Late Night Retro Television Reviews: Friday the 13th: The Series 1.10 “Tales of the Undead”


Welcome to Late Night Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Friday the 13th, a show which ran in syndication from 1987 to 1990. The show can be found on YouTube!

This week, Ryan learns why you never meet your heroes.

Episode 1.10 “Tales of the Undead”

(Dir by Lyndon Chubbock, originally aired on January 25th, 1988)

Comic book fan Ryan is shocked when he witnesses the murder of the owner of his favorite comic book store.  He’s even more shocked by the fact that the murderer appeared to a legendary comic book character, a robot who was created and drawn by an artist named Jay Star.

Micki is skeptical when Ryan tells her that he thinks one of his favorite comic book characters has come to life.  Despite having dealt with a cursed doll and quill that could kill someone just by being used to write that person’s name, Micki draws the line at living comic book characters.  However, Ryan does some research and discovers that a cursed comic book was indeed purchased from the store.

Seriously, think about this.  Ryan not only witnesses a murder but the murder is committed by his favorite comic book character and then he discovers that it’s all linked to the cursed antique store where Ryan just happens to work.  That’s an amazing coincidence!  Jack would probably be concerned about how all of that came to happen but, oddly enough, Jack is not in this episode.

Instead, it falls to Ryan and Micki to track down the comic book.  This leads them to the man who created the robot, Jay Star (played by special guest star Ray Waltson).  Jay Star created the robot in the 40s and became a hero to comic book readers everywhere but he feels that he wasn’t properly compensated for his services.  (This is something that happens far too often to real comic book artists as well.  Some people have definitely gotten a lot of money as a result of all the Marvel films but the families of Jack Kirby and Steve Ditko have not.)  The comic book company kept the rights to his character and they refused to publish the issue in which Jay killed him off.  The company is still making money off of Jay’s work while Jay lives in obscurity as a recluse.  At the start of the episode, Jay Star does not own the cursed comic book.  However, he does manage to track it down and steal it from its current owner, Cal (David Hewlett).  Soon, Jay is transforming into the killer robot and seeking revenge on everyone who he feels has betrayed him.

This was one of the stronger episodes of Friday the 13th.  What really set this episode apart from some of the ones that came before and after was that Ryan had a personal stake in recovering the cursed item.  As he explains it to Micki, comic books were the one constant he had during his dysfunctional childhood.  He grew up admiring artists like Jay Star and dreaming of being one of them and of being a hero who could solve all of the world’s problems.  In this episode, Ryan discovers that his hero is a murderer and John D. LeMay does a very good job of playing Ryan’s disillusionment.  The episode ends on a rather sweet note, with Micki encouraging Ryan to remember Jay Star for his talent and not for his crimes.

The episode is also distinguished by Ray Waltson’s empathetic performance as Jay Star, a villain for whom you can’t help but have some sympathy.  When Jay transforms into the killer robot, the episode itself switches to comic book-style animation, which is one of those gimmicks that works far better than one might expect.  Even the robot was about as scary as a monster on a low-budget show like this could possibly be!

This was a good episode.  I hope Ryan never stopped drawing.

Retro Television Reviews: T and T 2.8 “Every Picture….”


Welcome to Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing T. and T., a Canadian show which ran in syndication from 1987 to 1990.  The show can be found on Tubi!

This week, T.S. and Amy battle the Canadian Mafia!

Episode 2.8 “Every Picture….”

(Dir by Don McCutcheon, originally aired on November 21st, 1988)

This episode of T and T continues to insist that the show is taking place in a place called Metro County.  It even features a newspaper called the Metro County Eagle and suburb of Metro County that is called Ridley.  As well, it appears that all of the cars in Metro County have American-style license plates.

Listen, T and T, you’re not fooling anyone.

We can all see the snow on the ground.

We can all see the frozen breath whenever a scene takes place outside.

We have all noticed how polite all the extras are.

We can all see the hockey hair and the denim jackets.

