Horror on the Lens: Raiders of the Living Dead (dir by Samuel M. Sherman and Brett Piper)


Hi there and welcome to October!  This is our favorite time of the year here at the Shattered Lens because October is horror month.  For the past three years, we have celebrated every October by reviewing and showing some of our favorite horror movies, shows, books, and music.  That’s a tradition that I’m looking forward to helping to continue this year.

Let’s start things off with the 1986 epic, Raiders of the Living Dead!

I reviewed this film last year but to recap, it’s the story of a creepy boy, a laser gun, a reporter, and a bunch of zombies.  There’s a mad scientist involved, too.  There always is.  The movie opens with a truck being hijacked and then the action shifts to a power plant and, honestly, I have no idea what any of it means.  Technically, Raiders of the Living Dead is not exactly a good film but it is a film unlike any other that you’ve seen.  If nothing else, it’s a film that you watch and you can’t help but admire the fact that it somehow got made and went on to find a small but kind of appreciative cult audience.  It’s just a very strange film and a good one to start October with, no?

Plus, it has got the greatest zombie-centric theme song ever!  The opening credits alone are worth the price of admission (which, incidentally, is free because those of us at the Shattered Lens love you!)

So, here is Raiders of the Living Dead. 

Enjoy!

The Things You Find On Netflix: Deadly Detention (dir by Blair Hayes)


If you’re in high school and you have to do Saturday detention in an abandoned, but perhaps haunted, prison, there’s a good chance that you’re gong to die.

That’s the main lesson that can picked up from the 2017 film Deadly Detention, which I watched via Netflix a few nights ago.  Old prison.  Sex.  Detention.  It all leads to death.  Of course, you really shouldn’t need a movie to teach you that lesson.  I mean, it’s just common sense.  STAY OUT OF THE OLD PRISONS, PEOPLE!  Especially if it’s got a death row because you just know there’s going to be a lot of pissed off ghosts floating around there….

The good thing about Deadly Detention is that it realizes that abandoned prison=death should be common sense as well.  It’s an extremely self-aware movie, fully indulging in all of the slasher movie cliches while, at the same time, poking cheerful fun at them.  Deadly Detention may start out as a horror film but, after about 15 minutes or so, it turns into a full-blown comedy and it’s actually pretty fun to watch.

Why are our students attending detention?  Well, it turns out that the majority of them have been framed, which explains why even the popular school athlete is being punished.  Why are they attending detention in a prison?  Well, it seems that a pack of rabid possums were somehow released into the school.  Now, of course, being the former country girl that I am, I immediately knew something strange was happening because possums are actually immune to rabies.  So, seriously, if you see a possum in your back yard, don’t panic!  They’re harmless.

Among those spending their Saturday in detention:

Officer Pete (Kevin Blake), the quiet hall cop,

Miss Presley (Gillian Vigman), the principal who brings her very big and very pointed principal-of-the-year trophy with her,

Lexie (Alex Frnka), the rebellious school tramp who turns out to be a lot more smarter than anyone gave her credit for,

Jessica (Sarah Davenport), the school athlete who has always been driven to be the best,

Barrett (Henry Zaga), the hilariously vain and shallow rich kid whose main hope is that, if he dies, he’ll still look good,

Kevin (Coy Stewart), the gay religious kid who turns out to actually have a lot more depth than anyone originally suspected,

and Taylor (Jennifer Robyn Jacobs), the cheerfully strange girl who knows all the stories about all the ghosts.

Now, you may be thinking that this cast of characters sounds familiar and it’s true that they’re all deliberately meant to invoke various slasher movie tropes.  At the same time, I suspect that they’re also meant to remind us of the members of The Breakfast Club as well.  However, each character is so well-cast and each actor seems to be having so much fun that they all soon develop their own individual identities.  In fact, this cast is so fun to watch that it’s kind of sad once the blood starts to spill.

But spill, it does.  Soon, the detainees find themselves having to figure out how to escape the prison while an unseen stalker taunts them over the intercom.  What sets this film apart from many other Netflix slasher films is that the students all seem to know that they’re in a horror film and they tend to comment on the action accordingly.  When it comes to a horror-comedy, a film always has to decide if it’s going to be more of a horror or a comedy and, early on, Deadly Detention embraces the comedy label and it turns out that the film made the right choice.  Thanks to a likable cast and some clever dialogue, Deadly Detention is an entertaining 90 minutes.

