4 Shots From 4 Films: In Memory of Martin Bregman


Long-time producer Martin Bregman died yesterday at the age of 92.  Bregman, who started out as a talent agent, was well-known for producing several of Al Pacino’s best films.  This edition of 4 Shots From 4 Films is dedicated to his memory.

4 Shots From 4 Films

Serpico (1973, directed by Sideny Lumet)

Dog Day Afternoon (1975, directed by Sidney Lumet)

Scarface (1983, directed by Brian De Palma)

Carlito’s Way (1993, directed by Brian De Palma)

 

 

Music Video of the Day: Born Slippy by Underworld (1996, dir by ?????)


Hi, everyone!

I don’t have much to say about this video, beyond the fact that I love the song.  Yesterday, I posted a video for this song that was released to go along with the 2015 re-release of Underworld’s Second Toughest In The Infants.  This, however, is the original video that was released for Born Slippy.

If the 2015 video celebrates Born Slippy as an athem, this video treats it as a very personal portrayal of emotion.

Enjoy!

Weekly Reading Round-Up : 06/10/2018 – 06/16/2018


Ryan C. (fourcolorapocalypse)'s avatarRyan C.'s Four Color Apocalypse

If it seems like Image Comics is rolling out a new series (be it limited or ongoing) every week — well, that’s because they are. But even by their standards, four in one week is a lot —

Bloodstrike : Brutalists #0 is the one everyone’s been talking about (although that fact was apparently lost on my LCS owner, who ordered precisely one fucking copy — and it was the godawful Rob Liefeld variant, as opposed to the awesomeness shown above), as it brings the punk ‘zine/”alt” comics sensibilities of the great Michel Fiffe (most notably of Copra fame, although my favorite of his works is unquestionably Zegas) crashing headlong into the mercifully-shuttered world of the aforementioned Mr. Liefeld’s Extreme Studios line-up circa about — I dunno, 1996 or some shit. From the book’s numbering to its purposely-stilted dialogue to its admittedly lame core premise (undead heroes who bear…

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Lost In America : Nick Drnaso’s “Sabrina”


Ryan C. (fourcolorapocalypse)'s avatarRyan C.'s Four Color Apocalypse

We live not just in turbulent times, but significant ones — the ground has shifted beneath our feet, and if you’re American, it’s fair to say that, in many respects, the facade of the country we thought we knew has slipped, and in its place stands revealed a nation that we hoped (or, at the very least, liked to kid ourselves) we weren’t. This is, indeed, a defining moment in our history — but who defines what that moment is?

Nick Drnaso, hot on the heels of his striking 2015 debut graphic novel Beverly, is at least game to give cataloguing the contents of said moment a go in the just-released (by way, once again, of Drawn+Quarterly) Sabrina, and to call this merely a striking follow-up is to sell it well short indeed : this is a quantum leap forward that, fair enough, treads similar thematic ground to…

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Lonely As The Night: Randolph Scott in COMANCHE STATION (Columbia 1960)


gary loggins's avatarcracked rear viewer

COMANCHE STATION was the final entry in the Randolph Scott/Budd Boetticher/Burt Kennedy series of Westerns, and in many ways a fitting ending. The loneliness of the Westerner is again a key theme as the film begins with the solitary figure of Scott as Jefferson Cody, riding across that rocky, barren, now mighty familiar Lone Pine terrain. He bargains with hostile Comanches for a captive white woman named Nancy Lowe, wife of a wealthy rancher. Stopping at Comanche Station, Cody and Mrs. Lowe encounter three men being chased by the tribe.

We learn one of these men is Ben Lane, a bounty hunter who shares a dark past with Cody. The two were formerly in the Army together, where then-Major Cody busted Lane out of the service for the slaughter of a village of friendly Indians. We also learn Mrs. Lowe’s husband is offering a five thousand dollar reward for her…

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Music Video of the Day: Born Slippy NUXX by Underworld (2015, dir by Michael McCool)


You’ll recognize this song from the closing credits of the 1996 film, Trainspotting.  This video was done for the 2015 re-release of Underworld’s 1996 album Second Toughest In The Infants.

Enjoy!

Film Review: Jaws 2 (dir by Jeannot Szwarc)


The 1978 film Jaws 2 poses a question that has been asked many times under many different circumstances:

When will people learn?

Seriously, you would think that after everything that happened during the first Jaws, the people of Amity Island would be a little bit smarter when it comes to sharks.  I mean, did Ben Gardner, the Kintner Boy, Quint, and Chrissie Watkins all die in vain?  If I lived on Amity Island, I would be so paranoid about another shark attack that I would probably move to Manitoba.  At the very least, I would demand that the beach be closed if there was even the slightest chance that another great white shark was somewhere out there, eating anyone foolish enough to get back in the water.

It’s just common sense!

But no.  In Jaws 2, when another shark shows up and eats two divers and a water skier before blowing up a motor boat, no one is even willing to consider shutting down the beach.  Even after Chief Brody (Roy Scheider) insists that another shark has shown up, no one is willing to listen to him.  “I know something about sharks!” Brody insists but the town council just shrugs him off.  Maybe they think that Quint and Hooper did all the work the last time and that Brody was just along for the ride.

