Horror Scenes That I Love: The Devil Is Everywhere In Haxan


Today’s scene that I love comes from the 1922 silent film, Haxan!

Haxan is a documentary, one that recreates the history of witchcraft throughout the ages.  In this scene, the film examines the belief that the devil is everywhere.  Apparently, the Devil has a lot of free time on his hands.

Directed by Benjamin Christensen, Haxan was a Swedish film that was released in its native country in 1922 but which took 7 years to make it over the United States.  Though contemporary audiences were a bit confused by it, it was popular with the surrealists and it quickly became one of the first true cult movies.  It was even re-released in 1967 with a narration provided by Beat writer William S. Burroughs.

Haxan, like many silent films, exists in many different forms.  Needless to say, the censors were not kind when this film originally made its way over to the United States.  It wasn’t until 2001 that Haxan was fully restored and released as a part of the Criterion Collection.

Halloween Havoc!: THE MUMMY’S HAND (Universal 1940)


gary loggins's avatarcracked rear viewer

Universal revived The Mummy in 1940’s THE MUMMY’S HAND, but except for the backstory (and judicious use of stock footage), there’s no relation to the 1932 Karloff classic . Instead of Imhotep we’re introduced to Kharis, the undead killing machine, as the High Priest of Karnak (Eduardo Cianelli in old age makeup) relates the tale of Princess Ananka, whose tomb is broken into by Kharis, who steals the sacred tanna leaves to try and bring her back to life. Kharis gets busted, and is condemned to be buried alive! For he “who shall defile the temple of the gods, a cruel and violent death shall be his fate, and never shall his soul find rest for all eternity. Such is the curse of Amon-Ra, king of all the gods”. So there!

The High Priest croaks, making Andoheb (George Zucco ) the new High Priest. Meanwhile in Cairo, Americans Steve…

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4 Shots From 4 Silent Horror Films: The Golem, Haxan, The Student of Prague, The Fall of the House of Usher


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking.

Horror is one of the oldest genres around and just to prove it, here are….

4 Shots From 4 Silent Horror Films

The Golem (1920, dir by Paul Wegener)

Haxan (1922, dir by Benjamin Christensen)

The Student of Prague (1926, dir by Henrik Galeen)

The Fall of the House of Usher (1928, dir by Jean Epstein)

Horror on the Lens: Nosferatu (dir by F.W. Murnau)


Today’s Horror on the Lens is a classic film that really needs no introduction!  Released in 1922, the German silent film Nosferatu remains one of the greatest vampire films ever made.  It’s a film that we share every October and I’m happy to do so again this year!

Enjoy!

Eurocomics Spotlight : Zane Zlemesa’s “Fenix”


Ryan C. (fourcolorapocalypse)'s avatarRyan C.'s Four Color Apocalypse

Latvian publisher Kus! didn’t need to look too terribly far ( probably just a few towns over, if that ) to find a Zane Zlemesa, the painter/cartoonist who produced the fourth title in their idiosyncratic and consistently-interesting Kus! Mono line — bearing the curious but intriguing title of Fenix — so credit goes to them for introducing a local talent to an international audience, but a “big break” is only what you make of it, I suppose, and the proof, as the saying goes, is always in the pudding. Or, as the case may be, on the pages.

For their part, these pages are certainly visually arresting — Zlemesa’s masterful use of paint is imbued with a fair amount of confidence throughout, and her intuitive understanding of sequential narrative is strong, with her larger-than-normal panels giving her colorful artwork plenty of room to “breathe” while simultaneously allowing for nicely-paced story progression…

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Horror on TV: Kolchak: The Night Stalker 1.1 “The Ripper” (dir by Alan Baron)


For tonight’s excursion into the horrific side of television, we have the very first episode of Kolchak: The Night Stalker!

The Kolchak of the title was a reporter named Carl Kolchak (played by Darren McGavin).  Kolchak was kind of a nervous fellow because every story that he reported on seemed to involve some sort of terrible supernatural creature!  Seriously, that would make anyone anxious.

