A Few Thoughts on …. The Walking Dead 7.2 “The Well” (dir by Greg Nicotero)


kel

Hmmm…

Well, what did everyone think of the 2nd episode of the 7th season of The Walking Dead?  After all the violence and darkness of the premiere, The Well felt like a different beast altogether.  In fact, there were times when I had a hard time believing that I was watching the same series, the tone of The Well was so entirely different from the previous episode.

Essentially, we got to find out what Carol and Morgan were doing while Abraham and Glenn were being killed by Negan.  They were discovering yet another settlement of survivors.  This settlement, known as The Kingdom, was ruled over by King Ezekiel and his pet tiger, Shiva.

Judging from twitter, it would appear that over a thousand people fell in love with King Ezekiel last night.  (Even more fell in love with Shiva.)  And I don’t blame them.  As played by Khary Payton, Ezekiel was a breath of fresh — if possibly insane — air.  He was exactly what the world of The Walking Dead needs.  He’s a leader who sincerely cares about his people but, unlike Negan, he’s not a sociopath.  At the same time, he’s also not totally ineffectual and, after what we saw with Rick last week, that was a welcome development.

When he was first introduced, Ezekiel seemed like a comical, buffoonish character.  After all, he frequently spoke like a bad Shakespearean actor.  He was given to broad pronouncements.  He sat on a throne.  He carried a sword, called himself a king, and often seemed like he was auditioning for a Renaissance Faire.  But as the episode progressed, we started to see that Ezekiel was far more intelligent than he first appeared.  As he told Carol, he knew he and his followers were living in a fantasy world but that fantasy was far more preferable than dwelling on the state of the world.  Over the course of an hour, Ezekiel went from being a joke to being a symbol of hope.

It was interesting to compare Ezekiel and his fantasy world to both Negan and Rick.  Though neither one of them would ever admit it, both Negan and Rick have also built up a fantasy world for themselves.  In Negan’s fantasy, his own sadism is justified by the state of the world.  Negan has created a world where being a sociopath is a heroic act.  Meanwhile, Rick continues to cling to the fantasy that, somehow, things can still go back to being the way that they were before the dead rose.  It’s no coincidence that, after seeing both Glenn and Abraham die, Rick immediately started to fantasize about a future where Glenn and Abraham were still alive and everyone was sitting down for a happy picnic.  In the end, Ezekiel is set apart by the fact that, of all the leaders, he is the only one willing to admit that he’s living in a fantasy.

As of right now, if I had to pledge allegiance to anyone in The Walking Dead, I would pledge it to King Ezekiel.  And it appears that Carol is about to do the same thing.  Either that or Carol’s going to decide to kill him just because she can.  It’s difficult to predict with Carol.

(Sidenote: While the episode was stolen by Khary Payton, Melissa McBride also contributed some of her strongest work yet.  Her amazement upon being initially confronted with Ezekiel’s Kingdom was brilliantly conveyed.)

Last week, a lot of people told me that, after spending an hour watching Negan torture Rick and kill Glenn and Abraham, they were done with The Walking Dead.  I’ll be curious to know if any of them watched last night’s episode and whether it changed their mind.  Much like Carol, the show must now make a choice.  Will its future resemble the first episode of the season or will it resemble The Well?

Now, I have to admit that, at times, I found The Well to be a little bit slow.  I liked it but I didn’t love it, at least not the way that some reviewers loved it.  (Over on the A.V. Club, both the reviewer and several of the commenters are practically rapturous in their praise.)  As fascinating as I found Ezekiel to be, I have to admit that I spent a bit of the episode wishing that I was discovering what was going on with Rick, Maggie, and all the rest.  On twitter, I compared it to how, whenever I wanted to know what was going on with Sawyer on Lost, it would be Hurley episode instead.

But, for the most part, I think The Well worked.  The Kingdom seems like a nice place to live but we probably shouldn’t get too comfortable with it.  Anytime Rick or Carol shows up at a new settlement, that means that death and destruction will soon follow.

