Here Are The 2024 Nominations of The North Carolina Film Critics Association!


The North Carolina Film Critics Association has announced its nominees for the best of 2024.  The winners will be announced on January 3rd!

BEST NARRATIVE FILM
Anora
The Brutalist
Challengers
Civil War
Conclave
Dune: Part Two
I Saw the TV Glow
Nickel Boys
Nosferatu
The Substance

BEST DOCUMENTARY FILM
Dahomey
No Other Land
Sugarcane
Super/Man: The Christopher Reeve Story
Will & Harper

BEST ANIMATED FILM
Flow
Inside Out 2
Memoir of a Snail
Transformers One
The Wild Robot

BEST FOREIGN LANGUAGE FILM
All We Imagine As Light
Emilia Pérez
Evil Does Not Exist
I’m Still Here
The Seed of the Sacred Fig

BEST DIRECTOR
Brady Corbet – The Brutalist
Coralie Fargeat – The Substance
Luca Guadagnino – Challengers
RaMell Ross – Nickel Boys
Denis Villeneuve – Dune: Part Two

BEST ACTOR
Adrien Brody – The Brutalist
Timothée Chalamet – A Complete Unknown
Daniel Craig – Queer
Colman Domingo – Sing Sing
Ralph Fiennes – Conclave

BEST ACTRESS
Cynthia Erivo – Wicked
Marianne Jean-Baptiste – Hard Truths
Mikey Madison – Anora
Demi Moore – The Substance
Zendaya – Challengers

BEST SUPPORTING ACTOR
Yura Borisov – Anora
Kieran Culkin – A Real Pain
Chris Hemsworth – Furiosa: A Mad Max Saga
Clarence Maclin – Sing Sing
Denzel Washington – Gladiator II

BEST SUPPORTING ACTRESS
Aunjanue Ellis-Taylor – Nickel Boys
Ariana Grande – Wicked
Felicity Jones – The Brutalist
Katy O’Brian – Love Lies Bleeding
Margaret Qualley – The Substance
Isabella Rossellini – Conclave

BEST VOCAL PERFORMANCE IN ANIMATION OR MIXED MEDIA
Kevin Durand – Kingdom of the Planet of the Apes
Lupita Nyong’o – The Wild Robot
Maya Hawke – Inside Out 2
Pedro Pascal – The Wild Robot
Sarah Snook – Memoir of a Snail

BEST ACTING ENSEMBLE
Conclave
Dune: Part Two
Saturday Night
Sing Sing
Wicked

BEST ORIGINAL SCREENPLAY
A Different Man
Anora
The Brutalist
Challengers
The Substance

BEST ADAPTED SCREENPLAY
Conclave
Dune: Part Two
Nickel Boys
Nosferatu
Sing Sing

BEST CINEMATOGRAPHY
Challengers
Dune: Part Two
Nickel Boys
Nosferatu
The Brutalist

BEST EDITING
Anora
Challengers
Conclave
Dune: Part Two
Nickel Boys

BEST COSTUME DESIGN
Conclave
Dune: Part Two
Furiosa: A Mad Max Saga
Nosferatu
Wicked

BEST HAIR AND MAKEUP
A Different Man
Dune: Part Two
Nosferatu
The Substance
Wicked

BEST PRODUCTION DESIGN
The Brutalist
Dune: Part Two
Furiosa: A Mad Max Saga
Nosferatu
Wicked

BEST SCORE
The Brutalist
Challengers
Conclave
Nosferatu
The Wild Robot

BEST ORIGINAL SONG
“Compress/Repress” – Challengers
“El Mal” – Emilia Pérez
“Harper and Will Go West” – Will & Harper
“Kiss the Sky” – The Wild Robot
“Like a Bird” – Sing Sing

BEST SOUND DESIGN
Challengers
Civil War
Dune: Part Two
Nosferatu
Wicked

BEST SPECIAL EFFECTS
Dune: Part Two
Furiosa: A Mad Max Saga
Kingdom of the Planet of the Apes
Nosferatu
The Substance

BEST STUNT COORDINATION
Dune: Part Two
The Fall Guy
Furiosa: A Mad Max Saga
Gladiator II
Monkey Man

DIRECTORIAL DEBUT
Vera Drew – The People’s Joker
Francis Galluppi – The Last Stop in Yuma County
Zoë Kravitz – Blink Twice
Josh Margolin – Thelma
Sean Wang – Dìdi (弟弟)
Malcolm Washington – The Piano Lesson

BREAKTHROUGH PERFORMANCE
Carlos Diehz – Conclave
Clarence Maclin – Sing Sing
Mikey Madison – Anora
Katy O’Brian – Love Lies Bleeding
Adam Pearson – A Different Man

LIFETIME ACHIEVEMENT: Cinematography
Roger Deakins
Christopher Doyle
Greig Fraser
Emmanuel Lubezki
Hoyte van Hoytema

KEN HANKE MEMORIAL TAR HEEL AWARD
Stephen McKinley Henderson – Civil War
Jeff Nichols (Director) – The Bikeriders
Margaret Qualley – The Substance
Hunter Schafer – Cuckoo
Drew Starkey – Queer

Here Are The 2024 Nominations of The Greater Western New York Film Critics Assocation!


On the 23rd, the Greater Western New York Film Critics Association announced its nominations for the best of 2024.  The winners will be announced on January 4th!

BEST PICTURE
Anora
The Brutalist
Challengers
Dune: Part Two
Furiosa: A Mad Max Saga
I Saw the TV Glow
Nickel Boys
No Other Land
Nosferatu
A Real Pain

BEST FOREIGN FILM
All We Imagine as Light (India)
Evil Does Not Exist (Japan)
Kneecap (Ireland)
No Other Land (Palestine)
Red Rooms (Canada)

BEST ANIMATED FILM
Flow
Inside Out 2
Memoir of a Snail
Wallace & Gromit: Vengeance Most Fowl
The Wild Robot

BEST DOCUMENTARY
Daughters
No Other Land
The Remarkable Life of Ibelin
Soundtrack to a Coup d’Etat
Super/Man: The Christopher Reeve Story

BEST DIRECTOR
Sean Baker – Anora
Brady Corbet – The Brutalist
Coralie Fargeat – The Substance
Luca Guadagnino – Challengers
RaMell Ross – Nickel Boys

LEAD ACTOR
Adrien Brody – The Brutalist
Timothée Chalamet – A Complete Unknown
Colman Domingo – Sing Sing
Hugh Grant – Heretic
Keith Kupferer – Ghostlight

LEAD ACTRESS
Pamela Anderson – The Last Showgirl
Marianne Jean-Baptiste – Hard Truths
Mikey Madison – Anora
Demi Moore – The Substance
Fernanda Torres – I’m Still Here

SUPPORTING ACTOR
Yura Borisov – Anora
Kieran Culkin – A Real Pain
Clarence Maclin – Sing Sing
Edward Norton – A Complete Unknown
Guy Pearce – The Brutalist

SUPPORTING ACTRESS
Monica Barbaro – A Complete Unknown
Joan Chen – Dìdi
Ariana Grande-Butera – Wicked
Natasha Lyonne – His Three Daughters
Margaret Qualley – The Substance

ORIGINAL SCREENPLAY
Anora – Sean Baker
The Brutalist – Brady Corbet & Mona Fastvold
Challengers – Justin Kuritzkes
A Different Man – Aaron Schimberg
A Real Pain – Jesse Eisenberg

ADAPTED SCREENPLAY
Conclave – Peter Straughan
Hit Man – Richard Linklater & Glen Powell
Nickel Boys – RaMell Ross & Joslyn Barnes
Oh, Canada – Paul Schrader
Sing Sing – Clint Bentley & Greg Kwedar / story by
Kwedar, Bentley, Clarence Maclin & John Whitfield

BEST CINEMATOGRAPHY
The Brutalist – Lol Crawley
Challengers – Sayombhu Mukdeeprom
Dune: Part Two – Greig Fraser
Nickel Boys – Jomo Fray
Nosferatu – Jarin Blaschke

BEST EDITING
The Brutalist – David Jancso
Challengers – Marco Costa
Dune: Part Two – Joe Walker
Nickel Boys – Nicholas Monsour
Saturday Night – Nathan Orloff & Shane Reid

