Today, the Shattered Lens wishes a happy birthday to Whit Stillman! Let’s do the sambola!
Both the scene and the dance are from 2011’s Damsels in Distress.
Today, the Shattered Lens wishes a happy birthday to Whit Stillman! Let’s do the sambola!
Both the scene and the dance are from 2011’s Damsels in Distress.

by Victor Kalin
This cover is from 1959 and was done by Victor Kalin, who was good enough to even sign it!
Stop worrying so much. Stop making yourself sick with all of you anxiety. Stop searching online for new things to panic about. Stop and have a good time. This video has a good message and it’s one that I happen to agree with. There’s a difference between staying informed and purposefully driving yourself mad. Sometimes, you just have to be willing to enjoy yourself. I fear that there’s a lot of people out there who have forgotten that or who feel guilty if they’re not constantly depressed all the time.
Enjoy yourself. Dance in the street. Swim in a stranger’s pool. Star in a music video. Hang out in the back seat of someone’s car. Sing a song about the joys of getting laid. Whatever it is that you have to do, do it.
As I said, it’s a good message. Everyone needs to listen to Upsahl. Or, at the very least, they need to listen to my interpretation of Upsahl. They need to listen to this song and they also need to listen to Drugs, a song that perfectly captures this current cultural moment. A good song always captures the period in which it was written. Of course, a good song also always has a good beat to which you can dance. Sorry, folk music lovers.
Anyway, enjoy!
I’m up all night online
I’m looking up my symptoms
Tell myself I’m fine
But my system just ain’t listenin
Like oooh
This aint normal how Im feelin, no
ooh
Running higher than a fever
When palms start to sweat
I feel it in my stomach
This is how I get
Every time I know you’re comin’ over
Whooo
Sometimes I think that I might die with you
Whooo
It’s like I’m almost too alive with you
Ahhh ahhh ahhha ahhh
Ooh ohh ooh
Oh it feels like…
My hearts gonna beat so fast, gonna beat so fast
Gonna beat so fast that it might stopOh it feels like…
My hearts gonna beat so fast, gonna beat so fast
Gonna beat so fast that it might stop
Hit my chest like
Wooohh ooh ooh oohh, Wooohh ooh ooh oohh, boom boom
Wooohh ooh ooh oohh, Wooohh ooh ooh oohh, boom boom
Kiss my neck
Whisper in my ear
‘You aint seen nothing yet’
Cool me down and catch my breath like
Whoo
This is aint normal how I’m feeling, no
ooh
Say whatever, I’ll believe it cause
Ahhh ahhh ahhh ahh ahh ahh
When you’re touching my…
Ahhh ahh ahh ahh ahh
Ohh ohh ohh
Oh it feels like…
My hearts gonna beat so fast, gonna beat so fast
Gonna beat so fast that it might stopOh it feels like…
My hearts gonna beat so fast, gonna beat so fast
Gonna beat so fast that it might stop
Hit my chest like
Wooohh ooh ooh oohh, Wooohh ooh ooh oohh, boom boom
Wooohh ooh ooh oohh, Wooohh ooh ooh oohh, boom boom
Wooohh ooh ooh oohh, Wooohh ooh ooh oohh, boom boom
Wooohh ooh ooh oohh, Wooohh ooh ooh oohh, boom boom
My hearts gonna beat so fast, gonna beat so fast
Gonna beat so fast that it might stop
Bill Mason (Bill Cody) is a member of the Canadian Mounted Police who is sent over the border to track down a murderous horse thief. Going undercover, Mason discovers that a nearby frontier town is being terrorized by rustlers. The townspeople have named Calhoun (LeRoy Mason) as the head of the local posse but Mason soon discovers that Calhoun is actually the horse thief!
Mason of the Mounted is only 57 minutes long but it’s a very slow-moving 57 minutes. It’s also a pre-Code film but, other than a grisly shot of a dead body at the start of the film, there’s nothing about Mason of the Mounted that you wouldn’t expect to find in a western made under the production code. Much of the film centers around Mason befriending an American teenager named Andy Talbot (played by Andy Shuford). This was actually one of 8 films that Bill Cody and Andy Shuford made together. Cody was a genuine cowboy who performed in wild west shows before and after his film career. Shuford was a child actor whose career was primarily in Westerns. During World War II, he enlisted in the U.S. Army Air Corps, flew many missions out of England, and eventually reached the rank of colonel. He never returned to making films.
