Monthly Archives: November 2016
Music Video of the Day: Up In The Hill by Brodka (2016, dir. Brodka)
I’ve only seen a handful of music videos from the current decade. This one goes right alongside some of the best I’ve seen. Brodka knows her decades in music all the way back to the 1960s.
2000s – The set looks like the futuristic space set from the glorious throwback lunacy that is the music video for The Darkness’ I Believe In A Thing Called Love.
1990s – Brodka herself starts off the music video looking like I would expect Björk to in one of her 90s music videos. The guitar solo sounds like it would be right at home in a Lenny Kravitz song.
1980s – I can imagine the organist playing with Pete Burns of Dead Or Alive. The eye of course reminds me of The Alan Parsons Project cover for Eye In The Sky.
1970s – They actually redo the famous bit from Bohemian Rhapsody by Queen.
1960s – The whole thing ties back to the 1960s. The band looks and sounds like they could be playing with Tommy James & The Shondells on Crystal Blue Persuasion or Iron Butterfly on In-A-Gadda-Da-Vida. They also throw plenty of psychedelic effects on the screen.
Yet, it all comes together to look like it is a music video from the 2010s that you could watch as a double feature with Problem by Ariana Grande. Most importantly, I like the song. My only complaint is that it feels like it cuts itself short. Its main focus is psychedelic rock. When the guitar solo kicks in, I expect it to carry on longer. But it stops very quickly, which is disappointing. Otherwise, I liked it.
Enjoy!
6 from 2016:
- Music Video of the Day: Work From Home by Fifth Harmony ft. Ty Dolla $ign (2016, dir. Director X)
- Music Video of the Day: Side To Side by Ariana Grande ft. Nicki Minaj (2016, dir. Hannah Lux Davis)
- Music Video of the Day: Starving by Hailee Steinfeld, Grey ft. Zedd (2016, dir. Darren Craig)
- Music Video of the Day: Shout Out To My Ex by Little Mix (2016, dir. Sarah Chatfield)
Cleaning Out The DVR Yet Again #8: Remote Paradise (dir by Michael Feifer)
(Lisa recently discovered that she only has about 8 hours of space left on her DVR! It turns out that she’s been recording movies from July and she just hasn’t gotten around to watching and reviewing them yet. So, once again, Lisa is cleaning out her DVR! She is going to try to watch and review 52 movies by Thanksgiving, November 24th! Will she make it? Keep checking the site to find out!)
I recorded Remote Paradise off of the Lifetime Movie Network on October 30th. As is often the case with Lifetime movies, Remote Paradise was actually produced under a different title: Dark Paradise. I’m not sure why, exactly, Lifetime decided that Remote was somehow more appealing than Dark. But regardless, Paradise is Paradise, right?
Anyway, as this film started, I thought I might be able to relate to its story. I say this despite the fact that, in the starring role, poor Boti Bliss was occasionally forced to wear some of the most unflattering outfits that I’ve ever seen in a Lifetime film. Seriously, a huge reason why I watch Lifetime films is because I like seeing what people are wearing and how they decorate their homes. At the start of the movie, Tamara (played, of course, by Boti Bliss) not only wears horrid overalls but she also lives in a pretty small and cramped house. That was definitely a red flag.
However, once I got over her house and her sense of style, I started to relate to Tamara. At the start of the film, she’s informed that her father has died and she’s inherited close to 8 million dollars! A shocked Tamara mentions that she and her father didn’t even get along.
Hey! I thought, I used to fight with my Dad too!
Since Tamara has just broken up with her boyfriend, she decides to invest the money by going on a trip with her two best girlfriends.
Hey! I thought, I’m close to my girlfriends too!
So, they got to Hawaii.
OH MY GOD! I yelled I’VE BEEN TO HAWAII!
While in Hawaii, Tamara meets a sexy boat captain who claims that his name is Dario (played by Antonio Sabato, Jr). Dario says that he’s from Italy.
ARE YOU FREAKING KIDDING ME!? I’VE BEEN TO ITALY!
Soon, Tamara is swept off her feet by the handsome but mysterious Dario. She spends all of her time with him, dreaming of their future together.
OH MY GOD, I HAVE A WEAKNESS FOR HANDSOME AND MYSTERIOUS TOO!