Even more importantly, we can all hear the accent whenever anyone apologizes or asks, “What’s this all aboot?”

Everyone knows that T and T totally takes place in Toronto!  Obviously, a lot of a Canadian shows deliberately tried to leave their setting ambiguous so that they could appeal to viewers in the United States.  Interestingly enough, the most successful syndicated Canadian show in the United States was Degrassi, which was always proudly and forthrightly Canadian.

As for today’s episode, it opens with a waitress named Kathy (Jacqueline Samuda) fleeing from a diner after she happens to see her picture in the newspaper.  It turns out that a lot of people have noticed that picture.  One of them is a burly mob hitman (Paul Coeur) who calls the paper and demands to know who took the picture.  When the editor refuses to name names, the hitman breaks into the office to search for the name himself.

Because Amy is friendly (and maybe more!) with the editor, she volunteers T.S. to investigate the photograph.  T.S. and Amy track down the photographer, a nerdy teenage prodigy named Lenny (Robert Haiat).  After talking to Lenny, they track down the diner where Kathy worked and eventually, they break into Kathy’s apartment.  Kathy isn’t there.

“She either left in a hurry or she’s a bad housekeeper,” T.S. growls.

Meanwhile, the hitman kidnaps Lenny and demands that he take him to the diner where the picture was taken.  When Lenny’s father tells T.S. that the abduction is all his fault, T.S. says, “I’m going to make this right!”

Kathy, it turns out, is actually named Maria.  Because she testified against her mob boss brother, she’s in the Canadian witness protection program.  Lenny kind of ruined all that by taking her picture.  Now, she’s hiding out in a church but, after the hitman catches a priest entering Kathy’s apartment, he’s able to track her down.  This hitman is so evil that he’s prepared to shoot Kathy in the head in the middle of a church!  Luckily, T.S. shows up just in time.

“HEY, FOOL!” T.S. shouts before beating the crap out of the hitman.

There’s a simplicity to T and T that you really have to admire.  For all the talk of T.S. being a detective and an advocate of peace and understanding, he solves most of his problems by either punching someone out or throwing them through a window.  This show reminds us that the simple solution is sometimes the best.

Anyway, you know what?  This was a really good episode.  The mystery was intriguing.  The show generated actual suspense over who would find Kathy first.  The scene in the church was nicely atmospheric.  Even the sentimental ending, with Kathy giving T.S. a crucifix to thank him for saving her life, felt totally earned.  Way to go, Toronto!

Here Are The 2023 Nominations of the Chicago Film Critics Association


The Chicago Film Critics Association have announced their nominees for the best of 2023!  The winners will be announced on December 12th.  For now, here’s what has been nominated in the town of Capone!

BEST PICTURE
Barbie
Killers of the Flower Moon
May December
Oppenheimer
Poor Things

BEST DIRECTOR
Greta Gerwig – Barbie
Todd Haynes – May December
Yorgos Lanthimos – Poor Things
Christopher Nolan – Oppenheimer
Martin Scorsese – Killers of the Flower Moon

BEST ACTOR
Leonardo DiCaprio – Killers of the Flower Moon
Paul Giamatti – The Holdovers
Cillian Murphy – Oppenheimer
Andrew Scott – All of Us Strangers
Teo Yoo – Past Lives

BEST ACTRESS
Lily Gladstone – Killers of the Flower Moon
Sandra Huller – Anatomy of a Fall
Natalie Portman – May December
Margot Robbie – Barbie
Emma Stone – Poor Things

BEST SUPPORTING ACTOR
Robert Downey Jr. – Oppenheimer
Ryan Gosling – Barbie
Glenn Howerton – BlackBerry
Charles Melton – May December
Mark Ruffalo – Poor Things

BEST SUPPORTING ACTRESS
Jodie Foster – Nyad
Sandra Huller – The Zone of Interest
Rachel McAdams – Are You There God? It’s Me, Margaret.
Julianne Moore – May December
Da’Vine Joy Randolph – The Holdovers

