Film Review: My Cousin Vinny (dir by Jonathan Lynn)


In the 1992 film, My Cousin Vinny, two college students from New York City, Bill Gambini (Ralph Macchio) and Stan Rothstein (Mitchell Whitfield), make the mistake of driving through Alabama.  The two students stop off at a convenience store.  When the clerk is subsequently shot dead during a robbery, Bill and Stan are arrested for the crime.  The viewers know they’re innocent.  Bill and Stan know they’re innocent.  But the entire state of Alabama seems to be determined to send Bill and Stan to prison for life.

Fortunately, Bill’s cousin, Vinny (Joe Pesci, star of Half Nelson), is a lawyer.  Unfortunately, he just recently passed the bar exam and he has yet to actually try a case.  Still, Vinny and his fiancée, Mona Lisa Vito (Marisa Tomei), come down to Alabama.  Vinny takes the case, lying to the judge (Fred Gwynne) about his qualification as a trial attorney.  Vinny is momentarily impressed when the prosecutor (Lane Smith) shares with him all of the files about the case.  “It’s called disclosure, dickhead!” Lisa snaps at him, revealing that she actually has more common sense than Vinny.  That becomes increasingly important as Vinny tries to keep Bill and Stan from spending the rest of their lives in prison.

To be honest, considering how much I complain about stereotypical portrayals of the South, I really shouldn’t like My Cousin Vinny as much as I do.  Almost every character in the film is a stereotype to some extent or another, from the farmers and rednecks who take the witness stand to Fred Gwynne’s no-nonsense judge who rules that Vinny is in contempt of court because he’s wearing a leather jacket.  Fortunately, though, the Southern stereotypes don’t bother me because both Vinny and Lisa are New York stereotypes.  Just as the judge and the townspeople seem to confirm every prejudice that someone like Vinny would have against the South, Vinny seems to be the epitome of everything that people in the South dislike about the North.  When Vinny first shows up on the scene, he’s loud and brash and obnoxious.  But, as the film progresses, Vinny reveals himself to not only be a better attorney than anyone was expecting but he also calms down and adjusts to the more relaxed pace of life in the country.  Just as Vinny reveals himself to be not as bad as everyone originally assumed, both the Judge and the prosecutor are also allowed to reveal some hidden depths.  Neither one is the cardboard authority figure that viewers might expect.  The Judge does sincerely want justice to be done and the prosecutor sincerely wants to keep the county safe, even if he is prosecuting two innocent men.  Just as Vinny learns not to be too quick to judge them, they learn not to be too quick to judge Vinny.  The end message is that everyone is innocent until proven guilty and deserves a fair hearing, whether in a court of law or just in the courts of public and private opinion.  It’s not a bad message.  In fact, it’s one that more than a few people could still stand to learn today.

Of course, the best thing about the film is Marisa Tomei, who not brings a lot of energy to the film but whose hair is amazing and whose clothes are to die for.  Tomei won an Oscar for her performance in My Cousin Vinny, a victory that was so controversial that there were unfounded rumors that presenter Jack Palance had read the wrong name by mistake.  (As we all learned a few years ago when Warren Beatty and Faye Dunaway actually did read the wrong winner, the accountants aren’t going to let anyone get away with that.)  Watching the film last night, it was obvious to me that Tomei deserved that Oscar because Lisa is the heart of the film.  Pesci, Gwynne, and Lane Smith are all give good performances but, without Marisa Tomei’s performance, My Cousin Vinny would ultimately just be another culture clash comedy.  A lesser actress would have just played Lisa as being a stereotype.  But Tomei turned Lisa into the most believable and sincere character in the film.  While Lisa won the case, Tomei saved the movie.

(And needless to say, I’m a fan of any movie that features a Lisa saving the day.)

My Cousin Vinny holds up as an enjoyable film.  Watch it the next time you’re losing faith in humanity.

Who Killed Nancy? (2009, directed by Alan G. Parker)


On October 12th, 1978, a 20 year-old, heroin addict named Nancy Spungeon was discovered dead in the bathroom of her room at the Chelsea Hotel.  Nancy was best-known for being the girlfriend of Sid Vicious, the bassist of the Sex Pistols.  The police arrested Vicious and charged him with second degree murder.  Vicious initially said that he couldn’t remember what had happened the previous night because he had been knocked out on barbiturates.  While being interrogated, Vicious changed his story and said that he and Nancy had an argument during the night but that he hadn’t meant to kill her when he stabbed her.  Later, Vicious said that Nancy fell on the knife but Vicious was such a heavy drug user that many felt it was doubtful he had any real memory of anything that might have happened that night.  After pleading not guilty, Vicious was released on $50,000 bail but he was sent right back to Riker’s after assaulting Todd Smith (brother of Patti Smith) at a nightclub.  At Riker’s Vicious went through a detox program before being once again released on bail.  Vicious died of a heroin overdose the night after he was released.

Who Killed Nancy? is a documentary about Sid and Nancy’s relationship and Nancy’s death.  The film features interviews with friends and cotemporaries of the couple.  (Glen Matlock is the only former Sex Pistol to be interviewed, though Malcolm McLaren is heard in archival footage.)  Sid Vicious comes across as being a deeply damaged individual with no impulse control.  Listening to some of the things that Vicious did before finding fame as the sneering face of punk rock, it is easy to believe that, as much as he did love Nancy, he was also capable of losing his control and killing her.  Glen Matlock’s flatmate describes how he was traumatized for life by watching Sid strangle a stray cat.  Others describe Sid as being childlike and almost innocent, a shy virgin until he met Nancy.  But anyone who could strangle an animal has obviously got some screws loose.

