“Punks Not Dead” — Is It?

Ryan C.'s Four Color Apocalypse

Here’s the thing — there are a million and one perfectly valid reasons for walking away from the first issue of writer David Barnett and artist Martin Simmonds’ Punks Not Dead, the latest offering from former Vertigo editor Shelly Bond’s new (-ish) Black Crown line at IDW, fairly unimpressed. For one thing, it seems to either not understand, or to deliberately eschew, punk’s radical politics in favor of glomming entirely onto its obnoxiousness. For another, it further cements the narrow aesthetic and editorial constraints that Bond has frankly shackled this entire label with since its debut a few months back. And for yet another, despite its present-day setting, its core premise is hopelessly dated and leaves the book wide open to charges of being the sort thing cooked up by people trying to be self-consciously “cool” — only their idea of what passes for “cool” is about 40 years…

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One response to ““Punks Not Dead” — Is It?

  1. Pingback: Lisa’s Week In Review — 2/19/18 — 2/25/18 | Through the Shattered Lens

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