Meanwhile, one of her friends is beat into a coma by an unknown attacker….
Okay, I can’t relate to that. I guess I should be happy about that…
One morning, Tamara wakes up to discover that not only is Dario gone but so is her bank account. That’s right, Dario stole all of her money and then fled Hawaii!
Sorry, Tamara, can’t relate…
And — oh my God! — Dario’s not even Italian! Tamara learns that Dario has been overheard speaking in Portuguese! OH MY GOD — HE’S BRAZILIAN!
Okay, I’ve lost the ability to relate to the movie…
And so, Tamara and her non-coma friend go to Brazil, looking for revenge. And I will say this for “Dario.” He may be sleazy. He may be evil. He may be every woman’s worst nightmare. But damn!, he’s got a nice house!
I like nice houses! But … no, sorry, still no longer relating…
Anyway, Remote Paradise is okay. Boti Bliss has been in several Lifetime films and she always tends to overact but that actually worked to her advantage here as Tamara seemed to be an overly dramatic person in general. (I especially enjoyed the way she spat out the word “bastard,” when she saw Dario’s car.) The story’s predictable but there’s a last minute twist that will not take you by surprise but, fortunately, the film does shy away from letting the Tamara pursue her vengeance. In the end, what’s important is that the beach looked good and so did Brazil and so did Antonio Sabato, Jr.
And, most importantly, so did his house!
Artwork of the Day: Remembering Laughter
Music Video of the Day: Shout Out To My Ex by Little Mix (2016, dir. Sarah Chatfield)
Finally one of these 2016 music videos that I can get behind. This is the fourth of the six 2016 music videos I have looked at. It’s the only one that made me watch more from the same artist as a result. I looked it up, and they don’t appear to have worked with the same director more than twice. However, all the music videos I watched all knew what they were doing in the same way. They didn’t come across as simply existing to sell their music with sex, like Fifth Harmony’s Work From Home. They don’t rely on something they think will be shocking, that isn’t, like Ariana Grande’s Side To Side. They look like they are in command of their sexuality, unlike Hailee Steinfeld’s Starving.
The bit that makes me really like this music video is that I noticed they draw on elements from famous music videos to visually express their song. It starts right from the beginning. A desert where a woman is singing about her ex with suitcases involved. Of course they are going to reference You Oughta Know by Alanis Morissette with a song like this. However, the song isn’t angry. It’s a song of hopeful and happy liberation. That’s why it isn’t a carbon copy, but reworked to fit the song.
Here I Go Again may be an 80’s hair metal video, but it evokes the same feeling of driving off into a wide new world after a lonely and heartbreaking experience. Don’t let the divide between music styles stop you. Hop in that car that I have no doubt Tawney Kitaen could have christened with a hood dance and drive off into an Instagram photo.
We are already in the beautiful location of the Spanish Tabernas Desert, groups like this frequently have a lot of bright colors, so of course lets toss Duran Duran’s Rio into the mix. It was also filmed at a beautiful location and used exaggerated colors like the ones we are throwing in anyways to contrast with those in You Oughta Know.
We need a way to end it, but the ending of Depeche Mode’s Enjoy The Silence is a little too depressing even though the song is in the ballpark and has bright colors. No matter. Coldplay remade it–Viva La Vida–with their lead-singer joined by his bandmates at the end instead of being alone, which turned it into a song about friends helping someone else through an otherwise solitary, but “long live life” experience. That’ll work for an ending! Have their arms in the air too like Dave Gahan in Personal Jesus.
Throw it together with some shots next to a pool to juxtapose with the outside shots since the song is all about taking a transitory period in a person’s life, and collapsing into a single future. It doesn’t have to be as explicit a division as most of Bonnie Tyler’s videos have. It can be one of the more subtle ones like the cuts between the claustrophobic cabin in the dark of night and the Grand Canyon in Holding Out For A Hero.
Top it off with some playfulness you saw in late-90s/early-2000s girl-bands like Dream and Dixie Chicks’ Ready To Run, and call it good.
I am of course not saying that is exactly what went through Little Mix and Sarah Chatfield’s minds. But it’s telling that I could break this music video into an amalgamation of things that worked from earlier music videos in such a way that you could believe that was the thought process behind it. Plus, you can see them make explicit references to things in their other music videos, such as the one to Risky Business (1983) in Hair. I’m pretty sure that one also referenced the four way split screen from ABBA’s Take A Chance On Me and had the girls posing for the cover of The Donnas’ album Spend The Night.
Regardless of the music video I watched, I saw all kinds of things that evoked memories of previous music videos that were brought together to express their own song in a playful manner without sacrificing a chance to do more serious material down the road. I go back to ABBA once again. I can see Little Mix having the range to do something playful like Waterloo, something more serious like Knowing Me, Knowing You, and something catchy, yet bittersweet, like Dancing Queen.
I know that’s a lot of great artists to pull out in talking about this music video, but that’s how much I enjoyed seeing this come out in 2016. Kudos, Little Mix & director Sarah Chatfield.
6 from 2016:
Cleaning Out The DVR Yet Again #7: Island of Grace (dir by John Lansing)
(Lisa recently discovered that she only has about 8 hours of space left on her DVR! It turns out that she’s been recording movies from July and she just hasn’t gotten around to watching and reviewing them yet. So, once again, Lisa is cleaning out her DVR! She is going to try to watch and review 52 movies by Thanksgiving, November 24th! Will she make it? Keep checking the site to find out!)
I recorded Island of Grace off of channel 58 on November 14th. Though I didn’t realize it at the time, Channel 58 is apparently the “all-faith” channel down here in Dallas. They only show faith-based and inspirational programming. In other words, they show the type of movies that I always dare Val to watch and review. (Case in point: The Encounter.)
And I’ll admit that I was tempted to try to convince Val to watch and review Island of Grace, because I’m sure she would probably find ways to dissect this film in ways that I hadn’t even considered. However, in the end, I decided to take on the responsibility myself. After all, it’s my DVR that’s being cleaned out here. Besides, I’m currently trying to get Val addicted to an old 90s sitcom called Hang Time so maybe I shouldn’t push my luck.
Anyway, let’s talk about Island of Grace!
Island of Grace is the story of three co-workers. They work for a company and I have to admit that I’m not really sure what exactly that company specialized in. However, the company did have a very nice conference room, one that looked a lot better than the conference room from Birdemic.
Megan (Jaycee Lynn) was raised in the church and still goes to church but she doesn’t want to admit it to anyone. She’s too busy going to parties, having fun, and looking guilty in private. When she’s given the opportunity to go on a business trip to a beach resort, she nearly forgets to pack her extremely modest bikini. Luckily, her friend reminds her. To make room for her bikini, Megan tosses her bible out of her suitcase. And, as soon as you see that bible get tossed to the side, you know something bad is about to happen…
Then there’s Chris (Samuel Potts). Chris has a huge crush on Megan. Apparently, Megan is the one who introduced him to church and now Chris basically won’t shut up about it. Even when Megan is visiting with her secular friends, Chris insists on dropping by her office and asking her if she’s going to church. Chris is painfully nice and, as a result, everyone walks all over him. Chris never complains. We’re obviously supposed to feel that he and Megan are meant for each other but, honestly, I can understand why Megan isn’t interested in pursuing a romance with him. There’s nothing dangerous or mysterious about Chris. Chris is way too nice. He also has a self-righteous streak but I got the feeling that we weren’t supposed to notice or care.
Instead, Megan is more interesting in Mark (Matthew Davis). Mark works hard and he plays hard. He’s ambitious and he’s quickly moving up in the company. However, he also has no interest in church and, as a result, he becomes the film’s designated villain. We’re supposed to look at Mark and go, “Girl, he’s no good for you!” But the thing is — Mark is sexy. Mark is dangerous. Mark is confident. Mark doesn’t let everyone walk all over him. Mark may be a jerk and he may have a girlfriend but I don’t blame Megan for being attracted to him.
Anyway, Megan, Chris, and Mark are flying to that business meeting when their airplane crashes and they end up stranded on a desert island. What’s odd is that none of them seem to be all that upset over the fact that they’re trapped on an island in the middle of nowhere. Me, I would be freaking out and I would probably be looking out for the Smoke Monster, the Man in Black, Jacob, and all the other bad things that lived on the island in Lost. Instead, Mark says that someone will come for them and then takes off his shirt and takes a dip in the ocean. Chris gets annoyed with Megan watching Mark and says a prayer or two. And Megan … well, Megan sharpens a stick and tries to catch fish. She never catches any and, every time she throws that stick out into the ocean, you can hear the movie Gods shouting, “This is what you get for choosing a 1950s style bikini over your bible!”
While Chris searches for food and works on a shelter, Megan and Mark flirt. Eventually, they kiss. Megan falls in love, despite the fact that Mark has a girlfriend. Even after Chris announces that he loves her, Megan continues to pine for Mark.
Until, of course, they’re rescued. Back at the office, Mark not only ignores Megan but he takes credit for everything that Chris did on the island. Chris humbly accepts that life isn’t fair and finally, Megan realizes her mistake. After glancing at the bible that she so casually tossed to the side, she meets Chris on the beach and realizes that she does love him!
So, I guess the message here is that, if you get stranded on an island, make sure there’s a Christian around because agnostics don’t know how to survive in the wilderness and constantly take credit for everyone else’s hard work.
I did think that the story actually did have some potential. Mark, Chris, and Megan each represented three differing attitudes towards life and the film’s storyline provided an opportunity to actually explore those different worldviews, in much the way that the first season of Lost used the conflicts between Jack, Locke, and Sawyer to explore issues of faith, destiny, and morality. But ultimately, Island of Grace was too heavy-handed to be effective as anything other than propaganda. (And it’s debatable whether or not the film even works as propaganda because, even after they returned to civilization, lying and cheating Mark still seemed like he would be a lot more fun to hang out with than Chris.) Jaycee Lynn did a pretty good job as Megan but otherwise, Island of Grace was forgettable.
Cleaning Out The DVR Yet Again #6: Who Killed My Husband? (dir by David Winning)
(Lisa recently discovered that she only has about 8 hours of space left on her DVR! It turns out that she’s been recording movies from July and she just hasn’t gotten around to watching and reviewing them yet. So, once again, Lisa is cleaning out her DVR! She is going to try to watch and review 52 movies by Thanksgiving, November 24th! Will she make it? Keep checking the site to find out!)
I recorded Who Killed My Husband off of the Lifetime Movie Network on October 16th.
Who Killed My Husband opens with Detective Douglas Howell (Jim Thorburn) on top of the world! He’s recently married a fellow detective, Sophie (Andrea Bowen). He’s got a teenage daughter named Chloe (Yasmeene Ball) and Chloe may have extremely severe asthma and she may be having a hard time adjusting to her new stepmother but everything’s going to be okay, right? After all, it’s her birthday! All Doug has to do is drive out to the local bakery and pick up her birthday cake!
Doug’s life is so perfect that I’m surprised that he doesn’t have a personalized license plates that read, “Live4Eva.” Because, seriously, when everything’s going this perfect, there’s no way that some sudden tragedy could occur, right?
Well, if that was the case, there wouldn’t be many Lifetime movies. And, just because of this movie’s title, we already know what’s going to happen to Doug before he even steps into that bakery…
Doug picks up his cake but then he notices that a mysterious man in a hoodie is loitering inside the bakery. “Hey,” Doug says, “this place is closed.” (That’s not an exact quote and no, I’m not going to rewatch the damn film just to get the exact quote. It’s close enough.) The man turns around, draws a gun, and shoots Doug!
TRAGEDY!
Anyway, Sophie spends a while on desk duty but eventually, her brother — who also happens to be her boss — gives her an undercover assignment. Apparently, someone is embezzling money from the local cybertech company. Sophie’s given a job at the company and she’s also given an office! Fortunately, everyone who works at the company is always having incriminating conversations right outside her office. That should make it easy to solve the case. Except…
That’s right, there’s a twist! First off, the owner of the company is mysteriously blown up and his wife doesn’t seem to care. Sophie finds herself attracted to a coworker but wonders if she can trust him. Then, when she’s climbing a wall as a part of team-building exercise, she nearly plunges to her death! There’s more than just embezzlement going on at this company and somehow, it’s related to her husband’s death.
