What Lisa Watched Last Night #198: Psycho Stripper (dir by Jake Helgren)


Last night, I watched the latest Lifetime premiere, Psycho Stripper!Why Was I Watching It?

Why was I watching it?  Seriously, with a name like Psycho Stripper, how couldn’t I watch it!?  There’s an art to coming up with a good title and whoever came up with Psycho Stripper has obviously perfected that art.  The title was so great that I even abandoned the neighborhood Cinco De Mayo party early, just so I could watch the movie in the comfort of my own home.  That’s the power of a perfect title!

Also, I have to give some credit to Lifetime, here.  Before they showed Psycho Stripper, they showed Magic Mike.  So, on Sunday night, viewers got a chance to see two separate versions of the life of a male stripper, the yellow-tinted Steven Soderbergh version (seriously, I like Magic Mike but, whenever I watch it, I worry all that yellow is going to burn my retinas) and the wonderfully over-the-top Lifetime version!

What Was It About?

Amber (Karissa Lee Staples) owns her own dance studio, has a lot of friends, and is about to get married to the wealthy (if kinda wimpy) Owen (Mark Hapka).

Hunter (Tyler Johnson) is a handsome and charming male stripper who dresses up like a fireman, can change a flat tire, and who happens to be really good with an ax.

Together, they solve crimes!

No, not really.  Instead, Hunter shows up at Amber’s bachelorette party.  He’s supposed to just be a part of the night’s entertainment but, instead, Hunter keeps showing up wherever Amber happens to be.  First, he just wants dance lessons.  Then, he’s kind of dating Amber’s best friend, Taryn (Rachele Brooke Smith).  Then, he’s bringing Amber a gift to thank her for the lessons.  Suddenly, he’s asking Amber if she wants to get lunch!  Amber doesn’t think that it’s a good idea for her to have lunch with Hunter, especially since Owen seems to have a hang-up about her hanging out with a mysterious man who has a great body.

Then again, Owen has issues of his own.  For instance, he doesn’t seem to have quite gotten over his previous girlfriend, the one who died mysteriously….

What Worked?

Okay, so I absolutely loved this movie.  I mean, how couldn’t I?  It combined two of my favorite things: over-the-top, in-your-face melodrama and dancing!  This movie was a lot of fun and Tyler Johnson really threw himself into playing the role of the psycho stripper.

The film also had a bit of a subversive side, as well.  Hunter may be a psycho but you still kind of find yourself on his side, if just because everyone else in the movie is so judgmental of him and how he makes his living.  Owen’s family is extremely wealthy and all of his friends are extremely privileged.  When they start giving Hunter a hard time about being a stripper (with one of them even throwing a dollar bill at him), you can’t help but feel a little bit bad for him.  (Of course, then he starts killing people and you’re like, “Okay, never mind….”)

My favorite character was Taryn, who was not only a good dancer but also the greatest best friends that one could possibly hope for.  She got all the best lines.  My personal favorite was, “We’re going to get in this car and plow his ass down!”

What Didn’t Work?

It all worked.  This was Lifetime at its best.

“Oh my God!  Just like me!” Moments

A Lifetime film set in a dance studio?  To be honest, almost the entire film was an “Oh my God!  Just like me!” moment.  I related to Taryn.  I’d like to think that, if there was a psycho wandering around outside, I too would be smart enough to grab a knife before going outside.

The last Bachelorette Party that I went to had a stripping fireman, just like this movie.  However, I don’t think he ever killed anyone.  Actually, rumor has it that he was a real fireman who had too much to drink that night.  Who knows?  Life is indeed a crazy tapestry.

Lessons Learned

Beware of strippers bearing gifts.

Scenes That I Love: The Opening Tracking Shot from Orson Welles’s Touch of Evil


I’m pretty sure that I’ve shared this scene before but, if I did, it was several years ago.  Through the Shattered Lens has been around for nearly ten years now, after all.  (TEN YEARS!)

Since today is Orson Welles’s birthday, I wanted to share at least one scene that I love from his films.  Even though I didn’t want to go with the obvious choice of picking something from Citizen Kane, there was still a wealth of scenes to choose from.  But, in the end, I really didn’t have any choice but to go with the tracking shot that opens 1958’s Touch of Evil.

This scene really does show why Welles was such an important director.  It’s not just that the scene is a masterpiece of suspense, starting out with a close-up of a ticking time bomb and then leaving us to wonder just when exactly it’s going to explode.  It’s also that the scene perfectly sets up the odd and sordid atmosphere of Touch of Evil.  It’s a scene that begins in America, takes the viewer into Mexico, and then literally ends with a bang.  And it does it all in just one shot!

Because of a throw-away joke in Ed Wood, there’s a widely-held but incorrect assumption that Welles was forced to cast Charlton Heston in the lead role in Touch of Evil or that Welles and Heston didn’t get along.  Actually, Heston was the one who fought for Welles to be given a chance to direct Touch of Evil and, when the studios attempted to fire Welles from the project, Heston stopped them by announcing that he would quite if Welles wasn’t allowed to complete the picture.  It may be tempting to make jokes about Heston playing a Mexican cop but, if not for him, this film probably wouldn’t exist right now.  And that would be a tragedy.

With all that said and done, here’s a scene that I love:

4 Shots From 4 Orson Welles Films: Citizen Kane, Touch of Evil, Chimes at Midnight, The Other Side of the Wind


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking.

104 years ago today, the man who forever change not only American cinema but world cinema, George Orson Welles, was born in Kenosha, Wisconsin.  Beloved by film students while often being unappreciated by mainstream audiences, Orson Welles was responsible for some of the greatest and most important films of all time.  As so often happens to the innovators and the creators, the film industry conspired to silence him.

Fortunately, his legacy has survived even the greatest of efforts to destroy it.  Though he may have died 34 yeas ago, Welles lives on and continues to inspire filmmakers everywhere.

In honor of that legacy, it’s time for….

4 Shots From 4 Orson Welles Films

Citizen Kane (1941, dir by Orson Welles)

Touch of Evil (1958, dir by Orson Welles)

Chimes at Midnight (1965, dir by Orson Welles)

The Other Side of the Wind (2018, dir by Orson Welles)

Music Video of the Day: Stefan by Hrdza (2018, dir by ????)


Today’s music video of the day comes to us from Hrdza, a band from Slovakia.  It’s an adaptation of an old folk song and it’s a nicely energetic and fun little video, I think.  I have to admit that as I was watching it, I saw a lot that reminded me of my own family.  I think it’s kind of nice that I can relate a song and a music video from Slovakia to my own big Irish-Italian-Spanish family.  Some things are universal!

I should mention that I discovered this song through the weekly #ILikeToWatch live tweet.  This song and video was selected by twitter user @WarrenPeas64.

Enjoy!

Lisa’s Week In Review: 4/29/19 — 5/5/19


What a week.  We lost two cultural icons, the director John Singleton and the actor, Peter Mayhew.  I have to say that I was surprised and kind of touched to discover that, after starring in one of the most successful films of all time, Peter Mayhew ended up settling down in Boyd, Texas.  I’ve driven through Boyd, it’s a nice little town and, from what I’ve heard, Peter Mayhew was a nice man.

On a happier note, Happy Cinco De Mayo, everyone!  And, on a purely personal note, I feel like I’m back.  After spending last month struggling to get anything written, I feel like I have finally woken up and I’m ready to enjoy the rest of the year!  That’s the power of Avengers: Endgame, I suppose.

Have a great week everyone!  Here’s what I watched, read, and listened to this week:

Films I Watched:

  1. Avengers: Endgame (2019)
  2. Boyz N The Hood (1991)
  3. The Catcher Was A Spy (2018)
  4. Extremely Wicked, Shockingly Evil, and Vile (2019)
  5. The Kid Who Would Be King (2019)
  6. Mac and Me (1988)
  7. A Mother On The Edge (2019)
  8. Psycho Stripper (2019)
  9. The Two Faces of Dr. Jekyll (1960)
  10. Zombi 2 (1979)

Television Shows I Watched:

  1. The Amazing Race 31
  2. American Justice
  3. Barry
  4. Fixer Uppers
  5. Fosse/Verdon
  6. Friends
  7. Game of Thrones
  8. It’s Always Sunny In Philadelphia
  9. King of the Hill
  10. Miss USA 2019
  11. Seinfeld
  12. Survivor 38
  13. Veep

Books I Read:

  1. A Friend is a Gift You Give Yourself (2019) by William Boyle

Music To Which I Listened:

  1. Adi Ulmansky
  2. Ali Okapov
  3. Ari Goldwag
  4. Avicii
  5. Bajofondo
  6. Benny Friedman
  7. Big Data
  8. Bob Dylan
  9. The Chemical Brothers
  10. Chingon
  11. The Coathangers
  12. ČUKI
  13. Dreams
  14. Fitz and the Tantrums
  15. Hrdza
  16. Jakalope
  17. Katy Perry
  18. Kedr Livanskiy
  19. Μαρινέλλα
  20. Moby
  21. na Casaidigh
  22. Natasza Urbańska
  23. Niway Damtie
  24. OneRepublic
  25. Отава Ё
  26. Paul White
  27. The Rumjacks
  28. Saint Motel
  29. Skrillex
  30. War
  31. Yasmin Levy
  32. Гаухартас

Links From Last Week:

  1. John Singleton dies at 51.
  2. Peter Mayhew, Star Wars Actor and Naturalized Texan, dies at 74.
  3. Sorry, Fans: ‘Avengers: Endgame’ Will Not Score Major Oscars
  4. In Conversation: Anjelica Huston
  5. Sorry, Bernie Sanders, but Disney Doesn’t Have To Apologize for Making $1.3 Billion with Avengers: Endgame
  6. Comically surreal: how Dali’s film with Marx brothers came to life
  7. How Thin-Skinned Celebrities Benefit From A Sympathetic Entertainment News Media
  8. Over on Reality TV Chat, I reviewed the latest episodes of Survivor and The Amazing Race!
  9. On my music site, I shared songs from Skrillex, Paul White, Katy Perry, Moby, more from Moby, even more from Moby, and War.
  10. On her photography site, Erin shared Courthouse, A Nice Street, Antique Cameras, Waterfall in Black and White, Pathway, Turtle, and Hawkeye Camera!

Links From The Site:

  1. Case bravely reviewed the 6th episodes of the 2nd season of Chilling Adventures of Sabrina!
  2. Erin shared the covers of Two-Fisted Detective and the following artwork: Future Science Fiction, The Blue-Haired Bombshell, Fate, My Mistress, My Death, Dressed to Kill, Circle of Desire, and Cinco De Mayo!
  3. Gary reviewed Angel and the Badman and Blood and Black Lace, along with honoring John Llewellyn Moxey.
  4. Ryan reviewed Credo, The Elements of Rough Volume 2, Two Stories, Is This How You See Me, and Doom Patrol, along with sharing his weekly reading round-up.
  5. I shared music videos from The Coathangers, Moby, Marshmello, OneRepublic, Fitz and the Tantrums, more from Moby, and even more from Moby.  I also paid tribute to Wes Anderson, Audrey Hepburn, and Cinco De Mayo.  Finally, I reviewed Avengers: Endgame, The Curse of La Llorona, A Dog’s Way Home, The Catcher Was A Spy, and Extremely Wicked, Shockingly Evil, and Vile!

Want to see what I did last week?  Click here!

Have a great week everyone!

4 Shots From 4 Films: The Violin, El Infierno, Miss Bala, Heli


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking.

Happy Cinco De Mayo!

Despite what many people seem to believe, Cinco De Mayo is not the same thing as Mexican Independence Day (that’s celebrated on September 16th).  Instead, Cinco De Mayo commemorates the Mexican army’s victory over the French at the Battle of Puebla.  That battle was fought on May 5th, 1862.  That was a 157 years ago, today.

Cinco De Mayo is a pretty big deal down here in Texas and some of my fondest (and, in some cases, haziest) memories are related to this date.  I especially like to remember May 5th, 2007, in which I spent several hours with a group of my closest and dearest friends, sitting out on the roof of a friend’s house, watching fireworks explode over our heads.  That was a wonderful night, even if someone did eventually end up falling off the roof.  (Don’t worry, he not only survived but he’s now got a pretty good job in D.C. and he’ll probably be your congressman someday.)

In honor of the day, here are four shots from four of my favorite Mexican films….

4 Shots From 4 Films

The Violin (2005, dir by Francisco Vargas)

El Infierno (2010, dir by Luis Estrada)

Miss Bala (2011, dir by Gerardo Naranjo)

Heli (2013, dir by Amat Escalante)

Weekly Reading Round-Up : 04/28/2019 – 05/04/2019, More Peter Faecke


Ryan C. (fourcolorapocalypse)'s avatarRyan C.'s Four Color Apocalypse

We’ve talked about fellow Minneapolis “product” Peter Faecke in this column before, but it’s never a bad time to do so again, and I’ve decided that “never a bad time” is now. All the following comics can be ordered up from Pete’s online store, charming called “The Stink Hole.” Your link :https://thestinkhole.storenvy.com/

The Bartbarian In : Learning To Unlearn is a bizarrely contemplative slap-dash mini printed on suitably gaudy yellow paper that features a protagonist who’s a mash-up of Bart Simpson and a homoerotic take on Conan the Barbarian (then again, it’s Conan we’re talking about, so maybe the “homoerotic” part is redundant) traversing a lonely physical and psychic wasteland in search of his adversary/potential friend, Thrillhouse. When they meet, will battle ensue, or something altogether more rewarding and satisfying? Treads similar thematic ground to Faecke’s Pardners, minus the obvious performance anxiety parallels. A nice throwback to the…

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Trash TV Guru : “Doom Patrol” Season One, Episode Twelve – “Cyborg Patrol”


Ryan C. (fourcolorapocalypse)'s avatarTrash Film Guru

When last we saw him at the end of episode eleven of DC Universe’s original streaming series Doom Patrol, Joivan Wade’s Vic Stone was in a bad place — metaphorically and literally. His increasingly-mechanized body and mind betraying him, he made the drastic decision to part company with his operating system, known as GRID, but any monetary respite he hoped to gain from such an action was quickly dashed when he found himself captured by The Bureau of Normalcy and imprisoned at their top-secret research/torture facility nicknamed The Ant Farm.

Not that this latest installment, entitled (appropriately enough) “Cyborg Patrol,”gives any concrete reason as to how and why the place found itself saddled with such a moniker, unlike the Grant Morrison/Steve Yeowell comic the idea was lifted from, but the principle nature of the operation remains true to its printed-page antecedent — even if it’s located nowhere near the…

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