Late Night Retro Television Reviews: Monsters 1.18 “The Match Game”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing Monsters, which aired in syndication from 1988 to 1991. The entire show is streaming on Tubi.

Agck!  The monsters are going to get me for being so late in posting this review!

Episode 1.18 “The Match Game”

(Dir by Michael Brandon, originally aired on April 15th, 1989)

So, if you’ve ever wanted to see Tori Spelling’s head literally get squeezed into nothingness, this is the episode for you.

Spelling plays Beverly, a teenage girl who enjoys breaking into old houses and playing the match game.  That’s the game where you and your friends sit in a circle and a match is passed from person to person.  The person holding the match tells a story until their flame dies.  Then the next person continues the story until their match dies.  The whole idea is to see just how grotesque things can get by the time the story finally ends.  I played a variation of the game when I was in high school.  Admittedly, my friends and I did it in our creative writing teacher’s classroom and we used an hourglass instead of a match and our stories usually turned pretty perverse by the time the third person got their chance to contribute.

Tori Spelling is not the only familiar face to be found here.  Her boyfriend is played by Sasha Jenson, who will forever be known as Dazed and Confused‘s Don Dawson.  Spelling’s best friend is played by Ashley Laurence, who was the lead in the first Hellraiser.  Spelling is not the only well-known actor here but she is the only one to give an amazingly bad performance.  That’s not a surprise, of course.  Spelling has never been a particularly good actress and she did this episode around the same time that she was playing Screech’s girlfriend on Saved By The Bell.  Credit where credit is due, she is better here than she was on Saved By The Bell.

When Paul (Byron Thames), the newcomer to the group, gets his chance to hold the match, it doesn’t go out until he’s gone into great detail about Hubert Waverly, the horribly deformed man who once lived in the house where the group is playing their game.  This brings Hubert to life.  Jenson and Spelling are taken out quickly.  Finally, it occurs to the two survivors that Paul can vanquish Hubert by finishing the story.  That’s good and all but the episode never really explains why Paul’s match didn’t go out the first time.  How did he know about Hubert?  Did Hubert spring from Paul’s mind?  These are important questions that the show just kind of pushes to the side.

Oh well!  This is still an atmospheric episode and probably as close as this show has gotten to being scary since that episode about the makeup box.  Even Tori Spelling’s bad performance felt oddly appropriate for what was essentially a 30-minute 80s slasher film.  I enjoyed this episode so much that I might even go find that old box of matches that we keep out in the garage….

Retro Television Reviews: The Love Boat 3.28 “No Girls for Doc/Marriage of Convenience/The Caller/The Witness”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

This week, the third season of The Love Boat comes to a conclusion with an extra-long episode!

Episode 3.28 “No Girls for Doc/Marriage of Convenience/The Caller/The Witness”

(Dir by Gordon Farr and Richard Kinon, originally aired on May 3rd, 1980)

The finale of The Love Boat‘s third season features stage legend and two-time Oscar winner, Helen Hayes.  Hayes was considered to be such a big “get” for the show that she receives the zoom lens treatment when she steps onto the ship and all of the action seems to stop for a few minutes, presumably so the audience at home can give her a standing ovation.

Personally, I think Helen Hayes was pretty cool.  Along with being a hell of an actress (one whose career extended for over six decades), she was also the wife of Charles MacArthur, an acquaintance of the Algonquin round table, an outspoken Republican, a strong supporter of many charities, and a major benefactor of the Helen Hayes Hospital, a rehabilitation clinic in New York that has made major strides in treating physical disabilities.  To say that there are people in the world who can walk because of Helen Hayes is not hyperbole.

That said, Helen Hayes’s story is the dullest one on this cruise.  It’s not Hayes’s fault.  She is her usual outspoken and likable self.  It’s just the storyline itself doesn’t offer up much in the way of drama or comedy.  Hayes plays Agatha Winslow, a widow who was married to a friend of Stubing’s.  Stubing asks Julie to set Agatha up with someone but then they see Agatha hugging a younger man and Julie says that it won’t be necessary.

AGCK!  I HOPE NOT!  The younger man is played Helen Hayes’s son, James MacArthur!

No worries.  MacArthur is playing Scott Burgess, who is Agatha’s nephew.  Scott is a member of the protestant clergy who has never married because he feels that he has to take care of Agatha.  Scott and Beatrice Dale (Mildred Natwick) hope that Agatha will fall in love with and marry Beatrice’s brother, a businessman named Hollister (Maurice Evans).  Hollister owns a carpet company and he spends most of the episode look down at and commenting on the quality of the ship’s floor.  Agatha does not marry Hollister but she does realize that it’s time for her to move on and live her own life.  It’s all very pleasant but not very extremely interesting.

Far more interesting is the story of Gail Padgett (Christopher Norris), a woman who is boarding the ship because she needs to get away from her landline phone.  As she explains to Julie, someone has been calling and harassing her for months.  At no point does Julie suggest what I would suggest, which is that Gail should call the cops.  Indeed, when Gail starts to get calls on the boat, Julie never suggests calling the police or going to the captain or anything else.  Instead, Gail tells her stalker that she’ll meet him at the Pirate’s Cove Bar.  She tells Julie that she has a plan to humiliate him.  And again, you would think Julie might say, “How about we just arrest him when he comes in the bar?”  But instead, Julie smiles.  It’s the Love Boat!  No one is murdered on The Love Boat!  (Not yet, anyway.)

Gail’s stalker is a nerdy fellow named Melvin, who is played by a young Martin Short.  Before Melvin can arrive, Gail is approached by Jack Stander (Larry Breeding).  “Hi, I’m Robert Redford,” Jack says before admitting that he’s not Robert Redford and that he spent hours coming up with that opening line.  Thinking that Jack is her stalker, Gail takes Jack to her cabin where she get him to undress and then tosses all of his clothes out the porthole.  So now, Gail has not only flirted with and then stood up her stalker but she’s also committed theft.  WAY TO GO, GAIL!

Anyway, Gail eventually realizes that Jack is not her stalker and they fall in love.  Melvin is eventually revealed to be the caller but everyone laughs it off because he’s so nerdy.  (Because we all know how harmless nerdy stalkers are….)  This was a really weird story but, despite the stupidity of their characters, Christopher Norris and Larry Breeding made for a cute, likably vapid couple.

Maybe Gail should have gone to Wayne Dobson (Larry Wilcox) for help.  Wayne is an uptight assistant D.A. who has spent the last two months in a hotel room with Pat Bigelow (Catherine Bach), a witness to a crime who is in protective custody.  Even when Pat boards the cruise, Wayne has to come with her and stay in an adjoining cabin.  Pat is annoyed but she understand that Wayne is just doing his job. 

However, Wayne has fallen in love with Pat and he is upset to receive a telegram saying that the crooks have decided to plead guilty and that Pat can be released from protective custody.  Isaac, who was perhaps a bit too excited when he earlier thought Wayne was a male gigolo who was being paid to escort Pat, suggests that Wayne just lie and not let Pat know that her life is no longer in danger.  Wayne agrees and Isaac takes Wayne off to give him a makeover that will be so impressive that Pat will fall in love with him and reject notorious Love Boat lothario Mark Bridges (John McCook).

(Of course, any relationship that Wayne and Pat could ever have would be built on lies but whatever….)

Pat does fall for Wayne, though less because of the makeover and more because Wayne finally stops being so uptight.  She’s a bit miffed when she finds out that Wayne has been lying to her but she forgives him easily because this is The Love Boat.

Finally, after a night of skinny dipping leads to him losing his clothes and money, Doc announces that he’s through with women.  (And again, it doesn’t seem to occur to anyone that maybe Doc should call the police.)  That should be a relief to the crew because Doc really is a lawsuit waiting to happen.  Instead, they takes bets on how long it will take Doc to go back on his word.  It doesn’t take long.  Any story that centered around Doc being a Casanova just felt silly.  Bernie Kopell was likable as Doc but he was also a bit too naturally mild-mannered to be believable as a legendary lothario.

And so ends the third season of The Love Boat.  Vicki is now firmly a member of the crew.  Julie has given up on finding love.  Isaac and Gopher are as silly as ever.  And Doc is going to get the cruise line sued.  The 90-minute finale was a bit overextended and had some weak story elements but, overall, the third season was a lot of fun.  

Next week …. SEASON 4!

Scenes That I Love: Gene Hackman In Mississippi Burning


I was in a medically-approved Vicodin haze yesterday so I missed the fact that it was Gene Hackman’s birthday!  Well, let’s make up for it today with a scene of Hackman being a righteous badass in 1988’s Mississippi Burning.

If you need any proof that Gene Hackman is one of our best actors, just consider that it’s been nearly 20 years since he retired from acting and he’s rarely seen out in public (reportedly due to just naturally being a very private man) yet he remains a popular performer who earns new fans every day.  In this scene, Hackman plays an FBI agent who lets a bunch of racists know that just because he might share their accent, that doesn’t mean that he shares their beliefs.  No one could go from friendly to intimidating with as much style as Gene Hackman.

(And yes, that is a young Michael Rooker getting put in his place, along with Brad Dourif.)