BEST ORIGINAL SCORE
The Brutalist – Daniel Blumberg
Challengers – Trent Reznor & Atticus Ross
Conclave – Volker Bertelman
Nosferatu – Robin Carolan
The Wild Robot – Kris Bowers

BREAKTHROUGH PERFORMANCE
Yura Borisov – Anora
Lily Collias – Good One
Clarence Maclin – Sing Sing
Mikey Madison – Anora
Izaac Wang – Dìdi

BREAKTHROUGH DIRECTOR
India Donaldson – Good One
Vera Drew – The People’s Joker
Josh Margolin – Thelma
RaMell Ross – Nickel Boys
Aaron Schimberg – A Different Man

The Online Association Of Female Film Critics Honors Both Anora and The Substance


On December 23rd. the Online Association of Female Film Critics announced their picks for the best of 2024.  And here they are!

BEST FILM
Anora (TIE)
The Brutalist
Conclave
Nickel Boys
The Substance (TIE)

BEST DIRECTOR
Sean Baker – Anora
Edward Berger – Conclave
Brady Corbet – The Brutalist
Coralie Fargeat – The Substance
RaMell Ross – Nickel Boys

BEST MALE LEAD
Adrien Brody – The Brutalist
Timothée Chalamet – A Complete Unknown
Colman Domingo – Sing Sing
Ralph Fiennes – Conclave
Hugh Grant – Heretic

BEST FEMALE LEAD
Cynthia Erivo – Wicked
Marianne Jean-Baptiste – Hard Truths
Mikey Madison – Anora
Demi Moore – The Substance
Zendaya – Challengers

BEST SUPPORTING MALE
Yura Borisov – Anora
Kieran Culkin – A Real Pain
Clarence “Divine Eye” Maclin – Sing Sing
Stanley Tucci – Conclave
Denzel Washington – Gladiator II

BEST SUPPORTING FEMALE
Jamie Lee Curtis – The Last Showgirl
Danielle Deadwyler – The Piano Lesson
Margaret Qualley – The Substance
Isabella Rossellini – Conclave
Zoe Saldaña – Emilia Pérez

BEST ACTING ENSEMBLE
Anora
Challengers
Conclave
The Piano Lesson
Sing Sing

BEST ORIGINAL SCREENPLAY
A Real Pain
Anora
Challengers
His Three Daughters
The Substance

BEST ADAPTED SCREENPLAY
Conclave (TIE)
Dune: Part Two
Nickel Boys (TIE)
Sing Sing
Wicked

BEST DOCUMENTARY
Black Box Diaries
Daughters
No Other Land
Sugarcane
Will & Harper

BEST ANIMATED FEATURE
Flow
Inside Out 2
Memoir of a Snail
The Wild Robot
Wallace & Gromit: Vengeance Most Fowl

BEST INTERNATIONAL FEATURE
All We Imagine As Light
Dahomey
Flow
The Girl With the Needle
The Seed of the Sacred Fig

BEST CINEMATOGRAPHY
The Brutalist – Lol Crawley
Conclave – Stéphane Fontaine
Dune: Part Two – Greig Fraser
Nickel Boys – Jomo Fray
Nosferatu – Jarin Blaschke

BEST EDITING
The Brutalist
Challengers
Conclave
Nickel Boys
The Substance

BEST STUNTS
Dune: Part Two
The Fall Guy
Furiosa: A Mad Max Saga
Gladiator II
Monkey Man

BEST VISUAL EFFECTS
Dune: Part Two
Furiosa: A Mad Max Saga
Kingdom of the Planet of the Apes
The Substance
Wicked

BEST COSTUME DESIGN
Beetlejuice Beetlejuice
Dune: Part Two
Maria
Nosferatu
Wicked

BREAKTHROUGH FILMMAKER
Vera Drew – The People’s Joker
Coralie Fargeat – The Substance
Zoë Kravitz – Blink Twice
Malcolm Washington – The Piano Lesson
Dev Patel – Monkey Man

BREAKTHROUGH PERFORMANCE
Nykiya Adams – Bird
Clarence “Divine Eye” Maclin – Sing Sing
Mikey Madison – Anora
Katy O’Brian – Love Lies Bleeding
Maisy Stella – My Old Ass

THE ROSIE
The OAFFC’s signature award celebrates the film that “best promotes women, their voices, and the female experience through cinema.”
All We Imagine As Light
His Three Daughters
The Last Showgirl
Nightbitch
The Substance

Here Are The 2024 Nominations of the North Texas Film Critics Association


On December 23rd, the North Texas Film Critics Association announced their nominations for the best of 2024!  The winners will be announced on December 30th.

