Here Are The Shortlists For The 2023 Academy Awards!


For Oscar-predictors, today was an important day!  The Academy has announced it’s shortlists.  These are the semi-finalists in a handful of categories.  The actual nominations will come from the lists below.

Here they are, category-by-category.

Documentary Feature:

“American Symphony”
“Apolonia, Apolonia”
“Beyond Utopia”
“Bobi Wine: The People’s President”
“Desperate Souls, Dark City and the Legend of Midnight Cowboy”
“The Eternal Memory”
“Four Daughters”
“Going to Mars: The Nikki Giovanni Project”
“In the Rearview”
“Stamped from the Beginning”
“Still: A Michael J. Fox Movie”
“A Still Small Voice”
“32 Sounds”
“To Kill a Tiger”
“20 Days in Mariupol”

Documentary Short Subject:

“The ABCs of Book Banning”
“The Barber of Little Rock”
“Bear”
“Between Earth & Sky”
“Black Girls Play: The Story of Hand Games”
“Camp Courage”
“Deciding Vote”
“How We Get Free”
“If Dreams Were Lightning: Rural Healthcare Crisis”
“Island in Between”
“The Last Repair Shop”
“Last Song from Kabul”
“Nǎi Nai & Wài Pó”
“Oasis”
“Wings of Dust”

International Feature Film:

Armenia, “Amerikatsi”
Bhutan, “The Monk and the Gun”
Denmark, “The Promised Land”
Finland, “Fallen Leaves”
France, “The Taste of Things”
Germany, “The Teachers’ Lounge”
Iceland, “Godland”
Italy, “Io Capitano”
Japan, “Perfect Days”
Mexico, “Totem”
Morocco, “The Mother of All Lies”
Spain, “Society of the Snow”
Tunisia, “Four Daughters”
Ukraine, “20 Days in Mariupol”
United Kingdom, “The Zone of Interest”

Makeup and Hair-Styling:

“Beau Is Afraid”
“Ferrari”
“Golda”
“Killers of the Flower Moon”
“The Last Voyage of the Demeter”
“Maestro”
“Napoleon”
“Oppenheimer”
“Poor Things”
“Society of the Snow”

Music (Original Score)

“American Fiction”
“American Symphony”
“Barbie”
“The Boy and the Heron”
“The Color Purple”
“Elemental”
“The Holdovers”
“Indiana Jones and the Dial of Destiny”
“Killers of the Flower Moon”
“Oppenheimer”
“Poor Things”
“Saltburn”
“Society of the Snow”
“Spider-Man: Across the Spider-Verse”
“The Zone of Interest”

Music (Original Song)

“It Never Went Away” from “American Symphony”
“Dear Alien (Who Art In Heaven)” from “Asteroid City”
“Dance The Night” from “Barbie”
“I’m Just Ken” from “Barbie”
“What Was I Made For?” from “Barbie”
“Keep It Movin’” from “The Color Purple”
“Superpower (I)” from “The Color Purple”
“The Fire Inside” from “Flamin’ Hot”
“High Life” from “Flora and Son”
“Meet In The Middle” from “Flora and Son”
“Can’t Catch Me Now” from “The Hunger Games: The Ballad of Songbirds & Snakes”
“Wahzhazhe (A Song For My People)” from “Killers of the Flower Moon”
“Quiet Eyes” from “Past Lives”
“Road To Freedom” from “Rustin”
“Am I Dreaming” from “Spider-Man: Across the Spider-Verse”

Animated Short Film:

“Boom”
“Eeva”
“Humo (Smoke)”
“I’m Hip”
“A Kind of Testament”
“Koerkorter (Dog Apartment)”
“Letter to a Pig”
“Ninety-Five Senses”
“Once upon a Studio”
“Our Uniform”
“Pachyderme”
“Pete”
“27”
“War Is Over! Inspired by the Music of John & Yoko”
“Wild Summon”

Live Action Short Film:

“The After”
“The Anne Frank Gift Shop”
“An Avocado Pit”
“Bienvenidos a Los Angeles”
“Dead Cat”
“Good Boy”
“Invincible”
“Invisible Border”
“Knight of Fortune”
“The One Note Man”
“Red, White and Blue”
“The Shepherd”
“Strange Way of Life”
“The Wonderful Story of Henry Sugar”
“Yellow”

Sound:

“Barbie”
“The Creator”
“Ferrari”
“The Killer”
“Killers of the Flower Moon”
“Maestro”
“Mission: Impossible – Dead Reckoning Part One”
“Napoleon”
“Oppenheimer”
“The Zone of Interest”

Visual Effects

“The Creator”
“Godzilla Minus One”
“Guardians of the Galaxy Vol. 3”
“Indiana Jones and the Dial of Destiny”
“Mission: Impossible – Dead Reckoning Part One”
“Napoleon”
“Poor Things”
“Rebel Moon – Part One: A Child of Fire”
“Society of the Snow”
“Spider-Man: Across the Spider-Verse”

Retro Television Reviews: Jennifer Slept Here 1.12 “The Tutor Who Came To Dinner”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Jennifer Slept Here, which aired on NBC in 1983 and 1984.  The entire show is currently streaming on YouTube!

This week, Jennifer gets some competition!

Episode 1.12 ‘The Tutor Who Came To Dinner”

(Dir by John Bowab, originally aired on May 5th, 1984)

Concerned about Joey’s poor grades and the fact that he is always doing things like talking to no one and apparently playing ping pong by himself, George arranges for Joey to get a tutor.

At first, Joey is upset.  He doesn’t want a tutor.  As he explains it, he just got one D and it wasn’t even in an important class.  But Joey changes his tune when Pam (Gail Edwards) arrives.  Pam is supportive, enthusiastic, and always complimentary.  She also always wears tight sweaters, which Jennifer quickly deduces is the main reason why Joey suddenly likes being tutored so much.  Soon, Joey is asking his father if he believes that younger men should date older women.

Jennifer, however, does not trust Pam and it turns out that she’s absolutely right about Pam having a secret agenda.  When Jennifer sees Pam walking through a closed door, she realizes that Pam is actually a ghost!  Pam explains that the governing body of the spirit world has decided that Joey would be better off with a different ghost in his life so they’ve sent Pam to replace Jennifer.

This brings up a lot of questions.  Jennifer Slept Here was never particularly consistent when it came to explaining why only Joey could see Jennifer or why Jennifer was even hanging around the house to begin with.  Sometimes, Jennifer was portrayed as being a somewhat bratty ghost who just liked to play pranks on the people living in the house.  Other times, Jennifer was portrayed as almost being a surrogate mother figure for Joey.  That said, I think this is the first time that it’s actually been stated that Jennifer was specifically assigned to spend time with Joey.  In fact, it almost sounds as if Jennifer is meant to be Joey’s guardian angel or something.  So, why was Jennifer assigned to Joey?  The simple solution was seem to be that it was because Joey and his family moved into Jennifer’s old house.  But if Pam is going to be Joey’s new ghost than where is Jennifer supposed to go now?  The implication is that Jennifer is going to have to leave but where is she supposed to go?  And if Joey and his family ever move, does that mean Jennifer or Pam will automatically be assigned to whoever moves into the house next or would they be expected to travel with the family?

I know I’m overthinking all of this but to me, it is relevant as to why this show didn’t last, despite having two talented and likable leads.  After twelve episodes, the show’s writers still hadn’t figured out just what exactly the true nature of Jennifer’s existence was.  It’s not surprising that this led to a show that could be rather uneven.

Anyway, Joey pretends to be a messy brat in order to convince Pam that she doesn’t want to be his ghost.  Pam seems right through Joey’s antics but she also realizes how much Joey and Jennifer care about each other so she agrees to leave.  Continuity issues aside, this was a sweet episode.  Joey really couldn’t ask for a better ghost friend.