In his first episode, Kolchak investigates a series of murders and comes to suspect that Jack the Ripper might be haunting the streets of 1970s Chicago.

This episode originally aired on September 13th, 1974.

Enjoy!

The TSL’s Horror Grindhouse: Eyes of a Stranger (dir by Ken Wiederhorn)


In this 1981 slasher film, bad things are happening in the city of Miami.

There’s a serial killer on the loose.  He’s chopping off heads and leaving bodies on the beach and basically just making a huge mess of things.  Local new anchorwoman Jane (Lauren Tewes) is upset that there’s a killer roaming the streets of her hometown.  She even talks about how upset she is during a local newscast, which takes everyone at the station by surprise.  I don’t know why they’re so shocked.  Don’t they know that Jane has a younger sister named Tracy (Jennifer Jason Leigh) and that Tracy’s been blind, deaf, and mute ever since she was attacked by a maniac?

One day, Jane is returning to the apartment that she shares with her sister.  As she’s parking her car, she sees her neighbor, Stanley (John DiSanti), stuffing what appears to be a bloody shirt in a trash can.  Oh my God, could he be the murderer!?

Well, yes, he is.  The film actually makes no attempt to hide the fact that Stanley is the murderer.  Stanley is one of those movie murderers who is either hyper competent or totally oblivious, depending on what the scene demands.  For instance, despite being a rather heavyset, middle-aged man, he can still sneak up behind people without them ever hearing and chop off their head with one wave of a meat cleaver.  On the other hand, when he kills a couple on the beach, his car ends up getting stuck in the sand.

Anyway, Jane is pretty much instantly convinced that Stanley is the killer and she immediately starts doing stuff like taunting him over the telephone.  (Despite the fact that she’s on TV every night and her voice is apparently heard by everyone in Miami, she makes no effort to disguise her voice whenever she calls Stanley.)  She also breaks into his apartment to look for clues.

As I watched this film, I found myself thinking about how much more interesting it would have been if Stanley hadn’t been the killer and if Jane felt so guilty about what happened to her sister that she ended up harassing a totally innocent bystander.  But no, Stanley is the murderer so naturally all of this leads to an extended sequence where Stanley breaks into and then follows Tracy around Jane’s apartment.

So, Eyes of a Stranger is a fairly mediocre film, one that would probably be totally forgotten if not for the fact that it’s also the debut film of Jennifer Jason Leigh.  While the film is obviously meant to showcase Lauren Tewes (a TV actress who gives a rather wooden performance), Jennifer Jason Leigh steals every scene in which she appears.  Her total commitment to her character shines through and she even manages to sell a rather implausible plot twist that occurs towards the end of the film.  John DiSanti also deserves some credit for his performance as Stanley.  Again, it’s hard not to feel that the film would have worked better if it had tried to keep us guessing as to the question of Stanley’s guilt.

Eyes of a Stranger was directed by Ken Wiederhorn, who also did the far superior zombie movie, Shock Waves.  It’s interesting to note that both Lauren Tewes and Jennifer Jason Leigh would subsequently appear in Twin Peaks: The Return, though Leigh’s role was significantly larger.

 

Halloween Havoc!: BLACK FRIDAY (Universal 1940)


gary loggins's avatarcracked rear viewer

The Twin Titans of Terror, Boris Karloff and Bela Lugosi, reteamed for their fifth film together in 1940’s BLACK FRIDAY. Horror fans must’ve been salivating at the chance to see the duo reunited after the success of the previous year’s SON OF FRANKENSTEIN, but left the theaters let down upon discovering Boris and Bela share no scenes together, and the bulk of the action is carried by character actor Stanley Ridges in a dual role.

The movie’s a variation on the old Jekyll & Hyde theme, with a twist: instead of a secret formula, the change occurs via brain transplantation! The preposterous premise finds Karloff on death row as Dr. Ernst Sovac, walking that last mile to his fate in the electric chair. Sovac hands his notes and records to a sympathetic newspaper reporter, and our film begins in earnest. Flashbacks relate the tale of kindly old English literature Professor…

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