, handsome men on motor scooters gave me flowers.  In Venice, on the other hand, I had to deal with the same jerks that I dealt with back home!

I still fell in love with Venice.  And yes, it did happen while riding in a gondola.  At that moment, I felt like I was living in a work of art.  I can still remember looking over the side of the gondola and watching as a small crab ran across someone’s front porch.  That’s when I realize that, by its very existence, Venice proved that anything was possible.

It is said that Venice is slowly sinking.  That Venice has a reputation as being a dying city would probably have come to a surprise to the drunk Americans who were just looking for a girl from Texas that summer.  And yet, Venice has always been associated with death.  Just consider Thomas Mann’s Death in Venice and the subsequent film adaptation from Luchino Visconti.  Consider the controversial Giallo in Venice and Don’t Look Now.

Venice is a city that is beautiful at day and ominous and menacing at night.  That’s certainly something that’s captured in Alone in Venice.

Made for an obviously low-budget but featuring some stunning shots of its title city, Alone In Venice tells the story of Saul Larson (Apollo Luce), a young actor who has spent the last year in Venice.  He says that he was told to stay in the city by a Chinese film director who is in love with him.  He says that he’s waiting for her to come out to Venice to join him.  At one point, he says that she has even arranged for him to be classified as a permanent resident of the city so that he doesn’t have to worry about his visa expiring.  How she did that is never really explained, though its implied that, while she’s arranged for him to stay in Venice forever, she’s also trapped him there.  He can live in Venice but he can’t leave it.

A friend from America (played by Lisa Jacqueline Starrett) visits him and tells him that she thinks that he’s being used.  She points out that he’s living in a crummy apartment that doesn’t even have a good view and that the director is 1) married and 2) hasn’t contacted him in months.  A man named Tommaso (Luca Rosini) invites Saul back to his place and it’s implied that the two have a brief affair, though Saul continues to obsess  over the director and her love of orchids.  When the prostitute who lives down the hall offers herself to Saul for free, Saul appears to have a panic attack.  Saul insists that the director exists and that she will be coming for him in just a few days.

The majority of the film is made up of scenes of Saul walking around and sometimes running through Venice.  The city is the main attraction here.  At day, the city is vibrant and full of life.  At night, the city is full of shadows and a frightening clown makes an appearance.  There’s more than few shots that owe a debt to Don’t Look Now and its sequences of Donald Sutherland chasing after the figure in the red raincoat.

What does it all mean?  The film largely leaves that up to the viewer.  Whether or not the film works will depend on how much tolerance the viewer has for open-ended storytelling and unanswered questions.  (As you may have guessed, neither one is particularly an issue for me.)  Saul is committed to believing that his director is coming for him and occasionally, there’s something a bit disturbing about his obsession with her.  Throughout the film, he’s given plenty of opportunities to move on, whether it’s returning to America with his friend or pursuing a new relationship.  Instead, he chooses again and again to be alone in Venice.

 

CONVICTION (2010) – Hilary Swank and Sam Rockwell star in the real-life story of a sister who saves her brother from a wrongful conviction!


My wife and I love movies based on real-life stories. We were looking for something to watch this afternoon on the MAX app and came across their “Real Life Dramas” section. One of the movies we saw listed was CONVICTION (2010) starring 2-time Oscar winner Hilary Swank. My wife loves Hilary Swank so we decided to give it a spin.

Betty Anne Waters (Hilary Swank) watches as her brother Kenny (Sam Rockwell) is convicted of the murder of Katherine Brow on May 21st, 1980 in Ayer, Massachusetts and sentenced to life in prison. Even though she knows he’s a troublemaker, Betty Anne is convinced that he’s not a murderer, so she gives up everything in her life to try to prove his innocence, especially after she learns that he tried to kill himself while in custody. Her husband (Loren Dean) divorces her and takes their kids with him. This doesn’t stop her. She goes back to school, eventually making her way to law school for the sole purpose of helping to exonerate her brother. In a positive turn of events, Betty Anne realizes that the new field of DNA testing could be the key to overturning her brother’s conviction. She contacts attorney Barry Scheck (Peter Gallagher) from the “Innocence Project” who assists those who believe DNA testing can help overturn previous convictions. Will Betty Anne finally be able to prove Kenny’s innocence, or will he have to spend the rest of his life in jail for a crime she doesn’t think he’s capable of committing?

Movies like CONVICTION are such an interesting watch for me, especially since we can know how these stories play out with a simple google search. When I see a movie is based on a real story, I purposefully avoid the facts of the actual events so I can see the events depicted on screen without my own internal bias taking front and center. I enjoyed watching how the events unfolded in CONVICTION. Hilary Swank and Sam Rockwell are such good actors, and I appreciate the work they put in here. I don’t pretend that everything depicted on screen is exactly how it was in real life, but I do believe that the actors portray the essence of truth, and I must admit to a tear in my eye when that truth is finally acknowledged for Kenny Waters at the end of the film. I also enjoyed telling my wife that the director of CONVICTION is Tony Goldwyn, the bad guy in the blockbuster film, GHOST. I just thought that was kind of cool, and so did she.

The real truth of Betty Anne Waters and Kenny Waters is ultimately bittersweet, but their story is both a testament to, and an indictment of, the American judicial system. As a person who truly loves our country, I think it’s important to realize that things aren’t always perfect, even in the United States of America!

See the trailer for CONVICTION below: