Do you believe in curses?
Personally, I could go either way as far as curses are concerned. I went through a period of time when, though I kinda kept it to myself, I was really into learning about the history of magick and trying to learn how to cast hexes and all the rest of that but then I realized that I could continue to wear black without necessarily having to tap into any supernatural powers. As well, I’ve never bought into the idea that karma’s going to get anyone. To me, the universe is a pretty random place. Not everything happens for a reason. That said, I would never say that I’m a complete unbeliever. A rational world is a boring world. If I had to choose between hanging out with teacher at Hogwarts or Neil DeGrasse Tyson, I’m going with the wizard.
I may not completely believe in curses but I do find them interesting to read about. That’s why I’ve always enjoyed reading Hollywood Hex, a copy of which I found at Recycled Books in Denton, Texas. (This was during the same shopping trip that led to me finding and buying A Taste of Blood and House of Horror. It was quite a productive trip for this lover of all things horror!)
Hollywood Hex is a tour through the history of morbid Hollywood, providing details on not only the death cults that have sprung up around certain ill-fated actors but also the films that have, for whatever reason, come to be known as cursed. Many of these films, like Rosemary’s Baby and The Exorcist, were originally sold as being cursed as a publicity stunt before real-life events caused even the most sober of minds to wonder if maybe there really were demonic forces at work. (The chapter that covers both the production of Rosemary’s Baby and the crimes of Charles Manson is especially creepy.) Some of the other films — like Twilight Zone — The Movie and The Crow — were cursed by onset negligence. And, finally, there’s the incredibly tragic stories of the Poltergeist franchise. If any films could truly claim to be cursed, it would be those films.
Hollywood Hex is fascinating reading for both the morbidly and cinematically-minded.