As for Mason of the Mounted, Bill Cody has some authentic cowboy grit and is credible when he’s on a horse or shooting a gun but the plot moves too slowly and most of the cast is stiff and awkward. I did like the idea of the main rustler disguising himself as the only person capable of stopping the rustlers. That was an interesting idea and I wish the movie had done more with it. This is a film that’s mostly for fans of the genre and even the most undemanding western fan will probably have a hard time making their way through the whole thing.
This made-for-television film from 1976 tells the story of Tod Lubitch (played by a pre-Saturday Night Fever John Travolta). Tod was born without an immune system and, as a result, he’s had to spend his entire life in a germ-free, plastic bubble. When Tod was a child, it wasn’t such a big deal not being able to leave his house without getting in a plastic ark beforehand. But now, he’s in his teens and he wants to do teenager stuff. His parents (Robert Reed and Diana Hyland) are overprotective. His doctor (Ralph Bellamy) says that there’s little chance that Tod’s condition will ever improve. But the girl next door, Gina (Glynnis O’Connor), finds herself falling in love with Tod and she wants to help him live a normal life. Gina loves to ride horses and Tod wants to ride one with her. As we all know, horses are totally germ-free.
The Boy In The Plastic Bubble is one of those movies that has a reputation. It’s usually cited as being the epitome of 70s schmaltz and, indeed, it is very 70s and it is very schmaltzy. It’s one of those films where the big dramatic moments are so overdone that they instead often become kind of comedic. When Tod finally convinces his parents to allow him to attend school, he does so while wearing a special protective outfit that makes him look like a cross between an old school astronaut and a demented teddy bear. When it looks like his suit might be malfunctioning, he runs into the plastic cell that’s been set up in the back of the classroom and strips it off while all of his classmates watch. Everyone’s truly impressed by both Tod’s positivity and the sight of a 22 year-old John Travolta rolling around in gym shorts.
Indeed, while watching the film, it’s impossible not to ask certain questions. In what world, for instance, could Robert Reed, best known for playing the patriarch on The Brady Bunch, be John Travolta’s father? Why is there such a weird tension between Tod and his mother? (It may have had something to do with the fact that Travolta was dating Diana Hyland at the time.) How does Tod keep his hair so perfect while living in a plastic bubble? Did anyone think that the scene where Tod is carried onto the beach inside a plastic box would be so odd to watch? Reportedly, The Boy In The Plastic Bubble was based on the lives of two young men who has the same condition as Tod. According to Wikipedia, one of them was very amused by the idea the Todd’s protective outfit would keep him safe at school. And, then of course, there’s the film’s ending, which tries to offer a ray of hope but instead leaves you convinced that Tod is going to die at any minute.
And yet, for all the obvious flaws, The Boy In The Plastic Bubble is slightly redeemed by the sincerity that Travolta and O’Connor bring to their roles. In particular, Travolta brings a smoldering anger to his role, which may not have been present in the script but which feels appropriate for the character. As played by Travolta, Tod may understand why he’s in the bubble but he’s still pissed off about it. O’Connor has an even more difficult role to play because Gina’s actions often don’t make a lot of sense. But O’Connor makes you believe that she’s sincere in her desire to give the Bubble Boy the high school experience that he deserves. It’s a schmaltzy film but Travolta and O’Connor bring a few moments of emotional honesty to it.
Director Randal Kleiser later worked with John Travolta on Grease. I don’t think Danny Zuko would have been a good influence on the Boy in the Plastic Bubble.

by Rafael DeSoto
This is from 1955, a novel about “soldiers on leave and their women.” This cover was done by one of my favorites, Rafael DeSoto.
No more kissing in the rain? But what else is the rain for?
If you’ve been following and reading this site long enough, you know how obsessed I am with the rain. As far as I’m concerned, rain is perfect for any occasion. Any movie is improved by at least one storm. Any book is improved by at least one chapter that begins with a description of cloudy skies. And any kiss is improved by the rain. I’m a big fan of the rain.
I’m also a fan of moody, atmospheric music videos like this one.
Enjoy!
My dear,
I am running out of time
Out of sync and closing down
And the light begins to fade
I close my eyes in the dark
One look reveals that it’s time to leave
Is this the end of everything?
I think It’s time to tear it all apart
Some days can feel like razorblades
Cutting through the naked skin
Ready for the next attack?
I catch your eyes in the dark
One look can tell that it is time to go
Is this the end of everything?
Maybe it’s time to tear it all apart
No more kissing in the rain
I think we need this last goodbye
You know I know we’re growing colder
No more kissing in the rain
This week, I got caught up on a lot of movies. I have a lot more that I still need to see because, at the end of the upcoming week, I plan on posting my picks for the best and the worst of 2021!
Films I Watched:
Television Shows I Watched:
Books I Read:
Music To Which I Listened:
Awards Season:
News From Last Week:
Links From Last Week:
Links From The Site:
More From Us:
39 years ago today, television viewers who were watching NBC primetime met a group of four former members of the Special Forces who, during the Vietnam War, were framed for a crime they didn’t commit.
The pilot for the A-Team first aired on January 23rd, 1983. No one had much hope for the pilot, with the exception of star George Peppard who predicted the show would be a hit as soon as he read the script. Producer Stephen J. Cannell hadn’t had a hit in a while. When Cannell was hired by NBC, network president Brandon Tartikoff asked for one thing: “Mr. T driving a car.”
Despite what the critics thought and despite the skepticism of the network brass, The A-Team was an immediate success. Audiences loved the four misfits who somehow always managed to win the day despite Face’s womanizing, Murdock’s insanity, and B.A.’s fear of flying. A week after the pilot aired, the show’s first regular episode was broadcast directly after the Super Bowl. The rest is history.
If you have a problem, the A-Team can help. You just have to find them.
Previous Great Moments In Television History:
Spider-Man meets the Dallas Cowboys!
In 1983, Marvel comics teamed up with local newspapers to produce inserts that would feature heroes like the X-Men and Spider-Man visiting towns outside of New York, meeting with local celebrities, and, of course, providing ad space for local businesses. One of the newspapers that they teamed up with the now-defunct Dallas Times Herald, which was also the original home of Texas’s own drive-in movie reviewer, Joe Bob Briggs.
Marvel ended up doing three inserts for the Dallas Times Herald, one with the X-Men at the State Fair and then two featuring Spider-Man. In “Danger in Dallas,” Peter Parker accompanied J. Jonah Jameson and Dr. Mudge to Dallas so that Dr. Mudge’s wheelchair-bound son could meet his heroes, the Dallas Cowboys.
Dr. Mudge had also developed an anti-gravity device and the Circus of Crime was determined to steal it for themselves. Spider-Man had to stop them but to fight an entire circus, he would need some help. Good thing that Cowboys didn’t have anything to do that day!
Once the Cowboys had tackled the Circus of Crime, Peter and even Jonah were able to enjoy opening day. Peter even proved his courage by eating a Texas Stadium hot dog!
Spider-Man wished the Cowboys a good game, letting us know that even super heroes from New York were rooting for America’s Team in the 80s.
Out of curiosity, I decided to see how the Cowboys did during the 1983 season. They went 12-4 and were second in the NFC East. They earned a wildcard spot but lost to the Rams, 17-24. Despite Spider-Man’s blessings, it was not the Cowboys who went to the Super Bowl but instead the team currently known as Football Team. (Full disclosure: By default, that was my family’s team until Baltimore finally got the Ravens.) Fortunately, Washington lost to the Raiders, 9-38.
According to the cover, this was a 60 cent value in 1983. Currently, it sells for $18.00 online.
The Dallas Cowboys and Spider-Man #1 “Danger in Dallas” (1983)
Writer Marie Severin and David Kraft
Pencilers Marie Severin and Kerry Gammill
Inker Mike Esposito
Colorist Stan Goldberg
Letterer R. G. O’Shaw
Previous Great Moments In Comic Book History: