Retro Television Review: Malibu, CA 1.1 “Welcome to Malibu”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Malibu CA, which aired in Syndication in 1998 and 1999.  The entire show is currently streaming on YouTube!

Imagine being Peter Engel in 1998.

Your most successful show, Saved By The Bell, ended its NBC run years ago, though it does live on in syndication.  Your second most successful show, California Dreams, ended two years ago.  Once you and your programs dominated NBC’s Sunday morning programming and the cultural landscape but now you’ve been reduced to City Guys, One World, Hang Time, and Saved By The Bell: The New Class.  Both American culture and NBC are moving away from your style of goofy, wholesome entertainment.

What do you do?

If you’re Peter Engel, you take what worked with Saved By The Bell and what worked with California Dreams and you try to create a new show called Malibu, CA.  And if NBC won’t return your calls, you just sell the show to syndication.  That’ll show them!

Malibu, CA ran for two seasons and, until I came across a reference to it online, it was the only Engelverse show that I had previously never seen or even heard about.  However, it turns out that Malibu, CA is available on YouTube.  Considering all of the effort that I previously put into reviewing every episode of California Dreams, City Guys, Hang Time, and even One World (GOD GOD, ONE WORLD), it only seems right to now review Malibu, CA.

Episode 1.1 “Welcome to Malibu”

(Dir by Gary Shimokawa, originally aired on October 11th, 1998)

After a montage of familiar Malibu images (Hey!  Did you know that people surf, bike, and wear bikinis in Malibu?), the show introduces us to Scott (Trevor Merszei) and Jason Collins (Jason Hayes), two twins brothers who don’t like alike.  (That’s good because I’m already having trouble remembering which is which.)  In typical Peter Engel style, they start the show in their bedroom and talking directly to the audience.

Scott explains that their mother has taken a job in Saudi Arabia so he and his brother have moved to Malibu to live with their Dad.  (Really?  Saudi Arabia?)  Jason says he’s excited because Malibu is “27 miles of babes.”  Scott says that Jason is “both halves of Dumb and Dumber.”  Jason says that Scott’s shirt makes him look like one of the “Spice Boys.”

Downstairs, their father Peter Collins  (Edward Blatchford, who previously played Mr. Belding’s laid back and irresponsible brother on a classic episode of Saved By The Bell), waits for them so that he can take them to their first day at a new school.  Scott asks if Malibu is always as perfect as it appears to be in the morning.  Peter says that it’s perfect except for the mudslides and the earthquakes.  Jason says that he can’t wait for his first earthquake because he wants to see “Heather Locklear run from her house in her underwear.”  (Okay, Jason, we get it.  You’re the type of guy who is destined to go broke due to an internet porn addiction.)  Peter mentions that he dated “the redhead from Melrose Place” three times.  He then tells the boys that he’s “not much on rules” and he suggests that Scott change his shirt because, “You look like Al Gore.”  (OUCH!)  Peter leaves for the restaurant that he apparently owns while Scott heads up stairs to look for a new shirt.

That leaves Jason alone to meet the next door neighbor, Samantha “Sam” Chapman (Gina Marley May), whose short red dress causes Jason to say, “Whoa!” and inspires someone in the studio audience to do a wolf whistle.  Sam wants Jason to sign a petition that will tell businessman Henry Updyke to not drill for oil on the beach.  (Didn’t the same thing happen on both Saved By The Bell and California Dreams?)  Jason signs and he also meets Sam’s friend, the spacey Murray Updyke (Brandon Brooks).  Murray is especially dedicated to taking down Henry’s business because Henry is his father.  So, basically, Murray’s a spoiled jerk, even if the show doesn’t realize it.

We then cut to high school, which appears to be the same high school set that was used in California Dreams.  We see Sam with her best friend, a lifeguard named Jennifer “Stads” Stadler (Wendi Kenya).  Stads (God, do I really have to call her that?) just broke up with her boyfriend because apparently, he was only taking her to Hooters so that he could hit on the waitresses.  (Was she dating Michael Scott?)

Now, the good news is that Stads hates being called Stads.  “Why does everyone think I’m one of the guys?” she says angrily.  “Well, you did join the boys hockey team,” Sam offers up.  Stads then notices Scott struggling with his locker combination.  She helps him out by punching the locker, which flies open and smacks Scott in the face.  As Scott struggles to regain his composure, he asks for help finding the Marine Biology class.  Sam is also into Marine Biology.  (SHOCKER!)  She and Scott go off together.

Meanwhile, Jason is approached by a woman (Susan Wood) in a red dress.  (Another red dress!)  She asks his name and, when he says that he’s Jason Collins, she asks if he’s Peter’s son.  Jason immediately assume that Peter must have dated her.  “My Dad always dates the hottest babes!”  “I’m not a babe, I’m Ms. Morrissey …. your principal.”  “Whoa!” the audience says.  Murray runs into the school and hugs Mrs. Morrisey.  After Morrisey politely tells them to get to class and then heads for her office, Murray suggests they should skip school instead.  Jason agrees.  Hey, why not?  It’s not like anything important happens on the first day of school.

Jason stops by the Lighthouse, which is Peter’s restaurant.  The Lighthouse is easily identifiable as Sharky’s from California Dreams, just with a new coat of paint.  Peter is not happy about Jason skipping but Jason gets distracted by Sam trying to pass out flyers for her anti-oil rally.  Jason offers to hand out the flyers for her.  Sam thanks him and says that she can’t wait to see him at the rally.  After Sam leaves, Jason gives the flyers to a waiter and tell him to put them into all the menus.  Scott then shows up and says that he met the perfect girl.  Jason says he did to.  “Wait until you meet Samantha!” they say in unison.

Cut to the beach, where Jason, Scott, Sam, Stads, and Murray are struggling to get anyone to take their flyers.  Jason suggests that they need a billboard.  “Are you talking about signs everywhere ragging on my dad’s company?” Murray says, “Alright!”

(I’m sorry but Murray’s kind of a dick.  I mean, are you campaigning for the environment or are you just mad at your dad?)

How to pay for a billboard?  Jason suggests having a fundraiser at the Lighthouse.

“Dad won’t go for that,” Scott says.

“Dad doesn’t need to know,” Jason says.

Okay, Jason’s a dick too.

How to get Peter out of the restaurant?  Jason approaches Ms. Morrissey at school and, surprisingly, is not given any sort of punishment for skipping the first day.  Jason gives Ms. Morrissey tickets to the Fleetwood Mac concert and says that Peter really wants to go with her but he feels awkward because Ms. Morrissey is their principal so Ms. Morrissey will have to ask him.  Ms. Morrissey agrees to this because, in the world of Peter Engel, all principals are idiots.

Somehow, the plan works.  Peter — oh my God!  IS HE NAMED AFTER PETER ENGEL!? — goes to the concert and the boys take over the restaurant.  Sam is really impressed, since the party will give her a chance to get more teenagers to sign her useless petition.  Jason and Scott get into an argument over who Sam likes and they decide to ask Stads.  They don’t even notice that Stads is trying to change her image by wearing a dress.

“Just imagine if the two of us liked you,” Scott says to her, apparently unaware that Stads has a crush on him, “who would you go for?”

Stads runs from the restaurant as the audience says, “Awwww!”  I actually said “awww” too.  Both Jason and Scott are dicks.  Poor Jennifer!

Because Jason lied and said the stars of Baywatch would be at the restaurant, way too many people show up for the party.  Jason and Scott get into an argument over who is to blame and they each accuse the other of only throwing the party to get a date with Sam.  Offended, Sam declares, “I wouldn’t date either of you!”  Good for you, Sam, they suck.

Guess who suddenly shows up?  It’s Peter and the cops!  The restaurant is closed for overcrowding and Peter, as owner, is fined $500.  Peter worries that maybe he’s not responsible enough to look after his sons.  Maybe they need to go back to New York and live with their grandma.

The next days, Jason and Scott tells Stads and Sam that they’re leaving.  “I’m never going to see you again!?” Stads says before kissing Scott.  “Hey, I’m leaving too!” Jason says.

Fear not.  Peter decides to give them another chance, with the understanding that there will be rules.  They’re both grounded and they’re both going to have to work as busboys in the restaurant.  But they can stay in Malibu and continue to compete for Sam.

“My brother doesn’t stand a chance!” Jason and Scott is unison.

Well, that happened.  The first episode of Malibu CA did what a first episode should do.  It introduced us to the characters and their situations and it set up future storylines.  Unfortunately, almost none of the characters are particularly likable.  Jason’s a jerk.  Scott’s a wimp.  Murray is a spoiled brat.  Sam is self-righteous.  Peter is a midlife crisis waiting to happen.  The closest thing this show has to a likable character is Jennifer and she’s stuck with a terrible nickname.  I’m an optimist and I’m fully aware that first episodes are rarely indicative of what a show is going to eventually become.  I hope Malibu CA will improve.  For now, though, I’m starting understand why I had never heard of it before.

Documentary Review: Lock-Up: The Prisoners of Rikers Island (dir by Jon Alpert and Nina Rosenblum)


Rikers Island is one of those places that we all know about, even those of us who have never been there.

Rikers Island is an island that sits in the East River in the Bronx.  It is also home to New York City’s largest and most notorious jail.  It’s a jail that has a reputation for violence and corruption.  Over 100,000 people are admitted into Rikers per year and, on most days, the complex has a population of 10,000 prisoners.  (For comparison, my mom was born in a town that currently has a population of 1,200.)  Rikers Island is notorious for the number of prisoners who have died while in the jail.  It is estimated that 85% of the inmates are pre-trial defendants, people who have yet to be convicted of anything but who either didn’t get or couldn’t afford bail.  The other 15% are serving short sentences.  Rikers Island is a county jail that has a reputation for being as bad as any state prison.  You don’t have to be from New York City to know about Rikers Island.  The jail has become so notorious that Rikers Island has developed an international reputation and is often held up as a symbol of everything that’s wrong with the way that incarceration is handled.

Lock-Up: The Prisoners of Rikers Island was filmed for and aired on HBO in 1994.  The documentary is now 30 years old and the population of the jail has grown considerably since it first aired.  That’s a frightening thought because the jail that is seen in the documentary was already overcrowded, dirty, and dangerous.  The documentary features interviews with both guard and prisoners.  We follow the guards as they search cells and confiscate weapons and drugs.  We meet a prisoner who has AIDS and who is hoping to be transferred to a drug rehab.  (He explains that he was born addicted and he’ll probably die addicted if he’s left in Rikers.)  We meet several of the pregnant women who are incarcerated in the jail and listen as they wonder what would happen if they went into labor when there’s not a guard around.  We watch as the guards uneasily deal with the prisoners who have asked to be incarcerated in the jail’s “gay wing.”  We meet several inmates who are obviously dealing with untreated mental illness.  A lawyer tries to talk to his client and gets in a shouting match with another prisoner.  We meet a notorious criminal named Eddie White, who explains that a life sentence means that he no longer has to follow the rules.  We meet a lot of people in this documentary and what they all agree on is that being locked up is Hell.

It’s hardly a balanced documentary.  The filmmakers are clearly on the side of the inmates but that’s okay.  Considering that the inmates have essentially no control over their own lives while they’re in Rikers, it can be argued that they deserve to have someone on their side.  Most of the inmates talk about their regrets but, as the documentary ruefully observes, most of them will eventually end up returning to Rikers even after they’re released.  One woman cries when she learns her baby might be ill but, when we see her during her second stint at Rikers, she blithely comments that her baby was taken away by “the city.”  As with so many inmates, she explains that she was set free with no training as to how to remain free.  As an addict, she has discovered the system is more interesting in punishing her addiction than treating it.

The biggest problem with the criminal justice system is that it rarely rehabilitates but instead creates a situation where no one can get or take advantage of a second chance.  30 years after it was released, Lock-Up reminds us that this is hardly a new problem.

Lisa Marie’s Way Too Early Oscar Predictions For May


We’re nearly halfway through the year and so far, we have two films that seem like they might still be in the Oscar conversation at the end of the year, Dune 2 and Civil War.  With the Cannes Film Festival coming up this month, we should soon have some more contenders to consider.

My predictions below are a bit heavy on sequels.  In fact, if the predictions below came true, it would a record year for sequels at the Oscars.  Of course, it’s early and it’s totally probable that the majority of the films listed below will not be nominated.  Right now, it’s pretty much a guessing game.  The production delays caused by last year’s strikes have opened the door for a lot of sequels to receive consideration that they might not receive in other years.

What will happen when the nominations are announced in 2025?  Who knows?  For now, let’s just have fun guessing.  You can check out my predictions for April by clicking here.

Best Picture

The Apprentice

The Bikeriders

Blitz

Civil War

Dune, Part II

Furiosa: A Mad Max Saga

Gladiator 2

Inside Out 2

Kingdom of the Planet of the Apes

SNL: 1975

Best Director

Ali Abassi for The Apprentice

Alex Garland for Civil War

Steve McQueen for Blitz

George Miller for Furiousa: A Mad Max Saga

Ridley Scott for Gladiator 2

Best Actor

Austin Butler in The Bikeriders

Daniel Craig in Queer

Richard Gere in Oh, Canada

Paul Mescal in Gladiator 2

Glen Powell in Hit Man

Best Actress

Jodie Comer in The Bikeriders

Ryan Destiny in The Fire Inside

Noemie Merlant in Emmanuelle

Anya Taylor-Joy in Furiosa

Zendaya in Challengers

Best Supporting Actor

Kieran Culkin in A Real Pain

Tom Hardy in The Bikeriders

Samuel L. Jackson in The Piano Lesson

Jeremy Strong in The Apprentice

Denzel Washington in Gladiator 2

Best Supporting Actress

Joan Chen in Didi

Danielle Deadwyler in The Piano Lesson

Connie Nielsen in Gladiator 2

Saoirse Ronan in Blitz

Rachel Sennot in SNL: 1975

Moments #14: Visitors


Living near a creek, we occasionally do get visitors.  These fine ducks decided to take a break in our front yard on their way back home.  They were enjoying the warm weather.

Previous Moments:

  1. My Dolphin by Case Wright
  2. His Name Was Zac by Lisa Marie Bowman
  3. The Neighborhood, This Morning by Erin Nicole
  4. The Neighborhood, This Afternoon by Erin Nicole
  5. Walking In The Rain by Erin Nicole
  6. The Abandoned RV by Erin Nicole
  7. A Visit To The Cemetery by Erin Nicole
  8. The Woman In The Hallway by Lisa Marie Bowman
  9. Visiting Another Cemetery by Erin Nicole
  10. The Alley Series by Erin Nicole
  11. Exploring The Red House by Erin Nicole
  12. The Halloween That Nearly Wasn’t by Erin Nicole
  13. Watchers and Followers by Erin Nicole

Scenes That I Love: Ari Lehman Emerges From The Lake In Friday the 13th


Today, the Shattered Lens wishes a happy 59th birthday to actor and musician Ari Lehman!  Lehman made his debut in 1978’s Manny Orphans and so impressed director Sean S. Cunningham that Cunningham offered him a role in his next film.  When Cunningham offered Lehman the role, he asked only one question. “Can you swim?”

At the age of 14, Ari appeared in Friday the 13th.  He didn’t get much screen time but his performance and appearance as the young Jason Voorhees created a moment of fright that lives on today.

Happy birthday, Ari Lehman!

4 Shots From 4 Films: Special Lone Scherfig Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, TSL wishes a happy birthday to Danish director Lone Scherfig!  It’s time for….

4 Shots From 4 Lone Scherfig Films

An Education (2009, dir by Lone Scherfig, DP: John de Borman)

One Day (2011, dir by Lone Scherfig, DP: Benoît Delhomme)

The Riot Club (2014, dir by Lone Scherfig, DP: Sebastian Blenkov)

Their Finest (2016, dir by Lone Scherfig, DP: Sebastian Blenkov)

Music Vide of the Day: Angry Again by Megadeth (1993, directed by Wayne Isham)


Megadeth’s Angry Again was a part of The Last Action Hero soundtrack, which was as acclaimed as the film itself was criticized.  The song was a hit for Megadeth and the video, which featured scenes from the film mixed with the band performing, went into heavy rotation on MTV.

This video was directed by Wayne Isham, who directed several videos for Megadeth and just about every other band that was prominent during the 80s and the 90s.  If you were in a famous band, you probably worked with Wayne Isham at least once.

Enjoy!

Late Night Retro Television Review: Monsters 2.6 “The Farmer’s Daughter”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing Monsters, which aired in syndication from 1988 to 1991. The entire series is streaming on YouTube.

Say, have you heard the joke about the traveling Bible salesman and the farmer’s daughter?  How about the one about the Man from Nantucket….

Episode 2.6 “The Farmer’s Daughter”

(Dir by Michael Warren Powell, originally aired on November 5th, 1989)

On a rainy night, traveling salesman Howard Filby (Soupy Sales) has an accident in front of the farmhouse owned by …. well, the show just calls them Ma (Bobo Lewis) and Pa (George Hall).  Ma and Pa seem like good country folks.  (That said, just their names brought to mind the owners of the Ma & Pa General Store on King of the Hill.  “I guess your Pa because you’re PA-thetic!”  “And you’re Ma because you’re always ridin’ mah ass!”)  Ma and Pa are willing to let Howard spend the night at the farmhouse, out of the rain.  He can just sleep up in the attic.  They’ll have to put up a privacy sheet, of course.  Their daughter Lucy (Stephanie Phillips) also stays up in the attic.

That privacy sheet doesn’t stay up for long.  Howard becomes intrigued by Lucy’s silhouette and her sultry voice.  When the sheet comes down, Howard is relieved to discover that Lucy is just as attractive as she sounded.  Lucy asks Howard for his undying love and Howard’s willing to give it.  Lucy talks about heading downstairs to let Ma and Pa know that they’ll be getting married.  Howard’s a little bit surprised to hear that….

Howard’s even more surprised when he accidentally pulls off a chunk of Lucy’s skin.  It turns out that Lucy is not quite who Howard thought she was and that Howard is hardly the first salesman to be brought to the farmhouse and sent up to the attic.  Even as Howard struggles in the attic, Ma and Pa sit in their living room and smile at the sound of another fender bender outside….

This was a nicely atmospheric episode.  Having heard all the various stories and jokes about traveling salesman and farmer’s daughters, I can’t say that I was particularly surprised by the direction that the story took but the episode still works as an example of American folk horror.  Soupy Sales was a comedian and a children’s show host and, according to Wikipedia, his trademark was getting a pie slammed in his face.  (Ouch!)  With that in mind, I guess it’s not a surprise that Sales’s performance occasionally leans a bit too much towards the goofy side.  (There’s a difference between playing the role with humor and just mugging for the camera.)  However, Stephanie Phillips, George Hall, and Bobo Lewis are all effectively creepy as the faux friendly farmhouse inhabitants.

Interestingly enough, this episode was co-written by character actor Bob Balaban.  As a director, Balaban was responsible for Parents, another film about a seemingly perfect married couple with a secret.

The Films of 2024: Shirley (dir by John Ridley)


In 1972, a New York Congressperson named Shirley Chisholm made history when, in January of that year, she announced that she would be a candidate for the Democrat presidential nomination.  Chisholm, who had already made history when she became the first Black woman to be elected to Congress, was also the first Black woman to run for a major party’s presidential nomination.

(For the record, U.S. Senator Margaret Chase Smith of Maine and the Rev. Channing Phillips were, respectively, the first woman and the first Black to run for a major party’s presidential nomination.  Smith lost the Republican nomination to Barry Goldwater in 1964.  In 1968, Phillips was the first Black to have his name officially put into nomination at a major party political convention.)

Of course, Chisholm did not win in 1972.  She was one of many liberal candidates who declared that they were running as an alternative to the presumed front runner, U.S. Sen. Edmund Muskie.  When Muskie’s campaign stalled in New Hampshire, it was George McGovern (and not Shirley Chisolm, John Lindsay, Eugene McCarthy, or Fred Harris) who benefitted.  For the most part, the media viewed Chisholm as being a protest candidate, one who had a small but loyal activist base but which couldn’t compete with candidates like McGovern and Hubert Humphrey.  Still, Chisholm went into the convention with a handful of delegates and, with McGovern not having enough pledged delegates to win outright, it was expected that Shirley Chisholm would at least be able to get some concessions from him in return for her support.

Political conventions being what they are, things didn’t work out that way.  Due to several backroom deals, George McGovern was able to secure the nomination during the first round of voting.  McGovern went on to suffer a landslide defeat and for years, his general election campaign would be held up as an example of how not to run for President.  Chisholm returned to the U.S. Congress, where she served for another ten years.

Featuring Regina King in the title role, Shirley is a dramatization of that primary campaign.  In many ways, it’s a typical Netflix docudrama.  It’s well-made and it’s tasteful and occasionally, it’s a little bit boring.  Political junkies will enjoy it, particularly if they’ve studied the 1972 presidential election.  My inner history nerd was thrilled as largely forgotten historical figures were casually mentioned in the dialogue.  Who would have guessed that a film released in 2024 would have featured characters talking about the presidential campaigns of Sam Yorty, John Lindsay, and Walter Fauntroy?  Sadly, no mention is made of Patsy Mink.  While Shirley Chisholm was making history as the first Black woman to run for president, U.S. Rep. Patsy T. Mink of Hawaii was doing the same as the first Asian-American woman to run.

It’s an uneven film, one that takes it time getting started.  Filmmaker John Ridley is a better writer than director.  Some of the scenes, like the ones of Chisholm mentoring a young Barbara Lee (Christina Jackson), felt a bit too much on the nose.  (That said, Barbara Lee did start her career as a volunteer with the Chisholm campaign and, while in Congress, she regularly cited Chisholm as an inspiration.)  But then there were other scenes that worked wonderfully, like Chisholm visiting segregationist George Wallace (W. Earl Brown) after Wallace had been shot.  The film is at its best when it reaches the Democrat Convention and Chisholm goes from being elated to disappointed as one of her strongest allies goes from supporting her to announcing that it’s time for all the black delegates to line up behind McGovern.  Regina King’s performance, especially towards the end of the film, captures both Shirley Chisholm’s strength and her vulnerability.  It’s not always easy being a trailblazer.

Finally, if you want to learn more about Shirley Chisholm’s 1972 presidential campaign, I suggest the 2005 documentary, Shirley Chisholm ’72: Unbought and Unbossed.