Next week …. Jennifer Slept Here comes to an end!

The Boy And The Heron Wins In Florida!


The Florida Film Critics Circle have announced their picks for the best of 2023, with The Boy and The Heron winning the awards for Best Picture!

The winners are listed in bold.

BEST PICTURE
The Boy and the Heron
Killers of the Flower Moon
May December
Oppenheimer
Past Lives

BEST ACTOR
Bradley Cooper – Maestro
Paul Giamatti – The Holdovers
Cillian Murphy – Oppenheimer
Franz Rogowski – Passages
Andrew Scott – All of Us Strangers

BEST ACTRESS
Lily Gladstone – Killers of the Flower Moon
Sandra Hüller – Anatomy of a Fall
Natalie Portman – May December
Emma Stone – Poor Things
Teyana Taylor – A Thousand and One

BEST SUPPORTING ACTOR
Robert Downey Jr. – Oppenheimer
Charles Melton – May December
Mark Ruffalo – Poor Things
Dominic Sessa – The Holdovers
Donnie Yen – John Wick: Chapter 4

BEST SUPPORTING ACTRESS
Emily Blunt – Oppenheimer
Rachel McAdams – Are You There God? It’s Me, Margaret
Julianne Moore – May December
Da’Vine Joy Randolph – The Holdovers
Sigourney Weaver – Master Gardener

BEST ENSEMBLE
Asteroid City
Barbie
How to Blow Up a Pipeline
Killers of the Flower Moon
Oppenheimer

BEST DIRECTOR
Wes Anderson – Asteroid City
Jonathan Glazer – The Zone of Interest
Todd Haynes – May December
Christopher Nolan – Oppenheimer
Celine Song – Past Lives

BEST ORIGINAL SCREENPLAY
Wes Anderson – Asteroid City
Samy Burch – May December
David Hemingson – The Holdovers
Celine Song – Past Lives
Justine Triet and Arthur Harari – Anatomy of a Fall

BEST ADAPTED SCREENPLAY
Kelly Fremon Craig – Are You There God? It’s Me, Margaret
Cord Jefferson – American Fiction
Tony McNamara – Poor Things
Christopher Nolan – Oppenheimer
Eric Roth and Martin Scorsese – Killers of the Flower Moon

CINEMATOGRAPHY
Dan Laustsen – John Wick: Chapter 4
Rodrigo Prieto – Killers of the Flower Moon
Robbie Ryan – Poor Things
Hoyte van Hoytema – Oppenheimer
Lukasz Zal – The Zone of Interest

VISUAL EFFECTS
The Creator
Godzilla Minus One
Oppenheimer
Poor Things
Spider-Man: Across the Spider-Verse

ART DIRECTION/PRODUCTION DESIGN
Asteroid City
Barbie
Killers of the Flower Moon
Poor Things
The Zone of Interest

BEST SCORE
Ludwig Göransson – Oppenheimer
Gary Gunn – A Thousand and One
Joe Hisaishi – The Boy and the Heron
Daniel Pemberton – Spider-Man: Across the Spider-Verse
Robbie Robertson – Killers of the Flower Moon

BEST DOCUMENTARY
The Eternal Memory
Kokomo City
Little Richard: I Am Everything
Menus-Plaisir – Les Troisgros
Still: A Michael J. Fox Movie

ANIMATED FEATURE
The Boy and the Heron
Robot Dreams
Spider-Man: Across the Spider-Verse
Suzume
Teenage Mutant Ninja Turtles: Mutant Mayhem

BEST FIRST FILM AWARD
Raven Jackson – All Dirt Roads Taste of Salt
Cord Jefferson – American Fiction
Georgia Oakley – Blue Jean
A.V. Rockwell – A Thousand and One
Celine Song – Past Lives

BREAKOUT AWARD
Lily Gladstone – Killers of the Flower Moon
Charles Melton – May December
Dominic Sessa – The Holdovers
Celine Song – Past Lives
Cailee Spaeny – Priscilla

GOLDEN ORANGE
Eric Bendick – Path of the Panther
Alex Mechanik – May December
D Smith – Kokomo City

Here Are The 2023 Nominations of The North Carolina Film Critics Association!


The North Carolina Film Critics Association has announced its nominations for the best of 2023!

Hey, check out those nominations for Godzilla Minus One and Tom Savini!

The winners will be announced on January 3rd.

BEST NARRATIVE FILM
American Fiction
Barbie
Godzilla Minus One
The Holdovers
Killers of the Flower Moon
Oppenheimer
Past Lives
Poor Things
Spider-Man: Across the Spider-Verse
The Zone of Interest

BEST DOCUMENTARY FILM
American Symphony
May the Lord Watch: The Little Brother Story
The Mission
Silver Dollar Road
Still: A Michael J Fox Movie

BEST ANIMATED FILM
The Boy and the Heron
Elemental
Nimona
Spider-Man: Across the Spider-Verse
Teenage Mutant Ninja Turtles: Mutant Mayhem

BEST FOREIGN LANGUAGE FILM
Anatomy Of A Fall
Godzilla Minus One
Past Lives
Perfect Days
The Zone of Interest

BEST DIRECTOR
Celine Song – Past Lives
Christopher Nolan – Oppenheimer
Greta Gerwig – Barbie
Martin Scorsese – Killers of the Flower Moon
Yorgos Lanthimos – Poor Things

BEST CINEMATOGRAPHY
Barbie
John Wick: Chapter 4
Killers of the Flower Moon
Oppenheimer
Poor Things

BEST ACTOR
Colman Domingo – Rustin
Paul Giamatti – The Holdovers
Cillian Murphy – Oppenheimer
Andrew Scott – All of Us Strangers
Jeffrey Wright – American Fiction

BEST SUPPORTING ACTOR
Robert De Niro – Killers of the Flower Moon
Robert Downey Jr. – Oppenheimer
Ryan Gosling – Barbie
Charles Melton – May December
Mark Ruffalo – Poor Things

BEST ACTRESS
Lily Gladstone – Killers of the Flower Moon
Sandra Hüller – Anatomy Of A Fall
Greta Lee – Past Lives
Margot Robbie – Barbie
Emma Stone – Poor Things

BEST SUPPORTING ACTRESS
Emily Blunt – Oppenheimer
Danielle Brooks – The Color Purple
America Ferrera – Barbie
Julianne Moore – May December
Da’Vine Joy Randolph – The Holdovers

BEST VOCAL PERFORMANCE IN ANIMATION OR MIXED MEDIA
Bradley Cooper – Guardians of the Galaxy Vol. 3
Daniel Kaluuya – Spider-Man: Across the Spider-Verse
Shameik Moore – Spider-Man: Across the Spider-Verse
Chloë Grace Moretz – Nimona
Hailee Steinfeld – Spider-Man: Across the Spider-Verse

BEST ACTING ENSEMBLE
Asteroid City
Barbie
The Holdovers
Killers of the Flower Moon
Oppenheimer

BEST ORIGINAL SCREENPLAY
Anatomy Of A Fall
Barbie
The Holdovers
May December
Past Lives

BEST ADAPTED SCREENPLAY
All of Us Strangers
American Fiction
Killers of the Flower Moon
Oppenheimer
Poor Things

BEST EDITING
Barbie
John Wick: Chapter 4
Killers of the Flower Moon
Oppenheimer
Poor Things

BEST SPECIAL EFFECTS
The Creator
Godzilla Minus One
Guardians of the Galaxy Vol. 3
Mission: Impossible – Dead Reckoning Part One
Oppenheimer

BEST STUNT COORDINATION
Extraction 2
The Iron Claw
John Wick: Chapter 4
Mission: Impossible – Dead Reckoning Part One
Sisu