BEST PICTURE
Anora
The Brutalist
Conclave
Dune: Part Two
Sing Sing

BEST ACTOR
Adrien Brody – The Brutalist
Ralph Fiennes – Conclave
Timothée Chalamet – A Complete Unknown
Colman Domingo – Sing Sing
Daniel Craig – Queer

BEST ACTRESS
Cynthia Erivo – Wicked
Mikey Madison – Anora
Demi Moore – The Substance
Pamela Anderson – The Last Showgirl
Anya Taylor-Joy – Furiosa: A Mad Max Saga

BEST SUPPORTING ACTOR
Kieran Culkin – A Real Pain
Guy Pearce – The Brutalist
Clarence Maclin – Sing Sing
Edward Norton – A Complete Unknown
Yura Borisov – Anora

BEST SUPPORTING ACTRESS
Isabella Rossellini – Conclave
Ariana Grande – Wicked
Aunjanue L. Ellis-Taylor – Nickel Boys
Zoe Saldana – Emilia Pérez
Felicity Jones – The Brutalist

BEST DIRECTOR
Sean Baker – Anora
Brady Corbet – The Brutalist
Coralie Fargeat – The Substance
Denis Villeneuve – Dune: Part Two
RaMell Ross – Nickel Boys

BEST FOREIGN LANGUAGE FILM
The Seed Of The Sacred Fig (Germany)
Flow (Latvia)
Kneecap (Ireland)
I’m Still Here (Brazil)
All We Imagine As Light (an international co-production involving companies from France, India, the Netherlands, Luxembourg, and Italy)

BEST DOCUMENTARY
The Remarkable Life of Ibelin
Sugarcane
Will & Harper
Daughters
Super/Man: The Christopher Reeve Story

BEST ANIMATED FILM
The Wild Robot
Memoir Of A Snail
Inside Out 2
Flow
Transformers One

BEST CINEMATOGRAPHY
Jarin Blaschke – Nosferatu
Stéphane Fontaine – Conclave
Lol Crawley – The Brutalist
Greig Fraser – Dune: Part Two
John Mathieson – Gladiator II
Jomo Fray – Nickel Boys

BEST NEWCOMER
Marissa Bode – Wicked
Ethan Herisse – Nickel Boys
Clarence Maclin – Sing Sing
Vera Drew – The People’s Joker
Aaron Pierre – Rebel Ridge

BEST SCREENPLAY
Sean Baker – Anora
Brady Corbet & Mona Fastvold – The Brutalist
RaMell Ross & Joslyn Barnes – Nickel Boys
Coralie Fargeat – The Substance
Jesse Eisenberg – A Real Pain

GARY MURRAY AWARD (Best Ensemble)
Conclave
Saturday Night
Sing Sing
Wicked
Dune: Part Two

Celebrate Christmas With Treevenge!


Hi!  We hope you’re having a wonderful holiday!

Here at the Shattered Lens, we have a Christmas tradition, one that was started way back in 2009 by site founder Arleigh Sandoc.  And that tradition is …. TREEVENGE!

Celebrate Christmas with the greatest haunted Christmas tree movie ever!

Enjoy and …. wait, what?  Uh-oh!  The video is age-restricted so you’ll have to click on the watch on YouTube link!

Song of the Day: Hooray for Santa Claus by Milton DeLugg and the Little Eskimos


Did everyone have a good Christmas?  Did everyone get everything that they wanted?

If the answer’s yes, you have one man to thank for that!

Hooray for Santy Claus!

(You might recognize this song from one of our favorite holiday classics, Santa Claus Conquers The Martians!)

