Apache Territory (1958, directed by Ray Nazarro)


In this B-western, Rory Calhoun plays Logan Cates, an old west drifter, while traveling through the desert, comes across a young woman named Junie Hatchett (Carolyn Craig).  Junie’s parents were settlers who were captured and killed by a group of Apaches.  Knowing that the Apaches will still be looking Junie, Logan takes her to a nearby canyon where there’s water and shelter.  Soon, other victims of the Apaches start to show up at the canyon.  With their supplies dwindling and the Apaches surrounding them, Logan has to keep everyone alive and lead them to safety.

Complicating matters is that one of the people who shows up at the canyon is Logan’s ex-girlfriend, Jennifer (Barbara Bates).  Jennifer is traveling with her new husband, the wealthy (and therefore cowardly) Grant Kimbrough (John Dehner).  Also seeking shelter at the canyon are a group of Calvary officers, a Pima Indian named Lugo (Frank DeKova), and a naive teenage cowboy named Lonnie (Tom Pittman).

Based on a novel by Louis L’Amour, Apache Territory is a pretty standard western.  Some of the battle scenes are surprisingly brutal — particularly when one of the Calvary officers gets hit by a flaming arrow — but otherwise, this is a typical B-western, the type of movie that would have been the second part of a double bill at a Saturday matinee.  Logan Cates is able to survive because, unlike Grant Kimbrough, he knows and respects the land and, unlike the Calvary officers, he respects his enemy.  He’s a typical western hero, though well-played by Rory Calhoun.

The main problem with the film is that, for a film about a group of people trapped in one location, it never achieves any sense of claustrophobia.  The size of the canyon seems to change from shot to shot.  The film’s finale involves a well-realized dust storm but it still never reaches the type of action-packed conclusion that most western fans will be hoping for.  It ends with a whimper instead of a bang.  It feels more like an extended episode of Gunsmoke or The Virginian than a feature film.

This one will be best appreciated by undemanding fans of the genre.

A Tribute To Diana Rigg


I was sad to hear that Dame Diana Rigg died today in London.  She was 82 years old.

Like a lot of people, I’ll always first think of Diana Rigg as being Emma Peel.  My dad loves the Avengers and I grew up watching reruns of the show with him.  He taped every episode and, a few years ago, he transferred all of his old VHS tapes to DVD.  I think we saw every episode of The Avengers (and The New Avengers, for that matter) that ever aired in the United States.  (The first season, which featured Patrick Macnee working with Ian Hendry, was never aired in the U.S. and, with the exception of three episodes, is now believed to be lost.)

Even though both Honor Blackman’s Cathy Gale and Linda Thorson’s Tara King both had their strengths, the show was at its best during those three seasons when Patrick Macnee (as John Steed) was partnered with Emma Peel.  It wasn’t just that Diana Rigg was amazingly beautiful and sexy as Emma Peel, though that was definitely some of the appeal.  It was also that she could take care of herself.  As many people learned over the course of her time on the show, you underestimated Emma Peel at your own peril.  She was as smart as Steed, she was as cunning as Steed, and she was as witty as Steed.  Never a damsel in distress, she was John Steed’s equal in every way and they made for a great team.  She could fight and she could deliver a one-liner with the best of them and, because she was played by Diana Rigg, she did it all with a very distinctive British classiness.

However, Diana Rigg was not just Emma Peel.  Not only was she the best of the Bond girls in On Her Majesty’s Secret Service (you could believe that James Bond would settle down and retire just for a chance to spend the rest of his life with her) but she also had a co-starring role in one of my favorite British thrillers, The Assassination Bureau.  In the States, she played Portia in Charlton Heston’s production of Julius Caesar and then, in The Hospital, she proved she could handle Paddy Chayefsky’s dialogue with the same charm and skill as Shakespeare’s.  In the 80s, she took over the job hosting Mystery! on PBS when Vincent Price retired from the job.

Of course, to a whole new generation of viewers, she’ll be best known for appearing on Game of Thrones and for bringing Olenna Tyrell to life.  Rigg received three Emmy nominations for her performance as Olenna and her final scene, in which she voluntarily drank poison without a hint of fear or hesitation, was one of the strongest moments in the series.

I’m going to miss the talented and classy Dame Diana Rigg.  I know I’m not alone.

 

What’s That? “Whisnant”!


Ryan C. (fourcolorapocalypse)'s avatarRyan C.'s Four Color Apocalypse

No matter how you look at it, you don’t know how to look at Max Huffman — nor what to expect from him. Which means, of course, that he’s unquestionably one of the most interesting and surprising of the true auteurs working in comics today — but even with that in mind, his latest self-published mini, Whisnant #1, is something well and truly out of left field.

As deliberately and overtly “cartoony” as anything Huffman has done, this thing reminded me more than a bit of Bud Blake’s old syndicated strip Tiger on the margins — only it’s actually, ya know, good, and has something to say about actual existential concerns. I think, at any rate.

So, what have we got here? Cubism, a black-and-white protagonist in a full-color world who inexplicably becomes full-color himself, an ice cream truck that sells gems and crystals, “people” that aren’t people, family…

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Music Video of the Day: House of Fun by Madness (1982, directed by Dave Robinson)


This is probably one of the best songs ever written about a 16 year-old buying condoms before heading to a brothel (that would be the House of Fun referred to in the title).  Only Madness could have pulled it off.

This video was filmed at a Camden joke shop, a Kilburn chemist (or pharmacy), and a roller coaster in Great Yarmouth.  Reportedly, the band had to ride the roller coaster 54 times before director Dave Robinson was happy with the footage.

Enjoy!

The Start Of Something Big : Tana Oshima’s “Pulp Friction”


Ryan C. (fourcolorapocalypse)'s avatarRyan C.'s Four Color Apocalypse

I find it downright fascinating that Tana Oshima has gone back to press with her first self-published mini, Pulp Friction, not only because I’d never had the pleasure of reading it before, but because it frankly takes a certain amount of guts for an artist in any medium to draw attention to their “warts and all” earlier work at a point in their career ouevre when they’re in a really confident creative groove — and, as regular readers here already know, I think Oshima’s been in the midst of a very solid groove for some time now.  Which isn’t my roundabout way of saying that this debut effort is necessarily lacking, mind you — in fact, the “lower dose” of refinement with which she tackles subjects that are still very much at the heart of her ongoing artistic project lends this comic an extra degree of immediacy which…

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The Dalton Gang (2020, directed by Christopher Forbes)


In this western, Arkansas Sheriff Frank Dalton is gunned down by an outlaw.  Seeking justice, Frank’s three brothers — Bob, Gant, and Emmett — become members of law enforcement themselves.  They kill a wanted outlaw but when they try to collect the reward, they’re told that the reward money has already gone to fund other projects.  (It’s hinted that the new sheriff stole it for himself.)  They’re also told that, since they’ve been smuggling whiskey to the Indians, they probably won’t get paid their salary.  The Dalton Brothers quit law enforcement and decide to become outlaws themselves.

The Dalton Gang is a low-budget western that tells the true story of the Dalton Brother and their career as outlaws.  Some of the film’s wildest developments — like the Gang attempting to rob two banks in one day — are based on fact.  Unfortunately, though the film gets the facts right, it’s done in by its own low budget.  From the muddy soundtrack to the tiny cast to the overuse of slow motion, everything about The Dalton Gang reminds you that you’re watching a movie and not particularly well-produced one.  Some members of the cast have the right look for a dusty western but the performances are so inconsistent that it’s sometimes difficult to watch the film with a straight face.  Jerry Chessman plays Bob Dalton and yells his lines so loudly that it’s hard not to jump whenever he starts speaking.  Undoubtedly due to the low budget, much of the action takes place off-screen.  The Dalton brothers spend a lot of time riding up to trains and then later talking about how much money they stole from the train but it’s rare we ever get to see them actually robbing anything.

Personally, I would like to see more westerns being released.  In the modern era, it’s a genre that seems to go through brief moments of resurgence followed by long periods of being pushed to the side.  Hopefully, though, future westerns will be better than The Dalton Gang.

Artist Profile: Stewart Rouse


Stewart Rouse was an illustrator who was active in the 30s and the 40s.  The majority of his work appears to have been done for aviation and car magazines and he also served as a staff artist for Popular Mechanics.  According to a brief bio that was published in a 1946 issue of Popular Science Magazine, Rouse was trained at the Chicago Institute of Art and “once built a homemade airplane that a harsh government refused to let him fly.”

Below are a few of Rouse’s covers, along with some illustrations that he did for an article on how to take care of a car.  The covers are from the 30s and the illustrations appear to be from the 40s.

The Sleeper Awakens with the new Dune Trailer


Just about everyone’s waiting for Denis Villeneuve’s remake of Frank Herbert’s Dune. Having grown up on the David Lynch version (and making my way through the novel), it has some big shoes to fill. Thankfully, what we’ve seen of it so far seems interesting. Villeneuve should have an easy time with the source material, though the movie has had its share of reshoots and dealing with the pandemic. We’ll see how it goes.

We finally have a trailer and some Wormsign!!. I’m liking the look of it. Chalamet’s Paul Atreides has some attitude to him, and I’m curious to see what Stellan Skarsgard does with the Baron Harkonnen.

Enjoy.

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