However, the documentary also makes a convincing argument that, even if he was capable of impulsive violence, Vicious was so wasted on the night of Nancy’s death that he couldn’t have even lifted a knife, much less stabbed someone with it.  The documentary suggests that Nancy was murdered by one of the many drug dealers who were coming in-and-out of the couple’s hotel room.  Unfortunately, due to his own public image, it was easy for the press and the public to assume that Sid committed the crime and, suicidal after Nancy’s death, it was easy for Sid to convince himself that he must have been responsible.  If the documentary is correct about Sid’s innocence, at least one person got away with murder.  It’s an interesting documentary.  You do have to feel bad for Nancy.  Even in death, none of the interviewees seems to be willing to say anything nice about her.  After all these years, she is still being blamed for Sid Vicious’s downfall but, as this documentary makes clear, Sid was probably doomed whether or he met Nancy or not.

Retro Television Reviews: Fantasy Island 2.17 “The Stripper/The Boxer”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1986.  The entire show is currently streaming on Tubi!

Smiles, everyone, smiles!  This week, we’ve got stripping and boxing!

Episode 2.17 “The Stripper/The Boxer”

(Dir by Lawrence Dobkin, originally aired on February 10th, 1979)

This week, Tattoo is wearing a monocle because his cousin Igor has discovered that they are descended from royalty.  Roarke is not impressed.  Indeed, he seems to be genuinely angered by Tattoo’s suggestion that he’s somehow better than him.

As for the fantasies, first off the plane is Maureen Banning (Laraine Stephens).  Maureen is a runaway heiress.  Her father doesn’t want her to marry a poet named Barnaby (William Beckley) so she has snuck off to Fantasy Island so that she can get married over the weekend.  Unfortunately, her father’s private detectives have followed her to the island.  In a panic, Maureen hops onto the first bus that she sees.  It turns out the bus is the tour bus for a burlesque show and the show’s manager, Russ McCoy (Michael Callan), has a fantasy that concerns bringing the show to Broadway.  Maureen is mistaken for a famous burlesque dancer.  Fortunately, Sheba Palumbo (Mamie Van Doren) and Betty (Beverly Powers) are avid tabloid readers and they immediately recognize Maureen as the runaway heiress.  They agree to teach her how to dance so that she can stay on the island and marry Barnaby.  Except, of course, Maureen is now starting to feel more attracted to Russ….

This fantasy was okay.  I enjoyed the dancing and I also enjoyed thinking about how much Gary Loggins would have enjoyed watching his favorite actress, Mamie Van Doren, teach Maureen all the moves.  I think the main problem with this fantasy is that, even after she ran way, Maureen never seemed to be in control of her own fate.  The appeal of dancing on stage, whether you’re an old school burlesque performer or a modern-day stripper, is that it gives you all the power but, for Maureen, it just seemed like something to do until she finally got around to getting married.

The other fantasy involves Billy Blake (Ben Murphy), a boxer who only has three years to live.  He wants a chance to fight the other leading leading championship contender.  Even though the fight will be unofficial, Billy just wants a chance to show that, if not for his fatal disease, he could have been a champ.  Of course, if he takes too many hits to the head, Billy could die in the ring.  Billy is okay with that until he discovers that his former high school girlfriend, Jennie Collins (Maureen McCormick), is working on the Island.  Billy’s trainer (Forrest Tucker) tells Jennie to stay away from Billy and Jennie is ashamed of all of the “things” she did when she ran off to Hollywood to try to become a star.  (Like starring on The Brady Bunch Hour, perhaps….)  But, in the end, Billy realizes that his real fantasy is to spend his last remaining years with Jennie.  Personally, I found myself wondering why Billy didn’t consider a fantasy where he was cured of his terminal but unnamed disease.  Then he could both be champion and spend the rest of his life with Jennie.

There weren’t many surprises with this fantasy but Ben Murphy and Maureen McCormick were an undeniably cute couple.  I hope they had many good times before Billy’s agonizing and tragic death.

Next week …. John Saxon comes to Fantasy Island!

4 Shots From 4 Films: Special Uli Edel Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, the Shattered Lens wishes a happy 76th birthday to German director, Uli Edel!  It’s time for….

4 Shots from 4 Uli Edel Films

Christiane F. (1981, dir b Uli Edel, DP: Justus Pankau and Jürgen Jürges)

Last Exit to Brooklyn (1989, dir by Uli Edel, DP: Stefan Czapsky)

Confessions of a Sorority Girl (1994, dir by Uli Edel, DP: Jean de Segonzac)

The Baader Meinhof Complex (2008, dir by Uli Edel, DP: Rainer Klausmann)

Scenes I Love: “Avenge Me!” from Red Dawn


Today, the Shattered Lens wishes a happy birthday to a true Hollywood iconoclast, John Milius!  In honor of Milius and his career and his legacy, today’s scene that I love comes from Milius’s 1984 film, Red Dawn.

After their small town is taken over by a combination of Cuban and Russian soldiers, a group of teenagers flee to the hills.  After a few months, they sneak back into town.  In this scene, two brothers (Patrick Swayze and Charlie Sheen) discover that their father (Harry Dean Stanton) is one of the many townspeople who have been sentenced to a reeducation camp.  Their dad says a few final words to them, knowing that he’ll probably never see them again.  He leaves them with one final instruction: “AVENGE ME!”  Not even the propaganda film playing in the background can cover the sound of their father demanding vengeance.

And, of course, they do get their revenge, sacrificing their lives so that America might once again be free.  It’s a classic John Milius moment and an appropriate scene with which to celebrate his birthday.