JUROR #2 (2024) – Another Gift from Clint Eastwood


I’ve really been looking forward to seeing JUROR #2, Clint Eastwood’s most recent directorial effort, since I first read about it a year or two ago. Any film from the aging icon is a gift to his fans at this point, so it seems appropriate that I watched it for the first time on Christmas Eve. I still don’t understand the release strategy for the film, considering it was released in a few theaters and then pushed out to streaming platforms a little over a month later. That seems strange for a movie with this kind of pedigree, but I guess that doesn’t really matter at this point. 

The plot revolves around Justin Kemp (Nicholas Hoult), a seemingly nice guy who’s going to be a dad any day now. I know that because his wife Allison (Zoey Deutch) looks like she could pop at any moment. He tries to use that pregnancy to get out of jury duty, but to no avail. Of course he gets selected to serve. As District Attorney Faith Killebrew (Toni Collette) begins laying out the facts of a horrific murder case against James Michael Sythe (Gabriel Basso), Justin begins to immediately realize that the wrong guy may have been arrested for the crime. How does he know they’ve got the wrong guy? Because Justin now thinks that he may be the one responsible for an accidental hit and run killing of the victim, Kendall Carter (Francesca Eastwood). The remainder of the film deals with Justin’s moral dilemma as he attempts to serve on the jury, protect his own freedom, and not send an innocent man to jail. This plot does require a pretty big suspension of disbelief, but if you’ll just go along with it, the movie does present some interesting ideas.

I’ll say right off the bat that I like JUROR #2. This was a relief to me because as much as I wanted to like Eastwood’s prior film CRY MACHO, at the end of the day it just wasn’t a very good movie. I’ve always enjoyed courtroom thrillers, and it doesn’t seem we get to see many of them anymore. Our main character Justin Kemp has a troubled past, but he’s truly turned his life around. The fact that he now finds himself in a seemingly impossible moral position is a strong hook that pulled me in. Director Eastwood takes his time here and tightens the grip on Justin, leaving him with few options, as he tries to figure out what to do. I’ve never served on a jury, and I’ve never really wanted to. I’m not sure I want the responsibility of deciding a person’s guilt or innocence. Eastwood’s film doesn’t change my mind in this area. It shows us some jurors who have made up their minds based on pre-conceived notions, regardless of the evidence. It shows us other jurors who want to convict just so the trial can be over and they can get on with their lives. It shows us witnesses who are willing to identity people just to please the prosecution. Considering what we know as the audience, these are glaring but realistic weaknesses of our nation’s system of justice. 

Eastwood assembled a good cast with Nicholas Hoult, Toni Collette, J.K. Simmons, and Kiefer Sutherland, actors that I always find worth watching. Hoult and Collette do most of the heavy lifting. JUROR #2 is set in Georgia, and I appreciate that Hoult, who’s from England, and Collette, who’s from Australia, don’t overdo the southern accents. J.K. Simmons is very impressive as an ex-cop who’s serving on the jury who is convinced of the defendant’s innocence. Unfortunately, his character exits the film fairly early, and he’s sorely missed. I’ve been a big fan of Kiefer Sutherland since I was a teenager, and I consider “24” one of my all time favorite shows. His role is pretty small here. He’s good, but from what I’ve read, he really just wanted to work with Eastwood. I also enjoyed seeing Gabriel Basso (Hillbilly Elegy) and Francesca Eastwood (Clint’s daughter) in the film. 

Clint Eastwood amazes me. In his legendary six decade career, he has been a part of some of the best films of all time. DIRTY HARRY, THE OUTLAW JOSEY WALES, and UNFORGIVEN are included in my list of all-time favorites. JUROR #2 is not in their league, and it’s certainly not a perfect film. But it is an entertaining film that tells an interesting story and even makes you think a little bit. And with that I say, thanks for another gift, Clint! 

Film Review: Kung Fu Panda 4 (dir by Mike Mitchell)


Po (voice by Jack Black), that Panda Bear who knows kung fu is back.

