A Blast From The Past: Tomorrow’s Drivers


Jimmy Stewart Standing Beside One Of His Many Cars

Since this is the ten year anniversary of the Shattered Lens, I’ve been making an effort to observe notable birthdays here on the site.  I’m sad to say that somehow, I missed the birthday of Jimmy Stewart!

Jimmy Stewart was born on May 20th, 1908 in Indiana, Pennsylvania.  He’s my favorite of the Golden Age stars, not to mention the star of one of my top films of all time, It’s A Wonderful Life.  He also served bravely in World War II and I think it can be argued that he was Jimmy Stewart before he went to war and James Stewart afterwards.

Anyway, better late than never, here’s a short 1954 film that Stewart narrated, Tomorrow’s Drivers.  The film features a bunch of kindergarten kids learning how to drive.  Apparently, it was a program designed to make sure that kids grew up with good driving habits and didn’t end up becoming a bunch of jerks like their parents.  It actually seems like a good idea to me.  Stewart doesn’t appear onscreen but he provides the narration for the film and, with his tone, he strikes just the right mix of whimsy and seriousness.

Enjoy!

4 Shots From 4 Films: Special Howard Hawks Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today is the 124th anniversary of cinematic pioneer Howard Hawks!  Whether it’s gangster film, a western, or a screwball comedy, it’s hard to think of a single cinematic genre that doesn’t owe a debt of gratitude to Howard Hawks!

Here are….

4 Shots From 4 Films

Scarface (1932, dir by Howard Hawks)

Bringing Up Baby (1938, dir by Howard Hawks)

Red River (1948, dir by Howard Hawks)

Land of the Pharaohs (1955, dir by Howard Hawks)

Music Video Of The Day: Cry by Mandy Moore (2001, dir. by Chris Applebaum)


This song is from A Walk To Remember, which was Mandy Moore’s biggest starring role until she got cast on This Is Us.  If you haven’t seen A Walk To Remember, Mandy Moore plays a girl who marries Shane West but then dies a year later.

I guess this video is a sequel because now Mandy Moore is singing to Shane West from Heaven while Shane watches old home movies of him and Mandy goofing off between filming their scenes.  Shane uses a telescope and discovers that he can see Mandy in Heaven and Mandy looks really happy.  Then Shane goes into the city and is reminded that his romance with Mandy was just a part of a movie.  I don’t know if that’s a happy ending or not.

Cinemax Friday: The Paper Boy (1994, directed by Douglas Jackson)


12 year-old Johnny McFarley (Marc Marut) is a paperboy who desperately wants to be a part of a stable family.  He wants Melissa Thorpe (Alexandra Paul) to be his mother but Melisssa has moved to a different town.  Johnny solves that problem by suffocating Melissa’s mother with a plastic bag, which causes Melissa to return home.  That’s one way to do it!

As soon as Melissa and her daughter, Cammie (Brigid Tierney), move into Melissa’s mother’s old house, Johnny starts making himself indispensable by doing things like mowing the lawn for free.  He also does things like break into the house in the middle of the night, plant hidden cameras, and demand that Melissa bake him a pie.  He wants Melissa to be his mother and because Melissa feels sorry for him, she indulges Johnny and his mood swings.  Even after everyone else in the neighborhood tells her that Johnny is a little bit off, Melissa continues to allow him into the house.  Not even the crazy religious lady saying that Johnny has “the mark of Cain” can dissuade Melissa.

Johnny will do anything to make Melissa his new mother.  But then Brian (William Katt), Melissa’s boyfriend, shows up and Johnny really goes off the deep end.

The Paperboy is an adequate killer child film.  Marc Marut gives a good performance as the creepy and disturbed Johnny and the movie does make an attempt to provide him with a believable backstory to explain why he’s become the little killer that he is.  The kills are all imaginatively staged and all the more disturbing because they feature a child as the killer and that really is the whole point of the whole psycho kid genre.  The main problem with the movie is that Melissa keeps overlooking Johnny’s clearly unstable behavior.  At the point when just about anyone else would have told Johnny to stay away and perhaps even called the cops on the little bugger, Melissa keeps letting him back into her life.  By the time that Melissa finally realizes that maybe Johnny actually is as dangerous as everyone has been telling her, you’re too frustrated with her to care.

One good thing about The Paperboy is that it features William Katt in a supporting role.  If there’s ever a Late Night Cinemax Hall of Fame, William Katt will be entitled to an entire wing.  Even though he spent the majority of the 90s appearing in low-budgets movies like this one, Katt always gave a good performance, like he does here.

 

Night Gallery 1.4 “Make Me Laugh/Clean Kills And Other Trophies”


The fourth episode of Night Gallery originally aired on January 6th, 1971.  It was the first episode of the new year and it continued to open with Rod Serling walking through a most curious museum, inviting us to take a look at the macabre paintings on display and consider the stories behind them.

This episode featured two stories.

Make Me Laugh (dir. by Steven Spielberg, written by Rod Serling)

Jackie Slater (Godfrey Cambridge) is a comedian who can’t make anyone laugh.  He’s just been fired from his latest job and even his loyal agent (Tom Bosley) is suggesting that it might be time to throw in the proverbial towel.  While Jackie drowns his sorrows at a bar, he’s approached by a man named Catterje (Jackie Vernon).  Chatterje explains that he can cast miracles but, because he’s not very good at his job, the miracles often have unintended consequences.  “I don’t care!”  Jackie says, “I’ll take the risk!”  Jackie wants people to laugh at him.  Jackie gets his wish but it turns out that he should have listened to Chatterje’s warning.

This segment was directed by Steven Spielberg, back when he was just starting his career and he was largely working in television.  Spielberg also directed Eyes, which was a highlight of the Night Gallery pilot.  Unfortunately, his direction of Make Me Laugh is a bit less successful than his work on Eyes.  Spielberg’s direction features none of the inspired touches that made Eyes so successful.  Part of the problem may be that this story takes place in the word of comedy and comedy has never been a topic for which Spielberg has shown much affinity.

Make Me Laugh does feature a good lead performance from Godfrey Cambridge.  Otherwise, this segment is largely forgettable.

Cleans Kills And Other Trophies (dir by Walter Doniger, written by Rod Serling)

Raymond Massey plays Col. Archie Dittman, a wealthy racist who is obsessed with hunting and killing.  He even has a study full of the mounted heads of all of the animals that he’s killed.  Archie’s son, Archie, Jr. (Barry Brown), has just graduated from college and has no interest in hunting.  Col. Dittman demands that his son go on a hunt or risk being disinherited.  What the colonel fails to take into consideration is that both his bloodlust and his racism has offended his butler (Herbert Jefferson, Jr.) and that his butler has a magic-related revenge in mind.

Clean Kills and Other Trophies is hardly subtle but it does create and maintain a properly ominous atmopshere.  Raymond Massey gives a wonderfully villainous performance and it’s hard not to be amused by the fact that his son is wearing a peace signal prominently on his lapel, as if the segment’s director took one look at it and said, “What’s one thing that we can do to make the themes of this segment even more heavy-handed?”  The segment ends on a note that is so entertainingly over-the-top that it’s hard not to love it.

This episode was uneven.  Make Me Laugh does’t quite work but Cleans Kills and other Trophies is good enough to make up for the disappointing segment that precedes it.

Previous Night Gallery Reviews:

  1. The Pilot
  2. The Dead Man/The Housekeeper
  3. Room With A View/The Little Black Bag/The Nature of the Enemy
  4. The House/Certain Shadows on the Wall

4 Shots From 4 Films: Special Josef von Sternberg Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today we celebrate the 126 anniversary of the birth of cinematic pioneer, Josef von Sternberg!  That means that it’s time for….

4 Shots From 4 Films

An American Tragedy (1931, dir by Josef von Sternberg)

The Scarlet Empress (1934, dir by Josef von Sternberg)

The Devil is A Woman (1935, dir by Josef von Sternberg)

Jet Pilot (1957, dir by Josef von Sternberg)

Music Video of the Day: All or Nothing by O-Town (2001, dir. by Marcus Raboy)


Does everyone remember O-Town?  They were the band that was created on a reality show and we all thought that their name meant Orgasm Town but it was actually because they were from Orlando?  O-Town was the boy band that existed to make other boy bands look tough and dangerous by comparison.

All or Nothing is a typical boy band song and this is a typical boy band video.  The song is about the lead singer of O-Town realizing that his girlfriend is still hung up on Justin Timberlake.  He sings that he can tell by the distant look in her eyes and he just doesn’t think they can be together as long as she’s dreaming about Justin.  He wants it all or he’ll settle for nothing.  There’s no such thing as a compromise when you’re from the O.

One Man And His Shoes (2020, directed by Yemi Bamiro)


I have never been a shoe person.

As long as they fit, they’re comfortable, and they get me where I’m going, I’ve never cared who made my shoes or what they represented.  That set me apart from most of the people who I grew up with.  They were not only very much concerned with wearing the right shoes but they also judged anyone who was perceived as wearing the wrong shoes.  They all wanted the Air Jordans, even though I can’t think of a single person I knew who was ever able to get a pair.  Everyone knew that the Air Jordans were expensive and that they sold out quickly.  They also knew that owning a pair of Air Jordans could be dangerous.  People got killed for their shoes.  A friend of mine came close to getting a pair but his mother refused to give him the money after she read a news story about someone on the Block getting shot because he wouldn’t hand over his shoes.  That always seemed strange to me.  Why shoot someone over their shoes?  Of course, I was not a shoe person.

The new documentary, One Man and His Shoes, is all about shoes and shoe culture.  Beginning in the 80s, when Michael Jordan was just a promising basketball player in North Carolina and Nike was considered to be an also-ran in the shoe business, the documentary shows how Michael Jordan and the shoes named after him revolutionized American culture.  At a time when shoe companies like Converse were making cringe-worthy commercials that featured Larry Bird and several other players rapping about their shoes, Nike reinvented the game by teaming up with Michael Jordan and bringing in Spike Lee to film their commercials.

If the first half of the documentary celebrates the success of Jordan and Nike, the second half takes a critical look at the violence that has sprung up over the shoes.  Nike is faulted for aggressively advertising the shoes and then only released a limited amount of them at a time.  As a result, the shoes become a status symbol that are difficult to get and which some people are willing to kill to possess.  The documentary goes from celebrating Jordan and Nike to condemning them for refusing to speak out about the violence surrounding their product.  As one interviewee puts it, Jordan telling people to “knock it off” wouldn’t end all of the violence but it wouldn’t hurt.

The documentary ends with the wrenching tale of a man in Houston who was killed for his shoes.  When the murder became national news, Jordan personally sent the grieving family a pair of the new Air Jordans.  The dead man’s sister explains that she didn’t feel safe wearing them in public because, if anyone saw them in her possession, they might kill her as well.

One Man and His Shoes is a sobering documentary.  If you just watched The Last Dance, you owe it to yourself to also watch One Man and His Shoes.