Music Video of the Day: Starlight by Muse (2006, dir by Paul Manor)


How about a little Muse for today’s music video of the day?

I’ve always found it ironic that this band is named Muse because I’m usually at my most productive whenever I’ve got them playing in the background.  There are just certain groups that help to get me in the mood to write.  The Chemicals Brothers is one.  So is Jakalope.  Sleigh Bells, definitely.  And then there’s Muse.

Starlight is a favorite of mine.  According to my BFF, I once stayed up for six days straight, listening to this song over and over again.  I think she’s exaggerating but it is a song that I listen to frequently.

Starlight was directed by Paul Manor.  The band is performing on the deck of the MS Ocean Chie, which Wikipedia describes as being a “handysize bulk carrier.”  I have no idea what that description means, beyond the fact that the boat’s deck was big enough for Muse to perform.  According to Matt Bellamy, there is a deeper symbolism behind them performing on the boat.  The video is about a band that is lost at sea because, at the time, Muse felt they were “outside what’s happening in the music scene.”

Enjoy!

A Movie A Day #312: Mata Hari (1985, directed by Curtis Harrington)


Europe, during World War I.  The beautiful dancer, Mata Hari (Sylvia Kristel), is in love with two different soldiers, one German and one French.  (The soldiers, played by Olivier Tobias and Christopher Cazenove, are also friends though they are now on opposite sides of the Great War.)  Forced into the world of decadent, high class espionage by Frau Doktor (Gaye Brown), Mata Hari sleeps with everyone, shares information with both the Germans and the French, and tries to prevent more people from dying.  Just as in history, Mata Hari ultimately has to face a firing squad but not before taking part in threesomes, voyeurism, and a topless sword fight.

The original Emmanuelle in a Cannon Film based on the life of the famed seductress Mata Hari?  It sounds like it should be great but Mata Hari is mostly dull.  I’ve read that Mata Hari was heavily edited before it was released in the United States so maybe that explains why the film is so choppy and nearly impossible to follow.  I was never sure who Mata Hari was spying for and, after a while, I no longer cared.  Sylvia Kristel is frequently naked, which explains why Mata Hari was once a Skinemax staple, but Kirstel later wrote that she was addicted to both cocaine and alcohol while making Mata Hari and maybe that partially explains why she seems to be so mentally checked out through the entire film.  I don’t blame her.  I checked out too.

One final note: About that topless sword fight, it sounds cooler than it actually is.

Here’s Looking at You On The Big Screen, CASABLANCA!


gary loggins's avatarcracked rear viewer

Longtime readers of this blog know CASABLANCA is my all-time favorite film. It’s blend of stars, supporting cast, script, direction, drama, romance, and humor is the perfect example of 1940’s Hollywood storytelling,  when Tinseltown was at the peak of its moviemaking powers . I’ve seen the film at least 80 times in many different formats, from broadcast television to cable and satellite, from VHS to DVD to DVR, but never before on the big screen – until this past Sunday, that is!

Fathom Events, in conjunction with TCM, presents classic films on a monthly basis in theaters across the country. In my area, they’re shown at Regal Cinemas in Swansea, MA, a half hour drive down the highway. I’ve been tempted to make the trip a few times, but never got around to it for one reason or another. But when I heard CASABLANCA was this month’s feature, I knew…

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There’s No Business Like “Night Business”


Ryan C. (fourcolorapocalypse)'s avatarRyan C.'s Four Color Apocalypse

So how does this work? I mean, you either know what you’re getting into with a Benjamin Marra book or you don’t — and if you know that much, you probably also know whether or not you’re going to like it. No artist in the comics medium this side of Steve Ditko has pursued such a singularly myopic and obsessive worldview, and whether we’re talking about outer-space barbarians, post-Civil War freed slaves, secret agents in the “War On Terrorism,” or “gangsta” rappers,  the basic formula really doesn’t change, does it?

