Corinne Halbert’s work is the sort of stuff that lends itself well to deep and thoughtful metatextual analyses that will or would, I’m fully confident, place it firmly within the now-chic, if ill-defined, body of “sex positive” art, embodying as it does an ethos that not only responds to, but frankly obliterates, such contemporary (and, really, timeless) villains like patriarchy, kink-shaming, modesty, repression, and other shit most people of discernment are bored with. Throw in some noble pro-drug — specifically pro-psychedelic — sentiments, and there’s really no doubt about it : Halbert follows in the rich tradition of those who both preach and practice William Blake’s famous axiom “the road of excess leads to the palace of wisdom.”
And so it is that I truly hope a dedicated, skilled, and analytical writer will take it upon themselves to situate Halbert’s entire ouevre within a much broader continuum of like-minded aesthetic…
Through the Shattered Lens 
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