As I said, the entire cast is good but Alex Frnka, Coy Stewart, and Jennifer Robyn Jacobs especially deserve a lot of credit for taking characters who could have been cliches and instead turning them into fairly compelling human beings.  Alex Frnka not only gets all the best lines but she makes them even better with a delivery that’s perfectly perched between sincerity and snarkiness.  The same can be said of the film as a whole.

Cleaning Out The DVR: Boy of the Streets (dir by William Nigh)


Welcome to New York City, circa 1937!

It’s a place where the extremely wealthy carefully avoid the districts dominated by the extremely poor, like the Bowery.  In the Bowery, families live in tenements and worried mothers can only cry as they watch their sons join street gangs and their daughters settle for a life of abuse and loss.  Sure, there’s a few do-gooders.  Occasionally, there’s a cop who is convinced that no boy is a lost cause.  Sometimes, you’ll run into a doctor who is determined to provide adequate medical care to the inhabitants of the Bowery.  In fact, you might even see a rich person who is determined to spread about some charity.  But, for the most pat, life in the Bowery is just one hopeless day after another.

14 year-old Chuck Brennan (Jackie Cooper) lives in the Bowery.  He’s got a gang of boys who will do anything that he tells them to do and, despite the fact that Chuck is obviously smarter than almost everyone else around him, he has no interest in being a role model or decent citizen or anything else of that matter.  Chuck lives in a shabby apartment with his mother (Marjorie Main) and his father (Guy Usher).  Chuck looks up to his father who apparently knows important people and is often out of town on “business.”  However, when Chuck discovers that his father is actually a low-level hood who works for the local political machine, Chuck is not only disillusioned but also inspired to go find some gangsters to team up with himself.

The system says that Chuck is a hopeless case but not everyone agree.  Officer Rourke (Robert Emmett O’Connor) thinks that there’s hope for Chuck, he just needs something or someone to straighten him out.  (Like maybe a stint in the Navy….)  And then there’s Nora (Maureen O’Connor), the sweet Irish girl who lives in Chuck’s building and who is often heard singing to her deathly ill mother.

In the end, it’s all up to Chuck.  Will he pursue a life of crime or the life of an honest man?  Will he be a man like his father or will he end the cycle of crime and desperation?

Boy of the Streets is a low-budget, black-and-white film from 1937.  It was produced by Monogram Pictures and, much like Dead End (which came out the same year and featured a superficially similar storyline), it’s a film that mixes social commentary with a bit of gangster action.  The film’s low-budget doesn’t do it any favors and there’s nothing particularly surprising to be found in the film’s plot but child actor Jackie Cooper is convincingly cocky as the swaggering Chuck and Marjorie Main does a good job as his anguished mother.  (Interestingly, Main also played Humphrey Bogart’s mother in Dead End.)

Boy of the Streets is a good example of a film that I never would have seen if not for TCM.  (I recorded it off of TCM way back in June.)  That’s one reason why I’ll always be thankful for TCM.  At a time when so many people seem to be determined to destroy history, TCM is celebrating it.

A Blast From The Past: The Good Loser (dir by Herk Harvey)


Director Herk Harvey

What’s more important?  Being a good winner or a good loser?

Does being a good winner make it more difficult to be a good loser?

Should an individual loss matter if it contributes to a team victory?

When your child loses, is it a good idea to relentlessly taunt them about it?

These questions and more are explored in the 1953 short film, The Good Loser.  This is one of those films that they used to show in schools in order to teach students how to …. well I’m not sure what anyone learns in The Good Loser.  It tells the story of Ray, who is the best public speaker in all of Kansas or, at least, he is until he makes the mistake of agreeing to mentor Marilyn.  After Marilyn beats him at the speech and debate tournament, Ray throws a little hissy fit.  It doesn’t help that everyone — from his classmates to his own father — is making fun of him for losing to his protegee.

“What do you think?” the narrator asks and I’ll tell you.  I’ve never been a good loser so I totally think that Ray has every right to drop out of school and spend the rest of his life wandering around the country, drifting from job-to-job and refusing to trust anyone.  “Second place just means you’re the best loser.”  A teacher said that to me once and the end result was …. well, actually, I think I was kinda like, “Really?  The best?”  Anyway….

Now, if you’re wondering why I’m sharing this video in October, it’s because this film was directed by Herk Harvey.  Harvey made a career out of directing short educational films but, to horror audiences, he’s best known for directing a classic horror film called Carnival of SoulsCarnival of Souls is a film that I’ll be sharing on later in the month.  On the surface, The Good Loser may not appear to have much in common with Carnival of Souls.  However, I think you can compare Ray’s insensitive classmates to the insensitive ghosts who haunted Candace Hilligoss in Carnival.  If nothing, they’re all similarly relentless.  They’re also all jerks, if you ask me.

What do you think?

Horror Artist Profile: Junji Ito


It’s another year and another October here at Through the Shattered Lens. Those who have continued to follow our shenanigans and escapades here know that October is a favorite month for us here. Co-founder Lisa Marie Bowman is one who loves this month. As I pop my head in to see how things are going I would like to add my two-bits to make this latest month-long horror theme be as memorable as years past.

I begin the month-long horror celebration by highlighting a favorite horror genius who might not be as well-known by the casual horror fan. I am talking about mangaka Jujin Ito.

Junji Ito

Jujin Ito is a giant in the Japanese manga industry. His work as a horror mangaka has been lauded throughout the years with some of his more famous works getting not just anime adaptations but live-action ones, as well.

He has stated in the past that his work has been influenced by authors and fellow mangaka such has Hideshi Hino, Yasutaka Tsutsui and H.P. Lovecraft. His work shares much similar themes as Lovecraft’s in that they both tell tales of a capricious and uncaring universe where the protagonists cannot comprehend and/or escape the cosmic, unknowable horror that plagues them.

Jujin Ito’s artwork often depicts a world where it’s inhabitants (sometimes including the protagonist) body horror sometimes becomes the norm which adds to the uneasiness and existential horror which permeates his stories.

Some of his more famous works include this Tomie series which has been adapted into a 3-episode tv drama and Uzumaki which has been adapted by director Akihiro Higuchi.

The former is a long-running series about a mysterious, beautiful woman named Tomie who impacts the lives of the men and women around her. Individuals who fall under sway will commit brutal acts of violence with some being driven to insanity. It would spoil too much to mention much more, but I do recommend for those who want to check out Japanese horror and why it’s very different from Western horror, the Tomie series is one to check out.

In fact, I would recommend that horror fans check out his entire body of work. They’ll definitely leave a mark on those who try.

Junji Ito 1Junji Ito 2Junji Ito 3Junji Ito 4Junji Ito 5Junji Ito 6Junji Ito 7Junji Ito 8

Music Video of the Day: Monster by Big Data, feat. Jamie Liddell (2018, dir by Ghost+Cow)


Welcome to October!

Since this is the first post of the first day of Horrorthon, it just seemed appropriate to select the video of Big Data’s Monster as music video of the day.  This wonderfully paranoid video will inspire you to put Alexa back in the box.  Or, at the very least, to consider doing it.  I mean, could you really live without her?  Anyway, this video has a nice sort of Wes Craven/John Carpenter feel to it.  Those glowing red eyes are haunting.

It’s a well acted video too and Big Data was kind enough to list the full cast and crew on YouTube.  (More artists should do this.)  Here they are:

Directed by GHOST + COW

Written by BIG DATA and GHOST + COW

Story and Executive Produced by BIG DATA

Produced by Steve Cozzarelli

Players:

Claire Burns as Mary

David Levin as Gerry

Juliet Brett as Alison

Alexander Jameson as Brandon

Sondra James Weil – Neighbor

Lizy Ryan as L1ZY

Director of Photography – Luke McCoubrey

Edited by Geordie Anderson

Score and original music by BIG DATA

Sound design and mix by Brian Goodheart

Sonic Union Producer – Halle Petro

Colored by Ashley Ayarza

Nice Shoes Producer – Elizabeth Mitchell

VFX artist – Tim Mearini

Production designer – Jana Bergstedt

Makeup / SFX artist – Emma Berley

Art PA / Driver – Scott Raven

Wardrobe Stylist – Kayci Rothweiler

1st AD – Ruby Walters

Assistant camera – Julian Tran

Sound mixer – Edward Morris

Camera PA – Beth Fletcher

Key Grip – Jesse Moritz

Grips – Landon Yost, Mitch Perrin

Gaffer – Jesse Sanchez-Strauss Swing – Rylie Patterson

Production assistants – Smij McBee, Angie Blas

Special thanks to alldayeveryday productions, De Boer Media

EXTRA SPECIAL THANKS to the Gudis Family for their incredible generosity.

As for the rest of October, I can’t guarantee that every music video that we’re going to share this month is going to have a horror theme.  To be honest, there aren’t that many good horror-themed music videos out there and we already featured the majority of them over the past two Octobers.  I mean, there’s only so many times that we can analyze Number of the Beast.  Still, we’ll be keeping our eyes open for any good videos we may have missed and, as we do every October, we’ll do our best to keep things properly spooky here at the TSL Bunker!

Enjoy October and get ready for the greatest Horrorthon ever!