BEST COSTUME DESIGN
Barbie
The Color Purple
Killers of the Flower Moon
Oppenheimer
Poor Things

BEST HAIR & MAKE-UP
Barbie
Maestro
Oppenheimer
Poor Things
Priscilla

BEST PRODUCTION DESIGN
Asteroid City
Barbie
Killers of the Flower Moon
Oppenheimer
Poor Things

BEST SCORE
The Killer
Killers of the Flower Moon
Oppenheimer
Poor Things
Spider-Man: Across the Spider-Verse

BEST ORIGINAL SONG
Am I Dreaming – Spider-Man: Across the Spider-Verse
Can’t Catch Me Now – The Hunger Games: The Ballad of Songbirds & Snakes
I’m Just Ken – Barbie
Peaches – The Super Mario Bros. Movie
What Was I Made For – Barbie

BEST SOUND DESIGN
John Wick: Chapter 4
The Killer
Oppenheimer
Spider-Man: Across the Spider-Verse
The Zone of Interest

BEST DIRECTORIAL DEBUT
Mel Eslyn – Biosphere
Cord Jefferson – American Fiction
Michael B. Jordan – Creed III
Danny Philippou and Michael Philippou – Talk to Me
Celine Song – Past Lives

BEST BREAKTHROUGH PERFORMANCE
Abby Ryder Fortson – Are You There, God? It’s Me, Margaret
Milo Machado Graner – Anatomy Of A Fall
Greta Lee – Past Lives
Charles Melton – May December
Dominic Sessa – The Holdovers

LIFETIME ACHIEVEMENT: Make-Up Artist
Rick Baker
Greg Cannom
Ve Neill
Tom Savini
Stan Winston

KEN HANKE MEMORIAL TAR HEEL AWARD
Fantasia Barrino – The Color Purple
Julianne Moore – May December
Hunter Schafer – The Hunger Games: The Ballad of Songbirds & Snakes
May the Lord Watch: The Little Brother Story
Silver Dollar Road

Song of the Day: I Dreamed I Saw Jack Nance Last Night by Dumb Numbers


Eraserhead (1977, dir by David Lynch)

Today would have been the 80th birthday of Jack Nance, the talented but troubled actor who was a favorite of David Lynch’s and who died under mysterious circumstances in 1996.  Born in Massachusetts but raised in Texas, Nance first won acclaim as a star of the stage show, Tom Paine.  The director of Tom Paine later received a fellowship to the American Film Institute where he met a young director named David Lynch and recommended that Lynch cast Nance as the lead character in his film, Eraserhead.  Lynch and Nance were kindred spirits, two all-American eccentrics with their own unique view of the world.  Lynch went to use Nance in almost every film that he made up until Nance’s death.  Nance would also appear in small roles in films from other directors, usually cast as quirky and obsessive characters.  Outside of his role in Eraserhead, Nance is probably best known for playing Pete Martell on Twin Peaks.  Pete’s discovery of Laura Palmer’s body launched the entire saga.

Twin Peaks 1.1 — The Pilot (dir by David Lynch)

Now, sadly, I can’t share any clips from Eraserhead on this site.  I wanted to share the scene where Jack Nance, as Henry, first has dinner with his future in-laws but I couldn’t find any uploads of that scene that were not age-restricted.  So, I’m just going to recommend that you see Eraserhead if you haven’t yet.

In my search for an Eraserhead scene, I did come across this song about Jack Nance and, in honor of Jack’s talent and legacy, I am making it today’s song of the day!

Music Video of the Day: Please Come Home For Christmas by Taylor Hicks (2014, dir by ????)


Since yesterday’s music video of the day came to us from Katharine McPhee, it only seems appropriate that today’s music video of the day should feature Taylor Hicks.

Enjoy!

Late Night Retro Television Reviews: Monsters 1.12 “Fools’ Gold”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing Monsters, which aired in syndication from 1988 to 1991. The entire show is streaming on Tubi.

This week, a brave troll defends its treasure!

Episode 1.12 “Fools’ Gold”

(Dir by Greg Cannom, originally aired on January 21st, 1989)

Two constructions workers, Phil (Jeff Conaway) and Joe (T.J. Castronova), and their boss, Sherrie (Mary Cadorette), climb down into an underground tunnel.  They’re expecting to find another construction worker who they believe is hiding in the tunnel.  Instead, they discover the worker’s dead body and a gold coin.

Phil is super-excited about the gold and insists on exploring more of the tunnel.  Joe and Sherrie stay behind while Phil explores.  Joe talks about how, “in the old country,” his parents would tell him stories about faeries and goblins and trolls.  Sherrie laughs and says that there’s no way Joe could actually believe in any of that.

Well, it’s actually a pretty good thing that Joe knows about trolls because there’s one in the tunnel!  The troll (played, under a lot of makeup, by Debbie Lee Carrington) has hoarded all of the gold that it can find.  According to Joe, trolls do this to trick people into entering their lair.  Because trolls have a boiling hot blood, they can burn people just by touching them.  Trolls are also vulnerable to sunlight and iron.  That’s all Phil has to hear to decide that they should defeat the troll and try to steal the treasure for themselves.

The troll, however, is a bit more clever than the three of them realize.  Not only is the troll a viscous attacker who can burn with one touch but the troll also has the ability to start an earthquake.  When the troll does just that, Sherrie, Phil, and Joe find themselves trapped and fighting for their lives.

This episode featured three distinct human characters.  Joe was good-hearted.  Phil was greedy.  Sherrie was somewhere in between.  While Jeff Conaway overacted, both Mary Cadorette and T.J. Castronova gave adequate performances as Sherrie and Joe.  That said, the definite star of this episode was the troll.  Wisely, director Greg Cannom largely kept the troll in the shadows, which made it even more creepy as it ran around the tunnel.  When the troll did attack, it was a genuinely frightening monster.  What I liked is that the troll always moved quickly and ruthlessly.  The troll wasn’t one of those slow monsters who show up in so many horror films.  Instead, this troll was a predator, one that attacked quickly and showed no mercy.  Seriously, no one watching this episode would want to run into that thing in a basement or anywhere else!

That said, this episode’s script was a bit underwhelming.  The 20-minute runtime really doesn’t do Monsters any favors.  This is an episode that would have benefitted from a longer run time and perhaps a somewhat darker ending.  The humans were so unlikable that it was hard not to feel that they hadn’t earned a happy ending.  I was Team Troll all the way.

The Black Film Critics Circle Honors American Fiction!


The Black Film Critics Circle has announced its picks for the best of 2023 and here they are:

Best Film: American Fiction
Best Director: Cord Jefferson – American Fiction
Best Actor: Jeffrey Wright – American Fiction
Best Actress: Aunjanue Ellis-Taylor – Origin
Best Supporting Actor: Sterling K. Brown – American Fiction
Best Supporting Actress: Danielle Brooks – The Color Purple
Best Original Screenplay: Past Lives
Best Adapted Screenplay: (Tie) Oppenheimer & American Fiction
Best Cinematography: Poor Things
Best Documentary Film: American Symphony
Best Animated Film: Spider-Man: Across The Spider-Verse
Best Ensemble: American Fiction

BFCC SIGNATURE AWARDS

PIONEER – Lisa Cortés

RISING STAR/ BEST NEWCOMER – (Tie) A.V. Rockwell & Tia Nomore

SPECIAL MENTION – Colman Domingo

Top Ten

1. American Fiction
2. Oppenheimer
3. The Color Purple
4. Spider-Man: Across The Spider-Verse
5. Origin
6. Past Lives
7. Poor Things
8. Barbie
9. Maestro
10. Anatomy of a Fall

Retro Television Review: The Love Boat 3.22 “Not So Fast, Gopher/Haven’t We Met Before?/Seoul Mates”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

This week’s cruise is actually a pretty good one.