Of course, Brody does bring some of his problems on himself.  Brody spends a lot of this film sitting in the dark, brooding about sharks.  When he sees a shadow in the ocean, he runs down to the beach and starts shooting at it.  “It’s just blue fish!” someone yells while Brody looks a little confused.  How shocked can we really be when the town council fires Brody?  He was a loose cannon.

Before he gets fired, Brody orders his teenage son, Mike (Mark Gruner) to stay out of the water.  Of course, Mike doesn’t listen.  He goes sailing with his friends and his younger brother, Sean (Marc Gilpin).  That’s a big mistake, of course.  As soon as Mike and company are a good distance away from Amity Island, the shark attacks and leaves them all stranded at sea.  Mike is knocked unconscious.  Sean is trapped on a boat all by himself.  One of the teenage girls, Jackie Peters (Donna Wilkes), totally freaks out while her older sister, Brooke (Gigi Voran), suggests that they all play charades to pass the time.  Everyone dismisses her idea but you know what?  I have it on very good authority that sharks love charades.  I think Brooke was on to something…

Jaws 2 is a strange, strange movie.  It’s really two films in one.  Jaws 2 starts out as an almost by-the-book remake of Jaws.  True, Quint’s dead.  And Richard Dreyfuss had just won an Oscar so there’s no way Hooper was going to come back.  But Brody’s back and he’s once again an island police chief who is afraid of the water and who can’t get anyone to listen to him.  Just as Jaws started out as almost a small town comedy, Jaws 2 has an early scene where Brody has to deal with the quirky citizens of Amity Island. (Unfortunately, Harry and his really bad hat don’t make a return appearance.)  A scene where a dead killer whale washes up on the beach is shot to remind us of the scene in the first in which Hooper and Brody examine a dead shark.

But then, halfway through, Jaws 2 turns into a totally different movie.  Suddenly, the teenagers are trapped out in the middle of the ocean and the shark is circling them and Brody is searching from them and the whole movie just goes insane.  Roy Scheider abandons any attempt at subtlety as he becomes as obsessed with shark as Donald Pleasence was with Michael Myers in Halloween.  The shark turns out to be incredibly sneaky.  He’s never around until you stick your hand in the water and then suddenly — SHARK!

How powerful is this shark?  He’s so powerful that he eats a freaking a helicopter!  Seriously, a coast guard helicopter tries to rescue the kids and ends up getting eaten by the shark!  That scene alone is worth whatever’s led up to it.  (I think Jaws 2 might be the first film to feature a shark eating a helicopter.)  The film only gets crazier from there, with Brody eventually reduced to verbally taunting the shark while clutching onto a power cable.

Now, admittedly, those stranded teenagers aren’t the most developed characters in the world.  There’s a lot of them and it’s sometimes difficult to keep track of who is who.  Fortunately, this is a 70s films and that means that Jaws 2 is all about the hair.  You may not know their names but you’ll never forget their hair:

Check out some of the members of the Jaws 2 hair club:

Jaws, come out to play…

(Okay, Luther wasn’t actually in the movie but just imagine if he had been!)

Anyway, Jaws 2 cannot begin to hold a candle to the original Jaws but it’s still a lot of fun.  Admittedly, there are a few parts, especially during the first hour, that drag in a way that Spielberg, the consummate story teller, would not have allowed.  I could have done without some of the lengthy scenes where Brody tries to convince the city council that there’s another shark in the water, if just because we already know that the shark’s there and we can guess that the beach isn’t going to be closed.  (After all, if the beach was closed, there wouldn’t be a movie…)

But once the teenagers are stranded in the ocean and the shark is eating the helicopter and Brody is calling it a bastard while hanging onto a power cable, there’s no way that you can resist the charms of this sequel.  Jaws 2 isn’t exactly good but it’s just so entertaining!

Jaws 2 frequently shows up on AMC so keep an eye out for it!

And, for the love of God — stay out of the water!

Confessions of a TV Addict #7: TJ HOOKER and His Amazing Hair Helmet!


gary loggins's avatarcracked rear viewer

TV Cop Shows ran rampant during the 1980’s. There were gritty street cops, female cops, Dirty Harry-inspired cops, MTV cops, debonair cops, teenage cops, and every other permutation you could think of, short of outer space cops. But for Cops With The Best Hair, it has to be… no, not CHARLIE’S ANGELS, but TJ HOOKER!

TJ HOOKER starred William Shatner (which kind of makes this a semi-outer space cop show, no?) as Hooker, a veteran on the LCPD (standing in for Los Angeles) who serves as mentor to the younger cops. Shatner, who by this time was, shall we say, follically challenged, wore a perm-coiffed toupee which never got mussed no matter how many times he ran down bad guys, got in hellacious fights, or got it tousled by his latest love interest:

As Warren Zevon would say, “His hair was perfect”!

Also with perfect hair was costar Adrian Zmed…

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