We’ll just have to enjoy our time with Shiva while we can!

lvdead26f

Halloween Havoc! Extra: Bobby “Boris” Pickett Does THE MONSTER MASH With Zacherley!


gary loggins's avatarcracked rear viewer

Happy Halloween! One of my favorite Halloween traditions is hearing Bobby “Boris” Pickett sing his 1962 smash THE MONSTER MASH, and this year I’ve discovered a real treat. Bobby doing a live performance at the Chiller Theater con in 2005 with none other than the late, great Zacherley! Enjoy!

View original post

Horror Film Review: The Leopard Man (dir by Jacques Tourneur)


leopard_man

The 1943 film The Leopard Man is set in a small town in New Mexico.  It’s a place that seems to be hidden away from much of the modern world and where the cultures of Mexico and America mix, occasionally with unease.  Jerry Manning (Dennis O’Keefe) is an American publicity agent who is dating a nightclub performer named, Kiki (Jean Brooks).  Kiki has a rivalry with another performer, the far more flamboyant (read: interesting) Clo-Clo (Margo).  Jerry, however, feels that he’s come up with the perfect way for Kiki to upstage Clo-Clo.  Jerry has rented a leopard!

Unfortunately, it soon becomes obvious that neither Jerry nor Kiki knows how to handle a leopard.  Clo-Clo startles the leopard with her castanets, causing the leopard to escape and flee into the desert.  Now, Jerry has two problems.  Not only is Kiki mad at him but the leopard’s owner, Charlie (Abner Biberman), expects Jerry to pay for the missing animal.

Actually, make that three problems.  Soon after the leopard escapes, a teenage girl is chased to the front door of her house.  When she bangs on the door and begs her mother to let her in, her mother assumes that her daughter is making up a lie to get out of helping around the house.  The mother ignores her until suddenly, her daughter screams and blood starts to seep in from under the door…

All of the locals believe that the girl was killed by the leopard.  Soon, more people in town are also killed.  The police are sure that it’s the leopard but Jerry soon comes to think that something else might be happening.  Could it be that something or someone else is committing the murders and attempting to frame the leopard?

A moody and rather fatalistic film that looks truly impressive for a B-movie that was shot on the studio backlots, The Leopard Man is really more of a mystery than a traditional horror film.  That said, the film is full of atmospheric and creepy scenes, particularly a lengthy sequence in which the townspeople commemorate the anniversary of a centuries-old massacre.  The specter of death, both past and future, hangs over both the town and the film.  That’s not surprising when you consider the The Leopard Man was produced by Val Lewton and directed by Jacques Tourneur, the same time that previously created the original Cat People.  Much like Cat People, The Leopard Man is a film that’s power comes as much from what we don’t see as what we do see.  The Leopard Man is a triumph of atmosphere and tension.

While neither Jerry non Kiki are very interesting characters, the film is full of memorable character roles.  The citizens of that small town in New Mexico are all vividly drawn and portrayed, with the film perfectly capturing the quiet desperation of being both poor and forgotten in American society.  My favorite character was Clo-Clo.  As played by Margo, she is fierce, determined, and — in a few small moments — rather tragic.  If they ever remake The Leopard Man, I’m claiming that role right now.

Horror Film Review: Island of Lost Souls (dir by Erle C. Kenton)


islandoflostsouls

In the 1932 film Island of Lost Souls, Ruth Thomas (Leila Hyams) has reason to be concerned.  She’s on the island of Samoa, awaiting the arrival of her fiancée, Edward Parker (Richard Arlen).  When Parker’s boat doesn’t show up, it can only mean one thing.  He’s been shipwrecked!  Did he survive or was he lost at sea?

Well, Ruth need not worry.  Parker did survive being shipwrecked.  He was picked up by a freighter carrying a wide selection of animals to an isolated island.  Unfortunately, when Parker complained about the way that Parker was abusing some of his admittedly odd-looking passengers, the captain responded by dumping Parker on that island as well.

On the island, Parker becomes the guest of Dr. Moreau (Charles Laughton) and his assistant, Montgomery (Arthur Hohl).  Parker also meets and finds himself becoming attractive to the seemingly naive Lota (Kathleen Burke).  Though Moreau seems to be a good host, Parker grows suspicious of him.  It turns out that there’s a room in Moreau’s compound, a room that Lota calls “the house of pain.”  At night, Parker can hear horrifying screams coming from the room.