“Characters” as we understand the term don’t really exist in Marra’s world(s), but caricatures abound : men are invariably square-jawed, misogynistic, super-powered, and either “all good” or “all bad” (usually the only difference being that the “bad guys” start the killing off while the “good guys” finish it): women are basically all T&A and can’t seem to help either throwing…

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Music Video of the Day: I’m Looking Up by Rich White (2010, dir by Garret Gray)


Hi there!  Lisa here with today’s music video of the day!

This is the video for Rich White’s I’m Looking Up.  It’s an undeniably low-budget affair but so what?  I love the song and the video actually goes along with it nicely.

By the way, just in case you don’t recognize the capital building in the background or the bars on 6th Street, Rich is walking around Austin.

Enjoy!

A Movie A Day #311: Crooked Hearts (1991, directed by Michael Bortman)


“The family is like a drug and we’re all junkies.”  So says Charley Warner (Vincent D’Onofrio), one of the many pissed off people at the center of Crooked Hearts.

Crooked Hearts is narrated by Charley’s younger brother, Tom (Peter Berg).  When Tom drops out of college, he returns home and discovers that Charley is still living with their parents, Edward (Peter Coyote) and Jill (Cindy Pickett).  Charley feels that he can only leave the family if Edward officially kicks him out but Edward refuses to give him the satisfaction of escape.  Instead, Edward throws parties to celebrate his children’s failures, all of which he can recite from memory.  Also caught up in this mess are the two youngest children, Ask (Noah Wyle) and Cassie (Juliette Lewis).  Cassie is narcoleptic and Ask has a list of very important rules that everyone must follow to be happy, including always making sure that your socks match your shirt.  By the end of the movie, one brother has set his own house on fire and another one is mercifully dead.

Tolstoy once said, “Happy families are all alike; every unhappy family is unhappy in its own way,” but he never got to see Crooked Hearts, a movie where everyone is unhappy in the most predictable way possible.  Aside from an overbaked script and underbaked director, Crooked Hearts does feature good performances from Peter Coyote and Vincent D’Onofrio but Peter Berg is boring as the monotonous narrator and Noah Wyle tries too hard to be eccentric.  I watched Crooked Hearts because Jennifer Jason Leigh was in it but Leigh’s role was small and could have just as easily been played by Mary Stuart Masterson, Penelope Ann Miller, Mary-Louise Parker or any of the other three-name actresses of the early 90s.  Family may be addictive but this movie is not.

Music Video of The Day: Set Me Free by Dillon Francis featuring Martin Garrix (2015, dir by Dan Streit)


Hi!  Lisa here with today’s music video of the day!

I love this song and this video.  I still know some people who are convinced that this song is called “Sell Me Weed” but no, it’s called Set Me Free and this video proves it by showing that Dillon and Martin can not only be released from prison but also from your PC.

Enjoy!

A Movie A Day #310: Hanover Street (1979, directed by Peter Hyams)


The time is World War II and, for the British, the American army is “overpaid, oversexed, and over here.”  David Halloran (Harrison Ford) is a pilot who has been stationed in England.  With no loved ones to worry about, David has no fear of flying over occupied France and dropping bombs on the Nazis below.  But then David meets an English nurse, Margaret (Lesley-Anne Down).  As David falls in love, he loses his enthusiasm for the war because he now has “a reason to live.”  The only problem is that Margaret is already married to Paul (Christopher Plummer), an officer in British Intelligence.  When David accepts an assignment to fly a British agent into France, he is shocked when the agent turns out to be Paul.  When David’s plane crashes, he and Paul have to work together to complete Paul’s mission and escape back to Britain.

Hanover Street is a very old-fashioned and very slow wartime romance.  If not for a love scene between Lesley-Ann Down and Harrison Ford, this movie could probably pass for a 1940s film, just not a good one.  The most interesting thing about Hanover Street is how awkward Harrison Ford seems to be.  Hanover Street was made shortly after Star Wars made him a sudden star and Ford still doesn’t seem like he’s comfortable with the whole idea of being a movie star.  Fortunately, for Ford, he still had Indiana Jones in his future.