BEST ORIGINAL SCREENPLAY
Anatomy of a Fall – Arthur Harari & Justine Triet
Barbie – Greta Gerwig
The Holdovers – David Hemingson
May December – Samy Burch
Past Lives – Celine Song

BEST ADAPTED SCREENPLAY
Are You There God? It’s Me, Margaret. – Kelly Fremon Craig
Killers of the Flower Moon – Eric Roth & Martin Scorsese
Oppenheimer – Christopher Nolan
Poor Things – Tony McNamara
The Zone of Interest – Jonathan Glazer

BEST ANIMATED FEATURE
The Boy and the Heron
Leo
Robot Dreams
Spider-Man: Across The Spider-Verse
Teenage Mutant Ninja Turtles: Mutant Mayhem

BEST DOCUMENTARY
20 Days in Mariupol
Beyond Utopia
Kokomo City
Menus-Plaisirs – Les Troisgros
Still: A Michael J. Fox Movie

BEST FOREIGN LANGUAGE FILM
Anatomy of a Fall
The Boy and the Heron
Godzilla Minus One
The Teachers’ Lounge
The Zone of Interest

MILOS STEHLIK AWARD FOR BREAKTHROUGH FILMMAKER
Kyle Edward Ball – Skinamarink
Raven Jackson – All Dirt Roads Taste of Salt
Cord Jefferson – American Fiction
A.V. Rockwell – A Thousand and One
Celine Song – Past Lives

MOST PROMISING PERFORMER
Abby Ryder Fortson – Are You There God? It’s Me, Margaret.
Milo Machado Graner – Anatomy of a Fall
Charles Melton – May December
Dominic Sessa – The Holdovers
Teo Yoo – Past Lives

BEST ART DIRECTION/PRODUCTION DESIGN
Asteroid City
Barbie
Killers of the Flower Moon
Oppenheimer
Poor Things

BEST CINEMATOGRAPHY
Asteroid City – Robert D. Yeoman
Killers of the Flower Moon – Rodrigo Prieto
Oppenheimer – Hoyte Van Hoytema
Poor Things – Robbie Ryan
The Zone of Interest – Lukasz Zal

BEST COSTUME DESIGN
Asteroid City – Milena Canonero
Barbie – Jacqueline Durran
Killers of the Flower Moon – Jacqueline West
Poor Things – Holly Waddington
Priscilla – Stacey Battat

BEST EDITING
All Dirt Roads Taste of Salt
John Wick: Chapter 4
Killers of the Flower Moon
Mission: Impossible – Dead Reckoning – Part One
Oppenheimer

BEST ORIGINAL SCORE
Barbie – Mark Ronson & Andrew Wyatt
Killers of the Flower Moon – Robbie Robertson
Oppenheimer – Ludwig Goransson
Poor Things – Jerskin Fendrix
The Zone of Interest – Mica Levi

BEST USE OF VISUAL EFFECTS
Barbie
Godzilla Minus One
Mission: Impossible – Dead Reckoning – Part One
Oppenheimer
Poor Things

Live Tweet Alert: Join #FridayNightFlix For Uncle Buck!


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on Twitter and Mastodon.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 10 pm et, #FridayNightFlix has got 1989’s Uncle Buck!

If you want to join us this Friday, just hop onto twitter, start the movie at 10 pm et, and use the #FridayNightFlix hashtag!  It’s a friendly group and welcoming of newcomers so don’t be shy.

Uncle Buck is available on Prime and Tubi!  See you there!

Music Video of the Day: Let It Snow, Let It Snow, Let It Snow by Jessica Simpson (2004, dir by ????)


Here’s Jessica Simpson to help get us into the Christmas spirit!  I don’t know if I’m going to get any snow in December but I’ll take some rain and some moderately cold weather.  I love the holidays no matter what the weather may be.

Enjoy!