Initially believing the Moreau is torturing the island’s natives, Parker soon discovers an even more disturbing truth.  Moreau has been experimenting with trying to transform animals into humans.  Lota, it turns out, was once a panther and the woods surrounding the compound are full of other Moreau creations.  Though Moreau claims that his intentions are benevolent, he rules his island like a dictator.  The animal-men are kept in line by the Sayer of the Law (Bela Lugosi) and any transgressions are punished in the House of Pain…

The Island of Lost Souls was the first cinematic adaptation of H.G. Wells’s The Island of Dr. Moreau.  (Perhaps the most famous adaptation came out in 1996 and is the subject of Lost Souls, a fascinating documentary that, I believe, can still be found on Netflix.)  I watched it last night on TCM and I have to admit that I had a mixed reaction to it.  On the one hand, the film’s atmosphere of mystery and danger is palpable and Charles Laughton’s performance definitely set a standard for all misguided scientists to follow.  The human-animals are fantastic creations and  the film’s ending still has some power.  Bela Lugosi’s performance of the Sayer of the Law was superior to his work as Dracula.  (As shown by both this film and Ninotchka, Lugosi was an outstanding character actor.)  Kathleen Burke also does a great job as Lota, which makes it all the more interesting that she was apparently cast as a result of winning a contest that was sponsored by Paramount Pictures.

(On a personal note, I always find it amusing that pre-code films always feature at least one scene of an actress removing her stockings, even if the scene itself has next to nothing to do with the rest of the film.  In this case, the legs belong to Leila Hyams.)

On the negative side, Richard Arlen is not a particularly interesting hero and, from a contemporary point of view, Island of Lost Souls is a rather slow-moving film.  Watching it today requires modern audiences to make a bit of an adjustment to their expectations.

With all that in mind, I still recommend Island of Lost Souls.  Watch it for Charles Laughton and Bela Lugosi.  Watch it as a valuable piece of cinematic history.

Music Video of the Day: Thriller by Michael Jackson (1983, dir. John Landis)


“Due to my strong personal convictions, I wish to stress that this post in no way endorses a belief that this statement was anymore necessary than the one at the beginning of this music video.”

The reason it was there is because Michael Jackson was a Jehovah’s Witness at the time. That’s just one of the many many many things you can find out about this music video on Wikipedia alone.

I guess I can add one thing to this that you have dig around a bit to put together. I’m sure there have been some made since Thriller, but just in case you didn’t know, or remember how huge this music video was, it was popular enough to get its’ own porno spoof. It is called Driller: A Sexual Thriller (1984).

Driller (1984, dir. Joyce James)

Driller (1984, dir. Joyce James)

They even spoofed Jackson’s opening statement.

Driller (1984, dir. Joyce James)

Driller (1984, dir. Joyce James)

Because when I see this,…

vlcsnap-2016-10-30-16h00m34s130

I totally want to see it have sex.

Driller (1984, dir. Joyce James)

Driller (1984, dir. Joyce James)

The mask in Thriller is much better.

What I love best about this is that John Landis kind of predicted this would happen a couple of years prior when he made An American Werewolf In London (1981). Landis likes to stick references into his movies to a fictional film called See You Next Wednesday. Thriller is no exception. As Jackson gets up to leave the theater, you can hear someone onscreen say “See You Next Wednesday.” Of course An American Werewolf In London also had that bit, but it was a porno in that movie.

An American Werewolf In London (1981, dir. John Landis)

An American Werewolf In London (1981, dir. John Landis)

There’s even the scene where David is sitting in a porno theater watching the fictional “See You Next Wednesday” movie while talking to Griffin Dunne’s character who is looking like the undead in Thriller at that point.

An American Werewolf In London (1981, dir. John Landis)

An American Werewolf In London (1981, dir. John Landis)

The only other thing I noticed is that if you drop the ‘s’ in “Peters”, then you have a director that got his start making horror movies.

vlcsnap-2016-10-30-16h57m19s398

Sadly, just like Down Under by Men At Work and It’s Tricky by RUN-DMC, this music video ended up in litigation. Both John Landis and Ola Ray sued Michael Jackson over royalties. I’m glad none of that kept the music video off of YouTube as it seems to with so many others.

Happy Halloween!