Film Review: Blood Red (1989, directed by Peter Masterson)


The time is the 1890s.  The place is California.  Sicilian immigrant Sebastian Collogero (Giancarlo Giannini) has just been sworn in as an American citizen and owns his own vineyard.  When Irish immigrant William Bradford Berrigan (Dennis Hopper) demands that Sebastian give up his land so Berrigan run a railroad through it, Sebastian refuses.  Berrigan hires a group of thugs led by Andrews (Burt Young) to make Sebastian see the error of his ways.  When Sebastian ends up dead, his wayward son, Marco (Eric Roberts), takes up arms and seeks revenge.

Have you ever wondered what would have happened if the famously self-indulgent directors Michael Cimino and Francis Ford Coppola teamed up to make a movie about the American Dream?  The end result would probably be something like Blood Red.  Like Cimino’s The Deer Hunter and Heaven’s Gate, Blood Red begins with a lengthy celebration (in this case, in honor of Sebastian’s naturalization ceremony) that doesn’t have much to do with the rest of the film but which is included just to make sure we know that what we’re about to see is more than just a mere genre piece.  Like many of Coppola’s films, Blood Red features a tight-knit family, flowing wine, and a score composed by Carmine Coppola.  The only difference between our hypothetical Cimino/Coppola collaboration and Blood Red is that the Cimino/Coppola film would probably be longer and more interesting than Blood Red.  Blood Red is only 80 minutes long and directed by Peter Masterson, who seems lost.  There’s a potentially interesting story here about two different immigrants fighting to determine the future of America but it gets lost in all of the shots of Eric Roberts flexing his muscles.

For an actor known for his demented energy, Eric Roberts is surprisingly dull as the lead but Blood Red is a film that even manages to make veteran scenery chewers like Dennis Hopper and Burt Young seem boring.  (Hopper’s bizarre attempt at an Irish brogue does occasionally liven things up.)  The cast is full of familiar faces like Michael Madsen, Aldo Ray, Marc Lawrence, and Elias Koteas but none of them get to do much.  Of course, the most familiar face of all belongs to Eric’s sister, Julia.  Julia Roberts made her film debut playing Marco’s sister, Maria.  (Because the film sat on the shelf for three years after production was completed, Blood Red wasn’t released until after Julia has subsequently appeared in Mystic Pizza and Satisfaction.)  She gets three lines and less than five minutes of screen time but she does get to briefly show off the smile that would later make her famous.  Today, of course, that smile is the only reason anyone remembers Blood Red.

79 responses to “Film Review: Blood Red (1989, directed by Peter Masterson)

  1. Pingback: Lisa’s Week In Review: 6/10/19 — 6/16/19 | Through the Shattered Lens

  2. Pingback: The Eric Roberts Collection: Top Gunner (dir by Daniel Lusko) | Through the Shattered Lens

  3. Pingback: The Eric Roberts Collection: Deadline (dir by Curt Hahn) | Through the Shattered Lens

  4. Pingback: The Eric Roberts Collection: Road to the Open (dir by Cole Claassen) | Through the Shattered Lens

  5. Pingback: March Positivity: This Is Our Time (dir by Lisa Arnold) | Through the Shattered Lens

  6. Pingback: The Eric Roberts Collection: Free Lunch Express (dir by Lenny Britton) | Through the Shattered Lens

  7. Pingback: The Eric Roberts Collection: Joker’s Poltergeist (dir by Christopher S. Lind) | Through the Shattered Lens

  8. Pingback: Retro Television Reviews: Dark Angel (dir by Robert Iscove) | Through the Shattered Lens

  9. Pingback: The Eric Roberts Collection: Amityville Death House (dir by Mark Polonia) | Through the Shattered Lens

  10. Pingback: June Positivity: Worth: The Testimony of Johnny St. James (dir by Jenn Page) | Through the Shattered Lens

  11. Pingback: September Positivity: A Town Called Parable (dir by Scott Hester) | Through the Shattered Lens

  12. Pingback: The Eric Roberts Collection: Enemies Among Us (dir by Dan Garcia) | Through the Shattered Lens

  13. Pingback: October Positivity: Exodus of the Prodigal Son (dir by Andy Rodriguez) | Through the Shattered Lens

  14. Pingback: The Eric Roberts Horror Collection: Dark Image (dir by Chris W. Freeman) | Through the Shattered Lens

  15. Pingback: October Positivity: Prayer Never Fails (dir by Wes Miller) | Through the Shattered Lens

  16. Pingback: The Eric Roberts Horror Collection: Clinton Road (dir by Richard Grieco and Steve Stanulis) | Through the Shattered Lens

  17. Pingback: The Eric Roberts Horror Collection: The Dead Want Women (dir by Charles Band) | Through the Shattered Lens

  18. Pingback: The Eric Roberts Horror Collection: Black Wake (dir by Jeremiah Kipp) | Through the Shattered Lens

  19. Pingback: October Positivity: The Mark (dir by James Chankin) | Through the Shattered Lens

  20. Pingback: October Positivity: The Mark: Redemption (dir by James Chankin) | Through the Shattered Lens

  21. Pingback: The Eric Roberts Horror Collection: Bleach (dir by Michael Edmonds) | Through the Shattered Lens

  22. Pingback: The Eric Roberts Collection: Top Gunner: America vs Russia (dir by Christopher Ray) | Through the Shattered Lens

  23. Pingback: The Eric Roberts Collection: The Savant (dir by Sherri Kauk) | Through the Shattered Lens

  24. Pingback: The Eric Roberts Collection: The Rebels of PT-218 (dir by Nick Lyon) | Through the Shattered Lens

  25. Pingback: The Films of 2024: Scars (dir by Shaun Kosta) | Through the Shattered Lens

  26. Pingback: The Eric Roberts Collection: Wolves of Wall Street (dir by David DeCoteau) | Through the Shattered Lens

  27. Pingback: The Eric Roberts Collection: Enemy Within (dir by Damian Chapa) | Through the Shattered Lens

  28. Pingback: Lifetime Movie Review: The Wrong Life Coach (dir by David DeCoteau) | Through the Shattered Lens

  29. Pingback: The Eric Roberts Collection: Bonnie And Clyde: Justified (dir by David DeCoteau) | Through the Shattered Lens

  30. Pingback: January Positivity: Mercy Streets (dir by Jon Gunn) | Through the Shattered Lens

  31. Pingback: The Films of 2025: When It Rains In LA (dir by David M. Parks) | Through the Shattered Lens

  32. Pingback: The Eric Roberts Collection: The Elevator (dir by Jack Cook and Mukesh Modi) | Through the Shattered Lens

  33. Pingback: Love On The Shattered Lens: Frank and Ava (dir by Michael Oblowitz) | Through the Shattered Lens

  34. Pingback: The Eric Roberts Collection: Amazing Racer (dir by Frank E. Johnson) | Through the Shattered Lens

  35. Pingback: The Eric Roberts Collection: A Talking Cat!?! (dir by David DeCoteau) | Through the Shattered Lens

  36. Pingback: The Eric Roberts Collection: Runaway Train (dir by Andrei Konchalovsky) | Through the Shattered Lens

  37. Pingback: The Eric Roberts Collection: The Reliant (dir by Paul Munger) | Through the Shattered Lens

  38. Pingback: The Eric Roberts Collection: Beyond The Trophy (dir by Daniel J. Gillin) | Through the Shattered Lens

  39. Pingback: The Eric Roberts Collection: Devil’s Knight (dir by Adam Werth) | Through the Shattered Lens

  40. Pingback: The Eric Roberts Collection: Bed & Breakfast (dir by Marcio Garcia) | Through the Shattered Lens

  41. Pingback: The Eric Roberts Collection: Night Night (dir by Niki Koss) | Through the Shattered Lens

  42. Pingback: The Eric Roberts Collection: Las Vegas Story (dir by Byron Q) | Through the Shattered Lens

  43. Pingback: The Eric Roberts Collection: Raptor (dir by Jim Wynorski) | Through the Shattered Lens

  44. Pingback: The Eric Roberts Collection: DC Down (dir by Geoff Meed) | Through the Shattered Lens

  45. Pingback: The Eric Roberts Collection: Deadly Sanctuary (dir by Nancy Criss) | Through the Shattered Lens

  46. Pingback: The Eric Roberts Collection: The Perfect Summer (dir by Gary Wheeler) | Through the Shattered Lens

  47. Pingback: The Eric Roberts Collection: Rough Air: Danger on Flight 534 (dir by Jon Cassar) | Through the Shattered Lens

  48. Pingback: The Eric Roberts Collection: Bad Substitute (dir by Steven Krasner) | Through the Shattered Lens

  49. Pingback: The Eric Roberts Collection: Assault on Wall Street (dir by Uwe Boll) | Through the Shattered Lens

  50. Pingback: Music Video of the Day: We Belong Together (2005, dir by Brett Ratner) | Through the Shattered Lens

  51. Pingback: The Eric Roberts Collection: 69 Parts (dir by Ari Taub) | Through the Shattered Lens

  52. Pingback: The Eric Roberts Collection: Border Blues (dir by Rodion Nahapetov) | Through the Shattered Lens

  53. Pingback: The Eric Roberts Collection: Depth Charge (dir by Terrence O’Hara) | Through the Shattered Lens

  54. Pingback: The Eric Roberts Collection: Best of the Best (dir by Bob Radler) | Through the Shattered Lens

  55. Pingback: The Eric Roberts Collection: Best of the Best II (dir by Bob Radler) | Through the Shattered Lens

  56. Pingback: The Eric Roberts Collection: Strange Frequency (dir by Mary Lambert and Bryan Spicer) | Through the Shattered Lens

  57. Pingback: The Eric Roberts Collection: Megaboa (dir by Mario N. Bonassin) | Through the Shattered Lens

  58. Pingback: The Eric Roberts Collection: Hunting Season (dir by Eduardo Castrillo) | Through the Shattered Lens

  59. Pingback: The Eric Roberts Collection: Bigfoot vs D.B. Cooper (dir by David DeCoteau) | Through the Shattered Lens

  60. Pingback: The Eric Roberts Collection: Doc Holliday’s Revenge (dir by David DeCoteau) | Through the Shattered Lens

  61. Pingback: The Eric Roberts Film: Dawn (dir by Nicholas Ryan) | Through the Shattered Lens

  62. Pingback: The Eric Roberts Collection: The Demonic Dead (dir by Rick Vargas) | Through the Shattered Lens

  63. Pingback: The Eric Roberts Collection: Sink Hole (dir by Scott Wheeler) | Through the Shattered Lens

  64. Pingback: The Eric Roberts Collection: The Chaos Experiment (dir by Philippe Martinez) | Through the Shattered Lens

  65. Pingback: The Eric Roberts Collection: The Rideshare Killer (dir by Ashley Scott Meyers) | Through the Shattered Lens

  66. Pingback: The Eric Roberts Collection: Red Prophecies (dir by Rodney James Hewitt and Christopher Gosch) | Through the Shattered Lens

  67. Pingback: The Eric Roberts Collection: To Heal A Nation (dir by Michael Pressman) | Through the Shattered Lens

  68. Pingback: Retro Television Review: The American Short Story #11: Paul’s Case | Through the Shattered Lens

  69. Pingback: The Eric Roberts Horror Collection: Sorority Slaughterhouse (dir by David DeCoteau) | Through the Shattered Lens

  70. Pingback: October Positivity: Broken Church (dir by Michaux Muanda) | Through the Shattered Lens

  71. Pingback: The Eric Roberts Horror Collection: Insane Like Me? (dir by Chip Joslin) | Through the Shattered Lens

  72. Pingback: The Eric Roberts Horror Collection: 2 Bedroom 1 Bath (dir by Stanley Yung) | Through the Shattered Lens

  73. Pingback: The Eric Roberts Horror Collection: Space Sharks (dir by Dustin Ferguson) | Through the Shattered Lens

  74. Pingback: October True Crime: The Company We Keep (dir by Jeff Edelstein) | Through the Shattered Lens

  75. Pingback: October Positivity: Revelation Road: The Beginning of the End (dir by Gabriel Sabloff) | Through the Shattered Lens

  76. Pingback: October Positivity: Revelation Road 2: The Sea of Glass and Fire (dir by Gabriel Sabloff) | Through the Shattered Lens

  77. Pingback: The Eric Roberts Horror Collection: 616 Wilford Lane (dir by Dante Yore) | Through the Shattered Lens

  78. Pingback: An Eric Roberts Holiday Film Review: So This Is Christmas (dir by Richard Foster) | Through the Shattered Lens

  79. Pingback: An Eric Roberts Holiday Film Review: A Karate Christmas Miracle (dir by Julie Kimmel) | Through the Shattered Lens

Leave a comment

This site uses Akismet to reduce spam. Learn how your comment data is processed.