Episode 3.22 “Not So Fast, Gopher/Haven’t We Met Before?/Seoul Mates”

(Dir by Gordon Farr, originally aired on February 9th, 1980)

This week’s episode opens with Gopher in a panic.  His mother, Roz (Ethel Merman), is going to be on the cruise.  It’s her first big trip after the death of Gopher’s father and Gopher wants her to have fun because she’s been so depressed.  However, when Roz boards the ship, Gopher is stunned to see her laughing, singing, and hanging out with a male passenger named Lyle (Gene Rayburn).  Roz seems so happy that Gopher starts to worry that she didn’t love his father.

Of course, the opposite is true.  Roz is miserable but she doesn’t want Gopher to know how sad she’s feeling.  She doesn’t want Gopher to worry about her and she also doesn’t want to make Gopher feel any worse about losing his father.

This storyline handled loss and sadness with an intelligence and a maturity that I don’t think most people would ever expect to see on the show like The Love Boat, with both Fred Grandy and Ethel Merman giving sensitive performances as two people struggling to come to terms with their grief.  Gopher comes to realize that he’s been focusing on Roz’s grief so he’ll have an excuse to not think about his own and Roz comes to realize that she’s been doing the same thing to Gopher.

Now, of course, this is still The Love Boat so, of course, Roz ends up performing during the ship’s Passenger Talent Show.  And, yes, Gopher doe show up at the last minute and, in order to let her know that he now understands her feelings, sings a duet with her.  It’s a bit of goofy ending for an otherwise poignant story but, in its way, it definitely works.  It’s a sweet scene.

The Gopher/Roz storyline is so poignant and so well-handled that it pretty much overshadows everything else that happens on the boat.

Korean comic Jimmy Kim (Johnny Yune) finds romance with a reporter named Kendall Park (Momo Yashima) but Kendall is offended by Jimmy’s act (which is full of jokes about life in Korea).  However, after Roz talks about how much she enjoyed Jimmy’s humor, Kendall  changes her mind and she and Jimmy leave the ship as a couple.  This was an interesting story to watch and consider in the midst of our current, scolding, “That’s not funny” culture of 2023.  If anything, it showed that debates about what one can or should joke about are hardly new to this century.  But it just felt strange that it took a white woman appreciating Jimmy’s humor for Kendall to no longer be offended by jokes about Korea.  If anything it would seem that Roz saying that she enjoyed hearing jokes about Korea would leave Kendall feeling even more offended by Jimmy’s act.  I’m just glad that all of this didn’t lead to Captain Stubing doing his “I see you’ve been reading about your history” speech again.

Meanwhile, four blue collars friends board the ship.  Three of them (played by the Hudson Brothers) announce that they’re going to pretend to be wealthy professionals.  However, Paul Stockwood (Nicholas Hammond) announces that he is not going to pretend to be anything than the waiter that he is.  That’s before Paul realizes that the wealthy Leila Stanhope (Haley Mills) is on the boat.  Paul has waited on Leila several times at the Manhattan restaurant in which he works.  When Leila tells Paul that he seems familiar, Paul lies and says that he’s a wealthy writer.

It all seems to be working well, until Paul decides to bring Leila breakfast.  The sight of Paul carrying a tray of food is all it takes for Leila to remember who he is.  At first, Paul calls Leila a snob and Leila calls Paul a liar.  But then they fall in love anyway, which means that Paul will probably never have to work as a waiter again.  Yay!  Unfortunately, this storyline was hampered by the lack of chemistry between Nicholas Hammond and Hayley Mills.  They were both attractive but they were also difficult to buy as a couple.

Even though two of the storylines were somewhat flawed, the story about Gopher and his mother elevated this entire episode and it made it one of the best episodes of The Love Boat that I’ve watched so far.  This was a cruise to remember!