After finding fame as a Dragon Warrior and defending the Valley of Peace from numerous threats, he’s been told by his master, Shifu (Dustin Hoffman), that it is time for him to give up being the Dragon Warrior and move on to becoming the Spiritual Leader of the Valley of Peace.  Po doesn’t really want to do that so, after being passive aggressive about auditioning replacements, Po goes on a quest with a plucky corsac fox and thief named Zhen (voiced by Awkwafina).  Together, they head out to defeat a new threat, the Chameleon (voice of Viola Davis).  The Chameleon is summoning past villains from the Spirit Real and stealing their kung fu powers.

Meanwhile, Po’s two dads — one biological (voiced by Bryan Cranston) and the other a goose who adopted Poe when he was young (voiced by James Hong) — also set out on a quest to try to keep Poe from getting into trouble.  It’s actually kind of sweet, even if I did have a hard time telling all the various Panda Bears apart.  Actually, so did everyone else in the movie so at least I felt a little bit less dumb.

Kung Fu Panda 4 is a typical Dreamworks animated film.  The characters are cute and kid-friendly.  The humor is self-referential and occasionally, an adult joke will slip in  but it’s never anything that would threaten the film’s G-rating.  The plot is pretty predictable and by-the-numbers but then again, this is a Kung Fu Panda film that we’re talking about here.  There’s only so much that you can do with that.  That said, the animation is nicely done and the voice actors all do a good job of bringing their characters to life.  I especially liked Dustin Hoffman as Master Shifu.  It’s an entertaining movie, even if it does ultimately feel a bit generic.

The release of a new animated film, even one as low-key as Kung Fu Panda 4, used to be a huge event.  Now, we kind of take animated films and their star-studded casts for granted.  It’s a bit of a shame that we’ve lost that excitement.

The Films of 2024: Average Joe (dir by Harold Cronk)


I should admit that I have a bias when it comes to Average Joe.

Two weeks ago, when I watched this movie, I mentioned that I was viewing it on twitter.  I included a picture of the film’s poster with my tweet.  A few days later, I was briefly locked out of my account because someone reported the tweet for a copyright violation.  Apparently, they were offended that I had shared the film’s poster.  The image was removed from twitter and my account was subsequently unlocked.

I mean …. seriously, what the Hell?  Not to brag on myself but I’m probably one of the few secular film bloggers out there who is willing to give a serious, non-snarky review to a faith-based film like Average Joe.  Beyond that, me tweeting that I’m watching the film and sharing the film’s poster is basically free advertising for a film that really hasn’t really gotten a whole helluva lot of attention.  I really have to wonder who thought it would be a good idea to alienate a viewer by complaining about someone sharing the film’s poster on social media.

As for the film itself, it’s based on a true story.  Joe (Eric Close) is a former rebel and delinquent who is straightened out by both serving in the military and marrying Denise (Amy Acker).  After Joe joins a church and shares his testimony, he is asked to take over as coach of a struggling high school football team.  Joe leads them to victory but he also causes controversy by publicly praying before and after the games.  The school board orders Joe to pray in the locker room where no one can see him but Joe refuses.  Joe’s case makes its way to the Supreme Court.  Along the way, Denise goes from being annoyed with her husband’s stubbornness to supporting his right to pray.

Del Close and Amy Acker make for a believable and cute couple.  They definitely have enough chemistry that you buy them as a married couple.  Both Close and Acker are also talented enough actors that they can make the movie watchable, even when it gets more than a bit heavy-handed.  That said, the film also features Joe and Denise looking straight at the camera and narrating their story, which leads to several moments of either Close or Acker saying, “Actually, that’s the not the way it happened.  What really happened was….”  It’s a technique that become popular after Adam McKay used it in The Big Short (though I think it’s entirely probable that McKay himself stole it from Michael Winterbottom’s 24-Hour Party People).  The first time it happens, it works because Joe interrupts some over-the-top footage of him trying to lasso a camel in a desert.  It’s exactly the type of scene that is worthy of a “Wait, this didn’t happen!”  But each subsequent time that Joe and Denise break the fourth wall, it feels less like a clever narrative device and more like a gimmick.  There comes a point where you just want both Joe and Denise to get on with it.

Average Joe is …. it’s okay.  I liked some of the acting.  I liked the score by Andrew Morgan Smith.  Narratively, it was never quite as memorable as it probably should have been.  It’s a film that tries hard but doesn’t really stick with you.