Ryan C.'s Four Color Apocalypse
As a critic — particularly a critic of “underground” and/or “avant-garde” comics — sometimes you’re called upon to attempt to describe the utterly indescribable. This is a good thing — at the very least it expands one’s vocabulary, sometimes even one’s consciousness — but it’s by no means an easy thing. And there’s no greater challenge than attempting to convey, in terms anyone can understand, something of the unique spirit, character, and aesthetic sensibility of Mat Brinkman’s comics.
One of the co-founders of Providence’s legendary Fort Thunder cartooning collective, Brinkman himself is something of an enigma these days, having abandoned comics for music and maintaining no online presence whatsoever, but his work is just as tantalizingly mysterious, and Hollow Books’ recent re-issue — in handsome cloth-bound and foil-embossed “Museum Editons,” no less — of two of his classic comic-strip collections, Teratoid Heights and Multiforce, offers audiences new and old…
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