Does that sound complicated? It really isn’t. This is pretty much a typical Lifetime film and you’ll be able to guess who the bad guy is pretty easily. Probably the most interesting thing about the mystery subplot is that it gives us a chance to view Lifetime’s version of what it’s like to work for Google. You thought that the companies portrayed in Silicon Valley were cut throat? Just check out Who Killed My Husband!
I did, however, like the film’s other subplot. After her father’s death, Chloe resents her mother and Sophie struggles to connect with her stepdaughter. Chloe is taken seriously ill during the investigation and Sophie has to balance solving the mystery with taking care of her daughter. That was sweet. I have asthma and I was a rebellious teenager so I related to Chloe.
Otherwise, this was pretty much a typical and kind of forgettable little Lifetime film. If you enjoy Lifetime films, this is a pleasant little time waster. If you’re not into Lifetime movies, Who Killed My Husband probably won’t change your mind.
Pre Code Confidential #8: Barbara Stanwyck in BABY FACE (Warner Brothers 1933)
Barbara Stanwyck uses sex as a weapon and screws her way to the top in BABY FACE, an outrageously blatant Pre-Coder that had the censors heads spinning back in 1933. Miss Stanwyck plays Lily Powers, a young woman who works in her Pop’s speakeasy in smog-filled Erie, PA, where Pop’s been pimping her out since she was 14. Lily has a black female friend named Chico who seems to be more than just a friend (though it’s never stated, the implication’s definitely there). All the men paw over her like dogs with a piece of raw meat except the elderly Mr. Cragg, who gives her a book by Fredrich Nietzche along with some advice: “You have power… you don’t realize your potentialities… you must use men, not let them use you… exploit yourself, use men! Be strong, defiant!”.
When Pop’s still blows to smithereens, taking Pop with it, Lily and…
View original post 662 more words
Artwork of the Day: Find Eileen Hardin — Alive!
Music Video of the Day: Starving by Hailee Steinfeld, Grey ft. Zedd (2016, dir. Darren Craig)
I first have to address two things about the title of this post. I guess when they put up collaborations, then they simply insert a comma. That isn’t confusing at all. It is made worse by the fact that this is another one of these songs “featuring” another artist. It would make so much more sense to the viewer if they just put the artists involved in a list separated by ampersands with the primary one listed first. I know it has to do with stuff going on in the background between the record companies, but it doesn’t help the person watching the music video.
This is the third music video I’ve looked at so far from 2016. I’m already sensing a pattern when it comes to recent female artists. It’s nice to know that the influence of Bonnie Tyler’s music videos is still alive 30+ years later even if it has been filtered and diluted through so many other artists. At least it’s her music videos that I think of when I see a female artist singing about sexuality in a video like this one.
I know nothing about any of the three artists involved, but regardless, was it too much to ask to have this be a remake of Faster Than The Speed Of Night? I wanna see the members of Grey in armor on motorcycles while dueling with javelins, Zedd in a speedo whipping a guitar around himself, and cutaways to Steinfeld singing. Just a group of topless male dancers in a warehouse showing up while I wonder if I really should be watching a 19 year-old doing and singing those things just doesn’t cut it. At the very least they could have had supernatural cowboys in black with neon fire-whips come after her till this person she once tasted shows up to rescue her from blending into the background. I miss 80’s music videos already.
I can’t say I am happy that trying to look sexy is being equated with maturity in this and Side By Side by Ariana Grande. I understand that they are both at that age and that it’s nothing really new, but it undercuts the music, which is unfortunate. Then again, there isn’t much music here to undercut. I may not like Grande’s music now, but she seems like she has untapped potential.
I hate to say it, but the Music Video Sins episode on this one pretty much nailed it. I’m glad I watched it. I had no idea those random cutaways to the guys waiting to give Hailee a ride home were the members of Grey. I was also unaware that there were five writers on this song, yet this is what they came up with for Steinfeld to sing. Also, if you didn’t know you were starving till you “tasted” someone, then why are they showing you blending into the background? That kind of clashes with the coming-of-age message.
At the end of the day, this is harmless and instantly forgettable. If you told me this was a number done on Dancing With The Stars that was adapted into a music video shot on a shoestring budget, then I would believe you.
Darren Craig appears to be a relatively new director whereas Director X and Hannah Lux Davis have been doing this for awhile.
I have three more to go. I hope they get better.
6 from 2016:








