4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
This October, I’m going to be doing something a little bit different with my contribution to 4 (or more) Shots From 4 (or more) Films. I’m going to be taking a little chronological tour of the history of horror cinema, moving from decade to decade.
Today, we take a look at a very important year: 1980
8 Shots From 8 Horror Films: 1980
Inferno (1980, dir by Dario Argento, DP: Romana Albano)
Without Warning (1980, dir by Greydon Clark, DP: Dean Cundey)
Friday the 13th (1980, dir by Sean S. Cunningham, DP: Barry Abrams)
Maniac (1980, dir. William Lusting, DP: Robert Lindsay)
City of the Living Dead (1980, dir by Lucio Fulci, DP: Sergio Salvati)
Dressed To Kill (1980, dir by Brian De Palma, DP: Ralf D. Bode)
Night of the Hunted (1980, dir by Jean Rollin)
The Shining (1980, directed by Stanley Kubrick, DP: John Alcott)
The 1981 horror film, Dead & Buried, takes place in the small town of Potters Bluff. It seems like it should be a nice place to live. The people are friendly. The scenery is lovely. The town is right on the coast of the ocean so the view is great. It’s a bit of an artist’s colony, the type of place where you would expect to find Elizabeth Taylor painting the sunset while Richard Burton battles a hangover in the beach house. It’s the type of small town that used to by very popular on television. It’s just one Gilmore girl away from being an old CW show.
It’s such a nice town. So, why are so many people dying?
That’s the mystery that Sheriff Dan Gillis (James Farentino) has to solve. Actually, it’s one of the many mysteries that Dan has to solve. There’s also the mystery of why his wife, Janet (Melody Anderson), has been acting so strangely. And then there’s the mystery of what happened to the person who, one night, Dan ran into with his car. The person ran away but he left behind his arm. When Dan gets some skin from the arm analyzed, he’s told that the arm belongs to someone who has been dead for at least four months!
Who can explain all of this? How about William G. Dobbs (Jack Albertson), the folksy coroner who seems to enjoy his work just a little bit too much. In fact, Dr. Dobbs seems to be a bit more than just a tad eccentric. One would necessarily expect a coroner to have a somewhat macabre view of life but Dr. Dobbs seems to take things to extreme. Is it possible that Dr. Dobbs knows more than he’s letting on?
Dead & Buried has a reputation for being something of a sleeper, a deliberately-paced and often darky humorous horror film that had the misfortune to be released at a time when most horror audiences were more interested in watching a masked man with a machete kill half-naked teenagers. Because the studio wasn’t sure how exactly to market Dead & Buried, it failed at the box office and it was only years later, after it was released on home video, that people watched the film and realized that it was actually pretty good. And make no mistake about it, Dead & Buried is a fairly clever horror film, one that is full of effective moments and which does a good job of creating a creepy atmosphere. If I’m not quite as enthused about this film as others, that’s because I do think that it’s occasionally a bit too slow and the film’s twist ending, while well-executed, didn’t particularly take me by surprise. This is one of those films that you enjoy despite the fact that you can see the surprise conclusion coming from a mile away.
In the end, Dead & Buried fills like a particularly twisted, extra-long episode of one of those old horror anthology shows, like Night Gallery, Twilight Zone, or maybe even Ghost Story. It’s a nicely done slice of small town horror, featuring a study lead performance from James Farentino and an enjoyably weird one from Jack Albertson. Though the film is not heavy on gore, Stan Winston’s special effects are appropriate macabre. Even if it’s not quite up there with Gary Sherman’s other films (like Vice Squad and Death Line, to name two), Dead & Buried is an entertainingly eccentric offering for Halloween.
As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter. I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie! Every week, we get together. We watch a movie. We tweet our way through it.
Tonight, at 10 pm et, I will be hosting #FridayNightFlix! The movie? 2011’s Source Code!
Can Jake Gyllenhaal prevent a bombing on a train? That sound like a simple premise but, in Source Code, things get much more complicated. This twisty sci-fi thriller from Duncan Jones was one of my favorite films of 2011 and I look forward to watching it with the Friday Night Flix crew!
If you want to join us this Friday, just hop onto twitter, start the movie at 10 pm et, and use the #FridayNightFlix hashtag! I’ll be there tweeting and I imagine some other members of the TSL Crew will be there as well. It’s a friendly group and welcoming of newcomers so don’t be shy.
Watching The Creeping Terror is an October tradition here at the Shattered Lens. How could anyone resist a film about a killer carpet, especially one that features a random dance party? This film was directed by an enigmatic figure named Vic Savage. No one is really sure who he actually was. No one is sure what happened to him after The Creeping Terror was finally released. But what we do know is that he made a film unlike any other.
All across America (but mainly in Texas and California) people are seeing bright lights in the sky and reporting that they’ve been abducted by aliens. Most of the abductees stop telling their stories after they are visited by mysterious men in black but enough are willing to talk about their experiences that eventually, Both Sides Magazine decides to do a story on it.
Keith and Brad are assigned to the story. Keith is a nice but mild guy who is skeptical about aliens but he’s determined to give everyone a fair hearing, The film suggests that this is perhaps because Keith’s a Christian, even though he doesn’t read his Bible every night and sometimes entertains doubts as to whether he’s truly going to Heaven. Brad, meanwhile, is a hardcore Atheist who is rude to everyone and believes in absolutely nothing. Brad hates the idea of having to do any stories that involve small town America. Go to Texas to talk to UFO abductees? That’s not Brad’s thing. (Brad is supposed to be very unlikable but the actor playing him looks a bit like Owen Wilson so it’s hard to hold anything against him.)
Still, Brad and Keith do talk to an auto mechanic who says that he was abducted. And then they talk to two Louisiana fishermen who were also abducted. Keith thinks that their experiences are worthy of a feature article. Brad vehemently disagrees. Fortunately, it turns out that the magazine’s religion editor, Darren, supports Keith.
Why is the Religion Editor so interested in UFOs? It’s not because he believes in aliens. (“The Bible doesn’t say anything about life on other planets,” he explains.) Instead, it’s because Darren thinks that the UFOs are actually being used by Satan to draw people away from God. He points out that most of the people who have been abducted are either not religious or heavily into the paranormal. Brad thinks that Darren’s full of it but, fortunately, a government informant shows up and reveals that not only is Darren correct but that the UFOs are going to be used as a way to explain away the Rapture!
As you probably guessed, this is a Rich Christiano film. First released in 2006, Unidentified was Christiano’s second feature length film and …. well, it’s not very good. On the one hand, you have to appreciate Christiano’s ambition and his attempt to make a sci-fi film on a low budget. On the other hand, Unidentified is painfully slow, poorly acted, and it’s hard not to notice that, for a major magazine, it appears that only six people work at Both Sides. Let’s just say that this film is no Spotlight when it comes to realistically portraying the life of a journalist. Darren makes it a point to try to convert everyone that he meets while investigating the story. Honestly, this seems like the type of thing that would get most journalists fired from a secular magazine. For whatever it’s worth, I do think the story itself had potential but the execution is definitely lacking. That said, the film does work in a reference to Orson Welles’s War of the Worlds broadcast. I’m not sure how Orson would have felt about that.
For the record (and since this review is running a little short), I personally don’t believe in UFOs but I have read several books about them. It amuses me that aliens are apparently always coming to our planet to tell us to stop being so war-like or to take better care of the environment. Hey, Mr. Martian — WORRY ABOUT YOUR OWN PLANET!
Tonight’s episode of Ghost Story stars Patricia Neal as a woman who wakes up one morning in a hotel and discovers that her husband is missing. She’s told that her husband checked out without her but no one will give her a straight answer as to where he went.
This episode was written by Jimmy Sangster, who also wrote several Hammer films. It originally aired on December 22nd, 1972.
Today, in the MLB playoffs, the Yankees/Guardians game was delayed by inclement weather. However, the Astros did play and they defeated the Mariners by a score of 4-2. That means that the Astros are just one more game away from advancing to their sixth consecutive championship series!
Congrats to the Astros and good luck to all the teams playing tomorrow.
Shopkeeper Dave Walker (Bruno VeSota) knows that his wife, Liz (Yvette Vickers), is cheating on him with his best friend, Cal (Michael Emmett)! Dave is determined to catch them in the act and force them to walk out into the middle of the swamp at the end of his shotgun. That would be bad enough but what makes the swamp even more dangerous is the fact that there are two giant leeches living in the water, grabbing whoever they can get and dragging them back to their underground cave! Agck! While Dave plots to get revenge on his cheating wife, game warden Steve Benton (Ken Clark) tries to convince everyone that something really needs to be done about those giant leeches.
Filmed and released in 1959 and produced by Roger Corman, Attack of the Giant Leeches is not a particularly complicated film. The leeches live in the swamp. For various reasons, people keep wandering into the swamp. The leeches keep feeding until eventually, the authorities decide to do something about it. The simplicity of it all is why the film works. Why are there giant leeches in the swamp? How did the leeches become giants in the first place? Who cares? What’s important is that they’re there and they’re hungry for blood. At this point, why doesn’t matter. What matter is what is going to be done about them.
Clocking in at barely an hour and filmed by TV director Bernard L. Kowalski, Attack of the Giant Leeches is an enjoyably overhearted slice of Southern melodrama, full of humid atmosphere and sultry dialogue. The film does a wonderful job of capturing the overheated feeling of being stuck in the country and not having anything better to do than cause some trouble. I mean, it’s very easy for people to say what other should or shouldn’t do in their spare time. But, when you’re actually living in a swamp, you do what you have to do in order to pass the time. At its best, Attack of the Giant Leeches is like Roger Corman meets Tennessee Williams. It’s Southern Gothic, with even bigger leeches than usual. Flannery O’Connor would have been proud.
Yvette Vickers plays the role of Liz with a wonderfully defiant attitude. She’s going to do what she wants when she wants to and if that means running the risk of being forced to walk into the swamp, so be it. If she’s stuck in the bayous, she might as well have a good time. Liz may be frustrated but can you blame her? Meanwhile, VeSota turns Dave into a rather tragic buffoon. Even when he finally thinks that he’s about get his revenge, it turns out that the universe has other plans in store for him. In the end, Dave is fortune’s fool. No wonder stiff but earnest Ken Clark really can’t compete with either of them when it comes to capturing the audience’s attention.
Attack of the Giant Leeches is short but enjoyable and, because the copyright wasn’t renewed, it’s in the public domain and it’s very easy to watch for free. Watch it this Halloween and definitely stay out of the swamp!
Through the Shattered Lens 